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This eclectic beaded strand features detailed cast metal animal and fish charms, including yak, ram, horse, and aquatic motifs. The charms are spaced with polished red and green stone beads and silver-tone accents. Though the piece lacks a clasp and shows signs of prior attachment, it may have originally served as a necklace, amulet strand, or decorative hanging. With its symbolic forms and artisan construction, it reflects Himalayan or Tibetan-inspired folk craftsmanship. A visually engaging and versatile piece open to interpretation.Dimensions: Approx. 38" long when fully extendedCondition: Age related wear.

A Chinese carved apple green jade amulet necklace of a mountain scene together with a large tigers eye amulet neckalce and a tigers eye bracelet, largest amulet L. 5.5cm.

Assorted nephrite and jadeite pieces, to include an archers ring, 2.5cm, a pierced amulet, beaded bracelet, pendants etc (7)

A J&G Meakin Studi Amulet pattern coffee set, comprising six cups, six saucers, coffee pot, sugar and cream, sold along with six Palissy Orange Grove cups and saucers

Large Yemeni silver amulet L15cm, Omani silver necklace with amulet case, two silver hair ornaments, large bangle and Kohl pot, gross 18.6oztShipping £38.00 plus vat (UK Only)

This lot includes two carved green jade pendants, each fitted with a small metal loop for suspension. The first pendant is shaped as a figa hand, a traditional amulet also known as a mano figa, depicting a clenched fist with the thumb protruding between the index and middle fingers. This symbol has been historically associated with protection, fertility, and good fortune across various cultures, including Latin American and Mediterranean traditions. The carving exhibits subtle linear detailing on the fingers and cuff. The second pendant is carved in the shape of a heart, with a smooth polished surface and mottled green coloration characteristic of natural jade. Both pendants are drilled and set with metal rings for attachment. Figa hand: 1.75"L x 0.5"W. Heart: 1.25"L x 1.5"H.Dimensions: See DescriptionCondition: Age related wear.

A REPOUSSÉ SILVER HIRZ NECKLACE PROPERTY FROM A PRIVATE BRITISH COLLECTION Possibly Turkmenistan or Uzbekistan, Central Asia, late 19th - early 20th centuryA cylindrical silver amulet case (hirz) finely decorated in repoussé with floral and foliate motifs, divided into four sections by raised bands, each end domed, the body densely worked with scrolling leaves and blossoms, with attached silver suspension chain, traditionally used as a protective amulet or container for Qur’anic scrolls or talismanic prayers, a typical example of Central Asian Islamic personal adornment, with strong regional character and high-relief craftsmanship, often worn by women and children for spiritual protection.8.5cm longOverall weight 24.3gr. Qty: 1

An Ethiopian silver telsum neck amulet, the curved body 27cm. wide.

An Omani white metal with yellow metal applied decoration Amulet/Koran Holder(HIRZ) Necklace, along with a smaller example. Overall weight 300gms

Four Middle Eastern white metal Amulet/Koran Holder style Pendants, a bangle and a Finger Ring set carved red stone

A Chinese mandarin hat style bronze and stone decoration, H. 6.5cm together with a gourd shaped amulet. Prov Jean Rich collection.

Two Southeast Asian pottery objects to include: A Thai Sawankhalok box with cover, c.15th century, 8 cm diameter; together with a Buddhist amulet (2)

A circular carved jade ornament featuring finely incised geometric and abstract motifs. The central design is framed by a ringed medallion, bordered with crosshatched detailing and stylized organic forms possibly symbolizing wings or leaves. A small drilled hole at the top suggests it may have been worn or suspended as a pendant or amulet. The jade displays natural greenish-tan coloration with surface mottling and evidence of age, contributing to its character and possible ritual use.Dimensions: 2.25" dia. Condition: Age related wear.

