200850
Qing Dynasty style purple clay teapot
1/7
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Description
Qing Dynasty style purple clay teapot.
The following is an introduction from different aspects: Early Qing Dynasty: The shape and decoration are close to the style of the Wanli to the end of the Ming Dynasty. The works of famous potters such as Shao Feichi began to show the unique charm of the purple clay pots of the Qing Dynasty. Kangxi to the late Qianlong period: The prosperous period of the development of purple clay pots, the selection of materials, color matching, shape and decoration have made significant progress, surpassing the level of the Ming Dynasty, and new styles such as spherical pots, oblate pots, cylindrical round pots have emerged in an endless stream. Jiaqing to Guangxu period: Entering the transition period, the pot styles are diverse but the shapes are relatively simple, the decoration is mainly based on poetry and prose, full of literati atmosphere, and seals are used extensively. Late Qing Dynasty: Purple clay pots entered a period of decline, and the production was gradually monopolized by businesses, and the production was commercialized, mostly antique pots that cater to the market. ? Molding technology: From Kangxi to Qianlong period, the round pots were mainly made by printing and turning blanks, the square pots were mainly made by inlaying the body tube with clay pieces, and the ribbed pots were mainly made by scratching with tools or fingers; from Jiaqing to Daoguang to the end of the Qing Dynasty, the pot making technology of the Ming Dynasty was restored, and it was mainly handmade. ? Decorative techniques: There are carving, printing, piling, decals, hollowing, mud painting, relief, lacquer, etc., and they are often combined with enamel, pastel, Jun glaze, etc., or inlaid with gold and silver threads, jade, etc. ? Rich natural shapes: Chen Mingyuan is the master of "flower goods", and he uses natural shapes in pots, such as melon-shaped pots, lotus seed pots, and three friends pots, which are vivid and interesting. ? Diverse geometric shapes: There are spherical pots, oblate pots, cylindrical round pots, etc., with smooth lines, harmonious proportions, and a high degree of fit between the pot lid and the pot body. ? Strong literati atmosphere: Chen Hongshou, Qu Yingshao and other literati participated in the creation, and poems, calligraphy, paintings, etc. were engraved on the pots. "The pot is valuable because of the words, and the words are passed on with the pot", adding cultural and artistic value. ? Reflecting the style of the times: Reflecting the aesthetic concepts, cultural atmosphere and lifestyle of the society at that time, such as the pursuit of gorgeousness and exquisiteness during the Kangxi and Qianlong prosperous periods, and the commercialization characteristics during the decline of the late Qing Dynasty. ? Chen Mingyuan: a man who lived during the reigns of Emperor Kangxi and Emperor Yongzheng of the Qing Dynasty. He was born into a purple clay family and pioneered the practice of engraving poems and inscriptions on the body of teapots.
High 24CM wide 30CM
Freight: 1.International Shipping: Foreign shipping costs are determined by the destination. 2.Photos, descriptions and valuations are carefully prepared by fully certified expert judges and appraisers. 3.In rare cases, the item does not match the description in the auction, Hans Auction experts will help you, please notify Hans Auction within 5 days of receiving the item. 4.See Shipping, Payment and Auction Policies for more details.
