59
Alexandre Giffard (1841-1880), THE DISAGREEMENT, 1873, oil on canvas, 12 x 18 in — 30.5 x 45.7 cm
ALEXANDRE GIFFARD (1841-1880), CANADIAN
THE DISAGREEMENT, 1873
oil on canvas
signed and dated
12 x 18 in — 30.5 x 45.7 cm
Provenance:
The Pagurian Collection, Toronto, ON;
Collection of Sir Christopher and Lady Ondaatje
Literature:
Pioneers of Canadian Art, The Pagurian Collection (Toronto, ON: Pagurian Press Limited, 1981), 6 no. 62.
Note:
The gloves are quite literally off.
Two habitants square up on a snowy road. One figure is already swinging, while the other bellows with rage. Though it would be decades before the Montreal Canadiens came into existence as an organisation, this painted scene reminds us so much of the on-ice gloves-off behaviour of a very different group of habitants.
While the source of the titular disagreement between these two men is not obvious, it is possible that this painting depicts an early incident of road rage. Nineteenth century Canadian thoroughfares were less than ideal in any season, but winter was especially tricky due to reckless driving and the particular construction of the French-Canadian sleds known as carioles. In 1856, William Kingston wrote:
"The cariole ... is placed on low runners of wood, so that the front part of the body almost touches the ground; and when it meets with any slight impediment in the shape of a heap of snow, it drives it onward till a ridge is formed, over which it has to mount; when coming down on the other side it forms a corresponding hollow. Thus it progresses, covering the whole road with ridges and hollows like the waves of the sea, which gradually increase in size as the carioles pass them. These hollows are called cahots." (1)
Giffard studied under Théophile Hamel, and was active in Quebec between 1863 and 1879.
Sir Christopher Ondaatje explains that “a lot of my early collecting was centred around Montreal and its artists, its histories. The Giffard and the Wilkinson go back to early Canadian history—they were the only ones that I have been able to find that were that primitive, that represent that early settlement.”
(1) William Kingston, Western Wanderings; or, A Pleasure Tour of the Canadas (London: Chapman and Hall, 1856), 2:163.
Estimate: $3,000—4,000
ALEXANDRE GIFFARD (1841-1880), CANADIAN
THE DISAGREEMENT, 1873
oil on canvas
signed and dated
12 x 18 in — 30.5 x 45.7 cm
Provenance:
The Pagurian Collection, Toronto, ON;
Collection of Sir Christopher and Lady Ondaatje
Literature:
Pioneers of Canadian Art, The Pagurian Collection (Toronto, ON: Pagurian Press Limited, 1981), 6 no. 62.
Note:
The gloves are quite literally off.
Two habitants square up on a snowy road. One figure is already swinging, while the other bellows with rage. Though it would be decades before the Montreal Canadiens came into existence as an organisation, this painted scene reminds us so much of the on-ice gloves-off behaviour of a very different group of habitants.
While the source of the titular disagreement between these two men is not obvious, it is possible that this painting depicts an early incident of road rage. Nineteenth century Canadian thoroughfares were less than ideal in any season, but winter was especially tricky due to reckless driving and the particular construction of the French-Canadian sleds known as carioles. In 1856, William Kingston wrote:
"The cariole ... is placed on low runners of wood, so that the front part of the body almost touches the ground; and when it meets with any slight impediment in the shape of a heap of snow, it drives it onward till a ridge is formed, over which it has to mount; when coming down on the other side it forms a corresponding hollow. Thus it progresses, covering the whole road with ridges and hollows like the waves of the sea, which gradually increase in size as the carioles pass them. These hollows are called cahots." (1)
Giffard studied under Théophile Hamel, and was active in Quebec between 1863 and 1879.
Sir Christopher Ondaatje explains that “a lot of my early collecting was centred around Montreal and its artists, its histories. The Giffard and the Wilkinson go back to early Canadian history—they were the only ones that I have been able to find that were that primitive, that represent that early settlement.”
(1) William Kingston, Western Wanderings; or, A Pleasure Tour of the Canadas (London: Chapman and Hall, 1856), 2:163.
Estimate: $3,000—4,000
Canadian, International, and Inuit Art
Ends from
Venue Address
For Waddington's delivery information please telephone +1 4165049100.
Important Information
Bidding for this sale will take place entirely online on Waddingtons Online Auction Platform
Waddington’s charges a buyer’s premium of 23% on the hammer price up to and including $25,000 CAD. Hammer prices in excess of $25,000 CAD will be charged a buyer’s premium of 20%. Payment for purchases is accepted in Canadian dollars by cash, certified cheque drawn on a Canadian bank, travelers cheque, bank draft or transfer, Visa or Mastercard within 10 days from the date of the sale.
Terms & Conditions
Terms and conditions:
1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.
2. Each lot sold is subject to a premium as part of the purchase price as per below:
Live and Online Auctions
(excluding Canadian Fine Art, Inuit Art, The Art of Canada and Fine Wine & Spirits Auctions)