New Kingdom, Ca. 1550 - 1069 BC. A collection of amulets, pendants, and beads in faience and glass, including a faience hedgehog scaraboid with dot-like spine markings and similar reverse; a second faience amulet in the form of a hedgehog scaraboid with incised triangular markings and a flat reverse bearing hieroglyphs within an oval frame; a ribbed biconical faience bead in turquoise glaze; a domed faience bead with a roughly textured surface in blue; a bright turquoise-blue faience wadjet eye amulet with incised contours and raised pupil, perforated laterally for suspension; a rectangular cobalt blue glass pendant; and two faience grape-cluster pendants with raised detail and glaze in shades of blue; a pale green faience pendant in the form of a circular rosette with slightly concave centre and scalloped edge; a pale green faience pendant shaped as a cluster of grapes with a short cylindrical neck.Size: 9.2-11.3mm x 6.5-7.7mm; Weight: 0.58gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Third Intermediate Period to Late Period, Ca. 1069 - 332 BC. A collection of five faience amulets. From left to right: a bright blue amulet of Pataikos, depicted nude with arms at his sides; a small kneeling figure of Shu, shown supporting the vault with both arms raised; a pale-toned amulet of Pataikos with clenched fists; a turquoise amulet of a baboon, shown standing upright with arms to the sides; and a fragmentary piece showing two kneeling figures positioned back-to-back. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 20.6 - 29.1mm x 12.7 - 11mm; Weight: 16.43gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Ca. 400 BC. A pale stone amulet in the form of a fish, with a broad, ovoid body and a narrow tail ending in a notched caudal fin. Both sides are similarly rendered, with shallow contouring and short incised strokes along the dorsal and anal edges to indicate fins.For similar see: Christie's, Live Auction 1244, Antiquities, Lot 82.Size: 30mm x 56mm; Weight: 8.91gProvenance: Private UK collection; acquired on the French market in the 1980s.

New Kingdom, Ca. 1550 - 1069 BC. A yellow faience scaraboid amulet in the form of a recumbent duck with its head turned back across the body. The flat underside is inscribed with hieroglyphs enclosed within an oval cartouche. Perforated lengthwise. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: The Metropolitan Museum of Art, Object Number: 30.8.602.Size: 7.5mm x 14.0mm; Weight: 0.83gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

New Kingdom to Third Intermediate Period, Ca. 1550 - 664 BC. A collection of 13 faience amulets. The upper row includes several openwork examples depicting a standing goddess within a naos shrine, accompanied by a hand-shaped amulet, a figure of Pataikos, and a Hathor head. The lower row comprises a more varied group, including a Sekhmet aegis, an additional Hathor head, another hand amulet, and an amulet of kneeling Shu with his arms raised. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 14.3 - 17.7mm x 5 - 10.5mm; Weight: 10.9gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

New Kingdom to Ptolemaic Period, Ca. 1550 - 30 BC. A group of six faience amulets in bright turquoise glaze. From left to right: two amulets of squatting figures holding ankhs; an amulet of Isis seated and nursing the infant Horus; a fragmentary dyad representing two standing figures joined at the base with arms at their sides; a flat cartouche-shaped amulet; and a stylised amulet of a standing deity. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 12.9 - 22.1mm x 1.9 - 13.4mm; Weight: 11.49gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Late Period - Ptolemaic Period, Ca. 664 - 30 BC. A pale green faience amulet in the form of a crouching frog, modelled in the round and set upon an integral flat base. The limbs, head, and dorsal contour are clearly defined, with recessed features around the eyes and mouth. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: National Museums Liverpool, 44.19.177.Size: 11.8mm x 15.3mm; Weight: 2.04gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Ca. 800 - 600 BC. A gold amulet in the form of the head of the demon god Pazuzu, depicted with exaggerated facial features and a fierce expression. The cheeks and jaw are bordered by a stylised beard. Prominent, ridged brows arch above recessed, rounded eyes. A pair of ribbed, tapering horns rises from the bald crown and curves backwards over the head. The suspension loop is positioned at the top of the head.For similar see: Christie's, Live Auction 1583, Ancient jewelry, Lot. 15, (shape)Size: 17.7mm x 8.2mm; Weight: 7.88gProvenance: Private London collection; formerly in South German private collection 1980s-early1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 1550 - 332 BC. A collection of 24 faience pendants and amulets, including an amulet of Sekhmet, numerous cornflower amulets, simple tubular and annular beads, as well as other forms. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: The Metropolitan Museum of Art, Object Number: 11.215.264; National Museums Liverpool, 1978.291.297r.Size: 4.3 - 7.7mm x 14.4 - 23.3mm; Weight: 25gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

New Kingdom, Ca. 1550 - 1069 BC.A matched pair of cornflower pendants in glazed faience, each composed of a flaring blue calyx above a green, textured ovary with a tapering shaft culminating in a suspension loop and bright green and blue glazed faience amulet, preserved in two complementary halves. The obverse is decorated with a hieroglyphic inscription, while the reverse is flat and unworked. The ends are accented in blue, each provided with a suspension loop. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: The Metropolitan Museum of Art, Object Number: 11.215.264; National Museums Liverpool, 1978.291.297r.Size: 24.6-24.5mm x 9.1-10mm; Weight: 2.94gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

