We found 558 price guide item(s) matching your search

▲ Alan Wallwork (1931-2019), three studio pottery vases, stoneware, two with impressed hieroglyphic decoration, each incised with maker's initials and one with painted marks,cylindrical vase 6cm diameter30.5cm high,slab vase 6cm wide4.2cm deep17cm high, andsmaller spherical vase 11cm wide10cm deep9cm high (3)Condition ReportWith scratches, marks and general kiln debris throughout to all three examples commensurate with use and manufacure. The larger example and smaller round example with rubbing to the glaze, particularly to the rims. All three examples with minor frits and nibbles to the footrim. Otherwise all structurally sound. Please see additional images.

▲ Alan Wallwork (1931-2019), a split pebble form, stoneware, incised 'AW', 14cm highCondition ReportThere is a crack to the body of the ceramic going through the base and almost to the lip of the mouth rim. Surface dirt to the crevices.

Alan Wallwork (1931-2019) Split-spheretextured glazeincised initials to the base16cm wide x 9.5cm high. Provenance:Collection of Professor John Chambers. Minimal glaze and firing faults, otherwise seems ok.

Alan Wallwork (1931-2019)Four totem-form vasesstonewaretwo with incised initials18cm, 22cm,34cm, and 31cm high (4).

Alan Wallwork (1931-2019)Bowlstoneware with a textured surface to the exterior and an oatmeal glaze to the interiorincised initials18cm high. Overall good condition with minimal signs of wear. There are no chips or restoration. There is one very fine line to the interior of the bowl, we believe this is a glaze/firing fault. It is not visible on the outside and does not appear at the rim. Otherwise seems ok.

Alan Wallwork (1931-2012), textured studio pottery slab built vase, incised 'W' to the base, 16cm high

Alan Wallwork (1931-2019), two cylindrical vases, tallest 24cm

Alan Wallwork (1931-2012), studio pottery textured split oval vase, initialled to the base, 19cm high

Alan Wallwork (1931-2012), a textured studio pottery vase, incised 'W' to the base, 23cm high

Alan Wallwork (1931-2019), a studio stoneware 'melon slice', 18cm wide

ALAN WALLWORK, (BRITISH, 1931-2013), Seed pod, incised marks for AW, iron red and glazed pottery, 13.5cm highCondition Report: Good condition.

ALAN WALLWORK, (BRITISH, 1931-2013), Seed pod, incised marks for AW, pale celadon glazed pottery, 17.5cm highCondition Report: Good condition.

ALAN WALLWORK, (BRITISH, 1931-2013), Seed pod, incised marks for AW, iron red and glazed pottery, 11.5cm highCondition Report: Good condition.

A stoneware vase, in the manner of Alan Wallwork, with textured decoration, signed W to base, 13cm high, together with a St Ives style stoneware teapot (2)Overall condition of the vase looks to be complete and undamaged.

Alan WALLWORK (1931-2019) Seed Pod Stoneware, incised mark to base, height 10cm.This delightful piece is in good condition with no signs of damage or restoration.

† ALAN WALLWORK (1931-2019); a stoneware seed pod form covered grey glaze with iron staining, incised AW mark, height 13.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† ALAN WALLWORK (1931-2019); a rectangular stoneware slab vase with iron and cobalt staining, incised W mark, height 15cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† ALAN WALLWORK (1931-2019); a stoneware seed pod form covered grey glaze with iron staining, incised AW mark, height 11cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

ALAN WALLWORK (1931-2019) Stoneware pebble vase with Sgraffito decoration. Potters incised mark to base. 8cm high

Alan Wallwork (1931-2019) small vessel, stoneware, with crackle blue glaze, incised initials to the base, 9cm high With crazing to the glaze. Otherwise ok with minimal display wear.

