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Click here to subscribeAn Edwardian amethyst and seed pearl set pendant, length 6cm, suspended on a 9ct dainty chain with cylindrical box clasp, length of chain 40cm, and an amethyst and seed pearl set floral brooch on 9ct gold body, length 3.5cm, combined approx 9.6g (2).Condition Report: The back of the pendant has clear signs of additional solder.
Four items of 9ct gold jewellery comprising a ring set with four small pink coral beads, size M, a small garnet cluster ring, size K, a rose gold bar brooch with central leaf design set with small amethyst, length 3.5cm, and a pink stone pear shaped drop pendant, suspended on gold chain, length 38cm, combined approx 8.6g (4).
KESWICK SCHOOL OF INDUSTRIAL ART; an early 20th century Arts and Crafts hammered silver plated circular dish, inscribed to the base 'KSIA, Keswick, First, Staybrite, E253', diameter 13cm, a double strand simulated pearl marcasite clasp necklace, length approx 80cm, a banded agate seal, length 6.5cm, a pair of amethyst effect earrings, a brooch modelled as four prancing horses, length 6cm, a further pair of cufflinks, a yellow metal necklace, a cased Parker pen, etc.
Group of studio glass including a Cowdy flared cylindrical purple iridescent vase, etched mark to base, a cased perfume bottle and stopper of tapering conical form, etched marks, a winged perfume bottle and stopper attributed to Steven Newell, 10.5cm high, a frosted amethyst jug with clear whiplash handle attributed to Steven Newell, a pale blue tinted baluster goblet with trailed ornament by Mark Taylor, etched signature, dated 1998 to footrim, a George Elliott mug with combed red, ochre and pink inclusions, etched signature, dated 1980 to base, a pressed glass sculpture of the Madonna with child designed by Stef Uiterwaal (1889-1960) by Glasfabriek Leerdam circa 1930's, moulded factory mark, 36cm high, a blue tinted conical footed bowl with spiralling trailed ornament, indistinct signature possibly Janet Glover, a green tinted globular two-handled jar with label for Mark Taylor, etched signature and dated 1992 to footrim and a small Vasart top-hat shaped vase in pale lilac and aventurine, etched mark to base (10) Condition Report Leerdam Madonna - Light surface marks, small bruise to side of head, two chips and ground down area on base. General wear and tear.We do not offer in-house shipping. Please try Mailboxes.com, bidandbox.com or mjmpost458@gmail.com
9ct gold amethyst and diamond cluster ring, pair of 9ct gold sapphire and cultured pearl earrings, two tie pins (both stamped 18K) and a yellow metal signet ring (damaged)9ct gold ring and earrings (excluding the silver butterfly fittings) weigh 7.6 grams in totalTwo tie pins (excluding the gold plated backs) weigh 2.7 grams in totalYellow metal signet ring, unmarked, weighs 4 grams
Group of gold and yellow metal jewellery to include 9ct gold watch, 9ct gold ring, two yellow metal rings, 18ct gold ring (stone missing), 9ct gold diamond cluster pendant on 9ct gold chain, 9ct gold amethyst pendant on 9ct gold chain and one other yellow metal chain9ct gold items weigh 20.1 grams in total.18ct gold ring weighs 2 grams.Two yellow metal rings weighs 4.2 grams.Yellow metal chain weighs 2.5 grams.
Edwardian gold diamond and seed pearl floral spray brooch, Edwardian 15ct gold amethyst and seed pearl brooch and a yellow and white gold twisted wreathe brooch (3)Edwardian gold diamond and seed pearl floral spray brooch- 39mm long. Unmarked. Weight 4.5 grams.Edwardian 15ct gold amethyst and seed pearl brooch- 47mm long. Weighs 2.6 grams.Yellow and white gold twisted wreathe brooch- 23mm diameter. Unmarked. Weighs 2.2 grams.
A large collection of vintage costume jewellery - mainly 1950s-80s, some earlier pieces, including several agate and tiger's eye pendants; a mid-century celluloid butterfly brooch; mother of pearl and shell necklaces; various 1950s-60s glass bead necklaces, some Murano style; a mid-century silver and amethyst ring; a 1960s modernist aluminium ring; a brass spaniel portrait brooch, 6.2 x 6.3cm (originally plated); a similar pewter horse head brooch; a gilt metal chatelaine purse; various ladies dress watches; etc; together with a cased 1950s EPNS dessert spoon set; and four EPNS and enamel prize spoons.
