Bitong (pot à pinceaux) en bois, Chine, XIX-XXe s., diam. 21 cm (intérieur), diam. 24,5 cm (extérieu

Bitong (pot à pinceaux) en bois, Chine, XIX-XXe s., diam. 21 cm (intérieur), diam. 24,5 cm (extérieur), h. 22,5 cm

Provenance: collection de la famille Ghezzi, originaire de Zurich, joailliers et antiquaires depuis près d'un siècle

A wood bitong (brush pot), China, 19th-20th century, 21 cm diameter (interior), 24.5 cm diameter (exterior), 22.5 cm high

Provenance: Ghezzi family collection from Zurich, jewellers and antique dealers for almost a century

十九世紀到二十世紀木雕筆筒
直徑24.5厘米, 高22.5厘米

Condition

Usure générale de la surface
Craquelures
Fissures
Quelques coups
Quelques entailles
Quelques taches
La partie circulaire à l'intérieur sur la base s'enlève
Quelques rayures de surface

Overall wear to the surface
Cracks
Splits
Some knocks
Some nicks
Some stains
The circular part to the interior of the base can be removed
Some surface scratches

Provenance

La Maison Piguet a le plaisir de vous présenter la dernière partie de la collection de la famille Ghezzi, joailliers et antiquaires depuis près d'un siècle.

La collection, composée de 81 lots, comprend notamment deux statuettes en ivoire d’Amalthée et Daphnis du XVIIe siècle (lot 2320), une Tara sino-tibétaine en bronze du XVIIIe siècle (lot 2046), ainsi qu’un ensemble Ko-Sometsuke en porcelaine composé d’un plat et de six assiettes (lot 2090).

L’entièreté de la collection peut être retrouvée en indiquant sur notre site le mot-clé “Ghezzi” dans la barre de recherche et en scannant le QR code figurant dans le catalogue imprimé.

Tous les lots marqués en rouge dans le catalogue imprimé proviennent de cette collection.

Piguet Auction House is pleased to present a selection from the Ghezzi family collection, jewelers and antique dealers for nearly a century.

In the 1940s, Giacomo Ghezzi (1914–1995) opened two jewelry stores—one in Zurich (near Bahnhofstrasse) and another in Saint Moritz—while his wife Philomena ran an antique shop in Zurich. Through their frequent travels, particularly to China, they developed a deep fascination for the arts of the Far East. They passed on their passion to their son, Fermo (1938–2006), who became a jeweler in 1958 and worked as a consultant for prestigious auction houses before joining the family business. A true art enthusiast, he avidly collected Art Nouveau, Art Deco, and the arts of China and Japan.

United by this shared passion, Fermo and his wife travelled the world, enriching their collection with each new discovery. Tireless and insatiable, they assembled a vast array of artworks, carefully decorating their residences in Saint Moritz and the canton of Vaud with these treasured pieces.