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Click here to subscribeStudio Pottery - John Leach, a Muchelney two handled amphora vase, 15cm, impressed mark; a spherical vase, 7cm, impressed JR; a ovid vase with copper and rivet effect band, 12cm, impressed JB; a salt glazed blue square dish, 16cm wide, impressed JH; S Lilleman, a red tall slender amphora vase, 26cm; other decorative studio pieces (14)
ARR Ewen Henderson (1934-2000) an amphora shaped vessel decorated poured cream glaze, circa 1972/73, 30cm highBought from a shop in Richmond holding an exhibition of the artist's workThere is a 5cm area of restoration to rim, this is quite obvious as it is much darker. Otherwise good. From a good private collection featuring numerous pots by Rie and Coper.
Antique Roman wine amphora type 'Gauloise’ 4 or ‘Pélichet 47', manufactured in Forlimpopoli, 2nd century ADAntieke Romeinse wijnamphora type 'gauloise 4’ of ‘Pélichet 47', gefabriceerd in Forlimpopoli, 2e eeuw na ChristusH 71 cm provenance: private collection, auction house De Eland, Amsterdam, February 1993with certificate J. Vrancken, Heule 10.09.1998, expertise Greek and Roman antiquitieswith certificate Brussels Art Laboratory, Brussels 1st January 1993provenance: privé collectie, veilinghuis De Eland, Amsterdam, februari 1993met certificaat J. Vrancken, Heule 10.09.1998, expertise Griekse en romeinse oudhedenmet certificaat Brussels Art Laboratory, Bruxelles 1e janvier 1993
An Art Nouveau Amphora Pottery vase, ovoid with swollen neck, cast in low relief with Art Nouveau foliage stems, in colours, highlighted in gilt, an early Emile Galle enamelled glass vase, an Austrian iridescent glass bowl, a Secessionist enamelled glass vase, a Liberty Tudric Pewter dish designed by Archibald Knox and two continental pewter pieces impressed factory marks, Galle vase repaired,19cm. high (7) ProvenanceThe Estate of Sheila Harrison.
Two boxes of assorted 20th Century pottery to include: an Italian Bitossi Rimini blue pitcher jug, numbered 87/2896 to underside; a pair of Wood & Sons "Sheraton" vases pattern 166X, approx 26cm high; a pair of large amphora shaped vases, black ground decorated with birds and flower, 39cm high and pottery vases, jars and large lamp base (untested) (2 boxes - Q)
Group of four hand made Greek-style pottery vessels inspired by ancient Corinthian and Attic designs. Includes a prochous marked as Corinthian Art circa 640 B.C. and an amphora inscribed as Attic Amphora circa 530 B.C. featuring Heracles and the Nemean Lion. Each piece is hand painted with classical motifs, floral patterns, and mythological figures. Notably marked on the base with descriptive inscriptions. Heights range from 6" to 9".Dimensions: See DescriptionCondition: Age related wear.
A group of pottery items, comprising:two amphora-type bottles, on metal stands,20 and 26cm high,a bowl, with a lug handle, on a metal stand,13.5cm diameter, anda tall ewer, with a brown painted band and panels, on a low circular foot, 24cm high (4)Provenance: Brook House, Ongar, the former home of Gillian Raffles (1930-2021).Condition ReportAmphora - chips and losses.Bowl - chips and wear. Ewer - restored rim, cracked and loss to foot.
Amphora - A mid Century Campina vase, incised and enamelled bird in flight over matt speckled ground, height 8cm, together with a Schleiss GMunden vase of ovoid form, painted with bands of leaves and scrolling hearts, undulating and polka dot borders, in tonal blue and chestnut brown over crackle opal glaze, impressed marks, height 12.5cm, a French Art Nouveau vase by Joseph L'Hermine-Declercq, of tapered form with buff and amethyst trickle glaze, impressed marks, a KWK Keramos Austrian vase, of ovoid form, pink, buff and light grey mottled crystalline glass, printed marks to base, height 17cm, and a later Zsolnay vase of baluster form, printed and painted with stylised peacocks and flowers over pale lemon ground, printed marks.