ALAN WALLWORK (1931-2019)THREE STONEWARE VASES, comprising a cylindrical vase, the geometric design sloping shoulders with slip highlights, 11" high, a spherical vase with line incised banding, 7 1/2" high, and a ribbed rounded cylindrical vase with an iridescent brown glaze, 7" high, all incised W (Est. plus 24% premium inc. VAT)

ALAN WALLWORK (1931-2019)THREE STONEWARE ELECTRIC LAMP BASES, one cylindrical with alternating stripes, 7 1/2" high, two of oblong form with incised abstract roundels, 12" & 10" high, together with a matching 'spade' vase, 6 1/2" high, two bases and the vase incised W (4) (Est. plus 24% premium inc. VAT) Condition Report: Base to vase glued on with losses, no damage to tallest lamp but apparently unmarked, smaller oblong lamp has two chips to base, cylindrical lamp is glued around the top of the neck where the fitting is.

ALAN WALLWORK (1931-2019)THREE STONEWARE VASES, comprising a cylindrical vase with alternating stripes, 8 1/2" high, a rounded square section vase with abstract roundel, 8 1/4" high, and a flattened circular section vase with grey central stripe, all incised W, together with a similar unmarked tall square section vase, 13" high (4) (Est. plus 24% premium inc. VAT) Condition Report: No damage to cylinder or circular vases. Square vase has a very bad extended firing crack running around and under the base. Chip to one corner of tall vase

Alan Wallwork (1931-2019) - A stoneware Split Pebble vase, of flattened ovoid form, textured terracotta bands flanking reticulated panel, incised monogram to base, height 22cm.

Alan Wallwork - A stone ware sculptural form, modelled as a melon slice, with reticulate core and terracotta washed textured band, incised marks and bearing original label, width 16cm.

A large studio pottery 'seed pod' vase by Alan Wallwork (British 1931-2019), in grey and sand glaze, AW incised to the underside, 38cm high, *Artist re-sale rights may apply to this lotThis vase is in very nice condition with no damage or restoration work.

Alan WALLWORK (1931-2019) Vase Stoneware, height 13cm.A small area of glaze loss can be found, yet we believe it to have happened during the firing process. Please see additional images.

ALAN WALLWORK for Pilkington Studio Ceramics, 2 teak boards with inset tiles, cheesboard and trivet, longest 46cm Smaller board tile has crack through centre, signs of wear to board and chipping to varnish. Larger board tiles in good condition, some rubbing to surface, holes in back of board as they appear to have been wall-mounted with 1 screw broken off in back, otherwise good condition

Alan Wallwork (1931 - 2019) a studio pottery Totem Vase, of waisted form with hieroglyph type decoration, incised monogram to base, H 26.5cm.

Φ Alan Wallwork (1931-2019)Split formstoneware with oxide glazesincised AW monogram, 18.5cm. high

Alan Wallwork (1931-2019)Ovoid split form, stoneware vase, a stoneware segment by Alan Wallwork and a large vaseincised AW monogram, damages16cm. high (3)

Φ Alan Wallwork (1931-2019)Seedpodstoneware vase, ovoid, shouldered form with solifleur aperture, oxide glazeincised AW monogram13.5cm. high

† ALAN WALLWORK (1931-2019); a pierced oval porcelain bowl covered in celadon glaze with broken sherds of pottery to the well, incised AW mark, diameter 13cm. Condition Report: Kiln kiss to one side, otherwise appears good with no further signs of faults, damage or restorations.

† ALAN WALLWORK (1931-2019); a small porcelain split pebble form partially covered in iron red glaze, incised AW mark, height 6cm. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† ALAN WALLWORK (1931-2019); a stoneware seed pod form covered in iron staining, incised AW mark, height 10.5cm. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† ALAN WALLWORK (1931-2019); a rectangular wooden trivet inset with two square earthenware tiles on Pilkington blanks, 45.5 x 20cm, a wooden cheeseboard inset with a circular tile on H & R Johnson blank, and two square and four circular tiles (8). Condition Report: Chip to edge of one circular tile, nick to corner of one square tile, otherwise appears good with no further signs of faults, damage or restorations.

