2762
Adolphe Monticelli (1824-1886), Bouquet de pivoines, huile sur panneau, signée, 75,5x64,5 cm
1/4
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Description
Adolphe Monticelli (1824-1886), Bouquet de pivoines, huile sur panneau, signée, 75,5x64,5 cm
Condition
Bon à moyen état
Le panneau est fendu au centre verticalement et a été consolidé au verso par de la toile
Bonne planéité générale
Bonne adhésion de la couche picturale
La couche picturale est empâtée
Elle possède des craquelures prématurées sur l'ensemble lié au séchage de la matière (assez caractéristiques pour l'artiste)
Quelques petites lacunes mineures sur l'ensemble
Sous lumière UV on note quelques retouches sur l'ensemble peu importante (5%) et au niveau de la fente
Irrégularité de brillance lié à la technique
Fair to good condition.
The panel has a vertical split down the center, reinforced on the reverse with canvas.
Overall good flatness.
Good adhesion of the paint layer.
The paint surface is impastoed.
It shows premature craquelure throughout, due to drying of the material—fairly characteristic of the artist's technique.
A few minor losses scattered across the surface.
Under UV light, some minor retouchings (approx. 5%) are visible across the surface, including along the central split.
Uneven gloss, consistent with the artist’s technique.
Provenance
Auction Details
Shipping
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Adolphe Monticelli (1824-1886), Bouquet de pivoines, huile sur panneau, signée, 75,5x64,5 cm
Condition
Bon à moyen état
Le panneau est fendu au centre verticalement et a été consolidé au verso par de la toile
Bonne planéité générale
Bonne adhésion de la couche picturale
La couche picturale est empâtée
Elle possède des craquelures prématurées sur l'ensemble lié au séchage de la matière (assez caractéristiques pour l'artiste)
Quelques petites lacunes mineures sur l'ensemble
Sous lumière UV on note quelques retouches sur l'ensemble peu importante (5%) et au niveau de la fente
Irrégularité de brillance lié à la technique
Fair to good condition.
The panel has a vertical split down the center, reinforced on the reverse with canvas.
Overall good flatness.
Good adhesion of the paint layer.
The paint surface is impastoed.
It shows premature craquelure throughout, due to drying of the material—fairly characteristic of the artist's technique.
A few minor losses scattered across the surface.
Under UV light, some minor retouchings (approx. 5%) are visible across the surface, including along the central split.
Uneven gloss, consistent with the artist’s technique.
Provenance
ONLINE (2685 à 3060) - Tableaux
Ends from
Venue Address
51-44 Rue Prevost-Martin
Geneve
GE
1205
Switzerland
Please contact shipping@piguet.com for any shipping inquiries.
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REMISE DES LOTS : Vendredi 20 juin - 11h - 17h Samedi 21 juin - 10h - 14h Lundi 23 juin - 11h - 17h
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