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BARTHOLOMEUS BREENBERGH (DUTCH 1598-1657) WALLS OF A CITY, POSSIBLY LATINUM Pen and brown ink, with brown and grey wash over black chalk Later in...
ANONYMOUS SOUTHERN NETHERLANDISH OR FRENCH ILLUMINATOR (CIRCA 1500) DAVID IN THE ACT OF SLAYING GOLIATH (FRAGMENT FROM PRAYERBOOK, BOOK OF HOURS, ...
TUSCAN ILLUMINATOR (CIRCA 1310), VIRGIN MARTYR IN THE ACT OF MARTYRDOM. (FRAGMENT OF A LARGER PAGE)
TUSCAN ILLUMINATOR (CIRCA 1310) ILLUSTRATED 'I' - VIRGIN MARTYR IN THE ACT OF MARTYRDOM (FRAGMENT OF A LARGER PAGE FROM A CHOIR BOOK) Bodycolour, ...
‡ HERMAN VAN SWANEVELT (DUTCH 1603- 1655) POLYPHEMUS AND GALATEA; THE JUDGMENT OF PARIS Oil on canvas, a pair The former signed and dated 'HVS (i...
‡ CIRCLE OF JACOB SYMONSZ. PYNAS (DUTCH 1583-1631) REST ON THE FLIGHT INTO EGYPT Oil on copper 11.5 x 7.5cm (4½ x 2¾ in.) Provenance: Sale, Will...
JACOB VAN GEEL (DUTCH CIRCA 1585 - CIRCA 1648) A WOODED LANDSCAPE Oil on panel Signed (lower centre, below frame) 19.5 x 28.5cm (7½ x 11 in.) Pa...
‡ NICOLAES BERCHEM (DUTCH 1620-1683) MERCURY BRINGING ARGUS' EYES TO JUNO Oil on panel 48 x 71cm (18¾ x 27¾ in.) Provenance: Sale, Sotheby's Pa...
‡ ATTRIBUTED TO DOMENICO ZAMPIERI, KNOWN AS DOMENICHINO (ITALIAN 1581-1641), LANDSCAPE WITH A HERMIT
‡ ATTRIBUTED TO DOMENICO ZAMPIERI, KNOWN AS DOMENICHINO (ITALIAN 1581-1641)LANDSCAPE WITH A HERMIT Oil on canvas 41 x 54cm (16 x 21¼ in.) Provenan...
ATTRIBUTED TO CHARLES MELLIN (FRENCH 1597-1649) PIETÀ Oil on canvas 106 x 77.5cm (41½ x 30½ in.)Provenance: Sale, Ader Tajan, Paris, 26 April 19...
CIRCLE OF THOMAS BLANCHET (FRENCH 1614-1689) PIETÀ Oil on canvas 53 x 49cm (20¾ x 19¼ in.) Painted circa 1650. Provenance: Dr. Zhan (accordin...
‡ TOMMASO MANZUOLI, CALLED MASO DA SAN FRIANO (ITALIAN 1531-1571), THE RESURRECTION OF CHRIST
‡ TOMMASO MANZUOLI, CALLED MASO DA SAN FRIANO (ITALIAN 1531-1571) THE RESURRECTION OF CHRIST Tempera on panel, with an arched top 31 x 16cm (12 x...
‡ ATTRIBUTED TO CARLO SARACENI (ITALIAN 1579-1620) DEATH OF THE VIRGIN Oil on copper Stencilled 'L.A.' (to frame's verso, possibly a collector's ...
CIRCLE OF SIMON VOUET (FRENCH 1590-1649) THE HOLY FAMILY Oil on canvas 93.5 x 82.5cm (36¾ x 32¼ in.) UnframedPainted circa 1640. Condition Repor...
NORTHERN FOLLOWER OF MICHELANGELO MERISI, CALLED CARAVAGGIO MARY MAGDALENE Oil on canvas 112 x 82.5cm (44 x 32¼ in.) Unframed Provenance: Sale, S...
