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John Reay (British,1947-2011), Lowestoft beach scene, impasto oil on board, signed, 255x168cm,
John Reay (British,1947-2011), Lowestoft beach scene, impasto oil on board, signed, 255x168cm, framed
Colin Burns (b.1944), Brixham Harbour, oil on canvas, signed, 110x49cm, framed.
British / Norwich School, 19th / early 20th century, landscape and village with figures and cattle, oil on canvas, 56x47cm, framed.
Circle of John Berney Ladbrooke (1803-1879), Figures on a woodland path, oil on canvas, 70x60cm,
Circle of John Berney Ladbrooke (1803-1879), Figures on a woodland path, oil on canvas, 70x60cm, framed
William Frederick Austin (1833-1899), Horning Ferry and Costessey Bridge, watercolours, signed,
William Frederick Austin (1833-1899), Horning Ferry and Costessey Bridge, watercolours, signed, 45x27cm, framed and glazed (2)
Attributed to John Crome (1769-1821), Countryside landscape with a lone figure walking beside a
Attributed to John Crome (1769-1821), Countryside landscape with a lone figure walking beside a thatched building, 34.5x27cm, framed.
Owen Waters (1916-2004), 'Early March Landscape, Norfolk', oil on board, signed, dated 1974 on
Owen Waters (1916-2004), 'Early March Landscape, Norfolk', oil on board, signed, dated 1974 on backboard, 39x29cm, framed
Adrian Taunton (British, 20th century), 'Cley, Norfolk', watercolour, signed and dated '88, 35x36cm,
Adrian Taunton (British, 20th century), 'Cley, Norfolk', watercolour, signed and dated '88, 35x36cm, framed and glazed
Leslie LH Moore (1907-1997), A Norfolk Mill, watercolour, signed, 56x38cm, framed and glazed
Leslie LH Moore (1907-1997), A Norfolk Mill, watercolour, signed, 56x38cm, framed and glazed
In the manner of John Crome (1768-1821), Landscape view, oil on board, unsigned, 28.5x18.5cm,
In the manner of John Crome (1768-1821), Landscape view, oil on board, unsigned, 28.5x18.5cm, framed
Owen Waters (1916-2004), 'Newtimber Hill S.Downs Sussex', oil on board, signed, 60x45cm, framed (
Owen Waters (1916-2004), 'Newtimber Hill S.Downs Sussex', oil on board, signed, 60x45cm, framed (board is loosely housed in frame).
Colin Burns (b.1944), "Brents on the Essex Marshes", oil on canvas, signed, 49x74.5cm, framed.
Colin Burns (b.1944), "Brents on the Essex Marshes", oil on canvas, signed, 49x74.5cm, framed.
Colin Burns (b.1944), inscribed on frame verso 'Horsey Mill', oil on canvas, signed, 59.5x90cm,
Colin Burns (b.1944), inscribed on frame verso 'Horsey Mill', oil on canvas, signed, 59.5x90cm, framed
Raymond Leech RSMA (b.1949), Cromer beach, oil on board, signed, 40x28cm, framed
James Stark (1794-1859), Pencil study of a figure stood alongside a carriage, 8x9cm, framed and
James Stark (1794-1859), Pencil study of a figure stood alongside a carriage, 8x9cm, framed and glazed
Geoffrey Chatten (British, b.1938), Farmland, oil on board, signed, 59x44cm, framed. Some small
Geoffrey Chatten (British, b.1938), Farmland, oil on board, signed, 59x44cm, framed.Some small areas of loss to paint surface though the overall p...
John Moore of Ipswich (British,1820-1902), 'Fishing Boats and Man-o'-War' off the Suffolk Coast',
John Moore of Ipswich (British,1820-1902), 'Fishing Boats and Man-o'-War' off the Suffolk Coast', oil on canvas, unsigned, bears artist name plate...
Capt. Greenville Collins (1624-1694), 'Yarmouth and the Sands about it', hand coloured copper
Capt. Greenville Collins (1624-1694), 'Yarmouth and the Sands about it', hand coloured copper engraved map, pub. Freeman Collins, London, between ...
Graham Howlett (British, 20th century), Cley Mill, watercolour, signed, 52x37cm, framed and glazed
Graham Howlett (British, 20th century), Cley Mill, watercolour, signed, 52x37cm, framed and glazed
Joseph Paul (1804-1887) View on the Yare near Thorpe Church, oil on panel, 18x13ins, unsigned, bears
Joseph Paul (1804-1887) View on the Yare near Thorpe Church, oil on panel, 18x13ins, unsigned, bears artist name plate, framed. After James Stark...
