2009
Chevaux, ensemble de 5 peintures sur papier, montées en rouleau, Chine, XX-XXIe s.: 1 avec un groupe
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Chevaux, ensemble de 5 peintures sur papier, montées en rouleau, Chine, XX-XXIe s.: 1 avec un groupe de chevaux, signature et sceau apocryphes de Xu Beihong, 1 avec un cheval s'abreuvant au pied d'un saule, signature et sceau apocryphes de Xu Beihong, 1 avec un cheval solitaire, signature et sceau de Li Ai Vee, 1 avec un cheval s'abreuvant au pied d'un saule, dans le style de Xu Beihong, signature et sceau de Li Ai Vee, 1 avec trois chevaux galopant, dans le style de Xu Beihong, signature et sceaux de Li Ai Vee, 103,5x43,5 cm, 85,5x31,5 cm, 49x27 cm, 85x31 cm et 71x34 cm (peintures)
Provenance: collection Li Ai Vee (1932-2021), chalet Yu-Lan
Horses, a set of 5 paintings on paper, mounted on scrolls, China, 20th-21th century: 2 with signature and apocryphal seal of Xu Beihong, 1 with signature and seal of Li Ai Vee, 2 in the style of Xu Beihong, signature and seal of Li Ai Vee, 103.5x43.5 cm, 85.5x31.5 cm, 49x27 cm, 85x31 cm and 71x34 cm (paintings)
Provenance: collection of Li Ai Vee (1932-2021), chalet Yu-Lan
五件二十世紀至二十一世紀紙本馬圖立軸
兩件徐悲鴻款,三件李愛維款
103.5x43.5厘米、85.5x31.5厘米、49x27厘米、85x31厘米、71x34厘米
來自李愛維收藏 (1932-2021), 玉蘭木屋
Condition
Usure générale des surfaces
Quelques taches
Quelques plis
Dimensions totales, avec monture:
Cheval s'abreuvant, signé Xu Beihong: 173x41 cm
Cheval seul, signé Li Ai Vee: 70x27 cm
Horde, signée Xu Beihong: 167,5x46,5 cm
Cheval s'abreuvant, signé Li Ai Vee: 143,5x39 cm
Horde, signée Li Ai Vee: 107,5x43 cm
Overall wear to the surfaces
Some stains
Some folds
Overall dimensions, with mount:
Drinking horse, signed Xu Beihong: 173x41 cm
Horse alone, signed Li Ai Vee: 70x27 cm
Herd, signed Xu Beihong: 167.5x46.5 cm
Drinking horse, signed Li Ai Vee: 143.5x39 cm
Herd, signed Li Ai Vee: 107.5x43 cm
Provenance
La Maison Piguet est honorée de vous présenter la dernière partie de la collection de Madame Li Ai Vee (李爱维, née Eva Anita Li, 1932-2021), peintre sino-allemande établie en Suisse et fervente collectionneuse d’art asiatique, principalement chinois et japonais.
Cette prestigieuse collection était exposée à Blonay, dans son chalet “Yu-Lan” (玉蘭, “Magnolia”). De très belles pièces ont été vendues aux mois de septembre et décembre dernier, dont deux albums de son maître de peinture Zhang Daqian, pour la somme de CHF 460'000.- . Les lots 1957 et 1958 sont deux autres oeuvre par Zhang Daqian mise à l'encan dans le cadre de cette collection.
Les lots 1957 à 2044 font partie de cette collection.
L’entièreté de la collection peut être retrouvée en indiquant sur notre site le mot-clé “Li Ai Vee” dans la barre de recherche et en scannant le QR code figurant dans le catalogue imprimé.
Tous les lots marqués en violet dans le catalogue imprimé proviennent de cette collection.
Piguet auction house is honoured to present the last part of the collection of Li Ai Vee ( 李 爱维 , born Eva Anita Li, 1932-2021), a Chinese-German painter living in Switzerland and a fervent collector of Asian art, mainly Chinese and Japanese.
Born in Shanghai, Li Ai Vee was introduced to painting as a child by her mother, herself an artist, and went on to become a pupil of prestigious painters such as Lin Fengmian (1900-1991) and Lu Yifei (1908-1997) in the 1950s. She then spent several years in Japan, where she was a disciple of the Zen master Rinzai Yamada Mumon Rôshi (1900-1988). There, in 1954, she was selected to paint several bamboos on the sliding doors of the Hiroshima Memorial.
In 1958, Li Ai Vee left China and settled in Zurich, Switzerland. In 1965, she met Zhang Daqian (Chang Dai-Chien, 1899-1983), and became a pupil of this internationally renowned painter. That same year, she was awarded the Medal of the City of Paris in recognition of her art.
In 1973, Li Ai Vee moved to Blonay to the chalet ‘Yu-Lan’ ( 玉蘭 , ‘Magnolia’), surrounded by a vast bamboo forest and guarded by carved Foo lions. It was there that she painted, surrounded by her extensive collection of Asian art, which she has enriched over the years. Li Ai Vee has put together a rich and varied collection of objects, combining monochrome vases, paintings and albums, scholarly objects, carved jades and divinities from the Asian pantheon, all of which she has combined with her passion for art.
The entire collection can be found by entering the keyword ‘Li Ai Vee’ in the search bar on our website.