FOLLOWER OF CLAES CORNELISZ MOEYAERT THE PROPHET ELISHA AND THE WIDOW WITH HER TWO SONS Oil on panel 39.5 x 51cm (15½ x 20 in.) Painted circa 165...
SOUTH AMERICAN SCHOOL (17TH/18TH CENTURY) THE BLACK VIRGIN WITH CHILD OF MONTSERRAT Oil on panel 26 x 39cm (10 x 15¼ in.) Condition Report: The...
‡ DUTCH SCHOOL (CIRCA 1600) SAINT JOHN THE EVANGELIST Oil on copper, with a shaped top 15.9 x 11.4cm (6¼ x 4¼ in.) Provenance: Joseph E. Widener...
FRENCH SCHOOL (CIRCA 1760) PORTRAIT OF AN ARTIST Pastel on paper laid down to canvas 53 x 46.5cm (20¾ x 18¼ in.) Provenance:Sotheby's, New York, 1...
JOHN OPIE (BRITISH 1761-1807) PORTRAIT OF A GENTLEMAN, SAID TO BE DR. GREGORY Oil on canvas 124.5 x 99.5cm (49 x 39 in.) UnframedProvenance: Agnew...
JAMES WARD (BRITISH 1769-1859) A WAGON PASSING A COTTAGE ON A WINDY NIGHT Oil on paper, laid down on panel Signed 'J. Ward' (lower right) 11.5 x ...
JOSHUA SHAW (ENGLISH 1776-1860) A WOODCUTTER AND HIS DOG IN A GLADE Oil on canvas 61 x 76cm (24 x 29¾ in.) Provenance: Sale, Christie's, 14 Oct...
ATTRIBUTED TO GIOVANNI BATTISTA PIRANESI (ITALIAN 1720-1778) YOUNG MAN GESTURING TO HIS RIGHT, HEAD UP; YOUNG MAN GESTURING TO HIS RIGHT, HEAD DOW...
ITALIAN SCHOOL (18TH CENTURY) ARCHITECTURAL CAPRICCIO Pen and ink Inscribed with a device (lower right) 11.5 x 15cm (4½ x 5¾ in.) Provenance: Char...
FRENCH SCHOOL (19TH CENTURY), MUSICAL SCORE: UN PÉRE À SES FILLES (RECTO); LA PESTE D'HELIAN (VERSO)
FRENCH SCHOOL (19TH CENTURY) MUSICAL SCORE: UN PÉRE À SES FILLES (RECTO); LA PESTE D'HELIAN (VERSO) Ink Variously inscribed and annotated Overall ...
CONTINENTAL SCHOOL (PROBABLY LATE 18TH CENTURY), PAIR OF CYLINDRICAL MIRROR ANAMORPHOSES (2)
CONTINENTAL SCHOOL (PROBABLY LATE 18TH CENTURY) PAIR OF CYLINDRICAL MIRROR ANAMORPHOSES, OR OPTICAL ILLUSIONS, ONE DEPICTING ST CHRISTOPHER Waterc...
CIRCLE OF ALEXANDRE COLIN (FRENCH 1798-1875) THE SHADES OF FRANCESCA AND PAOLO APPEARING TO DANTE AND VIRGIL Oil on panel 32 x 42cm (12½ x 16½ in....
CONRAD HUBER (GERMAN 1752-1830) CRUCIFIXION Oil on canvas Signed and dated 'Huber Invenit / Pinxit '1818' (lower right) 59 x 69cm (23 x 27 in.) ...
ATTRIBUTED TO JOHN HAMILTON MORTIMER (BRITISH 1740 - 1779) SOLDIER HOLDING A SEVERED HEAD Oil on copper 23.5 x 18cm (9¼ x 7 in.) Provenance: ...
