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* Dürer (Albrecht, 1471-1528). The Holy Family in Egypt, from The Life of the Virgin, circa 1503 [but slightly later], woodcut on laid paper (with...
* After Titian (Tiziano Vecellio, 1485/89-1576). Satyrs in a Landscape, after Titian, circa 1515-1560, etching on laid paper, with watermark, with...
* Dürer (Albrecht, 1471-1528). Cardinal Albrecht of Brandenburg (The Small Cardinal), 1519, engraving on laid paper, a good Meder 'a' impression, ...
Da Trento (Antonio, circa 1510-1550). Madonna of the Roses, after Parmigianino, circa 1527-1530
* Da Trento (Antonio, circa 1510-1550). The Virgin and Child with Saint John the Baptist (Madonna of the Roses), after Parmigianino, circa 1527-15...
* Master of the Parrot (active Antwerp, 1525-1550). Virgin and Child with bunch of grapes, oil on wood panel, of the Virgin Mary seated, presentin...
* Bonasone (Giulio, 1498-1580). Flora and her Nymphs, after Giulio Romano, circa 1531-50, engraving on laid paper, the 2nd state, with the additio...
* Aldegrever (Heinrich, circa 1502- 1555/1561). Lust (Begierde), from the series Virtues and Vices, 1552, engraving on laid paper, with two-line p...
* Ghisi (Giorgio Mantovano, 1520-1582). Venus and Adonis, after Teodoro Ghisi, circa 1570, engraving on laid paper, without watermark, lettered wi...
* Goltzius (Hendrik, 1558-1617). The Muse Erato, from the series The Nine Muses, 1592, engraving on laid paper, with numeral nine towards lower le...
* After Annibale Carracci (1560-1609). Vision of Saint Francis, early 17th century, oil on canvas, relined, 45.5 x 37.5 cm (18 x 14 3/4 ins), gilt...
* Attributed to Carlo Caliari (1570-1596). Head of an Old Man, black and white chalk on pale blue-grey laid paper with thin black ink border, shee...
* Grimaldi (Giovanni Francesco, 1606-1680). Landscape with fishing boat and figures by a river, etching on laid paper, sheet size 160 x 227 mm (6 ...
* Dürer (Albrecht, 1471-1528). Saint Jerome in His Study, 1514, engraving on laid paper, trimmed just inside the plate mark, an early (possibly 16...
Circle of Guido Reni (1575-1642). Head of a Youth, and Study of a female hand.., and two others
* Circle of Guido Reni (1575-1642). Head of a Youth, black, sanguine and white chalks on grey-green laid paper with a winged figure watermark, wit...
* Baglione (Giovanni, 1566/71-1643/44). Young couple in contemporary dress, black chalk on pale grey-brown laid paper, with touches of white chalk...
* Sadeler (Aegidius, 1570-1629). Landscape with buildings and figures approaching a bridge, after Pieter Stevens II (circa 1567 - circa 1624), cir...
* Broggiotti (Andrea, active in Rome 1617-1646). Portrait of Cardinal Lelio Biscia, from Sanctissimi D.N. Urbani papae VIII ac illustrissimorum et...
* Galle (Cornelis, 1576-1650). Maphaei S.R.E. Card. Barberini nunc urbani Pp. VIII Poemata, Antwerp: Ex officina Plantiniana Balthasaris Moreti, 1...
Bolswert (Schelte Adamsz., 1576-1659). Forest Crossed by a Stream..., circa 1638..., and others
* Bolswert (Schelte Adamsz., 1576-1659). Forest Crossed by a Stream & Landscape with a Cart and Sunset, (from the Set of Small Landscapes, after P...
* Bolswert (Schelte Adamsz., 1576-1659). Landscape with Milkmaids and Cows (from the Set of Small Landscapes), circa 1638, engraving on laid paper...
* Breenbergh (Bartholomeus, Deventer 1598-1657 Amsterdam). Italianate Landscape with soldiers and hunting dogs going, early morning, oil on wood p...
* Lommelin (Adriaen, circa 1687- circa 1677). Marie de Barbancon, Princess of Arenberg, Antwerp: Joannes Meyssens, circa 1645, engraving on laid p...
Testa (Giovanni Cesare, active 1630-1655). Last Communion of Saint Jerome..., 1650-55, and others
* Testa (Giovanni Cesare, active 1630-1655). The Last Communion of Saint Jerome, after Domenichino, circa 1650-55, etching on laid paper, publishe...
Elle (Louis Ferdinand, 1612-1689). Divers sujets d'Amour, after Louis Testelin, Paris, circa 1650
* Elle (Louis Ferdinand, 1612-1689). Divers Sujets d'Amour, after Louis Testelin, Paris, circa 1650, the series of 7 etchings on laid paper of put...
* Mignard (Nicolas, 1606-1668). Odysseus defying the Sirens, Odysseus and Circe & Odysseus Escaping Polyphemus, 1637, etchings on laid paper, afte...
* Testa (Giovanni Cesare, circa 1630-1655). The Prophecy of Basilides, after Pietro Testa, circa 1650, etching on laid paper, with watermark of a ...
* Venetian School. Seated Male Nude, 17th century, red chalk on light pale grey-green laid paper, with indistinct watermark, numbered 2 in pencil ...
* Verini (Giovanni, active circa 1660). The Birth of Bacchus (The Infant Bacchus Entrusted to the Nymphs of Nysa), after Poussin, circa 1660, etch...
* Circle of Carlo Marratta (Camerano, 1625-1713, Rome). Portrait of Cosimo III de' Medici, Grand Duke of Tuscany (1642-1723), oil on canvas, full ...
