Lot

687

Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms

In Chatsworth Summer Fine Art Sale

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Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 1 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 2 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 3 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 4 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 5 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 6 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 7 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 8 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 9 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 10 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 11 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 12 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 1 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 2 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 3 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 4 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 5 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 6 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 7 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 8 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 9 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 10 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 11 of 12
Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms - Image 12 of 12
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Castlecomer, Co. Kilkenny

Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms (29 1/2" x 24 1/4"). (1) In 1772, fresh from painting a portrait of the Prince of Wales, the artist Richard Brompton was commissioned to paint a three-quarter length canvas of William Pitt, Earl of Chatham. He depicted the statesman, dressed in red and ermine parliamentary robes of the House of Lords, standing with his left hand outstretched in an oratorical gesture. The present painting, a version of that work, was painted probably around the same time as the original. It was relined in the mid nineteenth century. The original portrait was a gift from the Earl of Chatham to his friend Philip Lord Stanhope, who lived at Chevening House in Kent. Quickly recognized to be a classic image of the British statesman and described by Horace Walpole was a good likeness, it was exhibited the following year at the Society of Arts, where it was described as a portrait of ‘a nobleman in the robes of the house of lords, half length’. Brompton’s portrait was engraved in 1778 by John Keyse Sherwin, who worked both from the original and also a sculpted marble portrait by Joseph Wilton (a version of which is in the Crawford Art Gallery in Cork). In his Early Georgian Portraits catalogue, published in 1977, John Kerslake mentions a three-quarter length portrait by Brompton of William Pitt at Chevening (the original), as well as a copy at Wilton House, and another at the Newhouse Galleries in New York in 1941. A version is recorded as having been given by William Pitt to his physician, Dr. Anthony Addington. Several later versions and replicas are known, including the one now in the National Portrait Gallery in London. Although the version in the NPG came from the Stanhope family, it is not considered good enough to be the original, and is thought to be a nineteenth century copy. The popularity of the Brompton portrait lies both in its being a good likeness, painted from life, and also being a dramatic work of art in the tradition of Titian and Van Dyke. A brilliant orator and political leader, William Pitt served as Prime Minister of Britain during the mid eighteenth century. Largely responsible for Britain’s victories over France in the late 1750’s that resulted in territorial gains in India and Canada, he resigned in 1761, but was again appointed Prime Minister in 1766, when he accepted an earldom. In 1778, just six years after Brompton painted his portrait, Pitt rose from his sick bed and went to Parliament to argue for a more tolerant attitude towards the British colonists in America, advice which was not heeded. Dr. Peter Murray 2025

Richard Brompton (1734-1783)  "Portrait of William Pitt, 1st Earl of Chatham," O.O.C., 75cms x 62cms (29 1/2" x 24 1/4"). (1) In 1772, fresh from painting a portrait of the Prince of Wales, the artist Richard Brompton was commissioned to paint a three-quarter length canvas of William Pitt, Earl of Chatham. He depicted the statesman, dressed in red and ermine parliamentary robes of the House of Lords, standing with his left hand outstretched in an oratorical gesture. The present painting, a version of that work, was painted probably around the same time as the original. It was relined in the mid nineteenth century. The original portrait was a gift from the Earl of Chatham to his friend Philip Lord Stanhope, who lived at Chevening House in Kent. Quickly recognized to be a classic image of the British statesman and described by Horace Walpole was a good likeness, it was exhibited the following year at the Society of Arts, where it was described as a portrait of ‘a nobleman in the robes of the house of lords, half length’. Brompton’s portrait was engraved in 1778 by John Keyse Sherwin, who worked both from the original and also a sculpted marble portrait by Joseph Wilton (a version of which is in the Crawford Art Gallery in Cork). In his Early Georgian Portraits catalogue, published in 1977, John Kerslake mentions a three-quarter length portrait by Brompton of William Pitt at Chevening (the original), as well as a copy at Wilton House, and another at the Newhouse Galleries in New York in 1941. A version is recorded as having been given by William Pitt to his physician, Dr. Anthony Addington. Several later versions and replicas are known, including the one now in the National Portrait Gallery in London. Although the version in the NPG came from the Stanhope family, it is not considered good enough to be the original, and is thought to be a nineteenth century copy. The popularity of the Brompton portrait lies both in its being a good likeness, painted from life, and also being a dramatic work of art in the tradition of Titian and Van Dyke. A brilliant orator and political leader, William Pitt served as Prime Minister of Britain during the mid eighteenth century. Largely responsible for Britain’s victories over France in the late 1750’s that resulted in territorial gains in India and Canada, he resigned in 1761, but was again appointed Prime Minister in 1766, when he accepted an earldom. In 1778, just six years after Brompton painted his portrait, Pitt rose from his sick bed and went to Parliament to argue for a more tolerant attitude towards the British colonists in America, advice which was not heeded. Dr. Peter Murray 2025

Chatsworth Summer Fine Art Sale

Sale Date(s)
Lots: 1-599
Lots: 600-1152
Venue Address
The Old Cinema
Chatsworth Street
Castlecomer
Co. Kilkenny
R95 XV05
Ireland

Recommended Shipping Companies to assist you with Collection and Shipment:

We recommend the following Shipping Companies to assist you with collection and shipment. 

