1994
Ensemble de 5 épingles à cheveux en métal réhaussé de plumes de martin pêcheur et pierres dures, Chi
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Ensemble de 5 épingles à cheveux en métal réhaussé de plumes de martin pêcheur et pierres dures, Chine, XIX-XXe s.: 1 en forme de phœnix, 2 à décor de fleurs et chauve-souris, 1 à décor de dragon parmi les flots, 1 en forme de chauve-souris, tailles diverses (manques). On joint une petite épingle en forme de fleur
Provenance: collection Li Ai Vee (1932-2021), chalet Yu-Lan
A set of 5 hairpins in metal enhanced with kingfisher feathers and hardstones, China, 19th-20th century, various sizes (lacks). We add a small hairpin in the shape of a flower
Provenance: collection of Li Ai Vee (1932-2021), chalet Yu-Lan
五件十九世紀至二十世紀點翠嵌石髮簪
來自李愛維收藏 (1932-2021), 玉蘭木屋
Condition
Usure générale des surfaces
Quelques rayures des surfaces
Déformations des épingles
Beaucoup de manques
Quelques traces de colle
Quelques dégâts
Quelques traces de vert-de-gris
Quelques petits restaurations
Certaines parties sont en corail
Veuillez noter que pour le transport hors de Suisse de lots contenant de l’ivoire d’éléphant, de l’écaille de tortue, corail ou des peaux exotiques, Piguet ne pourra pas assister les acheteurs. Un acheteur ne pourra pas différer le paiement du prix de ces lots, ni demander l’annulation de leur vente, sous prétexte qu’il serait dans l’impossibilité de les exporter et/ou de les importer hors de Suisse.
Overall wear to the surfaces
Some surface scratches
Deformations of the pins
Many lacks
Some glue traces
Some damage
Some verdigris traces
Some minute restorations
Some part are in coral
Please note that Piguet will not be able to assist buyers with the shipment outside Switzerland of any lots containing elephant ivory, tortoiseshell, coral or exotic skins. A buyer’s inability to export or import these lots outside of Switzerland cannot justify a delay in payment or cancellation of the sale.
Provenance
La Maison Piguet est honorée de vous présenter la dernière partie de la collection de Madame Li Ai Vee (李爱维, née Eva Anita Li, 1932-2021), peintre sino-allemande établie en Suisse et fervente collectionneuse d’art asiatique, principalement chinois et japonais.
Cette prestigieuse collection était exposée à Blonay, dans son chalet “Yu-Lan” (玉蘭, “Magnolia”). De très belles pièces ont été vendues aux mois de septembre et décembre dernier, dont deux albums de son maître de peinture Zhang Daqian, pour la somme de CHF 460'000.- . Les lots 1957 et 1958 sont deux autres oeuvre par Zhang Daqian mise à l'encan dans le cadre de cette collection.
Les lots 1957 à 2044 font partie de cette collection.
L’entièreté de la collection peut être retrouvée en indiquant sur notre site le mot-clé “Li Ai Vee” dans la barre de recherche et en scannant le QR code figurant dans le catalogue imprimé.
Tous les lots marqués en violet dans le catalogue imprimé proviennent de cette collection.
Piguet auction house is honoured to present the last part of the collection of Li Ai Vee ( 李 爱维 , born Eva Anita Li, 1932-2021), a Chinese-German painter living in Switzerland and a fervent collector of Asian art, mainly Chinese and Japanese.
Born in Shanghai, Li Ai Vee was introduced to painting as a child by her mother, herself an artist, and went on to become a pupil of prestigious painters such as Lin Fengmian (1900-1991) and Lu Yifei (1908-1997) in the 1950s. She then spent several years in Japan, where she was a disciple of the Zen master Rinzai Yamada Mumon Rôshi (1900-1988). There, in 1954, she was selected to paint several bamboos on the sliding doors of the Hiroshima Memorial.
In 1958, Li Ai Vee left China and settled in Zurich, Switzerland. In 1965, she met Zhang Daqian (Chang Dai-Chien, 1899-1983), and became a pupil of this internationally renowned painter. That same year, she was awarded the Medal of the City of Paris in recognition of her art.
In 1973, Li Ai Vee moved to Blonay to the chalet ‘Yu-Lan’ ( 玉蘭 , ‘Magnolia’), surrounded by a vast bamboo forest and guarded by carved Foo lions. It was there that she painted, surrounded by her extensive collection of Asian art, which she has enriched over the years. Li Ai Vee has put together a rich and varied collection of objects, combining monochrome vases, paintings and albums, scholarly objects, carved jades and divinities from the Asian pantheon, all of which she has combined with her passion for art.
The entire collection can be found by entering the keyword ‘Li Ai Vee’ in the search bar on our website.
