1000
FRANCE, Vingt ans de médailles à la Monnaie de Paris [20 Years of Medals at the Paris.
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FRANCE, Vingt ans de médailles à la Monnaie de Paris [20 Years of Medals at the Paris Mint], 1965, a cast bronze medal by J.-P. Demarchi for the Club français de la Médaille, a curvaceous female kneeling facing, celebrating the fertility of the Monnaie, rev. abstract composition illustrating the power of artistic creation, edge impressed 11/250 and cornucopia, 82mm, 199.60g (CGMP p.607; Monnaie Exh. Cat. 1965, 314, and p.191). Extremely fine, as made £40-£60
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Provenance: Bt Simmons August 2003.
Edition of 250. The exhibition Vingt Ans de Médailles à la Monnaie de Paris, staged from January to March 1965, was a joint exercise by Pierre Dehaye (1921-2008), the Monnaie’s dynamic Directeur, and Robert Rey (1888-1964), the Algerian art historian and critic, who died a few days before the exhibition opened. The exhibition showcased some 900 medals struck between 1947 and 1964, and was the first of its kind to be staged by the Monnaie since 1947
FRANCE, Vingt ans de médailles à la Monnaie de Paris [20 Years of Medals at the Paris Mint], 1965, a cast bronze medal by J.-P. Demarchi for the Club français de la Médaille, a curvaceous female kneeling facing, celebrating the fertility of the Monnaie, rev. abstract composition illustrating the power of artistic creation, edge impressed 11/250 and cornucopia, 82mm, 199.60g (CGMP p.607; Monnaie Exh. Cat. 1965, 314, and p.191). Extremely fine, as made £40-£60
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Provenance: Bt Simmons August 2003.
Edition of 250. The exhibition Vingt Ans de Médailles à la Monnaie de Paris, staged from January to March 1965, was a joint exercise by Pierre Dehaye (1921-2008), the Monnaie’s dynamic Directeur, and Robert Rey (1888-1964), the Algerian art historian and critic, who died a few days before the exhibition opened. The exhibition showcased some 900 medals struck between 1947 and 1964, and was the first of its kind to be staged by the Monnaie since 1947
The Silich Collection of Historical and Art Medals (Part III)
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