Please contact them directly to obtain shipping cost quote, delivery schedule, etc.

All shipment / delivery undertaken at the Purchaser's risk and Expense. 

For; Paintings ,Books & Manuscripts : 

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Callanan Couriers  Email: info@callanancouriers.ie

Mob:  0863881072 |  0862545191    Dublin Area Only

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For Larger Items.

Oldcastle Transport Limited 
oldcastletransportltd@gmail.com
Tel;  087.7987784
 
McCann's Removals & Storage Durrow, Co. Laois. 
Tel: +353 (0)57 87 36596  
Web: www.MovingHome.ie   E-mail: info@movinghome.ie

 Carlyle Fine Art Services ; Dublin.  Tel; 087.2890898  Email david@davidcarlyle.ie

 Transpro Logistics. Dublin. Tel. 085.1019211   Email. info@transproirl.com

 

 

 

Important Information

To include :The Patrick ( Pat) Walsh, Dungarvan, Co. Waterford, Collection, Items purchased at Carton House, Co. Kildare, Dispersal Sale, Items from a branch of the Butler Family of Kilkenny and Tipperary, The Collection of Phyllis & Michael Arnold, Northern Ireland, The Val Dillon, Collection, Dublin, and Important Collections & Property from other Stately Homes, Executors and Private Estates. 

Quality Furniture, Paintings, Irish & International Art, Ceramics, Fine Selection of Objet d'Art, Light Fittings, Silver and Silver Plateware, Gold Jewellery, Oriental Ceramics & Art, Rugs, Carpets & Tapestries, & Other Collectibles, etc.

Pre-Sale Condition Reports will not be provided on Multiple-Item lots of Silverware, Porcelain, Glassware, or on lots with an estimate below € 250 Euro. All such lots are sold " as is and with all faults "

SPECIAL CONDITION REGARDING PURCHASES OF GOLD, SILVER AND JEWELLERY LOTS.
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Terms & Conditions

Buyer's Premium 25 % (VAT inclusive) applicable to all lots purchased. Online bidding surcharge of 5 % applicable.. We accept payment by Debit / Credit Cards (credit card payments from outside the E.U. will incur 3% surcharge)  .Payment by direct bank transfer , guaranteed cheque. Cash Payments strictly subject to Anti-Money Laundering provisions and regulations.   

SPECIAL CONDITION REGARDING PURCHASES OF GOLD, SILVER AND JEWELLERY LOTS.
ALL SUCH LOTS MUST BE PAID FOR BY DIRECT BANK TRANSFER OR THROUGH THE 3D SECURE CARD PAYMENT FACILITY ATTACHING TO YOUR INVOICE, PRIOR TO RELEASE & SHIPMENT. WE WILL NOT ACCEPT CARD PAYMENTS OVER THE TELEPHONE OR BY EMAIL FOR SUCH ITEMS. ALL OVERSEAS ( INCLUDING U.K. ) CARD PAYMENTS MAY BE SUBJECT TO A CLEARANCE PERIOD OF TEN WORKING DAYS, PRIOR TO RELEASE & SHIPMENT.

PSRA Number 001687

Catalogue Abbreviations : Paintings, Prints, Works of Art, Furniture, etc.

The first name or names and surname of the Artist or Craftsman: In our opinion a work by the Artist of Craftsman. Attributed to: In our opinion probably a work by the Artist or Craftsman but less certainty as to authorship is expressed than in the preceding category. 

Studio of: In our opinion a work that may have been executed in whole or in part by the artist's hand. Circle of: In our opinion a work of the period of the Artist or Craftsman that is in a similar style to the work of that Artist or Craftsman. 

The surname of the Artist or Craftsman, preceded by “After”: In our opinion, a copy of the work of the artist or craftsman. 

Signed – Stamped: Has a signature or stamp, which in our opinion is the signature or stamp of the artist or craftsman. 

Bears Signature or Stamp: Has a signature or stamp, which in our opinion might be the signature or stamp of the artist or craftsman. 

Dated: Is so dated and in our opinion was executed at about that date. 

Bears Date: Is so dated and in our opinion may have been executed at about that date. 

Abbreviations 

O.O.C. Oils on Canvas O .O.P. Oils on Panel 

O.O.B. Oils on Board W/C Watercolour 

GOU Gouache MAH. Mahogany 

VICT. Victorian ED W. Edwardian 

W.A.F. With all faults As Is With all damages, faults, restorations, etc.

S.N.S.R.  Sold not subject to return.. 