GILBERT STUART (AMERICAN 1755 -1828) PORTRAIT OF WILLIAM GEORGE DIGGES LA TOUCHE Oil on canvas, oval 76 x 63.5cm (29¾ x 25 in.) Painted circa 178...
AFTER SIR JOSHUA REYNOLDS PORTRAIT OF GEORGE COLMAN (1732 - 1794) Oil on canvas 77 x 64cm (30¼ x 25 in.) UnframedProvenance: The Gow Collection Sa...
‡ RICHARD WILSON (WELSH 1714-1782) THE WEIR ON THE PO (FIGURES BY A WATERFALL) Oil on canvas, tondo 23.5 x 23.5cm (9¼ x 9¼ in.) Painted circa 17...
THOMAS STOTHARD (BRITISH 1755-1834) DESIGN FOR A FRIEZE Oil on paper laid to canvas 12 x 89cm (4½ x 35 in.) Painted circa 1795. Provenance: Jo...
THOMAS STOTHARD (BRITISH 1755-1834) THE TEMPTATION OF HERCULES Oil on canvas 101 x 127cm (39¾ x 50 in.)
JEAN- JACQUES LEQUEU (FRENCH 1757-1826) BACCHIC FRIEZE Pen and black ink, with brown wash and white highlighting Signed and inscribed (lower righ...
‡ FRENCH SCHOOL (18TH CENTURY) PORTRAIT OF AN ARTIST Oil on canvas 99 x 80cm (38¾ x 31¼ in.) Unframed Condition Report: The canvas has been rel...
‡ ANNE-LOUIS GIRODET-TRIOSON (FRENCH 1767-1824) JUPITER & LEDA Charcoal heightened with white chalk 19.5 x 15cm (7½ x 5¾ in.) Drawn circa 1820...
ANNE-LOUIS GIRODET-TRIOSON (FRENCH 1767-1824) CEPHALUS & AURORA Charcoal heightened with white chalk 19 x 15.5cm (7¼ x 6 in.) Drawn circa 1820....
ANNE-LOUIS GIRODET-TRIOSON (FRENCH 1767-1824) JUPITER AND CALLISTO Charcoal heightened with white chalk 19.5 x 15cm (7½ x 5¾ in.) Drawn circa 1...
ANNE-LOUIS GIRODET-TRIOSON (FRENCH 1767-1824) PORTRAIT OF ADÉLAÏDE DE LA GRANGE Black chalk and stump Dated '1812' (lower right) 16 x 12cm (6¼ x ...
‡ ANNE-LOUIS GIRODET-TRIOSON (FRENCH 1767-1824), STUDY OF A DEAD SOLDIER FROM 'THE REVOLT OF CAIRO'
‡ ANNE-LOUIS GIRODET-TRIOSON (FRENCH 1767-1824) STUDY OF A DEAD SOLDIER FROM "THE REVOLT OF CAIRO" Charcoal heightened with pastel 19.5 x 38cm ...
‡ ANNE-LOUIS GIRODET-TRIOSON (FRENCH 1767-1824) STUDY FOR THE DEATH OF PYRRHUS Pencil, black crayon and ink 18 x 26.5cm (7 x 10¼ in.)Drawn circa ...
‡ THÉODORE GÉRICAULT (FRENCH 1791-1824) STUDY FOR 'THE OATH OF BRUTUS AFTER THE DEATH OF LUCRETIA'Pe
‡ THÉODORE GÉRICAULT (FRENCH 1791-1824) STUDY FOR 'THE OATH OF BRUTUS AFTER THE DEATH OF LUCRETIA' Pencil on light greenish-blue coloured paper 9...
‡ THÉODORE GÉRICAULT (FRENCH 1791-1824) LE SONGE D'ENÉE (THE DREAM OF AENEAS) Black crayon, pen and ink, wash and watercolour heightened with w...
‡ AFTER JOSEPH NOLLEKENS (1737-1823) A WHITE MARBLE PORTRAIT BUST OF A LADY 'M.M.A' DATED 1816 With signature and date to reverse and inscribed...
