Lot

961

MONET CLAUDE: (1840-1926) Monet to Pissarro - ´ No matter how many times I've had canvases put up f

In AUTOGRAPH LETTERS, MANUSCRIPTS & HISTORICAL DO...

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MONET CLAUDE: (1840-1926) Monet to Pissarro - ´ No matter how many times I've had canvases put up f - Image 1 of 3
MONET CLAUDE: (1840-1926) Monet to Pissarro - ´ No matter how many times I've had canvases put up f - Image 2 of 3
MONET CLAUDE: (1840-1926) Monet to Pissarro - ´ No matter how many times I've had canvases put up f - Image 3 of 3
MONET CLAUDE: (1840-1926) Monet to Pissarro - ´ No matter how many times I've had canvases put up f - Image 1 of 3
MONET CLAUDE: (1840-1926) Monet to Pissarro - ´ No matter how many times I've had canvases put up f - Image 2 of 3
MONET CLAUDE: (1840-1926) Monet to Pissarro - ´ No matter how many times I've had canvases put up f - Image 3 of 3
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Estepona, Malaga
MONET CLAUDE: (1840-1926) French Impressionist painter. A fine A.L.S., Claude Monet, three pages, 8vo, Etretat, 27th October 1885, to Camille Pissarro (´Mon cher Pissarro´), on the printed stationery of the Hotel Blanquet, in French. Monet states that he has been meaning to write to Pissarro for some time and send his news, ´mais vous savez ce que c´est, etant toujours dehors a travailler, on est fatigue le soir et un peu paresseux pour ecrire´ (Translation: ´but you know how it is, being out all the time working, you're tired in the evening and a bit lazy to write´), remarking ´Je pensais rester moins longtemps ici, mais je suis si peu favorise par le temps que c´est le diable de pouvoir terminer quelque chose. J´ai eu beau faire mettre des toiles pour tous les temps, je n´en viens pas a bout d´une, entre les changements de maree, les bateaux qui ne sont jamais a la meme place´ (Translation: ´I thought I'd stay here for less time, but I'm so short of time that it's the devil to get anything done. No matter how many times I've had canvases put up for all weathers, I can't finish one, between the changes in the weather and the boats that are never in the same place´) explaining that he will remain at Etretat for a while longer, in order to make the most of his trip, and therefore won´t be able to attend the next dinners with Pissarro, ´Vous voudrez bien m´en excusre aupres des amis, et leur faire mes amities. Et vous, que faites-vous, et Renoir, Cezanne, Sisley et Durand les affaires, en tout cela un mot et vous serez bien aimable de me mettre un peu au courant´ (Translation: ´I apologise to my friends for this, and send them my regards. And you, what are you doing, and Renoir, Cezanne, Sisley and Durand, the business, in all this a word and you will be very kind to give me some information´). In concluding Monet states that he hopes Pissarro is in good health, that matters are going well for him, and asking for his compliments to be given to Pissarro´s wife and their son Lucien. A letter of good association and fine content, not least for its references to Monet´s work, but also for the mention of a number of other Impressionist artists. Some very light, extremely minor age wear, VGCamille Pissarro (1830-1903) French Impressionist painter whose eldest son was Lucien Pissarro (1863-1944) French landscape painter, printmaker, wood engraver, designer, and printer of fine books.Pierre-Auguste Renoir (1841-1919) French Impressionist artist. Paul Cezanne (1839-1906) French Post-Impressionist painter.Alfred Sisley (1839-1899) British Impressionist landscape painter.Paul Durand-Ruel (1831-1922) French art dealer associated with the Impressionists, and the first to support Pissarro, Monet and Renoir.Etretat is located in the Normandy region of Northwestern France and is famous for its chalk cliffs, including three natural arches. These landmarks and the associated resort beach attracted not only Monet, but other artists including Eugene Boudin and Gustave Courbet. Monet´s paintings created at Etretat in 1885 include The Cliffs at Etretat and Sailboats behind the needle at Etretat.