Arne Johansen: a Danish sterling silver and amethyst bangle - stamped 'Denmark AJ 925S', the broad band with three oval cabochon amethyst stones in rub over settings, the band 2.4cm wide, internal size 5.8 x 5cm.* In good condition - no damage to stones or settings. Clear marks. Light scratching to silver from use and would benefit from cleaning.
HUBLOTBig Bang Tutti Frutti Unique Piece. Art der Uhr: Armbanduhr. Herkunft: Schweiz, Nyon. Datierung: 2010. Werk: Quarz. Gehäuse/Armband: Stahl-Carbon, Leder-Kautschukband mit Faltschließe, Zffbl. Perlmutt, Zeiger und Indizes silbern. Gesamtgewicht: ca. 81 g. Größe: Ø 38 mm, Länge 18 cm. Gehäuse-Nr.: 743662. Referenz-Nr.: 361. Beschreibung: 3-Zeiger-Armbanduhr. 8 Diamant-Baguetten zus. ca. 0,28 ct., 8 Spinel-Baguetten zus. ca. 0,33 ct., 8 Amethyst-Baguetten zus. ca. 0,30 ct., 8 Citrin-Baguetten zus. ca. 0,25 ct., 8 orange Saphir-Baguetten zus. ca. 0,33 ct., 8 Saphir-Baguetten zus. ca. 0,37 ct. Box: Ja. Papiere: Ja. Accessoires: Nein. Voraussichtliche Versandkosten für dieses Los: Deutschland: 100,00 Euro inkl. 15,97 Euro MwSt EU: 32,00 Euro inkl. 5,11 Euro MwSt Weltweit: 80,00 Euro inkl. 12,77 Euro MwSt zzgl. VersandversicherungErläuterungen zum KatalogBewertungssytem Armband und Taschenuhren Hublot Armband- & Taschenuhren Big Bang Tutti Frutti Unique Piece
Umfangreiches Konvolut Goldkette, Perlen- und Edelsteinketten mit diversen WechselschließenI. 750/000 Gelbgold. 31 Goldkugeln (Ø 11,8 mm) mit einer Goldkugel-Wechselschließe (Ø 12,0 x 13,0 mm). „Ni“ punziert - Nittel System. L 45 cm. Gewicht 71,7 g.II. Perlenkette mit 39 Akoyaperlen (Ø 9,0 - 9,5 mm) und einer 750/000 Gelbgold Wechselschließe (18,3 x 14,5 mm) mit Lagenachat Kamee. L 39 cm. „M Richarz“ punziert. Gewicht 59,4 g.III. Perlenkette mit 25 Süßwasserperlen mit handgewebten Perlennetzen umhüllt (Ø 17,5 mm) mit einer Ersatzperle. L 41/43 cm. Perlenummantelung teils beschädigt. Gesamtgewicht 100,9 g.IV. Amethyst-Kette mit 35 facettierten Amethyst-Kugeln (Ø 15,5 - 17,5 mm) mit einer rundum mit Amethysten gefassten Wechselschließe. L 41 cm. Gewicht 134,4 g.V. Lapis Lazuli Kette mit 33 Lapis Lazuli Kugeln (Ø 11,5 - 12,0 mm) und einer 750/000 Gelbgold wohl Korallen-Wechselschließe (Ø 19,0 mm). L 41 cm. Gewicht 96,0 g.VI. Wohl Prasem Achat Kette mit 25 Kugeln (Ø 15,5 - 16,0 mm) und 750/000 Wechselschließe (Ø 18,0 mm). „Ni“ punziert - Nittel System. L 42 cm. Gewicht 149,9 g.VII. Rauchquarz-Kette mit 19 Rauchquarz-Kugeln (Ø 19,0 - 22,0 mm). Silber Wechselschließe (30,0 x 26,0 x 14,5 mm, getestet) mit einem Rauchquarz im Emerald Cut ca. 50,83 ct (25,8 x 21,8 x 12,5 mm). Verschluss kann längs oder quer getragen werden. L 42 cm. Gewicht 247,2 g.VIII. Bergkristall-Kette mit 34 Bergkristall-Kugeln (Ø 12,0 - 12,5 mm) und 750/000 Gelbgold Onyx-Wechselschließe (Ø 18,0 mm). „Ni“ punziert - Nittel System. L 42,5 cm. Gewicht 91,5 g.IX. 750/000 Rose-/Weißgold Wechselschließe (40,0 x 27,0 x 17,0 mm) mit einem Glasstein. „M Richarz“ punziert. Gewicht 43,2 g.X. Lapis Lazuli Wechselschließe (Ø 18,0 mm). „Ni“ punziert - Nittel System. Gewicht 8,8 g.Privatbesitz Rheinland
