10
Spring Hurlbut (b. 1952), DON'T GIVE ME ANY OF YOUR LIP, 2015, sheet 22 x 30 in — 55.9 x 76.2 cm
In Editions
1/4
Description
SPRING HURLBUT (B. 1952), CANADIAN
DON'T GIVE ME ANY OF YOUR LIP, 2015
lithograph and screenprint in colours on wove paper, the full sheet
signed, titled, dated, and numbered 2/5
sheet 22 x 30 in — 55.9 x 76.2 cm
Provenance:
Open Studio Print Archive, Toronto, ON
Note:
Don’t give me any of your lip is one of a series of three prints collectively entitled ‘La Bouche’ that Open Studio published with Spring Hurlbut in 2015.
For this publishing project, Hurlbut responded to Joyce Wieland prints held in Open Studio’s print archive that were produced at the studio in the 1970s, in which Wieland mouthed words directly onto the lithographic stone using lipstick as the grease medium to create the printing matrix. For ‘La Bouche’, Hurlbut recreated Wieland's act of kissing the lithographic stone, producing prints that visualise the mouthing of three phrases connected to the mouth and lips, while also thematically tying into her 2010 series "Shut Up".
-Open Studio
About the Artist:
Born in Toronto in 1952, Spring Hurlbut attended the Ontario College of Art and the Nova Scotia College of Art and Design. In the 1980s and 1990s, she began to integrate bones, claws and eggshells into her sculptures; in the 2000s, her photographic practice came to prominence with solemn, minimal prints of human ashes. Hurlbut was included in the 2010 Canadian Biennial and has exhibited in Canada, the United States, the United Kingdom, Australia, Germany, France, Brazil and other locations across the globe. Her work is in the collections of the Albright-Knox Art Gallery, NY, National Gallery of Canada, ON, Musée d’art contemporain de Montréal, QC, Art Gallery of Ontario, ON, among others.
Estimate: $3,000—4,000
DON'T GIVE ME ANY OF YOUR LIP, 2015
lithograph and screenprint in colours on wove paper, the full sheet
signed, titled, dated, and numbered 2/5
sheet 22 x 30 in — 55.9 x 76.2 cm
Provenance:
Open Studio Print Archive, Toronto, ON
Note:
Don’t give me any of your lip is one of a series of three prints collectively entitled ‘La Bouche’ that Open Studio published with Spring Hurlbut in 2015.
For this publishing project, Hurlbut responded to Joyce Wieland prints held in Open Studio’s print archive that were produced at the studio in the 1970s, in which Wieland mouthed words directly onto the lithographic stone using lipstick as the grease medium to create the printing matrix. For ‘La Bouche’, Hurlbut recreated Wieland's act of kissing the lithographic stone, producing prints that visualise the mouthing of three phrases connected to the mouth and lips, while also thematically tying into her 2010 series "Shut Up".
-Open Studio
About the Artist:
Born in Toronto in 1952, Spring Hurlbut attended the Ontario College of Art and the Nova Scotia College of Art and Design. In the 1980s and 1990s, she began to integrate bones, claws and eggshells into her sculptures; in the 2000s, her photographic practice came to prominence with solemn, minimal prints of human ashes. Hurlbut was included in the 2010 Canadian Biennial and has exhibited in Canada, the United States, the United Kingdom, Australia, Germany, France, Brazil and other locations across the globe. Her work is in the collections of the Albright-Knox Art Gallery, NY, National Gallery of Canada, ON, Musée d’art contemporain de Montréal, QC, Art Gallery of Ontario, ON, among others.
Estimate: $3,000—4,000
Auction Details
Shipping
T&Cs & Important Info
Ask seller a question
SPRING HURLBUT (B. 1952), CANADIAN
DON'T GIVE ME ANY OF YOUR LIP, 2015
lithograph and screenprint in colours on wove paper, the full sheet
signed, titled, dated, and numbered 2/5
sheet 22 x 30 in — 55.9 x 76.2 cm
Provenance:
Open Studio Print Archive, Toronto, ON
Note:
Don’t give me any of your lip is one of a series of three prints collectively entitled ‘La Bouche’ that Open Studio published with Spring Hurlbut in 2015.