MONET CLAUDE: (1840-1926) French Impressionist painter. A fine A.L.S., Claude Monet, three pages, 8vo, Etretat, 27th October 1885, to Camille Pissarro (´Mon cher Pissarro´), on the printed stationery of the Hotel Blanquet, in French. Monet states that he has been meaning to write to Pissarro for some time and send his news, ´mais vous savez ce que c´est, etant toujours dehors a travailler, on est fatigue le soir et un peu paresseux pour ecrire´ (Translation: ´but you know how it is, being out all the time working, you're tired in the evening and a bit lazy to write´), remarking ´Je pensais rester moins longtemps ici, mais je suis si peu favorise par le temps que c´est le diable de pouvoir terminer quelque chose. J´ai eu beau faire mettre des toiles pour tous les temps, je n´en viens pas a bout d´une, entre les changements de maree, les bateaux qui ne sont jamais a la meme place´ (Translation: ´I thought I'd stay here for less time, but I'm so short of time that it's the devil to get anything done. No matter how many times I've had canvases put up for all weathers, I can't finish one, between the changes in the weather and the boats that are never in the same place´) explaining that he will remain at Etretat for a while longer, in order to make the most of his trip, and therefore won´t be able to attend the next dinners with Pissarro, ´Vous voudrez bien m´en excusre aupres des amis, et leur faire mes amities. Et vous, que faites-vous, et Renoir, Cezanne, Sisley et Durand les affaires, en tout cela un mot et vous serez bien aimable de me mettre un peu au courant´ (Translation: ´I apologise to my friends for this, and send them my regards. And you, what are you doing, and Renoir, Cezanne, Sisley and Durand, the business, in all this a word and you will be very kind to give me some information´). In concluding Monet states that he hopes Pissarro is in good health, that matters are going well for him, and asking for his compliments to be given to Pissarro´s wife and their son Lucien. A letter of good association and fine content, not least for its references to Monet´s work, but also for the mention of a number of other Impressionist artists. Some very light, extremely minor age wear, VGCamille Pissarro (1830-1903) French Impressionist painter whose eldest son was Lucien Pissarro (1863-1944) French landscape painter, printmaker, wood engraver, designer, and printer of fine books.Pierre-Auguste Renoir (1841-1919) French Impressionist artist. Paul Cezanne (1839-1906) French Post-Impressionist painter.Alfred Sisley (1839-1899) British Impressionist landscape painter.Paul Durand-Ruel (1831-1922) French art dealer associated with the Impressionists, and the first to support Pissarro, Monet and Renoir.Etretat is located in the Normandy region of Northwestern France and is famous for its chalk cliffs, including three natural arches. These landmarks and the associated resort beach attracted not only Monet, but other artists including Eugene Boudin and Gustave Courbet. Monet´s paintings created at Etretat in 1885 include The Cliffs at Etretat and Sailboats behind the needle at Etretat.

AUTOGRAPH LETTERS, MANUSCRIPTS & HISTORICAL DOCUMENTS AUCTION

Sale Date(s)
Lots: 710
Lots: 640
Venue Address
El Real del Campanario
num.12 Bajo B
Estepona
Malaga
29688
Spain

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Tags: Alfred Sisley, Claude Monet, Lucien Pissarro, Pierre Auguste Renoir, Pierre-Auguste Renoir, Paul Cezanne, Gustave Courbet, Camille Pissarro, 19th-21st Century Art, Landscape Painting, Landscape, Modern & Impressionist Art

Catalogue

Tags: Alfred Sisley, Claude Monet, Lucien Pissarro, Pierre Auguste Renoir, Pierre-Auguste Renoir, Paul Cezanne, Gustave Courbet, Camille Pissarro, 19th-21st Century Art, Landscape Painting, Landscape, Modern & Impressionist Art