The following is an introduction from different aspects: Early Qing Dynasty: The shape and decoration are close to the style of the Wanli to the end of the Ming Dynasty. The works of famous potters such as Shao Feichi began to show the unique charm of the purple clay pots of the Qing Dynasty. Kangxi to the late Qianlong period: The prosperous period of the development of purple clay pots, the selection of materials, color matching, shape and decoration have made significant progress, surpassing the level of the Ming Dynasty, and new styles such as spherical pots, oblate pots, cylindrical round pots have emerged in an endless stream. Jiaqing to Guangxu period: Entering the transition period, the pot styles are diverse but the shapes are relatively simple, the decoration is mainly based on poetry and prose, full of literati atmosphere, and seals are used extensively. Late Qing Dynasty: Purple clay pots entered a period of decline, and the production was gradually monopolized by businesses, and the production was commercialized, mostly antique pots that cater to the market. ? Molding technology: From Kangxi to Qianlong period, the round pots were mainly made by printing and turning blanks, the square pots were mainly made by inlaying the body tube with clay pieces, and the ribbed pots were mainly made by scratching with tools or fingers; from Jiaqing to Daoguang to the end of the Qing Dynasty, the pot making technology of the Ming Dynasty was restored, and it was mainly handmade. ? Decorative techniques: There are carving, printing, piling, decals, hollowing, mud painting, relief, lacquer, etc., and they are often combined with enamel, pastel, Jun glaze, etc., or inlaid with gold and silver threads, jade, etc. ? Rich natural shapes: Chen Mingyuan is the master of "flower goods", and he uses natural shapes in pots, such as melon-shaped pots, lotus seed pots, and three friends pots, which are vivid and interesting. ? Diverse geometric shapes: There are spherical pots, oblate pots, cylindrical round pots, etc., with smooth lines, harmonious proportions, and a high degree of fit between the pot lid and the pot body. ? Strong literati atmosphere: Chen Hongshou, Qu Yingshao and other literati participated in the creation, and poems, calligraphy, paintings, etc. were engraved on the pots. "The pot is valuable because of the words, and the words are passed on with the pot", adding cultural and artistic value. ? Reflecting the style of the times: Reflecting the aesthetic concepts, cultural atmosphere and lifestyle of the society at that time, such as the pursuit of gorgeousness and exquisiteness during the Kangxi and Qianlong prosperous periods, and the commercialization characteristics during the decline of the late Qing Dynasty. ? Chen Mingyuan: a man who lived during the reigns of Emperor Kangxi and Emperor Yongzheng of the Qing Dynasty. He was born into a purple clay family and pioneered the practice of engraving poems and inscriptions on the body of teapots.
High 24CM wide 30CM
Freight: 1.International Shipping: Foreign shipping costs are determined by the destination. 2.Photos, descriptions and valuations are carefully prepared by fully certified expert judges and appraisers. 3.In rare cases, the item does not match the description in the auction, Hans Auction experts will help you, please notify Hans Auction within 5 days of receiving the item. 4.See Shipping, Payment and Auction Policies for more details.
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Qing Dynasty style purple clay teapot.
The following is an introduction from different aspects: Early Qing Dynasty: The shape and decoration are close to the style of the Wanli to the end of the Ming Dynasty. The works of famous potters such as Shao Feichi began to show the unique charm of the purple clay pots of the Qing Dynasty. Kangxi to the late Qianlong period: The prosperous period of the development of purple clay pots, the selection of materials, color matching, shape and decoration have made significant progress, surpassing the level of the Ming Dynasty, and new styles such as spherical pots, oblate pots, cylindrical round pots have emerged in an endless stream. Jiaqing to Guangxu period: Entering the transition period, the pot styles are diverse but the shapes are relatively simple, the decoration is mainly based on poetry and prose, full of literati atmosphere, and seals are used extensively. Late Qing Dynasty: Purple clay pots entered a period of decline, and the production was gradually monopolized by businesses, and the production was commercialized, mostly antique pots that cater to the market. ? Molding technology: From Kangxi to Qianlong period, the round pots were mainly made by printing and turning blanks, the square pots were mainly made by inlaying the body tube with clay pieces, and the ribbed pots were mainly made by scratching with tools or fingers; from Jiaqing to Daoguang to the end of the Qing Dynasty, the pot making technology of the Ming Dynasty was restored, and it was mainly handmade. ? Decorative techniques: There are carving, printing, piling, decals, hollowing, mud painting, relief, lacquer, etc., and they are often combined with enamel, pastel, Jun glaze, etc., or inlaid with gold and silver threads, jade, etc. ? Rich natural shapes: Chen Mingyuan is the master of "flower goods", and he uses natural shapes in pots, such as melon-shaped pots, lotus seed pots, and three friends pots, which are vivid and interesting. ? Diverse geometric shapes: There are spherical pots, oblate pots, cylindrical round pots, etc., with smooth lines, harmonious proportions, and a high degree of fit between the pot lid and the pot body. ? Strong literati atmosphere: Chen Hongshou, Qu Yingshao and other literati participated in the creation, and poems, calligraphy, paintings, etc. were engraved on the pots. "The pot is valuable because of the words, and the words are passed on with the pot", adding cultural and artistic value. ? Reflecting the style of the times: Reflecting the aesthetic concepts, cultural atmosphere and lifestyle of the society at that time, such as the pursuit of gorgeousness and exquisiteness during the Kangxi and Qianlong prosperous periods, and the commercialization characteristics during the decline of the late Qing Dynasty. ? Chen Mingyuan: a man who lived during the reigns of Emperor Kangxi and Emperor Yongzheng of the Qing Dynasty. He was born into a purple clay family and pioneered the practice of engraving poems and inscriptions on the body of teapots.