A PATINATED METAL FIGURAL INKWELLin the form of an owl, the head lifting back to reveal a reservoir, on a plinth base inscribed 'To Ensign Robert Williams From The 3rd. DS. R. V 7th. Sept. 1869', 25cm high; together with a neoclassical patinated metal amphora vase, on a turned plinth base, 29cm high; and a cast metal hand bell, decorated in relief with fauna, 11cm high (3)
A group of porcelain and ceramic items To include: [a] A Wedgwood caneware tureen with hunting motif, made to simulate game pie, Stamped bottom. [b] Vista Alegre, A gilt porcelain budgie table decoration [c] A porcelain table decoration, or vase, of a young boy sitting on a log [d] Meissen, An oil lamp with cherubs and floral decoration [e] A Victorian figure wearing a cloak and hat [f] T Goode, A vase with cherubic figure with vine leaves [g] A pair of biscuit figures [h] A Copeland bust of Ophelia, after W. O. Marshall's sculpture. Broken off base. [i] Italian glazed earthenware amphora To be sold without reserve
A PAIR OF ROYAL WORCESTER PORCELAIN FIGURES OF WATER CARRIERS, 1912, each female wearing a gilded draped robe and carrying a water pot on her head and an amphora in hand, both standing barefoot on a circular base, printed green mark, models 2/125 & 126, 9 1/2" high (Est. plus 24% premium inc. VAT)Condition Report: Wear to gilding, but no damage or restoration
A Varied Collection of Glazed Ceramics, 7 pieces, Perignem, Amphora and Leon Goosens.Glazed ceramics.For Perignem and Amphora.Bull, for Amphora, not marked.(L: 7.5 x W: 19 x H: 18 cm)Literature: Marc Heiremans, 'Amphora, Rogier Vandeweghe', Ceramics 1957-1975, Arnoldsche Art Publishers, page 176.Pour bowl with pestle, for Amphora, marked.(L: 15.5 x W: 11 x H: 7 cm)Serving dish with 4 scallops, for Perignem, not marked.(L: 9 x W: 9 x H: 3 cm)Base relief 'Seed box', for Perignem, not marked(L: 4 x W: 20 x H: 30 cm)Base relief 'Flower', for Perignem, not marked.(L: 3.5 x W: 14.5 cm x H: 29.5 cm)Base relief 'Train', not marked.(L: 1 x W: 35 x H: 15.5 cm)Bowl, Leon Goosens, marked LG.(L: 36.5 x W: 7.5 x H: 2 cm)(20 x 30 x 4 cm)Eine abwechslungsreiche Sammlung glasierter Keramik, 7 Stücke, Perignem, Amphora und Leon Goosens.Glasierte Keramik.Für Perignem und Amphoren.Stier, für Amphora, nicht gekennzeichnet.(L: 7,5 x B: 19 x H: 18 cm)Literatur: Marc Heiremans, 'Amphora, Rogier Vandeweghe', Keramik 1957-1975, Arnoldsche Art Publishers, Seite 176.Gießschale mit Stößel, für Amphora, gemarkt.(L: 15,5 x B: 11 x H: 7 cm)Servierplatte mit 4 Jakobsmuscheln, für Perignem, nicht markiert.(L: 9 x B: 9 x H: 3 cm)Sockelrelief 'Saatgutkiste', für Perignem, nicht markiert(L: 4 x B: 20 x H: 30 cm)Sockelrelief 'Blume', für Perignem, nicht markiert.(L: 3,5 x B: 14,5 cm x H: 29,5 cm)Sockelrelief 'Train', nicht markiert.(L: 1 x B: 35 x H: 15,5 cm)Schale, Leon Goosens, markiert LG.(L: 36,5 x B: 7,5 x H: 2 cm)(20 x 30 x 4 cm)
Rogier Vandeweghe (1923-2020) 'Blue Glazed Vase'Blue glazed ceramics.Signed at the bottom 'R. Vandeweghe - St. Andries'.Early period in Bruges (1956-1959), between Perignem and Amphora.(9 x 28 x 0 cm)Rogier Vandeweghe (1923-2020) 'Blauglasierte Vase'Blau glasierte Keramiken.Am Boden signiert 'R. Vandeweghe - St. Andries'.Frühe Zeit in Brügge (1956-1959), zwischen Perignem und Amphora.(9 x 28 x 0 cm)
Rogier Vandeweghe (1923-2020) 'Bowl' for Amphora.Glazed ceramic for Amphora.Signed on the lower edge 'Amphora' and with signet (two-eared amphora with letter a in a shield).(6 x 34 x 0 cm)Rogier Vandeweghe (1923-2020) 'Schale' für Amphoren.Glasierte Keramik für Amphora.Am unteren Rand signiert "Amphora" und mit Signet (zweiohrige Amphore mit Buchstabe a in einem Schild).(6 x 34 x 0 cm)