For this publishing project, Hurlbut responded to Joyce Wieland prints held in Open Studio’s print archive that were produced at the studio in the 1970s, in which Wieland mouthed words directly onto the lithographic stone using lipstick as the grease medium to create the printing matrix. For ‘La Bouche’, Hurlbut recreated Wieland's act of kissing the lithographic stone, producing prints that visualise the mouthing of three phrases connected to the mouth and lips, while also thematically tying into her 2010 series "Shut Up".
-Open Studio
About the Artist:
Born in Toronto in 1952, Spring Hurlbut attended the Ontario College of Art and the Nova Scotia College of Art and Design. In the 1980s and 1990s, she began to integrate bones, claws and eggshells into her sculptures; in the 2000s, her photographic practice came to prominence with solemn, minimal prints of human ashes. Hurlbut was included in the 2010 Canadian Biennial and has exhibited in Canada, the United States, the United Kingdom, Australia, Germany, France, Brazil and other locations across the globe. Her work is in the collections of the Albright-Knox Art Gallery, NY, National Gallery of Canada, ON, Musée d’art contemporain de Montréal, QC, Art Gallery of Ontario, ON, among others.
Estimate: $3,000—4,000
DON'T GIVE ME ANY OF YOUR LIP, 2015
lithograph and screenprint in colours on wove paper, the full sheet
signed, titled, dated, and numbered 2/5
sheet 22 x 30 in — 55.9 x 76.2 cm
Provenance:
Open Studio Print Archive, Toronto, ON
Note:
Don’t give me any of your lip is one of a series of three prints collectively entitled ‘La Bouche’ that Open Studio published with Spring Hurlbut in 2015.
For this publishing project, Hurlbut responded to Joyce Wieland prints held in Open Studio’s print archive that were produced at the studio in the 1970s, in which Wieland mouthed words directly onto the lithographic stone using lipstick as the grease medium to create the printing matrix. For ‘La Bouche’, Hurlbut recreated Wieland's act of kissing the lithographic stone, producing prints that visualise the mouthing of three phrases connected to the mouth and lips, while also thematically tying into her 2010 series "Shut Up".
-Open Studio
About the Artist:
Born in Toronto in 1952, Spring Hurlbut attended the Ontario College of Art and the Nova Scotia College of Art and Design. In the 1980s and 1990s, she began to integrate bones, claws and eggshells into her sculptures; in the 2000s, her photographic practice came to prominence with solemn, minimal prints of human ashes. Hurlbut was included in the 2010 Canadian Biennial and has exhibited in Canada, the United States, the United Kingdom, Australia, Germany, France, Brazil and other locations across the globe. Her work is in the collections of the Albright-Knox Art Gallery, NY, National Gallery of Canada, ON, Musée d’art contemporain de Montréal, QC, Art Gallery of Ontario, ON, among others.
Estimate: $3,000—4,000
Editions
Ends from
Venue Address
275 King Street East
Toronto
Ontario
M5A 1K2
Canada
For Waddington's delivery information please telephone +1 4165049100.
Important Information
Our Editions auction includes a special presentation of prints recently released from Toronto’s Open Studio Archive, along with a selection of editioned work by International and Canadian artists. Highlights include works by Keith Haring, David Hockney, Helen Frankenthaler, Christopher Wool, Roy Lichtenstein, Sonia Delaunay, Bridget Riley, Sol Lewitt, Yoshimoto Nara, Brice Marden, Pablo Picasso, Joan Miró, Alex Colville, Jack Bush, Jean Paul Riopelle, Alfred Pellan, Michael Snow, Christopher Pratt, Rita Letendre, Guido Molinaro, Mary Pratt and more.
Please contact us for more information.
Terms & Conditions
Terms and conditions:
1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.
2. Each lot sold is subject to a premium as part of the purchase price as per below:
Live and Online Auctions
(excluding Canadian Fine Art, Inuit Art, The Art of Canada and Fine Wine & Spirits Auctions)