Van Cleef & Arpels Vintage Ring mit Amethyst und BrillantenNew York 1950/60RM 63750/000 Gelb-/Weißgold mit einem Amethysten ca. 41,00 ct (25,3 x 19,3 x 15,0 mm, minimal bestoßen) und 30 Brillanten ca. 0,65 ct H/VS-SI. Seriennumer NY 45373. „Van Cleef & Arpel“ punziert. Gewicht 26,8 g.Privatsammlung Süddeutschland
Schmuckkonvolut mit Amethysten & Brillanten4,0 x 2,3 cm | RM 54585/000 Gelbgold Broschanhänger mit einem Amethyst im Cabochon Schliff ca. 10,25 ct und acht Brillanten zus. ca. 0,16 ct H/SI-P. Ein Brillant fehlt. Gewicht 14,0 g.585/000 Gelbgold Ring mit einem Amethyst im Cabochon Schliff ca. 13,00 ct und sechs Brillanten zus. ca. 0,16 ct G-H/VS. Tragespuren. Gewicht 9,5 g.Privatbesitz Baden-Württemberg
BULGARIDoppio Cuore. Amethyst-Ohrclips. Herkunft: Italien. Material: 750/- Gelbgold, Punze. Gesamtgewicht: ca. 36,0 g. Maße: ca. 3,5 x 1,8 cm. Edelsteine: 4 polierte Amethyst-Elemente. Beschreibung: Signiert "BVLGARI". Das Design ist inspiriert vom Symbol zweier ineinander verschlungener Herzen. Voraussichtliche Versandkosten für dieses Los: Deutschland: 100,00 Euro inkl. 15,97 Euro MwSt EU: 32,00 Euro inkl. 5,11 Euro MwSt Weltweit: 80,00 Euro inkl. 12,77 Euro MwSt zzgl. VersandversicherungErläuterungen zum Katalog Bulgari Schmuck Doppio Cuore Moderner Schmuck Ohrclips Gelbgold Amethyst Italien
AUFWENDIGES AMETHYST-TÜRKIS-BIB-COLLIER UND OHRCLIPS. Datierung: Um 1970/1980. Material: 750/- Gelbgold, getestet. Gesamtgewicht: ca. 350,0 g. Maße: Länge Collier 40,0 cm, Länge Mittelstück 11,0 cm. Diamanten: Ca. 224 Brillanten zus. ca. 11,1 ct., H-I/VS1-SI2, 22 Diamanten im Karré-, Baguette- und Trapez-Schliff zus. ca. 1,3 ct., H-I/VS1-SI2. Edelsteine: 1 Amethyst im Tropfen-Schliff ca. 69,0 ct., 27 Amethyste im Emerald-Schliff, 3 ovale, facettierte Amethyste, zus. ca. 291,0 ct., ca. 292 runde und ovale Türkise im Cabochon-Schliff zus. ca. 102,0 ct. Beschreibung: Ein sehr opulentes, aufwendig gearbeitetes Set, besetzt mit feinsten Farbsteinen. Das Collier gleicht demjenigen aus dem ikonischen Amethyst-Türkis-Set von Wallis Simpson, 1937 - 1986 Herzogin von Windsor, das sie 1953 zu einer Gala in Versaille trug. Das Original wurde 1947 von Cartier für die Herzogin entworfen und als Teil ihrer Kollektion am 2. April 1987 bei Sotheby's in Genf versteigert. Abgebildet im Buch "Sotheby's Great Sales 1987-88", 1. Auflage, S. 19, damals versteigert für CHF 907.500. Heute ist es Teil der Sammlung Cartier. Das hier angebotene Set ist ein Beweis dafür, dass die Sammlung an herausragenden Schmuckstücken der Herzogin nach wie vor eine Inspirationsquelle für modernes Schmuckdesign darstellt . Voraussichtliche Versandkosten für dieses Los: Deutschland: 100,00 Euro inkl. 15,97 Euro MwSt EU: 32,00 Euro inkl. 5,11 Euro MwSt Weltweit: 80,00 Euro inkl. 12,77 Euro MwSt zzgl. VersandversicherungErläuterungen zum Katalog Schmuck Moderner Schmuck Set Gelbgold Farbsteine
SABBADINIExquisites Amethyst-Saphir-Armband. Herkunft: Italien, Mailand. Datierung: 2009. Material: 750/- Gelbgold, Punze. Gesamtgewicht: ca. 102,5 g. Maße: Länge 19,0 cm, Breite 1,6 cm. Edelsteine: 5 Amethyste im Emerald-Schliff zus. 36,11 ct., 160 pinkfarbene Saphire im runden Stern-Schliff zus. 24,47 ct. Beschreibung: Signiert "sabbadini". Rückseitig raffiniert gearbeitet, schmiegt sich dem Arm an. WEMPE Echtheitszertifikat über das Armband von 12/2009 anbei. Original Box anbei. Voraussichtliche Versandkosten für dieses Los: Absprache nach der Auktion.Erläuterungen zum Katalog Sabbadini Schmuck Moderner Schmuck Armband Gelbgold Saphir 20ct + Italien, Mailand
