We found 4858 price guide item(s) matching your search

Mitch (20th Century) - A very large painting of a merman, acrylic on board, signed lower right, 214 x 124 cm

A texturised STAR WARS painting of JANGO FETT by MONTE MICHAEL MOORE - American illustrator known for his work on comic books originally sold in the estate sale of Dave Prowse signed and dated to corner by the artist, purportedly gifted to Prowse, canvas on board oil / acrylic and texturised sand, with a certificate of authenticity 46cm x 61cm.

DAMIEN HIRST (BRITISH 1965- ) SPIN PAINTING, 2009 printed signature verso, acrylic on paper with Artist's blindstamp 52.5cm (20 ¾in) diameter, unframed Fundraiser to celebrate the opening of Damien Hirst: Requiem at the Pinchuck Art Centre, 25 -26 April 2009, where acquired by the present owner.Pinchuk Art Centre is a private contemporary art centre located in Kyiv with a collection of works by Ukrainian and international artists.

BERNARD COHEN (BRITISH, 1933- ) FIRST PANEL PAINTING OF 1970, 1970 signed, titled and dated in pen (to reverse - on stretcher bar), acrylic on linen 90cm x 90cm (35 ½cm x 35 ½cm) with Studio La Città, Verona;Sotheby’s, London, Modern & Post-War British Art, 14 November 2012, lot 237, where acquired by the present owner.

A striking large-scale acrylic on canvas painting featuring an abstract expressionist composition with dynamic brushstrokes and a neutral-toned palette. This contemporary piece is framed and designed to complement a variety of interior styles, making it a perfect statement piece for modern spaces. Measures 31.5"L x 59.75"H.Issued: c. 1980Dimensions: See DescriptionCondition: Age related wear.

K Donald (unknown); a large framed acrylic painting depicting mystical figures and creatures. Signed bottom right. Height: 79cm, Width: 49cm.

An Acrylic painting titled "Borro, Borro". Unframed. Height 59.5cm, width 43cm.  

Ray BARRY (1931-2022) Glimmer Acrylic on card, signed, titled to artist's label verso, 27cm x 18.5cm, 48cm x 37.5cm framed. In-house postage to UK postcodes would cost £25.22. Ray Barry loved Cornwall and art. A Director of the St Ives Society of Artists, appointed in 2010, and Associate of both the Newlyn and Penwith Society of Artists, Ray originally started painting in the 1950s while working for Cable and Wireless in the Sudan. He exhibited at the Red Sea Club, Port Sudan and The New Stanley Gallery, Nairobi as he began to cultivate his artistic talent. Subsequent to his career with Cable and Wireless, Ray settled in Cornwall and evolved his art style while scooping top prize as the winner of 3 Spires Arts Festival, Truro. He solo exhibited at Falmouth Arts Club, Penzance Arts Club, The Crypt Gallery St Ives, The Cornerstone Gallery St Ives, Bakehouse Gallery St Ives, as well as jointly exhibiting with fellow artists Jenny Woodhouse, Bob Devereux, Rachel Kantaris, Patricia Dearden, Stephen Dove, John Beer and Victor Bramley. An established artist locally by the 1990s, Ray Barry graduated Falmouth School of Art in 1997 (with other alumni graduating that year including Paul Wadsworth and Jenny Woodhouse), with a degree in Fine Art and had a studio in St Ives before relocating his studio to Ludgvan. An established fellow artist among his peers, a hand-written invite to Bryan Pearce’s 75th birthday lay amongst his treasured possessions. Ray Barry constantly strove to explore colour and textural values with passion, working primarily in oils and acrylics. Of his work, he quoted, “I enjoy creating order out of chaos and conversely 'deconstructing' order to the point of meaningful abstraction….I paint with a sense of adventure rather than premeditation…I love the poetics of Abstraction “. Away from his career as an artist, Ray was also a keen stamp collector with his talent and interests overlapping when he created, established and designed stamps for Gugh Island, Isles of Scilly, with the designs of these sold in our Stamps and Collectors auction earlier this year.

