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- List
- Grid
* Raimondi (Marcantonio circa 1470-82 - 1527/34).Two Women with the Zodiac, after Raphael, circa 1517-20, engraving on laid paper, without waterm...
* Aldegrever (Heinrich, 1502 - circa 1561). The Four Evangelists, after Georg Pencz (1500-1550), 1539, the complete set of four engravings on laid...
Ghisi (Giorgio Mantovano, circa 1512/20 - 1582). The Fall of Troy and the Escape of Aeneas...,
* Ghisi (Giorgio Mantovano, circa 1512/20 - 1582). The Fall of Troy and the Escape of Aeneas, after Giovanni Battista Scultori, circa 1545, engrav...
Bonasone (Giulio, 1500/10-1574). Jupiter suckled by the Goat Amaltheia, circa 1533-74, engraving
* Bonasone (Giulio, circa 1500/10-1574). Jupiter suckled by the Goat Amaltheia, after Giulio Romano (1499-1549), circa 1533-1574, engraving on lai...
* Dürer (Albrecht, 1471-1528). Ascension, & Pentecost, from The Small Passion, circa 1509-1511, two woodcuts printed together a single sheet of 16...
* Aldegrever (Heinrich, circa 1502- 1555/1561). Lust (Begierde), from the series Virtues and Vices, 1552, engraving on laid paper, with two-line p...
* Attributed to Georg Matheus (German, active 1554-1572). Martha and Magdalen Ascending the Steps of the Temple, after Marcantonio Raimondi (circa...
* Farinati (Orazio, circa 1559–after 1616). The Submersion of the Pharaoh's Army in the Red Sea, 1583, etching on two conjoined sheets of heavy la...
* Wolgemuth (Michael, 1434-1519). The Martyrdom of St. Bartholomew, circa 1585, woodcut on laid paper, from Schedel's Nuremberg Chronicle, title t...
* Wierix (Antonie, 1555/59-1604). Christ healing a Man with Dropsy on the Sabbath, after Bernardino Passeri, from Evangelicae Historiae Imagines, ...
* Sadeler (Aegidius, circa 1570-1629). Theatrum Morum. Artliche Gespräch der Thier mit wahren Historien den Menschen zur Lehr, after Marcus Gheer...
Goltzius (Hendrick, 1558-1617). Sol, & Pluto, from Eight Deities, after Polidoro da Caravaggio
* Guidi (Raffaello, active 1585-1615). Sol, & Pluto, from Eight Deities, after Polidoro Caldara da Caravaggio, 1592 [1613], two engravings on laid...
* Vorsterman (Lucas, 1595-1675). Saint Michael fighting the Rebel Angels, after Peter Paul Rubens (1577-1640), 1621, engraving on laid paper, with...
* After Simone Cantarini (1612-1648). The Rest on the Flight into Egypt, etching on laid paper, a very close copy after Cantarini's etching of cir...
Old Master Prints and Engravings. A folio album of Dutch, Italian and English prints and engravings
* Old Master Prints and Engravings. A large folio album of 17th, 18th & 19th century Dutch, Italian and English prints and engravings, approximate...
* Old Master Prints & Drawings. A large oblong folio album of Dutch, French and English prints and drawings, 17th-19th century, containing 24 wate...
* Waterloo (Antonie, 1609-1690). The Mill, circa 1650, etching on laid paper of a watermill, next to a stream and surrounded by tall trees, at lef...
* Spanish School. Plato's Symposium, after Pietro Testa (1611-1650), late 17th or early 18th century, pen and ink on heavy cream laid paper, inscr...
* Tiepolo (Giovanni Battista, 1699-1770). Donna con le braccio incatenate e quattro figure (Woman in chains with four figures), 1739/43, etching o...
* Piranesi (Giovanni Battista, 1720-1778). Veduta della Basilica di S. Sebastiano Fuori le Mura di Roma, su la via Appia, 1750, etching and engrav...
* Piranesi (Giovanni Battista, 1720-1778). Veduta, nella Via del Corso, del Palazzo dell' Accademia istituita da Luigi XIV, 1752, etching and engr...
* Basan (Pierre Francois, 1723-1797). Lieven Willemsz van Coppenol, Writing Master: The Large Plate, after Rembrandt van Rijn, circa 1758-1768, et...
* Piranesi (Giovanni Battista, 1720-1778). Veduta degl'avanzi del sepolcro della famiglia Plauzia..., from the Vedute di Roma, 1761, etching and e...
* Piranesi (Giovanni Battista, 1720-1778). Sepolcro di Cecilia Metella, from the Vedute di Roma, 1762, etching and engraving on heavy laid paper, ...
* Bartolozzi (Francesco, 1728-1815). Cephalus & Aurora, after Francis Boucher (1703-1770), engraving, some toning to upper right margin, 27 x 42 c...
* Sandby (Paul, 1731-1809). Album of landscape and figure etchings, circa 1750-1780, 96 sepia etchings on 46 sheets of laid paper (watermarked wit...
* Piranesi (Giovanni Battista, 1720-1778). Veduta di Piazza Navona sopra le rovine del Circo Agonale, 1773, etching on heavy laid paper, from the ...
* Rossini (Luigi, 1790-1857). Six views of Rome, 1819-1823, etchings and engravings on cream wove paper, with margins, comprising: Veduta degl' Av...
* Follower of Annibale Carracci (1560-1609). Hero and Leander, red chalk on pale brown laid paper, showing a naked male figure reclining near a bu...