Chevaux, ensemble de 5 peintures sur papier, montées en rouleau, Chine, XX-XXIe s.: 1 avec un groupe de chevaux, signature et sceau apocryphes de Xu Beihong, 1 avec un cheval s'abreuvant au pied d'un saule, signature et sceau apocryphes de Xu Beihong, 1 avec un cheval solitaire, signature et sceau de Li Ai Vee, 1 avec un cheval s'abreuvant au pied d'un saule, dans le style de Xu Beihong, signature et sceau de Li Ai Vee, 1 avec trois chevaux galopant, dans le style de Xu Beihong, signature et sceaux de Li Ai Vee, 103,5x43,5 cm, 85,5x31,5 cm, 49x27 cm, 85x31 cm et 71x34 cm (peintures)
Provenance: collection Li Ai Vee (1932-2021), chalet Yu-Lan
Horses, a set of 5 paintings on paper, mounted on scrolls, China, 20th-21th century: 2 with signature and apocryphal seal of Xu Beihong, 1 with signature and seal of Li Ai Vee, 2 in the style of Xu Beihong, signature and seal of Li Ai Vee, 103.5x43.5 cm, 85.5x31.5 cm, 49x27 cm, 85x31 cm and 71x34 cm (paintings)
Provenance: collection of Li Ai Vee (1932-2021), chalet Yu-Lan
五件二十世紀至二十一世紀紙本馬圖立軸
兩件徐悲鴻款,三件李愛維款
103.5x43.5厘米、85.5x31.5厘米、49x27厘米、85x31厘米、71x34厘米
來自李愛維收藏 (1932-2021), 玉蘭木屋
Condition
Usure générale des surfaces
Quelques taches
Quelques plis
Dimensions totales, avec monture:
Cheval s'abreuvant, signé Xu Beihong: 173x41 cm
Cheval seul, signé Li Ai Vee: 70x27 cm
Horde, signée Xu Beihong: 167,5x46,5 cm
Cheval s'abreuvant, signé Li Ai Vee: 143,5x39 cm
Horde, signée Li Ai Vee: 107,5x43 cm
Overall wear to the surfaces
Some stains
Some folds
Overall dimensions, with mount:
Drinking horse, signed Xu Beihong: 173x41 cm
Horse alone, signed Li Ai Vee: 70x27 cm
Herd, signed Xu Beihong: 167.5x46.5 cm
Drinking horse, signed Li Ai Vee: 143.5x39 cm
Herd, signed Li Ai Vee: 107.5x43 cm
Provenance
La Maison Piguet est honorée de vous présenter la dernière partie de la collection de Madame Li Ai Vee (李爱维, née Eva Anita Li, 1932-2021), peintre sino-allemande établie en Suisse et fervente collectionneuse d’art asiatique, principalement chinois et japonais.
Cette prestigieuse collection était exposée à Blonay, dans son chalet “Yu-Lan” (玉蘭, “Magnolia”). De très belles pièces ont été vendues aux mois de septembre et décembre dernier, dont deux albums de son maître de peinture Zhang Daqian, pour la somme de CHF 460'000.- . Les lots 1957 et 1958 sont deux autres oeuvre par Zhang Daqian mise à l'encan dans le cadre de cette collection.
Les lots 1957 à 2044 font partie de cette collection.
L’entièreté de la collection peut être retrouvée en indiquant sur notre site le mot-clé “Li Ai Vee” dans la barre de recherche et en scannant le QR code figurant dans le catalogue imprimé.
Tous les lots marqués en violet dans le catalogue imprimé proviennent de cette collection.
Piguet auction house is honoured to present the last part of the collection of Li Ai Vee ( 李 爱维 , born Eva Anita Li, 1932-2021), a Chinese-German painter living in Switzerland and a fervent collector of Asian art, mainly Chinese and Japanese.
Born in Shanghai, Li Ai Vee was introduced to painting as a child by her mother, herself an artist, and went on to become a pupil of prestigious painters such as Lin Fengmian (1900-1991) and Lu Yifei (1908-1997) in the 1950s. She then spent several years in Japan, where she was a disciple of the Zen master Rinzai Yamada Mumon Rôshi (1900-1988). There, in 1954, she was selected to paint several bamboos on the sliding doors of the Hiroshima Memorial.
In 1958, Li Ai Vee left China and settled in Zurich, Switzerland. In 1965, she met Zhang Daqian (Chang Dai-Chien, 1899-1983), and became a pupil of this internationally renowned painter. That same year, she was awarded the Medal of the City of Paris in recognition of her art.
In 1973, Li Ai Vee moved to Blonay to the chalet ‘Yu-Lan’ ( 玉蘭 , ‘Magnolia’), surrounded by a vast bamboo forest and guarded by carved Foo lions. It was there that she painted, surrounded by her extensive collection of Asian art, which she has enriched over the years. Li Ai Vee has put together a rich and varied collection of objects, combining monochrome vases, paintings and albums, scholarly objects, carved jades and divinities from the Asian pantheon, all of which she has combined with her passion for art.
The entire collection can be found by entering the keyword ‘Li Ai Vee’ in the search bar on our website.
ONLINE (1957 à 2303) - Arts d'Orient
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