O.R.M.  Of recent manufacture,
 

Catalogue Abbreviations ;  Books and Manuscripts

mls  Manuscript Letters signed

als  Autographed Letters signed

acs  Autographed Cards signed

pb  Paperback

a.e.g.  All edges gilt

t.e.g   Top edge gilt

w.a.f. With all faults  

As is   With all damages , faults, restorations.

As a lot    With all faults , As is

L.S.s  Library stamps

S.N.S.R.   Sold not subject to return

Publ.  Published

f.e.p.  Front end paper

mor   Morocco

n.d.  No date

n.p.  No place

d.j.  Dust jacket

L.P. Large paper

h.m.p.   Hand made paper

vell.    Vellum

hf.    Half

d.w.s.  Dust wrappers

I.M.C.  Irish M/ss Commission

A.M.S   Armorial motif on spine

cont.  Contemporary  

n.a.t.  Not affecting text

frontis  Frontispiece

engd. Engraved

cold.  Coloured

hd.  Hand

port.  Portrait

N.B.: Please note the auctioneers offer no After Sale Guarantee 
whatsoever, with regard to mechanical and electrical items, or 
firearms. We accept no subsequent liability for any damage, loss or 
injury arising from the use of the foregoing. 


IMPORTANT NOTICE 

We recommend that any prospective buyer views lots prior to purchase or has a representive do this on his/her behalf. Any condition report given by the auctioneer prior to auction is based on an opinion and should not be taken as a definitive statement of fact.

Any subsequent issues or disputes arising, based on condition reports given prior to auction, will not be entertained.

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We recommend that clients should only make such enquiries following the conclusion of the Sale. 


 IMPORTANT INFORMATION REGARDING CONDITION REPORTS

 All property is sold “as is”, with all faults, without any representation or warranty of any kind by Fonsie Mealy Auctioneers or the seller. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry.

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In the case of Wines and Spirits, Fonsie Mealy Auctioneers do all that is possible to indicate the accuracy of levels. Such levels may change between cataloguing and sales. A risk of cork failure must be taken into account by any potential buyer. The Auctioneers will  not entertain any price negotiation or return of purchases nor will substitutes be provided in the case of breakage or error of description. Labels may invariably be stained or torn. Fonsie Mealy Auctioneers reserve the right to open original cases prior to sale to describe levels and condition.       

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The shipping of antique firearms and weapons to destinations, particularly outside of the E.U., requires compliance with the stringent regulations governing such.  We recommend that intending purchasers seek guidance from our designated shipping company as to these issues ,  Mail Boxes Etc ,Dublin, Tel. 01.6710400     info@mbedublin 2.com   or    Pack and Send Belfast  Tel ;  +44 (0) 2890 219003  Email belfasteast@packsend.co.uk    

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Lots subject to C.I.T.E.S. cannot be sold to buyers based in countries outside the Europoean Union ( E.U. )   Permission to export such items outside of the  E.U. is very restricted / most probably unobtainable.

 

 From time to time digital equipment is used to dispaly items for sale at auction.This service is merely a reminder to the customer of items previously viewed during view days.

We do not guarantee the quality of the item viewed, the accuracy of the the digital image or guarantee the item on display is the item being sold.  Disputes arising as a result of digital image display will not be entertained. 

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Limited Collection available on sale days .

From 9.30 am to 5.30 pm on subsequent weekdays.  No collections available at Weekends and/or Bank Holidays     

We request that all purchases be collected by Friday, 27th June, 2025.

Overseas purchasers are requested to arrange collection and shipment as soon as possible, and by no later than Friday, 27th June , 2025.

 We recommend the following Shipping Companies to assist you with collection and shipment. 

Please contact them directly to obtain shipping cost quote, delivery schedule, etc.

All shipment / delivery undertaken at the Purchaser's risk and Expense. 

For; Paintings ,Books & Manuscripts : 

Mail Boxes Etc ,Dublin.  Tel. 01.6710400    Email info@mbedublin2.com 
 
Pack and Send Belfast . Tel ;  +44 (0) 2890 219003  Email belfasteast@packsend.co.uk 

 

Callanan Couriers  Email: info@callanancouriers.ie

Mob:  0863881072 |  0862545191    Dublin Area Only

Tony Buggy - 087-9195755, Cork / Limerick Area Only 

For Larger Items.

Oldcastle Transport Limited 
oldcastletransportltd@gmail.com
Tel;  087.7987784
 
McCann's Removals & Storage Durrow, Co. Laois. 
Tel: +353 (0)57 87 36596  
Web: www.MovingHome.ie   E-mail: info@movinghome.ie

 Carlyle Fine Art Services ; Dublin.  Tel; 087.2890898  Email david@davidcarlyle.ie

 Transpro Logistics. Dublin. Tel. 085.1019211   Email. info@transproirl.com

 

 

 

 

 

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Tags: Titian, John Keyse Sherwin, Portrait Painting, Portrait, 15th-18th Century Art