WEBB, DAVID1925 Asheville - 1975 New YorkMarkanter Farbstein-Email-Ohrschmuck. Herkunft: USA. Datierung: Um 1970. Material: 750/- Gelbgold, Platin, Punze, grünes Email. Gesamtgewicht: ca. 73,0 g. Maße: 6,2 x 3,0 cm. Diamanten: 54 Brillanten zus. ca. 2,0 ct., G-I/VS. Edelsteine: 2 Amethyste im Cabochon-Schliff zus. ca. 6,2 ct., 2 kugelförmige Amethyst-Elemente Ø ca. 15,0 mm. Beschreibung: Signiert "WEBB". 1 Amethyst-Cabochon leicht defekt. Voraussichtliche Versandkosten für dieses Los: Deutschland: 100,00 Euro inkl. 15,97 Euro MwSt EU: 32,00 Euro inkl. 5,11 Euro MwSt Weltweit: 80,00 Euro inkl. 12,77 Euro MwSt zzgl. VersandversicherungErläuterungen zum Katalog David Webb Schmuck Moderner Schmuck Ohrschmuck Gelbgold Amethyst USA, New York
SET: OPULENTES PERIDOT-AMETHYST-COLLIER UND OHRSCHMUCK. Herkunft: Italien. Datierung: Um 1980. Material: 750/- Gelbgold, Punze, Ebenholz-Elemente. Gesamtgewicht: ca. 295,5 g. Maße: Innendurchmesser Collier 12,0 cm, Ohrschmuck Länge 5,1 cm, Breite 2,1 cm. Edelsteine: 35 Amethyste im Rund-, Oval- und Tropfen-Schliff zus. ca. 178,0 ct., ca. 96 runde und ovale, facettierte Peridote zus. ca. 210,0 ct. Beschreibung: Eine grandiose Farbkombination aus intensiv funkelnden Farbsteinen. Die unteren Amethyst-Tropfen des Ohrschmucks lassen sich aushängen. Voraussichtliche Versandkosten für dieses Los: Deutschland: Absprache nach der Auktion. EU: 32,00 Euro inkl. 5,11 Euro MwSt Weltweit: 80,00 Euro inkl. 12,77 Euro MwSt zzgl. VersandversicherungErläuterungen zum Katalog Schmuck Moderner Schmuck Set Gelbgold Peridot Italien
A RETRO AMETHYST RING, FRENCH, CIRCA 1940Of tank design, the elongated rectangular-cut amethyst weighing approximately 11.00cts, horizontally-set within collet-setting, to a geometric pierced mount, mounted in 18K gold, with maker's mark 'MD', French assay mark, ring size FCondition Report:Amethyst: approx. 11.00cts, of purple hue, light tone, good transparency, a couple of small nicks and pits located near the pavillionMaker's mark and French assay mark for 18K gold located on the outside of the hoopNormal signs of wear, commensurate with age, overall in good conditionTotal gross weight approx. 8.8g
AN AMETHYST AND CARNELIAN CHAIN PENDANT NECKLACEThe fancy-link gold chain, suspending two charms set with an oval-shaped amethyst and carnelian cabochon, to a larger pendant set on either side with a carved amethyst and carnelian scarabs, in 18K gold, French import marks, various lengths 64cm, 67cm and 71cm, principal scarab length (including bale): 4.2cm Condition Report: Amethyst scarab: surface reaching inclusions, minor pits and scratches visible under a bright light source, due to normal wear, overall in good conditionCarnelian scarab: surface is smoothThe other charms: carnelian and amethysts - normal wear, overall in good conditionFrench import marks for 18K goldClasp closes securelyNormal signs of wear, overall in good conditionTotal gross weight approx.