New Kingdom, Ca. 1550 - 1069 BC. A faience amulet in the form of a frog, glazed in deep red with contrasting yellow eyes. The body is contoured with pronounced limbs and striated back, seated on a flat oval base. Pierced longitudinally for suspension. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 10.3mm x 11.3mm; Weight: 1gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Ca. 1550 - 332 BC. A group of 13 faience objects, including a Heh amulet representing the personification of eternity, shown seated with raised arms. Also present are a rectangular engraved plaque, a flat disc with a central cross motif, a heart-shaped pendant, gaming pieces, and a plume element - originally part of a crown or headdress. The group further includes a cobalt blue inlay fragment modelled as a wig and several other elements. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: The Metropolitan Museum of Art, Object Number: 11.215.206; The Cleveland Museum of Art, 1920.1976; National Museums Liverpool, Accession number 56.21.874; The British Museum, Museum Number EA2280.Size: 3.5 - 28.9mm x 24.8 - 37mm; Weight: 100gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Late Period to Ptolemaic Period, Ca. 664 - 30 BC. A collection of five amulets. The one on the left is an amulet of the dwarf god Bes, depicted standing and wearing a feathered crown. The second appears to be a depiction of a composite figure. The third is a frog amulet, rendered in banded stone with a perforation beneath. The fourth is a wedjat eye amulet, with a loop for suspension and an engraved cartouche on the underside. The one on the right is a small square seal with linear engraving on the base. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 10.7 - 20.6mm x 6.9 - 11mm; Weight: 9.5gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Third Intermediate Period, Ca. 1069 - 664 BC. A green faience amulet in the form of two frogs placed side-to-side, each rendered with prominent eyes and finely ribbed dorsal detailing extending down the body. The legs are schematically indicated, and the underside is flat. Two perforations run transversely through the base, allowing for suspension. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 18.2mm x 9.7mm; Weight: 2.1gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Third Intermediate Period to Late Period, Ca. 1069 - 332 BC. A collection of three amulets. The one on the left is a faience amulet of a squatting baboon with arms resting on the knees and supported by a dorsal pillar. The central amulet of dark blue glass depicts Isis standing with her arms at her front. The figure on the right is rendered in Egyptian blue, also representing Isis, shown with her left arm bent across her chest and right arm at her side, wearing a headdress and backed by an inscribed pillar. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 50.4 - 55.1mm x 10.9 - 15mm; Weight: 23.38gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Late Period, Ca. 664 - 332 BC. A glass amulet in the form of two extended fingers, each rendered with incised lines marking the joints. The surface is smooth and gently curved, while the underside is flat. Mounted on a modern display stand. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: The Metropolitan Museum of Art, Object Number: 66.99.182.Size: 33.6mm x 13.4mm; Weight: 6.1gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

New Kingdom to Ptolemaic Period, Ca. 1550 - 30 BC. A collection of three amulets. The one on the left is a turquoise-blue faience amulet of Pataikos, shown squatting with hands resting on his hips, with a prominent head and rounded limbs. The one in the centre represents Khnum, standing mummiform with a ram’s head, wearing a short kilt and supported by a dorsal pillar. The one on the right is a dark-toned faience amulet of Ptah, depicted mummiform with a close-fitting cap and arms held vertically before the chest, also backed by a narrow pillar. Each amulet is pierced horizontally at the back for suspension. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 29.6 - 37.7mm x 8.7 - 13.8mm; Weight: 13.12gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Middle Kingdom to the New Kingdom, Ca. 2055 - 1069 BC. A collection of three amulets. The one on the left is a foot-shaped amulet in deep blue, with perforation near the top for suspension. The second is a scaraboid with a smooth, domed back and an engraved underside, pierced longitudinally. The third is a short tubular amulet with faintly incised motifs. The one on the right is a frog amulet with extended limbs and a central perforation running lengthwise. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 13.5 - 27.2mm x 7.4 - 17.7mm; Weight: 10.48gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Ca. 800 - 600 BC. A bronze amulet in the form of the head of the demon god Pazuzu, depicted with exaggerated facial features and a fierce expression. The mouth is open in a grimace, exposing fangs, while the cheeks and jaw are bordered by a stylised beard. Prominent, ridged brows arch above protruding, rounded eyes. The amulet is fitted with a large suspension loop at the top of the head.For similar see: The British Museum, Museum number 132964.Size: 24.3mm x 11.4mm; Weight: 6.5gProvenance: Private UK collection; acquired on the French market in the 1980s.