Turn-Teplitz Amphora earthenware baluster vase, textured mottled blue/brown glaze, cobalt rim and applied bead border, front tube-lined polychrome floral cartouche, stamped “Amphora Czecho-Slovakia”, circa 1920s.Founded 1892 in Turn-Teplitz, Bohemia, Amphora (Riessner, Stellmacher & Kessel) gained international acclaim for Art Nouveau ceramics distinguished by innovative glazes and sculptural forms; production continued under various names into the mid-20th century.
Ca. AD 1 - 200. A gold ring with an oval bezel enclosing a carnelian intaglio engraved with an erotic scene. A nude female figure is shown at the right in a reclining posture with one leg raised, facing a nude standing male figure opposite, depicted with an erect phallus directed towards her. A footed amphora in the background. The hoop thickens at the shoulders and then tapers gradually towards the back.Size: 9 1/4mm x Smm; Weight: 5.04gProvenance: Private London collection; previously French art market 1970s/1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 300 - 100 BC. A terracotta amphora with a large ovoid body that gently tapers towards a thick ring base. The short neck transitions into a slightly everted rim. Two small, looped handles are affixed to the upper body. The surface is decorated with a red-painted geometric pattern over a light background, consisting of parallel bands encircling the shoulder and a frieze of zigzag with dots above. The amphora has a matching terracotta lid with a raised central knob.Size: 255mm x 210mm; Weight: 1.61kgProvenance: Private UK collection, acquired on the German art market; Ex. Private collection, Brewern, München, since 1979. Accompanied by a German Export license. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 750 - 600 BC.A large example of a wheel-thrown pottery amphora with a flat, circular base, an inverted piriform body with a rounded shoulder, a cylindrical neck with a folded rim, and a pair of thick, arching handles. Several panels with geometric motifs decorate the neck. The body is adorned with coloured concentric bands. For similar see: Christie's, Live Auction 21841, Antiquities, Lot. 15; MET Museum Accession Number: 74.51.717Size: 400mm x 340mm; Weight: 5.39kgProvenance: Property of a London art gallery, acquired on the US art market, New York; Ex.Estate of artist Philip Pearlstein (1924-2022), New York, where acquired from the above in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This item is accompanied by a letter from Dietrich von Bothmer, 1985. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
AN ATTIC BLACK FIGURE AMPHORA, MAINLAND GREECE, CIRCA 540-520 B.C. painted terracotta with touches of red and white with sgraffito detailing, the shoulder with twin handles, side A depicting five helmeted hoplites in battle, wearing greaves, three with shields, two with drawn swords, side B with panel depicting a gigantomachy with charioteer in profile on the left, figures of Athena and other helmeted gods in combat with giants on the far right, a fallen combatant underneath the rearing horses, a frieze of lotus flowers along the top on each side, and a band of pointed leaves above the flared base, (repainted, especially side B: see full condition report available on request), 45.7cmProvenance: Private collection, London. Acquired Sotheby's London, 12 June 1967, lot 138 (Offered Sotheby's London, 8 December 1994). Andre Emmerich Gallery, New York (22 April-20 May.1964), Münzen und Medaillen A.G., Basel (prior to 1964).Published online: Vase no. 11559, Classical Art Research Centre/Beazley ArchiveAt the 1967 auction, this amphora was attributed as 'near to the 'Swing Painter'. For three other amphorae attributed to the 'Swing Painter' in the British Museum, see inv. nos. 1843,1103.57 & 64; 1837,0609.65. For another, recently sold at auction, see Sotheby's London, 7 December 2021, lot 51. side A: Numerous small retouching of paint to rim, neck, upper frieze, figural scene, lower band and frieze and foot; repaired chip on foot; minor restored rim chip side B: Extensive repainting: rim and neck with numerous small spots of retouching; upper frieze and figural scene with large areas of repainting including most of human figures, upper part of horses heads and Athena figure; lower band retouched especially below right handle; lower frieze and foot mostly repainted. Pre-restoration images in black and white are visible on https://www.carc.ox.ac.uk/record/BDB21153-416B-429D-BE6D-C7BB57A572B6 General: No apparent breaks; interior of neck gives an idea of surface condition pre-restoration as it untouched.