CARTIER: AN AMETHYST, ENAMEL AND DIAMOND PENDENT NECKLACEThe millegrain-set rose-cut diamond bow suspending an oval-shaped amethyst cabochon, within a white enamel border, to a fine cable-link necklace, chain in platinum and pendant mounted in 9K gold, signed Cartier Paris, partial assay marks, with maker’s case, length 37cm Condition Report: Amethyst of deep purple hue, good transparencyDiamonds bright and livelyStamped with French(?) assay mark for platinumGold tested by the jewellery department to be 9K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 5.9gAccompanied by case signed Cartier, with signs of wear
A 19TH CENTURY AMETHYST AND DIAMOND BISHOP'S RINGThe oval-shaped amethyst, within a multiple-claw setting, to a rose-cut diamond surround, mounted in 18K gold, ring size N Condition Report: Amethyst: approx. total weight 11.50cts - of purple hue, medium tone, good transparency, minor facet abrasions visible under 10x magnificationDiamonds: bright and livelyYellow metal unmarked, tested by the jewellery department to be 18K goldNormal signs of wear, commensurate with ageTotal gross weight approx. 13.1g
AN IMPORTANT LATE 19TH CENTURY PAIR OF AMETHYST AND DIAMOND PENDENT EARRINGSOf girandole design, each set with three pear-shaped amethyst drops, to the old-cut diamond foliate motif and circular-cut amethyst and old-cut diamond cluster surmount, mounted in silver and gold, with partial Russian assay mark ?'56', amethysts approximately 35.00cts total, diamonds approximately 3.30cts total, length 4.9cmA historical pair from the 18th century, of similar design, was sold at Christie's in Geneva, 13.11.2007, lot 269.Amethysts have been treasured for centuries, revered by ancient cultures from Greece to medieval Europe. The name comes from the Greek amethysts, meaning “not intoxicated,” reflecting the belief that the stone could ward off drunkenness and promote mental clarity. Symbolising wisdom, royalty, and spiritual protection, amethysts were worn by bishops and monarchs, were valued for their beauty and their perceived ability to calm the mind and strengthen resolve. Among the most coveted are Siberian amethysts, famed for their rich, velvety purple hue often accented with flashes of red and blue. Mined from Russia’s Ural Mountains since the 18th century, these stones quickly became the gold standard of amethyst quality. Though production from the region has declined, Siberian amethysts remain highly prized for their depth of colour and exceptional clarity, often commanding premium prices on the market. Today, amethysts are sourced from regions including Brazil, Zambia, Uruguay, and Madagascar, each offering distinct characteristics. Brazilian stones are typically lighter with a clear, violet hue, while Zambian amethysts are darker, often with a bluish tint. Uruguayan gems stand out for their vivid saturation and purity. Yet among them all, Siberian amethysts remain the most prized, distinguished by their intensity and historical provenance. Siberian amethysts were favoured by the Russian nobility, with figures like Empress Catherine the Great adorning themselves in amethyst-laden jewels. In modern times, the stone continues to make public appearances. Queen Elizabeth II famously wore amethyst pieces from the Kent Amethyst Suite, while Lupita Nyong’o stunned at the 2015 Golden Globe Awards in Chopard amethyst earrings.Siberian amethysts have achieved remarkable results at auction, reflecting their rarity and historic value. A Victorian amethyst and diamond necklace from the 19th century sold at Christie’s London for over £75,000, far exceeding its estimate. Similarly, pieces from Queen Alexandra’s collection have also surfaced in royal exhibitions and private sales, often valued in the six-figure range, underscoring the enduring prestige of these exceptional gems. The Romanov dynasty ruled Russia from 1613 until 1917, when the Revolution abruptly ended their empire. The last years of the 19th and the early 20th century was a period of elegance and excess for the Tsars and the wealthy families of Russia. The Imperial family’s jewellery was amongst the most precious in the world. These jewels were tangible symbols of the power of the Romanovs and their deep ties to European aristocracy and culture and were once the epitome of Russian opulence. After the Bolshevik Revolution, the fate