Mark BROOKS (1957-2023, Outsider Artist) Two Works from the Black Moon Street Series Acrylic on canvas board, signed with initial, artist's label verso, titled and dated 2012, each 20cm x 15cm, 32.5cm x 26.5cm framed. Mark Brooks was born in Luton in 1957 and later moved to Taunton where he spent the rest of his life. Mark struggled with both physical and mental illness during his lifetime and was quite reclusive in his outlook and with his obvious talent at painting, but had many interests with art an integral part in many of them. For some time he had his own business making and selling fishing flies, something that took extreme dexterity and showed his artistic talent. He worked under his own name, Mark A. Brooks, and under two pseudonyms - Markie Kumataro and Bud Basso. In-house postage to UK postcodes would cost £25.22.

Mark BROOKS (1957-2023, Outsider Artist) Four Original Works Each acrylic on board, signed and titled verso, dates from 2007 - 2011, 25.5cm x 20.5cm. Mark Brooks was born in Luton in 1957 and later moved to Taunton where he spent the rest of his life. Mark struggled with both physical and mental illness during his lifetime and was quite reclusive in his outlook and with his obvious talent at painting, but had many interests with art an integral part in many of them. For some time he had his own business making and selling fishing flies, something that took extreme dexterity and showed his artistic talent. He worked under his own name, Mark A. Brooks, and under two pseudonyms - Markie Kumataro and Bud Basso. In-house postage to UK postcodes would cost £25.22.

Ray BARRY (1931-2022) Untitled Acrylic on board, signed, 45cm x 54.5cm, 51cm x 61cm framed. In-house postage to UK postcodes would cost £32.50 Ray Barry loved Cornwall and art. A Director of the St Ives Society of Artists, appointed in 2010, and Associate of both the Newlyn and Penwith Society of Artists, Ray originally started painting in the 1950s while working for Cable and Wireless in the Sudan. He exhibited at the Red Sea Club, Port Sudan and The New Stanley Gallery, Nairobi as he began to cultivate his artistic talent. Subsequent to his career with Cable and Wireless, Ray settled in Cornwall and evolved his art style while scooping top prize as the winner of 3 Spires Arts Festival, Truro. He solo exhibited at Falmouth Arts Club, Penzance Arts Club, The Crypt Gallery St Ives, The Cornerstone Gallery St Ives, Bakehouse Gallery St Ives, as well as jointly exhibiting with fellow artists Jenny Woodhouse, Bob Devereux, Rachel Kantaris, Patricia Dearden, Stephen Dove, John Beer and Victor Bramley. An established artist locally by the 1990s, Ray Barry graduated Falmouth School of Art in 1997 (with other alumni graduating that year including Paul Wadsworth and Jenny Woodhouse), with a degree in Fine Art and had a studio in St Ives before relocating his studio to Ludgvan. An established fellow artist among his peers, a hand-written invite to Bryan Pearce’s 75th birthday lay amongst his treasured possessions. Ray Barry constantly strove to explore colour and textural values with passion, working primarily in oils and acrylics. Of his work, he quoted, “I enjoy creating order out of chaos and conversely 'deconstructing' order to the point of meaningful abstraction….I paint with a sense of adventure rather than premeditation…I love the poetics of Abstraction “. Away from his career as an artist, Ray was also a keen stamp collector with his talent and interests overlapping when he created, established and designed stamps for Gugh Island, Isles of Scilly, with the designs of these sold in our Stamps and Collectors auction earlier this year.