‡ BARON ANTOINE- JEAN GROS (FRENCH 1771-1835) ULYSSES KILLING THE SUITORS OF PENELOPE Pen and brown ink, black chalk, brown and grey wash, height...
‡ BARON ANTOINE-JEAN GROS (FRENCH 1771-1835) PORTRAIT OF CHARLES X, 1825 Oil on canvas Inscribed 'Portrait de son Altesse Royale Monsieur Comte d...
‡ ATTRIBUTED TO PIERRE ANDRIEU (FRENCH 1821 - 1892), AFTER EUGÈNE DELACROIX, L'EDUCATION D'ACHILLES
‡ ATTRIBUTED TO PIERRE ANDRIEU (FRENCH 1821 - 1892), AFTER EUGÈNE DELACROIX L'EDUCATION D'ACHILLES Oil on canvas 35 x 44cm (13¾ x 17¼ in.) Proven...
JAMES GILLRAY (BRITISH 1756-1851), PACIFIC-OVERTURES; TOGETHER WITH A FRENCH SATIRICAL PRINT (2)
JAMES GILLRAY (BRITISH 1756-1851) PACIFIC-OVERTURES, OR - A FLIGHT FROM ST CLOUD'S 'OVER THE WATER TO CHARLEY' - A NEW DRAMATIC PEACE NOW REHEARS...
ISAAC CRUIKSHANK (SCOTTISH 1764-1811) THE MARKET EVACUATED Pencil, pen and grey ink, pink and grey wash Signed with initials and dated '1797' (low...
JAMES GILLRAY (BRITISH 1756-1851) THE SPANISH BULL FIGHT OR THE CORSICAN MATADOR IN DANGER Etching with original hand-colouring Published by Hump...
JAMES GILLRAY (BRITISH 1756-1851) BONAPARTE LEAVING EGYPT Etching with original hand-colouring Published by Hannah Humphrey, 1800 Sheet: 36 x 25c...
JAMES GILLRAY (BRITISH 1756-1851) THE VALLEY OF THE SHADOW OF DEATH Etching and aquatint with original hand-colouring Published by Hannah Humphre...
CIRCLE OF RICHARD PARKES BONINGTON (BRITISH 1802-1828) BARGES Pencil With Col. J. Lewis Brown collector's stamp (lower left) 10.5 x 13.5cm (4 x 5¼...
CIRCLE OF RICHARD PARKES BONINGTON (BRITISH 1802-1828) UNLOADING A BARGE Pencil With Col. J. Lewis Brown's collector's stamp (lower left) 11.5 x 1...
CIRCLE OF RICHARD PARKES BONINGTON (BRITISH 1802-1828) STUDY OF ROCKS AND WATER Pencil With Col. J. Lewis Brown collector's stamp (lower left) 15...
CIRCLE OF RICHARD PARKES BONINGTON (BRITISH 1802-1828) STUDY OF CLIFFS, NORMANDY Pencil With Col. J. Lewis Brown collector's stamp (lower right) 1...
CIRCLE OF RICHARD PARKES BONINGTON (BRITISH 1802-1828) STUDY OF FIGURES AT MARKET AT THOUN, SWITZERLAND Pencil Inscribed 'Thoun' (upper right); w...
CIRCLE OF RICHARD PARKES BONINGTON (BRITISH 1802 - 1828) STUDY OF VILLAGE ROOFS Pencil with stumping With Col. J. Lewis Brown collector's stamp (l...
‡ RICHARD PARKES BONINGTON (BRITISH 1802-1828) LANDSCAPE WITH SUNSET AND FIGURES Oil on canvas 23 x 35cm (9 x 13¾ in.)Provenance: Probably, acquir...
SIR DAVID WILKIE (SCOTTISH 1785-1841) COMPOSITION STUDY Pen and brown ink 6 x 12.5cm (2¼ x 4¾ in.) UnframedProvenance: The Property of a Gentlema...
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