Circle of Guido Reni (1575-1642). Head of a Youth, and Study of a female hand.., and two others
* Circle of Guido Reni (1575-1642). Head of a Youth, black, sanguine and white chalks on grey-green laid paper with a winged figure watermark, wit...
* Lefèvre (Valentin, 1637-1677). Birth of the Virgin, after Paulo Veronese, pen, brown ink, brown and grey wash on two conjoined sheets of laid pa...
Verschuring (Hendrick, 1627-1690). Landscape with figures..., pen, ink and wash on laid paper
* Attributed to Hendrick Verschuring (1627-1690). Landscape with figures, dogs and man on horseback with classical statuary, pen, dark and light g...
* Attributed to John Hamilton Mortimer (1741-1779). Study of Three Banditti, including one in feathered turban, pen and brown ink on heavy cream l...
* Attributed to Richard Earlom (1743-1822). Academic study of a male nude statue with raised arm, circa 1770, black chalk heightened with white ch...
* Romney (George, 1734-1802). Miranda and Ferdinand playing chess in Prospero's cell (Shakespeare's The Tempest, Act V, scene one), pen, brown ink...
Dighton (Robert, 1795-1880). An Old Friend with a New Face, & A Rogue in Grain, circa 1790, 2
* Dighton (Robert, 1795-1880). An Old Friend with a New Face, & A Rogue in Grain, circa 1790, two watercolours with pen and ink on paper, both sig...
* Hamilton (William, 1751-1801). Winter Amusement, & Summer Amusement, circa 1780, two pen, grey ink and watercolours on paper, children playing i...
* Roberts (James, circa 1740-1809). Actor in Costume, watercolour, depicting a well dressed young gentleman wearing a white, green and red feather...
* Smith (John Raphael, 1752-1812). Portrait of a Young Man in a black coat, circa 1790-1800, pastel on paper, 24 x 19 cm (9 1/2 by 7 1/2 ins), sma...
* Hollins (Thomas, active late 18th/early 19th century). Four Views of Moseley Hall, near Birmingham, Worcestershire, circa 1795, set of four wate...
* Flemish School. Saint John the Evangelist and Saint Catherine of Alexandria, 16th-century, together a pair of oil on panel full length portraits...
* Circle of Guido Reni (1575-1642). Charity, 17th century, oil on canvas, of the face of Charity from the larger work by Guido Reni (now in the Me...
* Flemish School. The Descent from the Cross, probably 17th century, oil on copper, 133 x 110 mm (5 1/4 x 4 3/8 ins), later gilt moulded frame (22...
* After Caspar Netscher (Heidelberg 1639 – The Hague 1684). Boy leaning on a Windowsill, holding a Birdcage, fine early 19th century oil on wood p...
* English School. Portrait of Queen Anne (1665-1714), circa 1702, oil on canvas, showing a well dressed Anne with red frilled sleeve caps, wearing...
* Flemish School. Linen Merchant and Home Workers, early 18th century, oil on canvas, cleaned, restored, and laid down on board, interior scene de...
* Dutch School. Portrait of an Elderly Dutch Woman, circa early 18th century, oil on canvas, showing an older woman wearing a white lace edged bon...
* Dutch School. Still life of a Vase of Flowers on a Ledge, 18th century, oil on canvas, depicting peonies, morning glory, roses, tulip, honeysuck...
Mortimer (John Hamilton, 1740-1779). Alexander the Great contemplating the head of Darius, circa
* Mortimer (John Hamilton, 1740-1779). Alexander the Great contemplating the head of Darius, circa 1770, oil on panel, typed title and artist labe...
* After Gerrit Dou (1613-1675). A Woman holding a candle and a lantern, oil on thin copper, 20 x 16 cm (7 7/8 by 6 1/4 ins), late 18th / early 19t...
* Farington (Joseph, 1747-1821). Italian Landscape with Buildings, oil on canvas, old relining, 24 x 31 cm (9 1/2 x 12 1/4 ins), antique gilt fram...
* After Leonardo da Vinci (1452-1519). Self Portrait, circa 1820-40, oval oil on thick board, with contemporary handwritten labels to verso 'Galle...
* Le Cave (Peter, 1769-1816). Cattle and herdsmen in a landscape, oil on board of two men on a donkey shepherding a cow, calf and a pair of sheep ...
After Raphael (1483-1520). Self Portrait, 1506, an early 19th century copy after the original oil
* After Raphael (1483-1520). Self Portrait, 1506, an early 19th century copy after the original oil painting in the Uffizi Gallery, Florence, oval...
* Manner of Peter Le Cave (active 1769-1816). Rural Landscapes, a pair of large-scale 18th century rustic landscapes in pastel, unsigned, one with...
* After Raphael (1482-1520). Madonna and Child (The Tempi Madonna), 1508, finely painted Berlin KPM Porcelain oval plaque, mid to late 19th centur...
* English School. Portrait miniature of Sir John Guise, circa 1780s, watercolour, bodycolour and gold paint on ivory, oval half-length portrait o...
* Aubry (Louis François, 1767-1851). Oval portrait miniature of a young lady, watercolour heightened with white bodycolour on ivory, head and shou...
* Grimaldi (William, 1751-1830). Portrait miniature of a lady, 1801, watercolour and bodycolour on ivory, oval half-length portrait, half profile ...
Irish Silhouette Portraits. A group of 11 silhouette portraits, relating to the Crawford family,
* Irish Silhouette Portraits. A group of 11 silhouette portraits, relating to the Crawford family, mid-19th century, comprising: Reverend Thomas C...
