1964
Pot couvert et coupe dans son chauffe-coupe en porcelaine, Chine, XIX-XXe s., le pot orné de personn
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Pot couvert et coupe dans son chauffe-coupe en porcelaine, Chine, XIX-XXe s., le pot orné de personnages et inscriptions, marque 集成昌製 (Jicheng chang zhi) sous la base, la coupe et son chauffe-coupe décorés de paysages, personnages et inscriptions, avec marque Guangxu sous la base du chauffe-coupe, prise du chauffe-coupe en forme de chien de Fô, diam. 12 cm (pot), 7x7 cm (chauffe-coupe), diam. 5,5 cm (coupe)
Provenance: collection Li Ai Vee (1932-2021), chalet Yu-Lan
A porcelain pot and cover and a cup in its cup warmer, China, 19th-20th century, the pot with 集成昌製 (Jicheng chang zhi) mark under the base, the cup and cup warmer with Guangxu mark under the base, 12 cm diameter (pot), 7x7 cm (cup warmer), 5.5 cm diameter (cup)
Provenance: collection of Li Ai Vee (1932-2021), chalet Yu-Lan
十九世紀至二十世紀瓷蓋罐與帶托杯組
集成昌製款 (蓋罐)
光緒款 (托款)
直徑12厘米(罐), 7x7 厘米(托), 直徑5.5厘米(杯)
來自李愛維收藏 (1932-2021), 玉蘭木屋
Condition
Usure générale des surfaces
Quelques imperfections de cuisson
Usure des émaux et de la dorure
Quelques rayures de surface
Peu d'éclats
Pot: défaut de cuisson sous la base ayant conduit à une fissure
Porte coupe et coupe, poids: 282g en tout
Pot, poids: 458g
Overall wear to the surfaces
Some firing imperfections
Wear to the enamel and the gilding
Some surface scratches
A few chips
Pot: firing defect under the base leading to a split
Cup holder and cup, weight: 282g overall
Pot, weight: 458g
Provenance
La Maison Piguet est honorée de vous présenter la dernière partie de la collection de Madame Li Ai Vee (李爱维, née Eva Anita Li, 1932-2021), peintre sino-allemande établie en Suisse et fervente collectionneuse d’art asiatique, principalement chinois et japonais.
Cette prestigieuse collection était exposée à Blonay, dans son chalet “Yu-Lan” (玉蘭, “Magnolia”). De très belles pièces ont été vendues aux mois de septembre et décembre dernier, dont deux albums de son maître de peinture Zhang Daqian, pour la somme de CHF 460'000.- . Les lots 1957 et 1958 sont deux autres oeuvre par Zhang Daqian mise à l'encan dans le cadre de cette collection.
Les lots 1957 à 2044 font partie de cette collection.
L’entièreté de la collection peut être retrouvée en indiquant sur notre site le mot-clé “Li Ai Vee” dans la barre de recherche et en scannant le QR code figurant dans le catalogue imprimé.
Tous les lots marqués en violet dans le catalogue imprimé proviennent de cette collection.
Piguet auction house is honoured to present the last part of the collection of Li Ai Vee ( 李 爱维 , born Eva Anita Li, 1932-2021), a Chinese-German painter living in Switzerland and a fervent collector of Asian art, mainly Chinese and Japanese.
Born in Shanghai, Li Ai Vee was introduced to painting as a child by her mother, herself an artist, and went on to become a pupil of prestigious painters such as Lin Fengmian (1900-1991) and Lu Yifei (1908-1997) in the 1950s. She then spent several years in Japan, where she was a disciple of the Zen master Rinzai Yamada Mumon Rôshi (1900-1988). There, in 1954, she was selected to paint several bamboos on the sliding doors of the Hiroshima Memorial.
In 1958, Li Ai Vee left China and settled in Zurich, Switzerland. In 1965, she met Zhang Daqian (Chang Dai-Chien, 1899-1983), and became a pupil of this internationally renowned painter. That same year, she was awarded the Medal of the City of Paris in recognition of her art.
In 1973, Li Ai Vee moved to Blonay to the chalet ‘Yu-Lan’ ( 玉蘭 , ‘Magnolia’), surrounded by a vast bamboo forest and guarded by carved Foo lions. It was there that she painted, surrounded by her extensive collection of Asian art, which she has enriched over the years. Li Ai Vee has put together a rich and varied collection of objects, combining monochrome vases, paintings and albums, scholarly objects, carved jades and divinities from the Asian pantheon, all of which she has combined with her passion for art.
The entire collection can be found by entering the keyword ‘Li Ai Vee’ in the search bar on our website.