Late Period to Ptolemaic Period, Ca. 664 - 30 BC. A turquoise faience amulet of Horus depicted standing on a rectangular base with arms held straight at his sides. The god is shown with a striated tripartite wig and a falcon head with a sharp beak. He wears a short kilt with vertical folds, and a back pillar extends the full height of the figure. Pierced horizontally through the back for suspension. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: The Louvre Museum, Main number: E 19784, Entry number: MG 2285.Size: 71.4mm x 28.3mm; Weight: 16.6gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

New Kingdom to Third Intermediate Period, Ca. 1550 - 664 BC. A collection of amulets and beads. The one on the left is a scaraboid with a domed back and plain underside. Next is a wedjat eye amulet with incised detailing. The third is another scaraboid, larger and more rounded in form. Below are four small flat disc beads with central perforations. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 5.3 - 26.3mm x 3.3 - 6mm; Weight: 17gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Late Period - Ptolemaic Period, Ca. 664 - 30 BC. A pale blue faience amulet in the form of a seated cat with its forelegs extended and head held high. The body is modelled with simplified contours and incised facial features. A suspension loop is pierced horizontally through the upper back. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: National Museums Liverpool, 44.19.181.Size: 21mm x 13.6mm; Weight: 1.37gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Ca. 800 - 600 BC. A black stone amulet in the form of the head of the demon god Pazuzu, depicted with exaggerated facial features and a fierce expression. The mouth is open in a grimace, exposing pointed fangs, while the cheeks and jaw are bordered by a stylised beard. Prominent, ridged brows arch above protruding, rounded eyes. A pair of ribbed, tapering horns rises from the bald crown and curves backward over the head. The amulet is perforated lengthwise.For similar see: Christie's, Live Auction 2375, Ancient Jewelry, 9 December 2010, Lot 316.Size: 38mm x 30mm; Weight: 34.7gProvenance: Private UK collection; acquired on the French market in the 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Late Period - Ptolemaic Period, Ca. 664 - 30 BC. A rectangular amulet of blue faience with three moulded frogs in squatting posture on the upper face. The frogs are evenly spaced, each with limbs extended and heads raised. The sides of the rectangular base are pierced horizontally with a triple set of stringing holes. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 12.7mm x 25.5mm; Weight: 4.18gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Third Intermediate Period to Late Period, Ca. 1069 - 332 BC. A collection of eight faience amulets depicting various deities. From left to right: the first and second figures represent the god Shu, shown kneeling with arms raised to support the vault of the sky; the third is a standing Sekhmet, depicted in lion-headed form; the fourth is Khnum, shown mummiform with a ram’s head and wearing a crown; the fifth is Isis, seated and nursing Horus; the sixth is another Khnum amulet, rendered more schematically; the seventh represents Horus wearing a solar disc atop his head; and the eighth is a smaller amulet of Horus or possibly another deity. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 18.8 - 29.4mm x 5.5 - 19.5mm; Weight: 12.86gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

A collection of assorted International ancient and modern coins, with some silver, including a 6th century Justinian folis, an 1821 Republic of Colombia thaler, a collection of Chinese coins, and an Islamic amulet. (1 bag)

A Collection of Assorted Items, Probably Ethiopian, comprising a necklace in the form of an amulet; two cruciform pendants; a pair of knives with wirework handles and other items (one tray)Provenance: The Property of Sir Brooke Boothby ex Fonmon Castle.

Bolano, Roberto. A collection of first English editions, including examples signed by the translator. Comprising 2004 2666, first US edition signed by translator Natasha Zimmer housed in custom slipcase; an unsigned first UK edition of the same; 2012 The Secret of Evil; 2011 The Third Reich, limited edition in slipcase; 2008 Nazi Literature in the Americas, orig. boards; and three New Directions editions, being 2008 Nazi Literature in the Americas, 2006 Amulet, and 2001 Last Evenings on Earth (some mould damage to spine). 8vo (8)From the Greg Harrowing collection of modern first editions. Collected over four decades and seen to the auction market for the first time, Greg's collection demonstrates a broad & insatiable love and thirst for all manner of the contemporary printed word, covering every corner of literature and non-fiction. From the traditional modern collector's works - John le Carre, Quentin Blake, Hilary Mantel and numerous other Booker Prize winners - to the less commonly seen collections of contemporary Japanese and Korean fiction, Harrowing's collection was collected over four decades, and his care of the collection extended so far as to have beautiful leather slipcases custom made to house his favourite pieces.

