335
Hieronymous Francken II (Flemish, 1578-1623), Study for 'Horatius Cocles Defending the Sublician Bri
Description
Hieronymous Francken II (Flemish, 1578-1623) Study for 'Horatius Cocles Defending the Sublician Bridge' c. 1620 Pen & ink with sepia wash on laid paper, with a watermark Provenance: With the Folio Society Collectors' Corner (as Roman School (16th Century)), Stock No. D3740; Private Collection, U.K.; Sale, Bamford's Auctioneers & Valuers, Derby, U.K., 24 March 2021, lot 288 (as Italian Old Master School) The present work is a rediscovered study for Hieronymus Francken's oil painting of the same subject, now in the Royal Museum of Fine Arts, Antwerp (Museum Cat. 1948, inv. no. 163) painted in 1620 for the Serment des Escrimeurs of Antwerp. This drawing likely dates to the same time, when Hieronymus II was active in the studio of his uncle Frans Francken II, and as such may be in part the work of Frans II, or an additional hand in the Master's studio. Dimensions: (Paper) 8.25 in. (H) x 12.5 in. (W)
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Hieronymous Francken II (Flemish, 1578-1623) Study for 'Horatius Cocles Defending the Sublician Bridge' c. 1620 Pen & ink with sepia wash on laid paper, with a watermark Provenance: With the Folio Society Collectors' Corner (as Roman School (16th Century)), Stock No. D3740; Private Collection, U.K.; Sale, Bamford's Auctioneers & Valuers, Derby, U.K., 24 March 2021, lot 288 (as Italian Old Master School) The present work is a rediscovered study for Hieronymus Francken's oil painting of the same subject, now in the Royal Museum of Fine Arts, Antwerp (Museum Cat. 1948, inv. no. 163) painted in 1620 for the Serment des Escrimeurs of Antwerp. This drawing likely dates to the same time, when Hieronymus II was active in the studio of his uncle Frans Francken II, and as such may be in part the work of Frans II, or an additional hand in the Master's studio. Dimensions: (Paper) 8.25 in. (H) x 12.5 in. (W)
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