Ray BARRY (1931-2022) Untitled Acrylic on board, signed, 50cm x 40cm, 56cm x 46cm framed. In-house postage to UK postcodes would cost £32.50Ray Barry loved Cornwall and art. A Director of the St Ives Society of Artists, appointed in 2010, and Associate of both the Newlyn and Penwith Society of Artists, Ray originally started painting in the 1950s while working for Cable and Wireless in the Sudan. He exhibited at the Red Sea Club, Port Sudan and The New Stanley Gallery, Nairobi as he began to cultivate his artistic talent. Subsequent to his career with Cable and Wireless, Ray settled in Cornwall and evolved his art style while scooping top prize as the winner of 3 Spires Arts Festival, Truro. He solo exhibited at Falmouth Arts Club, Penzance Arts Club, The Crypt Gallery St Ives, The Cornerstone Gallery St Ives, Bakehouse Gallery St Ives, as well as jointly exhibiting with fellow artists Jenny Woodhouse, Bob Devereux, Rachel Kantaris, Patricia Dearden, Stephen Dove, John Beer and Victor Bramley. An established artist locally by the 1990s, Ray Barry graduated Falmouth School of Art in 1997 (with other alumni graduating that year including Paul Wadsworth and Jenny Woodhouse), with a degree in Fine Art and had a studio in St Ives before relocating his studio to Ludgvan. An established fellow artist among his peers, a hand-written invite to Bryan Pearce’s 75th birthday lay amongst his treasured possessions. Ray Barry constantly strove to explore colour and textural values with passion, working primarily in oils and acrylics. Of his work, he quoted, “I enjoy creating order out of chaos and conversely 'deconstructing' order to the point of meaningful abstraction….I paint with a sense of adventure rather than premeditation…I love the poetics of Abstraction “. Away from his career as an artist, Ray was also a keen stamp collector with his talent and interests overlapping when he created, established and designed stamps for Gugh Island, Isles of Scilly, with the designs of these to be sold in our upcoming Stamps and Collectors auction in November.

Ray BARRY (1931-2022) Golden Lode Acrylic on card, signed, titled and dated 2014 to artist's label verso, 36.5cm x 54.5cm, 55.5cm x 73.5cm framed. In-house postage to UK postcodes would cost £32.50Ray Barry loved Cornwall and art. A Director of the St Ives Society of Artists, appointed in 2010, and Associate of both the Newlyn and Penwith Society of Artists, Ray originally started painting in the 1950s while working for Cable and Wireless in the Sudan. He exhibited at the Red Sea Club, Port Sudan and The New Stanley Gallery, Nairobi as he began to cultivate his artistic talent. Subsequent to his career with Cable and Wireless, Ray settled in Cornwall and evolved his art style while scooping top prize as the winner of 3 Spires Arts Festival, Truro. He solo exhibited at Falmouth Arts Club, Penzance Arts Club, The Crypt Gallery St Ives, The Cornerstone Gallery St Ives, Bakehouse Gallery St Ives, as well as jointly exhibiting with fellow artists Jenny Woodhouse, Bob Devereux, Rachel Kantaris, Patricia Dearden, Stephen Dove, John Beer and Victor Bramley. An established artist locally by the 1990s, Ray Barry graduated Falmouth School of Art in 1997 (with other alumni graduating that year including Paul Wadsworth and Jenny Woodhouse), with a degree in Fine Art and had a studio in St Ives before relocating his studio to Ludgvan. An established fellow artist among his peers, a hand-written invite to Bryan Pearce’s 75th birthday lay amongst his treasured possessions. Ray Barry constantly strove to explore colour and textural values with passion, working primarily in oils and acrylics. Of his work, he quoted, “I enjoy creating order out of chaos and conversely 'deconstructing' order to the point of meaningful abstraction….I paint with a sense of adventure rather than premeditation…I love the poetics of Abstraction “. Away from his career as an artist, Ray was also a keen stamp collector with his talent and interests overlapping when he created, established and designed stamps for Gugh Island, Isles of Scilly, with the designs of these sold in our Stamps and Collectors auction earlier this year.

RAM - Money Wins the Game - Rare Gold Original Street Style, 2023Spray & acrylic painting on canvas. Unique artwork hand signed by the artist. Very good condition, 105 x 106 cm.Peinture aérosol et acrylique sur toile. Oeuvre unique signée à la main par l'artiste. Très bon état, 105 x 106 cm.

RAM - The Great Influencer - Lennon, 2023Spray & acrylic painting on canvas. Unique artwork hand signed by the artist. Very good condition, 116 x 80 cm.Peinture aérosol et acrylique sur toile. Oeuvre unique signée à la main par l'artiste. Très bon état, 116 x 80 cm.