† ALAN WALLWORK (1931-2019); a stoneware pebble form partially covered in green glaze with iron staining and impressed decoration picked out in turquoise, incised W mark, height 13cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† ALAN WALLWORK (1931-2019); a stoneware pebble form partially covered in grey glaze with iron staining and incised and impressed decoration picked out in kaki, incised W mark, height 13cm, and a slightly taller bulbous vessel with textured surface covered in oatmeal and iron glaze by Bernard Rooke, height 14.5cm (2). Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† ALAN WALLWORK (1931-2019); a narrow stoneware wedge form covered in grey glaze and iron staining with impressed decoration partially picked out in pale green, incised AW mark, height 10.5cm, width 14cm. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† ALAN WALLWORK (1931-2019); a stoneware pebble form partially covered in grey/green glaze with iron staining, incised AW mark, height 12cm. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Alan Wallwork (1931-2019) a stoneware studio pottery Lampbase, of somewhat waisted form, decorated with totem-like impressions in burnt orange colour with green glazed neck, cable aperture to body, impressed mark, H 29.5cm.

A Studio Pottery vase initialled A.W. (Alan Wallwork).

Alan Wallwork (b. 1931) - a vintage studio pottery stoneware ceramic vase. The vase of rectangular form, with salt glazed body featuring relief symbols and characters, low waist in blue over charred coloured glazed base. Marked with W to base.Measures approx. 26cm tall.

ALAN WALLWORK (1931-2019), a small stoneware seed pod form vessel with iron staining, incised AW mark, height 12cm.Good condition, no chips, cracks or restoration

Alan Wallwork (1931-2019) a narrow stonework wedge form covered in grey and beige glaze with impressed and pierced decoration. Incised A W mark to the base, partial remains of potters label. Height approx 9cm, width approx 14.5cm. No signs of damage.

Alan WALLWORK (1931-2019) Lampbase Stoneware, impressed seal to base, height 30cm.

An Alan Wallwork slab vase, 26cm. Condition - good

† ALAN WALLWORK (1931-2019); a narrow stoneware wedge form covered in grey glaze and iron staining with impressed decoration partially picked out in pale green, incised AW mark, height 12cm, width 21.5cm.Condition Report: Chip to rim, otherwise appears good with no further signs of faults, damage or restorations.

† ALAN WALLWORK (1931-2019); a stoneware split pebble form with incised decoration around the parting partially picked out in pale green glaze, incised AW mark, height 19cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† ALAN WALLWORK (1931-2019); a small stoneware split pebble form with iron staining, incised AW mark, height 9cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† ALAN WALLWORK (born 1931); a small square stoneware pot with lilac glaze to the well, incised W mark, height 8cm.Provenance: Estate of Chris Jensen.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† ALAN WALLWORK (1931-2019); a stoneware and porcelain split egg form, incised AW mark, height 11cm.Condition Report: Firing crack extending 3cm from rim, otherwise appears good with no further signs of faults, damage or restorations.

† ALAN WALLWORK (1931-2019); a small stoneware split pebble form partially covered in turquoise glaze with iron staining, incised AW mark, height 8.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† ALAN WALLWORK (1931-2019); a small porcelain split pebble form, incised AW mark, height 8cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Bernard Rooke (b.1938), From a Private Collection of Gallery & Exhibition Pieces Footed vase, 1985, fired 2000  High fired earthenware  Marked 'BR' with Rooke Gallery label and together with signed Rooke Gallery certificate  36cm high  (ARR)  Provenance  Bernard Rooke Gallery  Private collection, UK  Footnote  Bernard Rooke studied painting and lithography at Ipswich School of Art during the mid fifties before going on to study printmaking and ceramics at Goldsmiths College, London in 1959. In 1960, he established a workshop in Forest Hill, London, with Alan Wallwork, whilst lecturing at Goldsmiths College and St. Mary's College, London University. In 1967 Rooke moved to Ipswich, where he opened the Bernard Rooke Gallery. Rooke's works have been exhibited in the UK and abroad, and are held in collections such as the Victoria & Albert Museum, Leicester Museum, and Trondheim Museum, Norway, to name but a few.    

