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Alan Caiger-Smith (1930-2020) for Aldermaston Pottery, a waisted cylindrical albarello vase, painted in gold lustre with a warriors holding a flag and axe, before a stylised leaf, within gold bands, painter's monogram, blue mark, applied with gilt label and Aldermaston Pottery 1993 Final Exhibition label, 26.7cm high Condition ReportGood condition. No chips, cracks or damage. General wear and tear.
A MONOCHROME BLUE-GLAZED ALBARELLO POTTERY VASEPossibly North Africa or Spain, 19th - early 20th century Of typical flared cylindrical shape, with a straight tall rim, the exterior glazed in monochrome cobalt blue, the design and palette reminiscent of Medieval Islamic and 14th / 15th-century Hispano-Moresque albarello vases. 9.5cm diameter. and 25.5cm high9.5cm diameter. and 25.5cm highQty: 1
ALBARELLO | DELFT (NETHERLANDS / DUTCH 18TH CENTURY) | 18th century | height 14 cm | Lot description | The 18th-century vessel comes from faience pottery workshops, probably in Delft. Her inscription "Elect: Ther." indicates that it was used to store the electuary, which was a medicinal mixture intended for internal use, usually in the form of a paste. The blue and white decor, typical of faience pottery, includes subtle ornamentation, including two birds and floral motifs that frame the inscription on the front of the vessel. The painting style is influenced by Baroque art, which is evident in the elaborate details and symmetry of the overall design. In the lower part there is also a small painting of an angel (putto). This type of container was commonly used in pharmacies to store various medicines, but at the same time served as a decorative element of the pharmacy interior. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded. |
ALBARELLO | LIGURIA (ITALY / ITALIAN 19TH CENTURY) | 19th century | height 24 cm | Lot description | The 18th century Albarello comes from Liguria, Italy. It is made of earthenware and was used to store medicines, herbs or ointments. The surface of the container is decorated with figurative scenes with little angels, which are made in soft blue shades on a white background | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded. |
ALBARELLO | NAPLES (ITALY / ITALIAN 18TH CENTURY) | 18th century | height 29 cm | Lot description | Albarello is a wonderful example of 18th century Italian faience pottery. Decorated with rich blue underglaze painting with typical architectural and natural motifs, this container was originally used to store medicines in pharmacies. Stylized scenes on the front depict landscape scenes that were popular in the decorative arts of the time. condition:restored | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded. |
ALBARELLO | NAPLES (ITALY / ITALIAN 18TH CENTURY) | 18th century | height 26 cm | Lot description | Albarello is an example of 18th-century Italian faience pottery, characterized by blue underglaze painting with scenes of landscape and architecture. Hand-painted motifs depict houses set in rich vegetation, while the stylization of flora and architectural elements is characteristic of the Baroque period. The container was used to store medicines in pharmacies | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded. |
ALBARELLO | WESTERN EUROPE (WESTERN EUROPE / WESTERN EUROPEAN 18TH CENTURY) | 18th century | height 21 cm | Lot description | The 18th century albarello is from European apothecary ceramics and is made of earthenware. Characteristic for this type of vessels is not only their shape, but above all the rich decoration, which includes dark blue paintings of an angel or putti with spread wings, a crown and plant motifs. Ceramics of this type were used to store ointments, dried herbs or medicinal substances, while the blue-white color combination is typical for pharmacy production of the time. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded. |
Collection of Crown Ducal and Bursley ware Art Deco pottery by Charlotte Rhead, various printed and painted marks, impressed numerals, comprising three jugs, an Albarello shaped vase, a squat globular vase and a two-handled shaped rectangular dish, all variously painted with bold pink, yellow and blue flowerheads amongst leafy green branches, a Queen Victoria Jubilee 1887 octagonal plate, printed black registration mark RD No.63164, a 1937 George VI and Queen Elizabeth coronation Burley ware plate and a Queen Victoria Diamond Jubilee 1897 plate printed with vignettes of royal residences centred by portrait of the Queen, unmarked (9)
Pair of Wood's pottery Arabesque pattern jugs by Charlotte Rhead, of tall tapering conical form with readed green ground handles, painted with bands of green, ochre and brown leaves within geometric foliate borders, 28cm high and a Bursley ware Albarello shaped vase, printed and impressed marks, painters pattern numerals (3)