of these precious treasures would become one of the most captivating chapters in the story of the Russian Empire’s fall. The Bolsheviks, in their sweeping promises of equality, claimed that the jewels once hoarded by the aristocracy would be used for the benefit of the people. “Diamonds, pearls, and precious stones that have cost workers endless suffering for centuries are now in safe hands. The proletariat will be able to use them wisely,” they boasted in the 1920s. Yet, while the Soviet government officially denied any sale of the Romanov collection, they could not entirely escape the growing rumours that began circulating in the West. In response to these whispers, the Bolsheviks organised a lavish exhibition of the Russian Crown Jewels in Moscow on December 18, 1925, to counter the belief that the revolution had torn apart the cultural and material legacy of Russia’s royal family. But less than a year later, the treasures were quietly sold, and the secrets of their dispersal would only emerge later. In a remarkable twist of history, American antiquarian Norman Weiss acquired a substantial portion of the Crown Jewels exhibition in 1926, purchasing 9 kilograms of imperial treasures for $50,000. Among the pieces were two pairs of magnificent 18th-century girandole earrings, a quintessential example of Russian royal jewellery, that soon entered the international market. One of these pairs, set with vibrant Ural amethysts, is famously associated with Empress Catherine the Great. The earrings are prominently featured in a portrait of the young Catherine, then still a Tsarevna and Grand Duchess, long before she assumed the throne. Though not yet immersed in imperial luxury, the gift, commissioned by Empress Elizabeth Petrovna from her court jeweller, Jérémie Pauzié, already reflected the grandeur of the 18th-century Russian court. Crafted by Pauzié, renowned for his meticulous attention to detail and his intricate, heavy designs, the earrings became a significant part of Catherine’s early life. When time came for Cathrine’s coronation, the soon-to-be crowned empress entrusted Pauzié with the creation of the Imperial Crown of Russia. The jeweller collaborated closely with the court’s most skilled artisans, and together, they fashioned the exquisite crown, adorned with nearly 5,000 diamonds and 75 large pearls, a feat that has since become an iconic piece of Russian history. After the earrings were sold to Weiss, they resurfaced in 1929 when JS Phillips purchased them at Christie’s London for 135 pounds. Decades later, in 2007, they appeared again at Christie’s in Geneva, fetching 433,000 Swiss francs and reaffirming the enduring allure of Russian imperial jewellery. The sale of the Romanov jewels remains a poignant and fascinating story, illustrating the complex intersection of revolution, power, and history. These jewels, symbols of a vanished world, continue to captivate collectors, historians, and admirers offering a glimpse into the opulence of the Russian Empire before its collapse. Condition Report: Amethysts:3 PS each approx. 6.43cts, 4.57cts & 4.18cts & 1 RD 2.12cts3 PS each approx. 6.57cts, 4.35cts & 4.40cts & 1 RD 2.11ctsPS: Of purple hue, medium to dark tone, good transparency, facets are smooth, well matched in colourRD: Of purple hue, medium tone, good transparency, one slightly darker than the other oneDiamonds: approx. 3.30cts total, bright and livelyWith partial Russian assay mark ? '56' on each back earrings, one posts slightly looser when opening itFor pierced earsNormal signs of wear, commensurate with age, overall in good conditionTotal gross weight approx. 22.6g
MICHELE DELLA VALLE: A PAIR OF GEM-SET AND DIAMOND PENDENT EARRINGSOf alternate design, the surmounts each set with a graduated row of brilliant-cut diamonds, suspending polished amethyst and citrine hoops with spectacle-set brilliant-cut diamonds between and terminating in a briolette-cut amethyst or citrine drop, mounted in 18K gold, signed Michele della Valle, numbered, with maker's pouch, length 10cm Condition Report: Diamonds: Bright and livelyAmethysts and Citrines: Both with very good transparencyHook and clip fittings, clips with good tensionSigned, numbered 130723, stamped 750 for 18K goldNormal signs of wear, overall good condition Total gross weight 9.8g
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