John Sell Cotman (1782-1842), View of East Barsham House, etching, plate LVI, dated 1813, 32x34cm,
John Sell Cotman (1782-1842), View of East Barsham House, etching, plate LVI, dated 1813, 32x34cm, framed and glazed.
Charles Joseph Stainland (1838-1916), Montage of eight pen and ink East Anglian scenes in paper, '
Charles Joseph Stainland (1838-1916), Montage of eight pen and ink East Anglian scenes in paper, 'Brancaster from beach', 'from Brancaster Staith'...
In the manner of John Sell Cotman (1782-1842), Rural cottage scene, pencil on paper, unsigned,
In the manner of John Sell Cotman (1782-1842), Rural cottage scene, pencil on paper, unsigned,15x21cm, framed
Ivan Taylor (b.1946), "River Thurne, Norfolk", oil on board, signed, 21x15ins, framed.
Owen Waters (1916-2004), 'A Norfolk Farm', oil on board, signed, 38.5x28.5cm, framed
Geoffrey Chatten (British,b.1938), Tall mast ship in a squall, oil on board, signed, 69.5x53cm,
Geoffrey Chatten (British,b.1938), Tall mast ship in a squall, oil on board, signed, 69.5x53cm, framed
Jack Cox (1914-2007), Sunset / sunrise view of birds alighting over marshland, oil on board, signed,
Jack Cox (1914-2007), Sunset / sunrise view of birds alighting over marshland, oil on board, signed, 70x44cm, framed
John Sell Cotman (1782-1842), 'Walsoken Church', plate 52 and 'Interior of the Chancel of Walsoken
John Sell Cotman (1782-1842), 'Walsoken Church', plate 52 and 'Interior of the Chancel of Walsoken Church, Norfolk' dated 1817, 41x25cm, 39x32cm r...
John Sell Cotman (1782-1842), 'North Wales' soft ground etching, no.21 in 'Liber Studiorum: A Series
John Sell Cotman (1782-1842), 'North Wales' soft ground etching, no.21 in 'Liber Studiorum: A Series of Sketches and Studies' 1838 Bohn edition, t...
Raymond Leech RSMA (b.1949) View over Thurne Mill, oil on board, signed, 38x29cm, framed
Jack Cox (1914-2007) View over an estuary /marshland, watercolour, signed, 32x23cm, framed and
Jack Cox (1914-2007) View over an estuary /marshland, watercolour, signed, 32x23cm, framed and glazed
William Ward ARA (1766-1826) after Thomas Weaver (1774-1843), 'Portrait of Thomas William Coke Esqr.
William Ward ARA (1766-1826) after Thomas Weaver (1774-1843), 'Portrait of Thomas William Coke Esqr. M.P. for Norfolk, Inspecting some of his Sout...
Arthur E. Davis RBA (1893-1988), 'Norwich Cathedral', watercolour, signed, 39x28cm, framed and
Arthur E. Davis RBA (1893-1988), 'Norwich Cathedral', watercolour, signed, 39x28cm, framed and glazed
British School, 20th / 21st century, 'The River Deben, Suffolk' watercolour, indistictly signed
British School, 20th / 21st century, 'The River Deben, Suffolk' watercolour, indistictly signed lower left, 37x28cm, framed and glazed
John Sanders (British,18th century), 'To the Rev'd the Dean & Chapter of Norwich, This View of the
John Sanders (British,18th century), 'To the Rev'd the Dean & Chapter of Norwich, This View of the Choir of the Cathedral is dedicated by their mo...
Arthur Gerald Ackermann (1876-1960), 'Hornchurch Mill', watercolour, signed and dated 1916, 14.5x9.
Arthur Gerald Ackermann (1876-1960), 'Hornchurch Mill', watercolour, signed and dated 1916, 14.5x9.5cm, framed and glazed
British School, 18th century, 'The Cathedral Church of Norwich', copper plate engaving, plate
British School, 18th century, 'The Cathedral Church of Norwich', copper plate engaving, plate XXIV, engraved by Collins 1713, Leveton & Sons Ltd l...
Jack Cox (1914-2007), Beached boats on the shoreline, oil on board, signed, 33x18cm, framed
Owen Waters (1916-2004),Trafalgar Square, London, oil on board, signed, 29.5x21cm, framed.