Children's & illustrated. A collection of nine late Victorian & Edwardian titles, the majority in orig. decorative pictorial cloth. Comprising 1906 The Story of the Amulet by Edith Nesbit, first edition in orig. gilt cloth, illus. H. R. Millar; 1875 The History of the Robins by Mrs. Trimmer illus. Giacomelli, Scouts in Bondage - A Story of Boys Scouts in Strange Adventure by Geoffrey Prout, 1901 Quality Street by J. M. Barrie illus. Hugh Thomson, c1900 The Young Fur Traders by R. M. Ballantyne, Boy's Book of Heroes, 1890 Battles of the British Army by Charles Rathbone Low, c1880 Young England's Nursery Rhymes illus. Constance Haslewood, 1927 The Animal Story Book ed. Andrew Lang, new impression. All in publisher's orig. decorative & gilt cloth, bumping to the heads and tails of the spines, particularly to the Scouts title which has noticeable loss, else a generally very bright collection. 8vo. (9)

Late Period, circa 664-332 B.C. Modelled in advancing pose wearing a tight-fitting robe, cat-headed, with a sistrum in one hand and a Bes head emblem in the other; suspension loop between shoulders. 3.75 grams, 38 mm (1 1/2 in.). François de Ricqlès, Paris, Archéologie, 30 September-1 October 1996, no.332. Private collection, London, UK, acquired from the above sale. Accompanied by a copy of a French cultural passport, dated 2 October 1996. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.Bastet is typically depicted with the head of a lioness or domestic cat. The cat symbolises protection, motherhood, and, later, gentleness and domesticity, qualities associated with Bastet, especially in her later evolution from a fierce lioness to a more benevolent feline goddess. The sistrum she holds is a ritual musical instrument associated with Hathor and other birth goddesses and is linked to joy, music, and divine protection. Bastet was often invoked during music and dance ceremonies, and the sistrum reinforces her role in celebration and protection. Bes was a dwarf god known for guarding households, particularly mothers and children. His image on Bastet’s amulet emphasises her protective role, especially at home and during childbirth.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: See our website for further information.

Late Period, 664-332 B.C. Composed mainly of oblate and spherical beads, four poppy seed pendants, and a larger djed pillar pendant; restrung with a modern clasp. See Lacovara, P., and Markowitz, Y.J., Jewels of the Nile: Ancient Egyptian Treasures from the Worcester Art Museum, Worcester MA, 2020, pp. 144-145, for a carnelian bead necklace with similar poppy beads. 12.68 grams, 43.5 cm (17 1/4 in.). From an Israeli collection, formerly with the Archaeological Centre in Jaffa. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.The djed pillar symbolises endurance and stability. Used as a funerary amulet since the Old Kingdom, it was first linked to Ptah and Sokar, later becoming associated with Osiris as his backbone. Chapter 155 of the Book of the Dead references it in the context of resurrection. Beads in the form of poppies were used to heal and alleviate pain and to ward off death. These types of amulets were also linked to Osiris, the Egyptian deity of agriculture, death, and the afterlife.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: See our website for further information.

Late Period-Roman Period, circa 664 B.C.-100 A.D. Comprising: a seated figure of Isis suckling infant Horus on her lap, the goddess crowned with large cow horns flanking a solar disc, pierced behind the head; a mummiform Osiris-Canopus amulet wearing a nemes headdress and plain dorsal pillar, a winged scarab with solar disc above at the base of the figure; a kneeling Shu amulet, his arms raised above his head holding a large solar disc, pierced through the dorsal pillar. Cf. Petrie, W.M.F., Amulets. Illustrated by the Egyptian Collection in University College, London, 1914, pl. XXVIII, 158n, for a similar Osiris-Canopus amulet in bronze; Petrie, W.M.F., Amulets. Illustrated by the Egyptian Collection in University College, London, 1914, pl. XXVId and XXVIe, for similar Isis lactans amulets; Daressy, G., Catalogue général des antiquités égyptiennes du Musée du Caire N° 38001-39384 Statues de divinités, Cairo, 1906, pl. VIII, no. 38.229, for a Shu of similar form. 6.47 grams total, 18-25 mm (3/4 - 1 in.). [3] (For this specific lot, 5% import VAT is applicable on the hammer price.) Ex Prof. Dr Emil Vogt (1906-1974), The Former Director of the Swiss National Museum, Zürich, in his collection before 1970. with Galerie Rhéa, Zurich, Switzerland. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: See our website for further information.

