Modern British & 20th/21st Century Art

After Sir Peter Blake (b1932) Live Aid - Wembley and Philadelphia official poster for the 1985 Wembley Concert, artwork by Sir Peter Blake, 84cm x...

ARR GORDON BRYCE RSA RSW (British b.1943), Honesty and Thistles, oil on board, signed to lower right, title, attribution and dated 2011 verso, Tha...

ARR Gordon Bryce RSA RSW, Sheep Grazing In Snow, oil on board, signed to lower right, title and dated 2011 verso label for Thackeray Gallery, Kens...

ARR Gordon Bryce RSA RSW (British b1943), Winter Evening, Murtle, oil on board, initialled to lower right, titled, attribution and dated 2005 vers...

ARR Katherine Holmes (British b1962), Spring Showers over Boss Moor, watercolour, ink, pastel and collage on paper, signed to lower left, title ve...

ARR Katherine Holmes (British b1962), Spring Coming to Boss Moor, watercolour, ink, pastel and collage on paper, title verso, signed to lower left...

ARR Katherine Holmes (British b1962), Into the Light, Malham Limestone, oil on canvas, signed and title verso, 60cm x 60cm, overall with frame 65....

Katherine Holmes (British b1962), Rain over Islands, watercolour/ink, signed to lower right, 29cm x 39.5cm, overall with frame 49.5cm x 57cm

ARR JOE SCARBOROUGH (British b.1938), Mackenzie Street, oil on canvas, signed and dated (19)75 to upper right, with certificate of authenticity fr...

ARR Mary Lord (British b1931), Times of Year - January and February, a pair, oil on paper, signed to lower right and verso, titled verso, 19.5cm x...

ARR Mary Lord (British b1931), Yorkshire city landscape with hills beyond, oil on paper, signed to lower right, 58.5cm x 83cm

ARR Mary Lord (British b1931), Summer 1991, Yorkshire valley landscape at sunset, 59.5cm x 89cm, oil on board, signed to lower right

ARR Mary Lord (British b1931), Summer landscape under blue skies, oil on board, signed to lower right and verso, 54cm x 74cm, overall 73.5cm x 93....

Felicia Simion, Alternative Selves I, 1/5, pigment print on Canson Baryta II, image size 29cm x 39.5cm, framedPart of a conceptual project followi...

Felicia Simion, Alternative Selves II, 1/5, pigment print on Canson Baryta II, image size 29cm x 39.5cm, framedPart of a conceptual project follow...

Felicia Simion, My Sweet Joy, 1/5, pigment print onto archival Canson Baryte Ink Jet Paper, Anti Ultra Violet and Non Reflective Lamination, to fu...

Felicia Simion, Saudade (translates as a nostalgic longing from Portuguese), 1/5, pigment print onto archival Canson Baryte Ink Jet Paper, Anti U...

Felicia Simion, Hope of Deliverance, pigment print with anti-UV anti-reflective lamination, 59cm x 88cmAn early work from the career of Simion as ...

Felicia Simion, This is Our Homeland, pigment print mounted on 5mm black foam board with anti-UV anti-reflective lamination, 59cm x 88cm'I am a vi...

Felicia Simion, A Fleeting Poppy, pigment print mounted on 5mm black foam board with anti-UV anti-reflective lamination, 82.5cm x 59cmAn early wor...

Felicia Simion, The Gate To Dreamland, pigment print mounted on 5mm black foam board with anti-UV anti-reflective lamination, 59cm x 88cmAn early ...

Felicia Simion, Grown-Ups, pigment print mounted on 5mm black foam board with anti-UV anti-reflective lamination, 59cm x 59cmAn early work from th...

Felicia Simion, Wildflowers, pigment print mounted on 5mm black foam board with anti-UV anti-reflective lamination, 59cm x 88cmAn early work from ...

Felicia Simion, Oasis, pigment print mounted on 5mm black foam board with anti-UV anti-reflective lamination, 59cm x 88cmAn early work from the ca...

Felicia Simion, It's A Dogs Life, pigment print in box frame, 45cm x 64cmAn early work from the career of Simion as she explored her artistic prac...