Amanda Holland - Acrylic and mixed media - Once Upon a Winters Night - painting size 50cm x 35cm - framed and glazed - Amanda studied Art & Design at Guildford Art College in the 1980’s. She was tutored and greatly influenced from a young age by her grandmother, a member of the Royal Academy and prolific watercolour artist. Amanda developed a strong connection with landscapes, forests and use of light, finding her own vision was best interpreted in a more abstract form and acrylics have become her chosen medium.Amanda studied Mixed Media at Whitehouse Arts from 2008 to 2012 and went on to develop her style in often using palette knives for many of her vibrant works. Amanda is a qualified Psychotherapist and has for many years developed ways of using artistic expression when working with adolescents.Amanda has exhibited at The Stapleford Gallery, Cambridge, Open Studios, the Guildford Arts Festival, Whitehouse Arts and L’bidi Gallery.Her work has proved popular in the USA where she participated in 2019 in The Art Roadshow in Arkansas and Missouri and exports her paintings to buyers across the USA.Amanda worked in 2014 in conjunction with the Brooklyn Museum of Art, New York, to produce representations of The Fenlands of England and has exhibited in Rome her earlier works from Ostea, called Walking with the Ancients.Successful works have been influenced from her extensive travel to Africa, Zanzibar, Egypt and parts of the Middle East as well as nearer her home in the heart of the Fenlands. Her style is unusually fluid and changeable - ‘I always first have a title come into my mind, followed by the vision on the canvas and then I’m off at speed’.Amanda is a Member of the highly respected Cambridge Drawing Society, amongst one of many of the country’s most acclaimed artists, holding two major exhibitions every year. One of her works was runner up as best exhibitIn last year’s Summer Exhibition at the Pitt Building, Cambridge.Amanda is now considered collectible due to several dealers’ interests and commissions from Interior Design companies both in the U.K. and the USA. Instagram - amandaholland1111

Amanda Holland - Acrylic and mixed media - Ancient Tides - painting size 30cm x 46cm - framed and glazed - Amanda studied Art & Design at Guildford Art College in the 1980’s. She was tutored and greatly influenced from a young age by her grandmother, a member of the Royal Academy and prolific watercolour artist. Amanda developed a strong connection with landscapes, forests and use of light, finding her own vision was best interpreted in a more abstract form and acrylics have become her chosen medium.Amanda studied Mixed Media at Whitehouse Arts from 2008 to 2012 and went on to develop her style in often using palette knives for many of her vibrant works. Amanda is a qualified Psychotherapist and has for many years developed ways of using artistic expression when working with adolescents.Amanda has exhibited at The Stapleford Gallery, Cambridge, Open Studios, the Guildford Arts Festival, Whitehouse Arts and L’bidi Gallery.Her work has proved popular in the USA where she participated in 2019 in The Art Roadshow in Arkansas and Missouri and exports her paintings to buyers across the USA.Amanda worked in 2014 in conjunction with the Brooklyn Museum of Art, New York, to produce representations of The Fenlands of England and has exhibited in Rome her earlier works from Ostea, called Walking with the Ancients.Successful works have been influenced from her extensive travel to Africa, Zanzibar, Egypt and parts of the Middle East as well as nearer her home in the heart of the Fenlands. Her style is unusually fluid and changeable - ‘I always first have a title come into my mind, followed by the vision on the canvas and then I’m off at speed’.Amanda is a Member of the highly respected Cambridge Drawing Society, amongst one of many of the country’s most acclaimed artists, holding two major exhibitions every year. One of her works was runner up as best exhibitIn last year’s Summer Exhibition at the Pitt Building, Cambridge.Amanda is now considered collectible due to several dealers’ interests and commissions from Interior Design companies both in the U.K. and the USA. Instagram - amandaholland1111