Saite Period, 664-525 B.C. Carved in the round with detailed carapace and legs; not pierced. Cf. Ben-Tor, D., The Scarab: A Reflection of Ancient Egypt, Tel Aviv, 1993, p. 77, nos. 13-15, for comparable diorite scarabs. 8.22 grams, 21 mm (7/8 in.). (For this specific lot, 5% import VAT is applicable on the hammer price.) Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.The scarab amulet was arguably the most ubiquitous symbol in ancient Egypt, representing rebirth, transformation, and protection. Modelled after the scarab beetle, which was associated with the sun god Khepri, believed to roll the sun across the sky, the amulet illustrated the cycle of life and regeneration. Scarabs were commonly placed with the deceased as funerary amulets to ensure safe passage into the afterlife. They also served as seals and personal charms, often inscribed with prayers, names, or protective formulas. Widely used from the early Middle Kingdom (c. 2050 BCE) onwards, scarab amulets reflect spiritual beliefs and everyday practices in ancient Egyptian life.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: See our website for further information.

9th-11th century A.D. or earlier Comprising a D-shaped gold cap with integral loop above, inset glass bead. 1.30 grams, 19 mm (3/4 in.). Ex property of a late Japanese collector, 1970-2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.This amulet was believed to offer protection against 'Elfshot'. The attack of elves was believed responsible for mysterious suffering in men and livestock: sudden shooting pains localised to a particular area of the body, such as in rheumatism, arthritis or muscle stitches or cramps. Elves were thought to shoot darts or arrows where such pains had no obvious external cause. Belief in elfshot persisted into the 20th century in rural areas, and as proof country folk would sometimes find small arrowheads (the remains of Neolithic or Mesolithic flints, or naturally-occurring spear-shaped stones) that were believed to be the magical weapons that caused the afflictions. Belief in elfshot began in the Pagan Germanic period.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: See our website for further information.

20th century A.D. An elegantly composed designer necklace with turquoise, coral, glass and rock crystal beads, two vajra pendants above a rock crystal amulet with inlaid collars; central feature a tassel composed of bead drops suspended from an openwork metal dome. 238 grams, 62 cm (24 3/8 in.). [No Reserve] From the family collection of a Hampstead gentleman; formerly acquired in the 1980s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: See our website for further information.

New Kingdom, 1550-1070 B.C. A large heart, ib, amulet of classic egg-form with shallow lugs on either side with short flared top and tubular suspension loop. Cf. Petrie, W.M.F., Amulets. Illustrated by the Egyptian Collection in University College, London, 1914, pl. I, nos.7a-p, for type; Andrews, C., and van Dijk, J., Objects for Eternity: Egyptian Antiquities from the W. Arnold Meijer Collection, Mainz am Rhein, 2006, p.128, no. 2.34a. 5.27 grams, 26 mm (1 in.). From an early 20th century collection London and Home Counties, UK. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.According to ancient Egyptian beliefs, the heart (ib) was considered to be the centre of intelligence, emotions, and behaviour. The heart was also believed to store an individual's memories. During the Weighing of the Heart ceremony in the afterlife, the heart could speak up for the deceased and account for their lifetime of actions before Osiris. For this reason, heart amulets were placed on the mummy to safeguard the organ and ensure a favourable outcome during judgment.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: See our website for further information.

Late Period, 664-332 B.C. Formed as a broad collar with a Horus head finial supported by two cobra heads. Cf. Andrews, C., Amulets of Ancient Egypt, London, 1994, pp.96-97, for a discussion of this amulet type. 0.92 grams, 14 mm (1/2 in.). [No Reserve] Ex early 20th century collection, London, UK. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: See our website for further information.