THREE DELFT VASES 18TH CENTURY to include a Delft vase of octagonal form with a tall, slender tapering neck, painted with figures on terraces, with weeping willow, pine trees, and a stiff leaf border around the base, underglaze blue mark; a Delft polychrome painted fluted double gourd vase decorated with exotic birds amongst flowers, underglaze blue three leaf mark; a smaller Delft blue and white fluted double gourd vase with all-over foliate decoration, underglaze blue K and squiggle mark; together with an ITALIAN ALBARELLO, probably Abruzzi, painted with a house within a landscape, with flowers all around, the reverse with the initials F.M.D.A (4) 21cm - 30cm high Collection of a Scottish Borders gentleman
A large Kashan moulded cobalt blue glazed pottery albarello, Central Iran, 13th centuryOf cylindrical form on short foot, the sloping shoulder rising to a vertical neck with everted mouth, the sides moulded with a large kufic inscription, the tall hastae knotted together on a ground of swirling circular motifs, shoulder with a band of strapwork and a further band of calligraphy, repaired breaks35cm. highProvenance: Acquired in the UK in the late 1980s; offered Christie's 6 October 2011, Lot 41
An English delftware apothecary storage jar or albarello, mid-17th centuryOf cylindrical form with gently splayed base and everted rim, painted in blue with concentric lines between bands of dots and chain-link, 10.8cm high, 13cm diamFootnotes:ProvenanceWith Kate Bycroft, 1975Graham Slater CollectionSimilar geometric designs appear on drug jars of this period in blue or a combination of blue and manganese. A jar of similar profile and proportions was excavated at a depth of 14ft at the Brunswick Hotel in Jermyn Street, London in the 19th century and is in the Victoria and Albert Museum (inv. no.4698-1901). It is rare to encounter a jar of this type fully intact.For further information on this lot please visit Bonhams.com
Shoji HAMADA (1894-1978) Albarello Vase Stoneware with hakame glaze, height 16.5cm. Together with signed wooden display box.Please see additional images. A small firing flaw can be found on the rim of this charming piece where the glaze has come away from the clay. The wooden display box is slightly marked.
Sehr großer Albarello mit südlicher Landschaft Savona, dat. "1701" Breite Zylinderform mit leicht eingezogener Wandung und gerundeter Schulter; schauseitig Rechteckreserve mit Blick auf ein Dorf mit Turm in hügeliger Landschaft, verso Marke unter Schleife und Dat. "1701". Weiß glasierte Majolika mit blauer Bemalung. H. 31,5 cm. - Bestoßungen am Fußrand.
Albarello Italien, wohl Caltagirone, 18. Jh. Schlanke Zylinderform mit leicht eingezogener Wandung und gerundeter Schulter; auf blauem Fond floral gefüllte Kompartimente und Bordüren in Dunkelblau. Majolika. H. 22 cm. - Bestoßungen an Schulter, Fuß- und Mündungsrand.Apothekergefäß, Italienische Majolika, Keramik
2 Diverse Fayence Apothekengefäße mit Blaumalerei: hoher Albarello mit eingezogener Wandung und floralem Blaumalerei Dekor sowie diagonalem Schriftband in schwarzer Frakturschrift "Jujubaru", Katalonien 17./18. Jh. (H. 29cm, Fußring best.) und zylindrisches Gefäß mit Kranz Kartusche, 18./19.Jh. (H. 18,4cm, Riss), altersbedingte Gebrauchsspuren und Glasurverluste
2 Albarelli. 1x hellgrünens, feinblasiges Glas, 1x hellbraunes Glas. H max 27,5 cm. 1x großer Albarello (H 27,5 cm). / 1x kleiner Albarello (H 11 cm). Provenienz : Rheinlandpfälzische Privatsammlung. Aufrufzeit 27. | Feb. 2025 | voraussichtlich 15:51 Uhr (CET)2 Albarelli. 1x light green, fine bubble glass, 1x light brown glass. H max 27.5 cm. 1x large Albarello (H 27.5 cm). / 1x small Albarello (H 11 cm). Provenance : Rhineland-Palatinate private collection. Call time 27 | Feb. 2025 | probably 15:51 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 Fayence Apotheker Gefäße beigefarbener Scherben handgedreht und naturweiß glasiert, ein Albarello am Boden mit roter Pinselmarke, Paar von 2 Zylindergefäßen mit abgesetztem Stand und Rand, Schauseite mit unterglasurblauer Handmalerei von gebundenen Blattzweigen und Blüten, H ca. 16 cm, Ø ca. 10,5 cm, beide krakeliert, haarrissig und teils Glasurfehlstellen, wohl Nürnberg um 1740
A Delft Ewer, 19th century, writhen moulded and painted in colours with birds in a continual landscape, AK mark29cm highAn Albarello, with a central yellow band painted with an ox, birds and a church between formal blue borders26cm high (2)Ewer - som glaze chips. No cracks or repair.Albarello - cracked.
An Italian Maiolica small albarello. 17th century, of slightly waisted form, painted in blue with naive flowerheads and foliage, height 13.5cm. Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024

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1378 item(s)/page