Owen Waters (1916-2004), View from the riverbank, oil on board, signed, 39.5x29.5cm, framed
Owen Waters (1916-2004), View over a rural landscape to a distant village and church, oil on
Owen Waters (1916-2004), View over a rural landscape to a distant village and church, oil on board, signed, 39.5x29.5cm, framed
Owen Waters (1916-2004), View through a country gateway to a farm yard and buildings, oil on
Owen Waters (1916-2004), View through a country gateway to a farm yard and buildings, oil on board, signed, 39.5x29.5cm, framed
Owen Waters (1916-2004), Broadland scene and a view over an estuary, oils on board, signed, 19.
Owen Waters (1916-2004), Broadland scene and a view over an estuary, oils on board, signed, 19.5x29.5cm and 29.5x21.5cm respectively, framed (2)
Owen Waters (1916-2004), A Rural lane and winter scene, oils on board, signed, 22x14cm and 29.5x19cm
Owen Waters (1916-2004), A Rural lane and winter scene, oils on board, signed, 22x14cm and 29.5x19cm respectively, framed (2)
Owen Waters (1916-2004), View across a country landscape and a winter scene over fields, oils on
Owen Waters (1916-2004), View across a country landscape and a winter scene over fields, oils on board, signed, 29.5x21cm, framed (2)
John Sutton (British, b.1935), 'Scarecrows', watercolour, signed and dated dated 1973, 42x27cm,
John Sutton (British, b.1935), 'Scarecrows', watercolour, signed and dated dated 1973, 42x27cm, framed and glazed
Shirley Carnt (British, 20th century), 'Early Morning Feeders (ii). Thornham Saltings', oil on
Shirley Carnt (British, 20th century), 'Early Morning Feeders (ii). Thornham Saltings', oil on board, signed, 42x16.5cm, framed. Stable Gallery, K...
Geoffrey Chatten (b.1938), Berney Arms, oil on board, signed, 24x19cm, framed.
In the manner of John Crome (1768-1821), Landscape view with foreground cows on the riverbank, oil
In the manner of John Crome (1768-1821), Landscape view with foreground cows on the riverbank, oil on board, unsigned, 38.5x23cm, framed
British School, 19th century, study of a rolling stream / brook, bankside buildings and central
British School, 19th century, study of a rolling stream / brook, bankside buildings and central bridge, pencil on paper, bears indistinct pencil i...
British School, 19th century, Rural scene with a figure standing by a pond and mill / cottage,
British School, 19th century, Rural scene with a figure standing by a pond and mill / cottage, pencil on paper, bears indistinct signature / inscr...
In the manner of John Sell Cotman (1782-1842), Study of a derelict building with a foreground cart
In the manner of John Sell Cotman (1782-1842), Study of a derelict building with a foreground cart and grazing cattle, pencil on paper, unsigned, ...
Attributed to John Berney Ladbrooke (1803-1879), Study of a cottage by waters edge, pencil on paper,
Attributed to John Berney Ladbrooke (1803-1879), Study of a cottage by waters edge, pencil on paper, signed 'J.B. Ladbrooke' and dated 1850 lower ...
Colin Burns (b.1944),"Snipe on Runham Marshes", watercolour, signed, 30x15cm, gouache, framed and
Colin Burns (b.1944),"Snipe on Runham Marshes", watercolour, signed, 30x15cm, gouache, framed and glazed.
Stephen John Batchelder (1849-1932), View on the Broads, watercolour, signed, 43.5x23.5cm, framed
Stephen John Batchelder (1849-1932), View on the Broads, watercolour, signed, 43.5x23.5cm, framed and glazed.
British School, 19th century, Countryside landscape view with a distant ruin, pencil on paper,
British School, 19th century, Countryside landscape view with a distant ruin, pencil on paper, unsigned, 46x33cm, framed and glazed.
Stephen John Batchelder (1849-1932), 'Evening South Walsham Dyke', watercolour, signed, 32x23cm,
Stephen John Batchelder (1849-1932), 'Evening South Walsham Dyke', watercolour, signed, 32x23cm, framed and glazed
British School, 19th century, View through woodland trees to a clearing and cottage, pencil on
British School, 19th century, View through woodland trees to a clearing and cottage, pencil on paper, 50x40cm, framed and glazed
Stephen John Batchelder (1849-1932), Horning Ferry, watercolour, signed, 57x26.5cm, framed and
Stephen John Batchelder (1849-1932), Horning Ferry, watercolour, signed, 57x26.5cm, framed and glazed
Peter Henry Emerson (1856-1936), "The Haunt of the Pike", 1886 (plate XV) and "Marshman going to Cut
Peter Henry Emerson (1856-1936), "The Haunt of the Pike", 1886 (plate XV) and "Marshman going to Cut Schoof Stuff", 1887, (plate XXII), from "Life...