2nd century A.D. Short nozzle with volute scrolls, low discus with concentric circles, central motif of a male bust atop a column, a palm branch behind and an amphora before the column. 54 grams, 92 mm (3 5/8 in.). (For this specific lot, 5% import VAT is applicable on the hammer price.) with Galerie Rhéa, Zurich, Switzerland. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: See our website for further information.
Jerusalem mint. Dated Year 2 (67/8 CE). 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 2.11gr, 17mm, 6h. Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists.
2nd-3rd century A.D. Comprising a D-section fluted hoop with lateral flanges, expanding shoulders with diagonal line design, bezel set with an oval blue glass intaglio with an amphora. 7.16 grams, 20 mm (3/4 in.). [No Reserve] Property of a Cambridgeshire, UK, collector. From his private collection since the 1970s; thence by descent circa 2000. Ex private collection of a Bedfordshire gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: See our website for further information.
Jerusalem mint. Dated year 3 (68/9 CE). 'Year three' in Paleo-Hebrew, amphora with broad rim, two handles and a lid / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 204; Sofaer 31-35; Hendin GBC 6, 6392; Hendin GBC 5, 1363. 2.48gr, 16mm, 6h. Near Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists.
Jerusalem mint. Dated Year 2 (67/8 CE). 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 3.13gr, 16mm, 6h. Very Fine.Property of a North London, UK, gentleman.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists.
4th-6th century A.D. An attractive rectangular panel of mosaic tesserae with central ribbed kantharos executed in coral pink, amber-yellow, and green segments with tiered foot; issuing from the scaphoid opening two vines with curled tendrils and trefoil leaves in pale green; white field with grey-black border; restored and set into a mid 20th century reinforced mortar matrix. See Pappalardo, U., Greek and Roman Mosaics, New York, 2019; cf. Neal, D.S. & Cosh, S.R., Roman Mosaics of Britain. Vol I. Northern Britain, Society of Antiquaries, London, 2002; Watts, D.J., Christians and Pagans in Roman Britain, Abingdon, 1991. 56 kg, 67.5 x 67.5 cm (26 1/2 x 26 1/2 in.). Acquired in the 1950s-early 1990s. From the Igor Karmiloff (1925-2016) collection, UN economist and author of Flashbacks, Icons of Impermanence, Bloomington, 2009. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12746-233888. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.The motif of the kantharos, krater or amphora with vines emerging from the mouth is widely represented in classical art and was seemingly a popular motif for the mosaicist with examples found in areas as widespread as North Africa and northern Britain. The origins of the motif are probably to be found in the cult of Bacchus (Greek Dionysos) with its ritualised drunkenness expressed in the vine which gives rise to the grapes to be transformed into wine, and the drinking cup from which it is received. In later Roman times, the motif was reinterpreted as Christ (the Eucharist symbolised by the cup) from whom the vine grows representing the spread of the Christian message and the growth of the church (Watts, 1991, p.208).TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: See our website for further information.