Amanda Holland - Acrylic and mixed media - Foundry - painting size 51cm x 31cm - framed and glazed - Amanda studied Art & Design at Guildford Art College in the 1980’s. She was tutored and greatly influenced from a young age by her grandmother, a member of the Royal Academy and prolific watercolour artist. Amanda developed a strong connection with landscapes, forests and use of light, finding her own vision was best interpreted in a more abstract form and acrylics have become her chosen medium.Amanda studied Mixed Media at Whitehouse Arts from 2008 to 2012 and went on to develop her style in often using palette knives for many of her vibrant works. Amanda is a qualified Psychotherapist and has for many years developed ways of using artistic expression when working with adolescents.Amanda has exhibited at The Stapleford Gallery, Cambridge, Open Studios, the Guildford Arts Festival, Whitehouse Arts and L’bidi Gallery.Her work has proved popular in the USA where she participated in 2019 in The Art Roadshow in Arkansas and Missouri and exports her paintings to buyers across the USA.Amanda worked in 2014 in conjunction with the Brooklyn Museum of Art, New York, to produce representations of The Fenlands of England and has exhibited in Rome her earlier works from Ostea, called Walking with the Ancients.Successful works have been influenced from her extensive travel to Africa, Zanzibar, Egypt and parts of the Middle East as well as nearer her home in the heart of the Fenlands. Her style is unusually fluid and changeable - ‘I always first have a title come into my mind, followed by the vision on the canvas and then I’m off at speed’.Amanda is a Member of the highly respected Cambridge Drawing Society, amongst one of many of the country’s most acclaimed artists, holding two major exhibitions every year. One of her works was runner up as best exhibitIn last year’s Summer Exhibition at the Pitt Building, Cambridge.Amanda is now considered collectible due to several dealers’ interests and commissions from Interior Design companies both in the U.K. and the USA. Instagram - amandaholland1111

This monumental acrylic on canvas painting is an outstanding depiction of the former National Palace in Haiti. Made in a stylized realism, Mario captured the full-length of the three-pavilion facade designed by architect Georges Baussan in a French Classical style. Mario used a palette of azure blue and blue-greens for the splendid cloudless sky, shades of white for the edifice, baby blue camaieu for the windows and the oculi, emerald, hunter, apple and Kelly green for the front lawn and edges, and a deep red color to delineate the steps. The Haitian flag float in front of the cupola on a pole that Mario painted in a shimmery silver. Structurally damaged during the 2010 earthquake, the Palace was demolished in 2017 to prepare for a new Haitian White House resulting in the historical significance of this painting . Signature on lower right: Mario. Artwork dimensions: 104"L x 61.50"H. Canvas size: 104.50"L x 61.50"H. Due to the item's size, shipping would have to be arranged via Third Party.Artist: Mario (Haitian, 20th century)Issued: c. 1980Dimensions: See DescriptionCountry of Origin: HaitiCondition: Age related wear. The canvas was removed from its original frame and is sold unstretched. Minor spots of paint loss on the lower part of the sky. Areas of paint loss on creases from folding the canvas. Minor soiling on edges of canvas borders.

David Coulter (British 20th/21st century) "John Dalton St" Signed, titled and with artist's stamp on verso, acrylic on canvas.39 x 39cm (framed 51.5 x 51.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition. There is a small tear, about an inch long, in the left-hand section of the canvas, and a minor, shallow dent found towards its right-hand edge, near the frame. The painting is ornately framed but not glazed. The frame has one or two minor knocks and losses.

Chris May (British 1961-) "Factory Kickabout: Lunch Hour Escape" Signed and dated '25, titled on verso, acrylic on board.30.5 x 40cmThe painting is in very good, original condition. There is a small area where some debris has attached itself to the painting, with some surrounding craquelure, found by the right-hand edge of the board. The painting is unframed.

Olivia Pilling (British 1985-) "Still Life with Blue Jug" Initialled, acrylic on canvas board.23.5 x 29cm (framed 41 x 45.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.

Nicholas Ferenczy (British 1959-) "Murmurations #5" Signed, titled and dated 2024 on verso, acrylic and ink on canvas.40 x 30cm (framed 41.5 x 31.5cm)The painting is in very good, original condition with no obvious faults to report. The painting is framed but not glazed.