Aquila (Pietro, 1650-1692). Ganymede, Polyphemus, Acis and Galatea, engraving after Carracci, circa
* Aquila (Pietro, 1650-1692). Ganymede, Polyphemus, Acis and Galatea, after Annibale Carracci, Rome: Jo Jacob de Rubeis ad Templ. S. Maria de Pace...
* Blondeau (Jacques, 1555-1698). A Young Prince being educated in the Arts of War and Leadership by Mars, after Pietro da Cortona (1597-1689), Rom...
* Spanish School. Plato's Symposium, after Pietro Testa (1611-1650), probably late 17th or early 18th century, pen and ink on heavy cream laid pap...
* Herregouts (Jan Baptist, 1640-1721). St Cecilia, etching on laid paper with Strasbourg Lily watermark (and another watermark, unidentified), som...
* Robinson (Robert, active 1674-1706). Classical Capriccio, mezzotint on laid paper, showing an artistdepicting an artist sketching classical ruin...
* Circle of Francesco Solimena (1657-1747). Dido Enthroned, from Aeneas at the Court of Dido, circa 1720s, black chalk on early 18th century textu...
Mercier (Philippe, 1689-1760). Leçon d'Amour, after Jean-Antoine Watteau, etching..., and others
* Mercier (Philippe, 1689-1760). Leçon d'Amour, after Jean-Antoine Watteau, etching and engraving on laid paper, with engraved dedication to the C...
Verkolje (Nicolaas, 1673-1746). Man showing a Picture to a Woman by Candlelight..., and others
* Verkolje (Nicolaas, 1673-1746). Man showing a Picture to a Woman by Candlelight, after Arnold Houbraken, circa 1700, mezzotint on laid paper, wi...
* European School. Wayfarers with cattle and sheep, early 18th century, oil on panel, a naively painted view of two figures, one seated playing a ...
* Italian School. Scenic landscape with fortified buildings beside river, early 18th century, oil on canvas roundel laid on circular board, depict...
Ricci (Marco, 1676/79-1729/30). Landscape with Ruins, & Landscape with a Village on a Hill, 1730
* Ricci (Marco, 1676/79-1729/30). Landscape with Ruins, & Landscape with a Village on a Hill, from the series of 20 landscapes, 1730, etching on l...
* Piranesi (Giovanni Battista, 1720-1778). Veduta sul Monte Quirinale del Palazzo dell'Eccellentissima Casa Barberini, from the Vedute di Roma, 17...
* Manner of Frances Hayman (circa 1708-1776). Portrait of a Clergyman, circa 1760, oil on canvas of a seated clergyman, once thought to be Sir Wil...
* Manner of Peter Le Cave (active 1769-1816). Rural Landscapes, a pair of large-scale 18th century rustic landscapes in pastel, unsigned, one with...
* Piranesi (Giovanni Battista, 1720-1778). Veduta della Basilica di S. Sebastiano fuori della mura di Roma, su la via Appia, from the Vedute di Ro...
* Rosaspina (Francesco, 1762-1841). Festeggiamento degli Amori per la Rapita Proserpina, circa 1810, fine copper engraving by Rosaspina after Fran...
* Wilson (Richard, 1713-1782). Villa Negroni, Rome, black chalk on pale blue-grey laid paper, inscribed by the artist to lower edge 'Villa Negroni...
* Hogarth (1697-1764). The Four Stages of Cruelty (First Stage of Cruelty, Second Stage of Cruelty, Cruelty in Perfection & The Reward of Cruelty)...
* Piranesi (Giovanni Battista, 1720-1778). Veduta, nella Via del Corso, del Palazzo dell' Accademia istituita da Luigi XIV, 1752, etching and engr...
* Piranesi (Giovanni Battista, 1720-1778). Teatro di Marcello, from the Vedute di Roma, 1753, etching and engraving on heavy laid paper, from the ...
* Piranesi (Giovanni Battista, 1720-1778). Veduta dell'avanzo del Castello..., from the Vedute di Roma, 1753, etching and engraving on heavy laid ...
* Cattini (Giovanni, 1715-1804/1809). Six engravings from Icones ad Vivum Expressae, after Giovanni Battista Piazzetta, circa 1754, fine large eng...
* Piranesi (Giovanni Battista, 1720-1778). Pyramide di C. Cestio, from the Vedute di Roma, 1756, etching and engraving on heavy laid paper, from t...
* Piranesi (Giovanni Battista, 1720-1778). Veduta degli Avanzi del Foro di Nerva, from the Vedute di Roma, 1757, etching and engraving on heavy la...
* Piranesi (Giovanni Battista, 1720-1778). Veduta del Campidoglio di fianco, 1757, etching and engraving on heavy laid paper, from the first Paris...
* Piranesi (Giovanni Battista, 1720-1778). Veduta del Tempio di Cibele a Piazza della Bocca della Verita, 1758, etching and engraving on heavy lai...
* Sandby (Paul, 1731-1809). Landscape with Travellers, 1758, etching on paper, 'P Sandby Inv Sculp' inscribed lower left, Brodbury House Gallery l...
* Berardi (Fabio, 1728-circa 1782). Rest on the Flight into Egypt, after Giovanni Battista Tiepolo, 1760, etching on cream laid paper, old central...
* Piranesi (Giovanni Battista, 1720-1778). Veduta degl'avanzi del sepolcro della famiglia Plauzia..., from the Vedute di Roma, 1761, etching and e...
* Piranesi (Giovanni Battista, 1720-1778). Sepolcro di Cecilia Metella, from the Vedute di Roma, 1762, etching and engraving on heavy laid paper, ...
* Piranesi (Giovanni Battista, 1720-1778). Veduta interna del Tempio della Tosse..., from the Vedute di Roma, 1764, etching and engraving on heavy...
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