Pot couvert et coupe dans son chauffe-coupe en porcelaine, Chine, XIX-XXe s., le pot orné de personnages et inscriptions, marque 集成昌製 (Jicheng chang zhi) sous la base, la coupe et son chauffe-coupe décorés de paysages, personnages et inscriptions, avec marque Guangxu sous la base du chauffe-coupe, prise du chauffe-coupe en forme de chien de Fô, diam. 12 cm (pot), 7x7 cm (chauffe-coupe), diam. 5,5 cm (coupe)
Provenance: collection Li Ai Vee (1932-2021), chalet Yu-Lan
A porcelain pot and cover and a cup in its cup warmer, China, 19th-20th century, the pot with 集成昌製 (Jicheng chang zhi) mark under the base, the cup and cup warmer with Guangxu mark under the base, 12 cm diameter (pot), 7x7 cm (cup warmer), 5.5 cm diameter (cup)
Provenance: collection of Li Ai Vee (1932-2021), chalet Yu-Lan
十九世紀至二十世紀瓷蓋罐與帶托杯組
集成昌製款 (蓋罐)
光緒款 (托款)
直徑12厘米(罐), 7x7 厘米(托), 直徑5.5厘米(杯)
來自李愛維收藏 (1932-2021), 玉蘭木屋
Condition
Usure générale des surfaces
Quelques imperfections de cuisson
Usure des émaux et de la dorure
Quelques rayures de surface
Peu d'éclats
Pot: défaut de cuisson sous la base ayant conduit à une fissure
Porte coupe et coupe, poids: 282g en tout
Pot, poids: 458g
Overall wear to the surfaces
Some firing imperfections
Wear to the enamel and the gilding
Some surface scratches
A few chips
Pot: firing defect under the base leading to a split
Cup holder and cup, weight: 282g overall
Pot, weight: 458g
Provenance
La Maison Piguet est honorée de vous présenter la dernière partie de la collection de Madame Li Ai Vee (李爱维, née Eva Anita Li, 1932-2021), peintre sino-allemande établie en Suisse et fervente collectionneuse d’art asiatique, principalement chinois et japonais.
Cette prestigieuse collection était exposée à Blonay, dans son chalet “Yu-Lan” (玉蘭, “Magnolia”). De très belles pièces ont été vendues aux mois de septembre et décembre dernier, dont deux albums de son maître de peinture Zhang Daqian, pour la somme de CHF 460'000.- . Les lots 1957 et 1958 sont deux autres oeuvre par Zhang Daqian mise à l'encan dans le cadre de cette collection.
Les lots 1957 à 2044 font partie de cette collection.
L’entièreté de la collection peut être retrouvée en indiquant sur notre site le mot-clé “Li Ai Vee” dans la barre de recherche et en scannant le QR code figurant dans le catalogue imprimé.
Tous les lots marqués en violet dans le catalogue imprimé proviennent de cette collection.
Piguet auction house is honoured to present the last part of the collection of Li Ai Vee ( 李 爱维 , born Eva Anita Li, 1932-2021), a Chinese-German painter living in Switzerland and a fervent collector of Asian art, mainly Chinese and Japanese.
Born in Shanghai, Li Ai Vee was introduced to painting as a child by her mother, herself an artist, and went on to become a pupil of prestigious painters such as Lin Fengmian (1900-1991) and Lu Yifei (1908-1997) in the 1950s. She then spent several years in Japan, where she was a disciple of the Zen master Rinzai Yamada Mumon Rôshi (1900-1988). There, in 1954, she was selected to paint several bamboos on the sliding doors of the Hiroshima Memorial.
In 1958, Li Ai Vee left China and settled in Zurich, Switzerland. In 1965, she met Zhang Daqian (Chang Dai-Chien, 1899-1983), and became a pupil of this internationally renowned painter. That same year, she was awarded the Medal of the City of Paris in recognition of her art.
In 1973, Li Ai Vee moved to Blonay to the chalet ‘Yu-Lan’ ( 玉蘭 , ‘Magnolia’), surrounded by a vast bamboo forest and guarded by carved Foo lions. It was there that she painted, surrounded by her extensive collection of Asian art, which she has enriched over the years. Li Ai Vee has put together a rich and varied collection of objects, combining monochrome vases, paintings and albums, scholarly objects, carved jades and divinities from the Asian pantheon, all of which she has combined with her passion for art.
The entire collection can be found by entering the keyword ‘Li Ai Vee’ in the search bar on our website.
ONLINE (1957 à 2303) - Arts d'Orient
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