High 24CM wide 30CM
Freight: 1.International Shipping: Foreign shipping costs are determined by the destination. 2.Photos, descriptions and valuations are carefully prepared by fully certified expert judges and appraisers. 3.In rare cases, the item does not match the description in the auction, Hans Auction experts will help you, please notify Hans Auction within 5 days of receiving the item. 4.See Shipping, Payment and Auction Policies for more details.
The following is an introduction from different aspects: Early Qing Dynasty: The shape and decoration are close to the style of the Wanli to the end of the Ming Dynasty. The works of famous potters such as Shao Feichi began to show the unique charm of the purple clay pots of the Qing Dynasty. Kangxi to the late Qianlong period: The prosperous period of the development of purple clay pots, the selection of materials, color matching, shape and decoration have made significant progress, surpassing the level of the Ming Dynasty, and new styles such as spherical pots, oblate pots, cylindrical round pots have emerged in an endless stream. Jiaqing to Guangxu period: Entering the transition period, the pot styles are diverse but the shapes are relatively simple, the decoration is mainly based on poetry and prose, full of literati atmosphere, and seals are used extensively. Late Qing Dynasty: Purple clay pots entered a period of decline, and the production was gradually monopolized by businesses, and the production was commercialized, mostly antique pots that cater to the market. ? Molding technology: From Kangxi to Qianlong period, the round pots were mainly made by printing and turning blanks, the square pots were mainly made by inlaying the body tube with clay pieces, and the ribbed pots were mainly made by scratching with tools or fingers; from Jiaqing to Daoguang to the end of the Qing Dynasty, the pot making technology of the Ming Dynasty was restored, and it was mainly handmade. ? Decorative techniques: There are carving, printing, piling, decals, hollowing, mud painting, relief, lacquer, etc., and they are often combined with enamel, pastel, Jun glaze, etc., or inlaid with gold and silver threads, jade, etc. ? Rich natural shapes: Chen Mingyuan is the master of "flower goods", and he uses natural shapes in pots, such as melon-shaped pots, lotus seed pots, and three friends pots, which are vivid and interesting. ? Diverse geometric shapes: There are spherical pots, oblate pots, cylindrical round pots, etc., with smooth lines, harmonious proportions, and a high degree of fit between the pot lid and the pot body. ? Strong literati atmosphere: Chen Hongshou, Qu Yingshao and other literati participated in the creation, and poems, calligraphy, paintings, etc. were engraved on the pots. "The pot is valuable because of the words, and the words are passed on with the pot", adding cultural and artistic value. ? Reflecting the style of the times: Reflecting the aesthetic concepts, cultural atmosphere and lifestyle of the society at that time, such as the pursuit of gorgeousness and exquisiteness during the Kangxi and Qianlong prosperous periods, and the commercialization characteristics during the decline of the late Qing Dynasty. ? Chen Mingyuan: a man who lived during the reigns of Emperor Kangxi and Emperor Yongzheng of the Qing Dynasty. He was born into a purple clay family and pioneered the practice of engraving poems and inscriptions on the body of teapots.
High 24CM wide 30CM
Freight: 1.International Shipping: Foreign shipping costs are determined by the destination. 2.Photos, descriptions and valuations are carefully prepared by fully certified expert judges and appraisers. 3.In rare cases, the item does not match the description in the auction, Hans Auction experts will help you, please notify Hans Auction within 5 days of receiving the item. 4.See Shipping, Payment and Auction Policies for more details.
Important Asian Antiques and Masterpieces Auction to be Held on July 17
Sale Date(s)
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291 Brighton Road
South Croydon
London
CR2 6EQ
United Kingdom
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