Mal Burton (British 20th/21st century) "The Draymen" Signed, titled and dated 2024 on certificate of authenticity attached verso, acrylic on canvas.30.5 x 30.5cmArtists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is unframed.

David Coulter (British 20th/21st century) "Central Library, Manchester" Signed, titled and with artist's stamp on verso, acrylic on canvas.24.5 x 29.5cm (framed 44 x 49.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed. The frame has some scuffs and knocks commensurate with age.

David Wilde (British 1918-1978) "Sunlit Path" Signed and titled, with further inscription on verso, acrylic on paper.49.5 x 73cm (framed 64.5 x 88cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed and glazed. The frame has one or two very minor scuffs and knocks commensurate with age.

Joe Townend (British 1946-) "Town Motors" Signed, acrylic on canvas.40.5 x 50.5cmArtists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is unframed.

Peter Stanaway (British 1943-) "The Arches, Collyhurst" Signed, titled on verso, acrylic on board.39 x 28.5cm (framed 56 x 46cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed.

Olivia Pilling (British 1985-) "York Races" Initialled, titled on gallery label - 'Collect Art' verso, acrylic on canvas.81.5 x 101.5cmArtists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition. There is some minor scuffing and surface dirt around the edges of the canvas and a small hole in the canvas in the upper left-hand corner. The painting is unframed.

Peter Stanaway (British 1943-) "Boatman - Seahouses" Initialled, titled and dated 2017 on verso, acrylic on board.23 x 28.5cm (framed 40.5 x 46cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed. The frame has one or two very minor scuffs and knocks commensurate with age.

Albert Barlow (British 1944-) "Nearly There" Signed, titled on verso, acrylic on board.24.5 x 19.5cm (framed 32.5 x 27cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is framed but not glazed.

Albert Barlow (British 1944-) "I Won't Tell You Again" Monogrammed, signed and titled on verso, acrylic on board.30 x 30cm (framed 49 x 49cm)The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed.

Olivia Pilling (British 1985-) "The Lion Tamer" Initialled, acrylic on canvas.89 x 89cm (framed 107.5 x 107.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed. The frame has one or two minor scuffs and knocks commensurate with age.

Peter Stanaway (British 1943-) "Canal Legger, Standedge Tunnel" Initialled, titled and dated 2018 on verso, acrylic on canvas board.23 x 28.5cm (framed 40.5 x 46cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed.

Richard Clare (British 1964-) "Sunset over Newhey, near Rochdale" Signed, titled on verso, acrylic on board.18 x 23cm (framed 35 x 40cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.

Dai David (British 1968-) "Wintery Light, Albert Square" Signed, titled on label verso, acrylic on board.41.5 x 41.5cm (framed 50.5 x 50.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed.

Frederick J. England (British 1939-) "Washing Day" Signed, acrylic on canvas.59 x 49cm (framed 68.5 x 58.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition. There are a couple of small holes in the canvas along its top edge next to the frame, towards the left. The painting is ornately framed but not glazed.

Chris May (British 1961-) "Shortcut Home" Signed and dated '25, titled on verso, acrylic on board.40 x 30cmThe painting is in very good, original condition with no obvious faults to report. The painting is unframed.

David Wilde (British 1918-1978) "Dockland; The Consuming Flames of Industry Unleashed" Signed and titled, acrylic.57 x 83cm (framed 72.5 x 97.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age and there is some minor foxing and other minor spots of discolouration found across the mount board.

David Coulter (British 20th/21st century) "Coffee Bar, Oxford Street" Signed, titled on verso, acrylic on canvas.24.5 x 29.5cm (framed 41.5 x 46.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition. There is a small, shallow dent in the canvas, in its lower right-hand corner. The painting is ornately framed but not glazed. The frame has one or two very minor scuffs and knocks commensurate with age.

Brenda King (British 1934-2011) "First Catch of the Day" Signed and dated '74, titled on verso, acrylic on board.14.5 x 19.5cm (framed 31 x 36cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed.