Bernard Rooke (b.1938), From a Private Collection of Gallery & Exhibition Pieces Tall waisted hand built vase, 2000  Glazed stoneware  Marked 'BR', together with signed Rooke Gallery certificate  60cm high  (ARR) Provenance  Bernard Rooke Gallery  Private collection, UK  Footnote  Bernard Rooke studied painting and lithography at Ipswich School of Art during the mid fifties before going on to study printmaking and ceramics at Goldsmiths College, London in 1959. In 1960, he established a workshop in Forest Hill, London, with Alan Wallwork, whilst lecturing at Goldsmiths College and St. Mary's College, London University. In 1967 Rooke moved to Ipswich, where he opened the Bernard Rooke Gallery. Rooke's works have been exhibited in the UK and abroad, and are held in collections such as the Victoria & Albert Museum, Leicester Museum, and Trondheim Museum, Norway, to name but a few. 

Bernard Rooke (b.1938), From a Private Collection of Gallery & Exhibition Pieces Totem style vase, 1983  Earthenware  Marked 'BR',  together with Bernard Rooke Gallery certificate  47cm high  (ARR)  Provenance  Bernard Rooke Gallery  Private collection, UK  Footnote  Bernard Rooke studied painting and lithography at Ipswich School of Art during the mid fifties before going on to study printmaking and ceramics at Goldsmiths College, London in 1959. In 1960, he established a workshop in Forest Hill, London, with Alan Wallwork, whilst lecturing at Goldsmiths College and St. Mary's College, London University. In 1967 Rooke moved to Ipswich, where he opened the Bernard Rooke Gallery. Rooke's works have been exhibited in the UK and abroad, and are held in collections such as the Victoria & Albert Museum, Leicester Museum, and Trondheim Museum, Norway, to name but a few.  

Bernard Rooke (b.1938), From a Private Collection of Gallery & Exhibition Pieces Tall oviform vase with circular hole, 1979  Earthenware  Marked 'BR', together with signed Rooke Gallery certificate  52cm high  (ARR)  Provenance  Bernard Rooke Gallery  Private collection, UK  Footnote  Bernard Rooke studied painting and lithography at Ipswich School of Art during the mid fifties before going on to study printmaking and ceramics at Goldsmiths College, London in 1959. In 1960, he established a workshop in Forest Hill, London, with Alan Wallwork, whilst lecturing at Goldsmiths College and St. Mary's College, London University. In 1967 Rooke moved to Ipswich, where he opened the Bernard Rooke Gallery. Rooke's works have been exhibited in the UK and abroad, and are held in collections such as the Victoria & Albert Museum, Leicester Museum, and Trondheim Museum, Norway, to name but a few.  

Bernard Rooke (b.1938), From a Private Collection of Gallery & Exhibition Pieces Vase decorated with abstract figure, 1979  Glazed stoneware  Marked 'BR', together with signed Rooke Gallery certificate  60cm high  (ARR) Provenance  Bernard Rooke Gallery  Private collection, UK  Footnote  Bernard Rooke studied painting and lithography at Ipswich School of Art during the mid fifties before going on to study printmaking and ceramics at Goldsmiths College, London in 1959. In 1960, he established a workshop in Forest Hill, London, with Alan Wallwork, whilst lecturing at Goldsmiths College and St. Mary's College, London University. In 1967 Rooke moved to Ipswich, where he opened the Bernard Rooke Gallery. Rooke's works have been exhibited in the UK and abroad, and are held in collections such as the Victoria & Albert Museum, Leicester Museum, and Trondheim Museum, Norway, to name but a few. 

Bernard Rooke (b.1938), From a Private Collection of Gallery & Exhibition Pieces Footed vase, 2000  Glazed earthenware  Marked 'BR'  60cm high  (ARR)  Provenance  Private collection, UK  Footnote  Bernard Rooke studied painting and lithography at Ipswich School of Art during the mid fifties before going on to study printmaking and ceramics at Goldsmiths College, London in 1959. In 1960, he established a workshop in Forest Hill, London, with Alan Wallwork, whilst lecturing at Goldsmiths College and St. Mary's College, London University. In 1967 Rooke moved to Ipswich, where he opened the Bernard Rooke Gallery. Rooke's works have been exhibited in the UK and abroad, and are held in collections such as the Victoria & Albert Museum, Leicester Museum, and Trondheim Museum, Norway, to name but a few.