Late Period, 664-332 B.C. With detailed clypeus and head, raised ridge separating the wing case, resting on an oval base with plain underside. 10.1 grams, 27 mm (1 in.). From the property of a London, UK, gentleman, 1970-2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.The scarab, which represented the dung beetle, was the most popular amulet in ancient Egypt for approximately two thousand years until the Ptolemaic Period when it gradually fell out of favour. The popularity of scarabs extended beyond the borders of Egypt, and they were also distributed and produced in other regions, such as Phoenicia and Israel. The beetle is named khepri, derived from the verb 'to come into existence', and was considered the embodiment of the creator god Khepri, who was self-engendered. The ancient Egyptians mistakenly believed that the young beetle emerging from the dung ball was the result of an act of self-creation.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: See our website for further information.

Late Period, 664-332 B.C. Each flat-section with a band of feathers within the border, two attachment holes. Cf. Tinius, I., Altägypten in Braunschweig. Die Sammlungen des Herzog Anton Ulrich-Museums und des Städtischen Museums, Wiesbaden, 2011, p.170, no. 328, for a comparable faience wing. 15 grams total, 43-44 mm (1 5/8 - 1 3/4 in.). [2, No Reserve] From the private collection of the late Julian Bird, UK, formed since the 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.These wings were once part of a central scarab amulet. Winged scarabs often served as funerary adornments and were believed to symbolise the rebirth and regeneration of the deceased.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: See our website for further information.

20th century A.D. Carved in the round pregnant female amulet with ursine head; attachment point at rear of neck. 69 grams, 79 mm (3 1/8 in.). [No Reserve] From the family collection of a Hampstead gentleman; formerly acquired in the 1980s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: See our website for further information.

Late Period, 664-332 B.C. Comprising: a scarab with anatomical detailing to the carapace, underside with a crocodile and two quadrupeds; a rectangular Eye of Horus amulet with domed upper face. 3.04 grams total, 14-16 mm (1/2 - 5/8 in.). [2, No Reserve] Norfolk family collection, 1940s-1960s; thence by descent. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: See our website for further information.

9th-11th century A.D. or earlier Comprising a D-shaped gold cap with integral loop above, inset knapped flint blade. 3.41 grams, 27 mm (1 1/8 in.). Acquired 1980-2015. Ex Abelita family collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.This amulet was believed to offer protection against 'Elfshot'. The attack of elves was believed responsible for mysterious suffering in men and livestock: sudden shooting pains localised to a particular area of the body, such as in rheumatism, arthritis or muscle stitches or cramps. Elves were thought to shoot darts or arrows where such pains had no obvious external cause. Belief in elfshot persisted into the 20th century in rural areas, and as proof country folk would sometimes find small arrowheads (the remains of Neolithic or Mesolithic flints, or naturally-occurring spear-shaped stones) that were believed to be the magical weapons that caused the afflictions. Belief in elfshot began in the Pagan Germanic period.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: See our website for further information.

Third Intermediate Period-Late Period, circa 743-332 B.C. Finely carved tyet amulet with incised internal detailing and ribbed suspension loop at the top. Cf. Reisner, G.A., Catalogue général des antiquités égyptiennes du Musée du Caire, Nos.5218-6000 et 12001-12527, Vol. I, Amulets, Cairo, 1907, pl.VII (CG12036), for an amulet of similar styling. 38.9 grams, 81 mm (3 1/4 in.). (For this specific lot, 5% import VAT is applicable on the hammer price.) Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.The tyet amulet was associated with the goddess Isis and was often referred to as the 'knot' or 'girdle' of Isis. Some believe that it represents a bandage used to absorb menstrual blood. It was commonly placed within the mummy wrappings on the upper torso of the deceased, with the belief that it would invoke Isis' protection and safeguard the body, thus ensuring their rebirth in the afterlife.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: See our website for further information.

A large silver, turquoise and coral pendant necklace, believed to be a Tibetan Ghau amulet, unmarked but XRF confirmed as silver, the pendant 80mm tall, the chain 56cm long, 123.99g

A Chinese carved grey/green jade disk amulet carved with halberd, teqing (chime stone ) urn and lotus blooms, 20th century, 5.8 cm diameter and a variagated red soapstone chop seal carved with Li Tieguai walking through stylized waves with his iron crutch the remains of a companion immortal are evident, possibly from the legend of "The Eight Immortals Cross The Sea", 20th century. 4.5 cm square section x 12.5 cm long/highNo damage to the jade amulet. Some discolouration in places.

A Thai gilt metal cased gilt clay Buddhist pilgrim's amulet, H. 10cm.

A Tibetan Bronze amulet. 7x4.5cm.