Jiri Borsky (Czech 1945-) Music in Prague Signed and dated '93, acrylic.44.5 x 30.5cm (framed 68.5 x 53.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed and glazed. There are some spots of foxing across the mount board. The frame has some minor scuffs and knocks commensurate with age.

Mike Weeden (British 1957-) "Sunset on Yarrows, Caithness" Signed, titled on verso, acrylic on board.23.5 x 34cm (framed 40.5 x 51cm)Todmorden Fine Art.Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.

Albert Barlow (British 1944-) "Nice Dog" Monogrammed, signed and titled on verso, acrylic on board.30 x 30cm (framed 48.5 x 48.5cm)The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed.

David Bez (British 20th/21st century) Northern street scene with bridge and figures Signed, acrylic on paper.28.5 x 19.5cm (framed 34.5 x 26cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is framed and glazed under perspex.

Mal Burton (British 20th/21st century) "The Old Ale House" Signed, titled and dated 2024 on certificate of authenticity attached verso, acrylic on canvas.30 x 30cmArtists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is unframed.

Olivia Pilling (British 1985-) "A Good Natter at Knitting Group" Initialled, titled on verso, acrylic on board.28.5 x 39.5cm (framed 45.5 x 57cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed.

John Ormsby (British 1969-) "The Chip Shop" Signed, acrylic on board.39.5 x 29.5cm (framed 46 x 35.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is framed but not glazed. The frame has one or two very minor scuffs and knocks commensurate with age.

Peter Stanaway (British 1943-) "Found She Was Another Sailor's Bride" - Johnny Todd Signed, titled and dated 2019 on verso, acrylic on board.24 x 29.5cm (framed 41 x 46.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed. The frame has one or two very minor scuffs and knocks commensurate with age.

David Coulter (British 20th/21st century) "Smithfield, Shudehill" Signed, titled on verso, acrylic on canvas.44.5 x 60cm (framed 61.5 x 77cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed.

Chris May (British 1961-) "Sunday Stroll" Signed and dated '24, titled on artist's label verso, acrylic on board.40 x 30cmThe painting is in very good, original condition. There is a small area of paint loss in the board's upper right-hand corner. The painting is unframed.

Stuart Walton (British 1933-) "Tall Building River, London" Signed and dated '18, titled on verso, acrylic on board.50 x 34.5cm (framed 57 x 41.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is framed but not glazed. The frame has one or two very minor scuffs and knocks commensurate with age.

Olivia Pilling (British 1985-) Still Life Initialled, acrylic on board.34.5 x 44.5cm (framed 47 x 57cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.

Albert Barlow (British 1944-) "Best Friends" Monogrammed, signed and titled on verso, acrylic on board.26 x 16cm (framed 44.5 x 34.5cm)The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.

Albert Barlow (British 1944-) "Are You Stalking Me?" Monogrammed, signed and titled on verso, acrylic on board.30 x 30cm (framed 48.5 x 48.5cm)The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed.

Chris Cyprus (British 1971-) "Village at Dusk" Signed and dated '21, acrylic on board.23 x 29cm (framed 27 x 33cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is framed and glazed under perspex. There is a single piece of debris found between the painting and the perspex.

Albert Barlow (British 1944-) "Time For A Treat" Monogrammed, signed and titled on verso, acrylic on board.26 x 16cm (framed 44.5 x 34.5cm)The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed.

Joe Townend (British 1946-) "The Corner Shop" Signed, acrylic on canvas.40.5 x 50.5cmArtists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is unframed.

Jackie Wagg (British 1962-) "Lower Hill Gate, Stockport" Signed, acrylic on canvas.59 x 59cm (framed 63 x 63cm)The painting is in very good, original condition with no obvious faults to report. The painting is framed but not glazed.

Frederick J. England (British 1939-) "Kilns at Pack Horse Lane, Burslem" Signed, titled and dated 2021 on verso, acrylic on board.46.5 x 56.5cm (framed 54 x 64cm)The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed. The frame has some scuffs and knocks commensurate with age.