Jerusalem mint. Dated Year 2 (67/8 CE). 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 3.15gr, 16mm, 12h. Near Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists.
Jerusalem mint. Dated year 3 (68/9 CE). 66-70 CE. 'Year three' in Paleo-Hebrew, amphora with broad rim, two handles and a lid / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 204; Sofaer 31-35; Hendin GBC 6, 6392; Hendin GBC 5, 1363. 2.48gr, 16mm, 5h. Good Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists.
Jerusalem mint. Dated Year 2 (67/8 CE). 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 2.20gr, 16mm, 6h. Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists.
In the name and types of Alexander III of Macedon. ΑΝΤΙΦΩΝ (Antiphon), magistrate. Circa 190-165 BC. Head of Herakles to right, wearing lion skin headdress, paws tied beneath chin / ΑΛΕΞΑΝΔΡΟΥ, Zeus seated to left on high-backed throne, right leg drawn back, his feet resting on a low foot rest, holding long sceptre in his left hand and, in his right, eagle standing to right with closed wings; in left field, sphinx seated to left on amphora, raising forepaw; ΑΝΤΙΦΩΝ below. Price 2415; HGC 6, 1139. 16.13gr, 31mm, 12h. (For this specific lot, 5% import VAT is applicable on the hammer price.) Very Fine. Toned.Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists.
Jerusalem mint. Dated Year 2 (67/8 CE). 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 2.56gr, 16mm, 5h. Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists.
Jerusalem mint. Dated Year 2 (67/8 CE). 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 2.55gr, 16mm, 5h. Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists.
A centre table, Empire manner, mahogany and mahogany veneer, gilt bronze applications en relief, gilt bronze legs "Female figures", central stretcher with application of sculptures "Amphora between griffins", marble top, French, 19th C., minor faults on veneer, wear on bronze, minor faults and defects, broken top with faults and defects, Dim. - 81,5 x 125 x 60 cm
A grooved decoration chest, juniper (or cedar), decoration with grooves filled with putty (gall nut) "Renaissance portico with amphora and two heads of imaginary animals adorned with plants", "Imaginary figure and animal decorated with plants", "Knight on horseback with armor and spear" and "Trees with birds", front edge of the top and tops of the vertical boards also with grooved decoration, interior with pigeon holes cover, Portuguese - Azores, 16th/17th C., missing socle, restoration, minor faults and defects, traces of woodworms, missing original mount replaced by scalloped iron lock escutcheon and engraved "Two-headed eagle". Notes: this type of chest was studied in FERRÃO, Bernardo - "Mobiliário Português - dos primórdios ao maneirismo - volume quarto - Anexos". Porto: Lello & Irmão - Editores, 1990, pp. 7-35, reproducing several copies. For grooved decoration chest with similar imaginary animals vd. FREIRE, Fernanda Castro - "Mobiliário - volume II". Lisbon: Ricardo do Espírito Santo Silva Foundation, 2001, p. 43., Dim. - 50 x 144 x 58 cm
A "Cartel" wall clock, Louis XVI style, gilt bronze en relief "Amphora, Lion's fauces and garlands", white enamel dial with blue Roman and Arabic numerals, eight-day autonomy, hour and half-hour striking, pendulum regulation on the dial, French, 19th C. (2nd half), mechanism requiring maintenance, dial signed LENOIR, Dim. - 45 cm
TWO SMALL COLD PAINTED ANIMALIER BRONZES AUSTRIAN, LATE 19TH OR EARLY 20TH CENTURY A seated hare, possible Bergmann amphora mark visible to underside under paint, 8.5cm high, 8cm; and a Royal stag, unmarked, 6cm high, 4cm wide Condition Report: PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEW Both with some paint losses from handling and age ADDITIONAL IMAGES: Please 'Ask a Question' to request additional images for this lot.Condition Report Disclaimer
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