A Studio porcelain pale green celadon glazed bowl with iron pigment rim, unmarked, 19.5cm diameter x 9.5cm

Trevor Corser for Leach Pottery celadon vase, later 20th century, impressed TC & Leach marks, 25cm high, together with another 19.5m high

Reuben Hutchins (British XX/XXI), Thrown Stoneware ovoid vase, matt pale green celadon and iron pigment glaze, impressed mark, 31.5cm high

Peter Sparrey (b1967) Raku ovoid vase with turquoise to pale grey crackle glaze, impressed mark, 200cm high and another, the body tri-lobed with t...

Peter Sparrey (b1967), A fine stoneware bowl on foot rim, of tenmoku glaze, impressed mark, 16cm dimeter x 9cm high

Peter Sparrey (b1967), A White Stone ware vase, high fired blue/green/turquoise glaze, impressed mark, 27cm high

Peter Sparrey (b1967), A Stoneware Steeped vase in chun glaze with polychrome decoration, impressed mark, 17cm diameter x 10.5cm high

Peter Sparrey (b1967), A White Stoneware vase, compressed form; high fire glaze in sang de boeuf to the body and matt bronze neck, impressed mark,...

A Studio Stoneware vase, ovoid with matt, pale green and charcoal glaze impressed uppercase 'R', 28.5cm high

A Studio Stoneware vase and cover, ovoid, high fired glaze in deep blue, green and deep red with pale grey mottling, unmarked, 16cm high

Andrew Sanders and David Wallace, Hand blown green swirled glass bowl on foot, 17cm diameter x 10cm high, and a vase of similar colouring, 18cm hi...

British School (XX-XXI), Study of a cow, charcoal, watercolour and gouache, 29.5cmx 40cm, overall with frame 51cm x 60cm

ARR Caroline Bailey RSW (Scottish b1953), Jug of Pink Roses, mixed media on card, signed to lower right, 33.5cm x 26cm, overall with frame 53cm x ...

ARR Caroline Bailey RSW (Scottish b1953), Roses in Oil Jar, mixed media, signed to lower right, 33.5cm x 26cm, overall with frame, 53cm x 45cm

ARR Caroline Bailey RSW (Scottish b1953), Pinks in Yellow Jar, signed to lower right, title and attribution verso, 33cm x 27.5cm and 56.5cm x 51cm

ARR Caroline Bailey RSW (Scottish b1953), Pinks in a banded vase, oil on board, signed to lower right, 31cm x 26cm, overall with frame 56cm x 51cmn

Alan Thorpe (British, 20th century), Tuscan Hill Village; Lavender Fields, Provence, two, acrylic, signed to lower right and left, titled verso, 2...

Alan Thorpe (British 20th century), The Golden Light of Venice; Towards the Rialto Bridge, a pair, oil on board, signed to lower right, 23.5cm x 2...

Selina Thorp (British b1968), Common Butterwort, oil pastel, signed to lower right and titled verso, 15cm x 10cm, overall 40cm x 33cm with frame

After Alan Flood (British b1951), Portrait of Violinist (Marat Bisendaliev), drypoint etching on four squares of hand made paper, limited edition ...

Matthew Alexander (British b1953), Boats on River Orwell, Suffolk, oil on board, signed to lower right, title verso, 30.5cm x 40.5cm, overall with...

ARR PETER BEESON (British XX-XXI), High Tree, Wharfedale, oil on board, initialled pb to lower left, 20.5cm x 20.5cm, overall with frame 38cm x 38...

Julia Hawkins, Pears In Memory, 1/5, 'The pears are placed on my mum’s old wooden chopping board. She loved painting still life, particularly pear...

Julia Hawkins, Thanks For The Nectarines, 1/5, 'I started photographing fruit at the beginning of the Covid pandemic. Home alone and furloughed, I...

ARR Caroline McAdam Clark (British b1947), Macathurs Head, the Sound of Islay, oil and mixed media on canvas, signed to lower right, titled and si...

ARR Judith L Bridgland (Australian/Scottish b1962), Gorse at Flamborough Head, oil on canvas, with impasto, signed to lower left, attribution vers...

ARR Judith L Bridgland (Australian/Scottish b1962), Glimpse Through Scottish Pines, Dukes Pass, oil on board with impasto, signed to lower left, a...

ARR James Harrigan (British b.1937), Summer landscape with croft and cows grazing beside a stream, 47cm x 74cm, overall 70cmx 95cm with frame

ARR BRANKO BAHUNEK (Croatian 1935-2005), The Town under Snow, oil on canvas, signed to lower right, 70cm x 56cm, overall with frame 80cm x 66cm