Ensemble de 5 épingles à cheveux en métal réhaussé de plumes de martin pêcheur et pierres dures, Chine, XIX-XXe s.: 1 en forme de phœnix, 2 à décor de fleurs et chauve-souris, 1 à décor de dragon parmi les flots, 1 en forme de chauve-souris, tailles diverses (manques). On joint une petite épingle en forme de fleur
Provenance: collection Li Ai Vee (1932-2021), chalet Yu-Lan
A set of 5 hairpins in metal enhanced with kingfisher feathers and hardstones, China, 19th-20th century, various sizes (lacks). We add a small hairpin in the shape of a flower
Provenance: collection of Li Ai Vee (1932-2021), chalet Yu-Lan
五件十九世紀至二十世紀點翠嵌石髮簪
來自李愛維收藏 (1932-2021), 玉蘭木屋
Condition
Usure générale des surfaces
Quelques rayures des surfaces
Déformations des épingles
Beaucoup de manques
Quelques traces de colle
Quelques dégâts
Quelques traces de vert-de-gris
Quelques petits restaurations
Certaines parties sont en corail
Veuillez noter que pour le transport hors de Suisse de lots contenant de l’ivoire d’éléphant, de l’écaille de tortue, corail ou des peaux exotiques, Piguet ne pourra pas assister les acheteurs. Un acheteur ne pourra pas différer le paiement du prix de ces lots, ni demander l’annulation de leur vente, sous prétexte qu’il serait dans l’impossibilité de les exporter et/ou de les importer hors de Suisse.
Overall wear to the surfaces
Some surface scratches
Deformations of the pins
Many lacks
Some glue traces
Some damage
Some verdigris traces
Some minute restorations
Some part are in coral
Please note that Piguet will not be able to assist buyers with the shipment outside Switzerland of any lots containing elephant ivory, tortoiseshell, coral or exotic skins. A buyer’s inability to export or import these lots outside of Switzerland cannot justify a delay in payment or cancellation of the sale.
Provenance
La Maison Piguet est honorée de vous présenter la dernière partie de la collection de Madame Li Ai Vee (李爱维, née Eva Anita Li, 1932-2021), peintre sino-allemande établie en Suisse et fervente collectionneuse d’art asiatique, principalement chinois et japonais.
Cette prestigieuse collection était exposée à Blonay, dans son chalet “Yu-Lan” (玉蘭, “Magnolia”). De très belles pièces ont été vendues aux mois de septembre et décembre dernier, dont deux albums de son maître de peinture Zhang Daqian, pour la somme de CHF 460'000.- . Les lots 1957 et 1958 sont deux autres oeuvre par Zhang Daqian mise à l'encan dans le cadre de cette collection.
Les lots 1957 à 2044 font partie de cette collection.
L’entièreté de la collection peut être retrouvée en indiquant sur notre site le mot-clé “Li Ai Vee” dans la barre de recherche et en scannant le QR code figurant dans le catalogue imprimé.
Tous les lots marqués en violet dans le catalogue imprimé proviennent de cette collection.
Piguet auction house is honoured to present the last part of the collection of Li Ai Vee ( 李 爱维 , born Eva Anita Li, 1932-2021), a Chinese-German painter living in Switzerland and a fervent collector of Asian art, mainly Chinese and Japanese.
Born in Shanghai, Li Ai Vee was introduced to painting as a child by her mother, herself an artist, and went on to become a pupil of prestigious painters such as Lin Fengmian (1900-1991) and Lu Yifei (1908-1997) in the 1950s. She then spent several years in Japan, where she was a disciple of the Zen master Rinzai Yamada Mumon Rôshi (1900-1988). There, in 1954, she was selected to paint several bamboos on the sliding doors of the Hiroshima Memorial.
In 1958, Li Ai Vee left China and settled in Zurich, Switzerland. In 1965, she met Zhang Daqian (Chang Dai-Chien, 1899-1983), and became a pupil of this internationally renowned painter. That same year, she was awarded the Medal of the City of Paris in recognition of her art.
In 1973, Li Ai Vee moved to Blonay to the chalet ‘Yu-Lan’ ( 玉蘭 , ‘Magnolia’), surrounded by a vast bamboo forest and guarded by carved Foo lions. It was there that she painted, surrounded by her extensive collection of Asian art, which she has enriched over the years. Li Ai Vee has put together a rich and varied collection of objects, combining monochrome vases, paintings and albums, scholarly objects, carved jades and divinities from the Asian pantheon, all of which she has combined with her passion for art.
The entire collection can be found by entering the keyword ‘Li Ai Vee’ in the search bar on our website.
ONLINE (1957 à 2303) - Arts d'Orient
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