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John Brunsden (1933-2014)"Towards Abbotsbury"limited edition signed aquatint or print 63/150 signed and number in pencil85cm x 71cm

JAMES GILLRAY (BRITISH 1756-1851) THE VALLEY OF THE SHADOW OF DEATH Etching and aquatint with original hand-colouring Published by Hannah Humphrey, 1808 Sheet: 27 x 39cm (10½ x 15¼ in.) Condition Report: It is not possible to examine the work out of its frame as the mounts are all sellotaped to the glass, and there is a risk of the glass breaking. It is presumed that the sheet is not laid down but stuck to the mount at the corners. The sheet appears to have been trimmed to the edge of the plate, and as a result is causing some undulation throughout. There is some discolouration to the sheet, however the hand-colouring pigments are still strong. There is some isolated brown staining to the left and right edges. The bottom half of the sheet appears to have some water-staining which is most noticeable to the white bear.  Condition Report Disclaimer

GEORGE BROOKSHAW (BRITISH 1751-1823) ROYALE MUSCADINE GRAPES, PLATE. XLVIII from 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits' Aquatint and engraving, printed in colour and finished by hand 34 x 21.5cm (13¼ x 8¼ in.) Together with Pierre Joseph Buchoz's Le Comte d'Angivillers, and Le Drap D'or, engraving with hand-colouring, [1781]. All unframed. (3)   Condition Report: Condition Report Disclaimer

ACCUM, F. A Practical Treatise on Gas-Light... 1st.ed. 1815, G. Hayden for R. Ackermann, hand cold aquatint plts. lacking frontis. plt. rbnd. in mod. quarter leather with marbled bds.

Unknown artist etching and aquatint, French village scene with horse and covered wagon. 25 x 13 cm, framed.

The Castle aquatint, limited edition 2/35, indistinctly signed and dated 2000. 31 x 24.5 cm, framed and mounted.

A large framed aquatint print " Country Race Course - with Horses Running" by Frances Jukes, engraved by J. Jenkins, published May 1786, 67 x 50cm / AN57

JAPANESE POSESColor etching and aquatint, 1967, on wove paper, signed and numbered 20/40 in pencil, with full margins, framed.Plate 5 1/2 x 16 1/4 inches; 140 x 413 mm.Sheet 12 3/4 x 19 7/8 inches; 324 x 505 mm.Frame 13 x 20 1/8 inches; 330 x 511 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Aquatint "View Through the Erpingham Gate" signed Bentall

Anne Pugh (British, 20th century), 'Plant 1' and 'Plant 3', etchings with aquatint, numbered 139/150, signed and dated '80, 22x32cm, framed and glazed together with one other (3)

William Minshall Birchall (1884-1941), watercolour, ‘Towing out passing Purfleet, 1921’, signed, inscribed and dated, 17 x 23cm together with Marcel Fiorini (French, 1922-2008), two limited edition etchings with aquatint, Abstract compositions, each limited edition of 50,signed in pencil, 62 x 46cm and a mid century School, oil on board, Continental landscape with tree and villa, indistinctly signed and dated 1954, 44 x 55cm, ornate frame

Louis Icart (French, 1888 - 1950)"Venus"Aquatint Etching. Pencil signed lower right.Image Size: 13.75 x 19.25 in.Overall Framed Size: 24.25 x 28 in.Framed behind glass.

Designed by Charles Noke, Mephistopheles and Marguerite is a striking double-sided porcelain figurine produced by Royal Doulton between 1925 and 1949. The figure cleverly depicts two characters in one: the infernal apparition Mephistopheles cloaked in vivid red and black, and the serene Marguerite, adorned in an ivory gown with gilt accents and holding a golden prayer book. This dramatic contrast may have been inspired by the 1928 aquatint etching Faust: Devil and Woman by French artist Louis Icart. This early edition is marked with the green Royal Doulton backstamp and inscribed Potted by Doulton & Co. Measures approximately 8"H.Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.

PETER FREETH RA (BRITISH B. 1938). THIS ISLAND NOW. (d) aquatint, signed and numbered 9/18, 83cm x 117cm, framed. (Subject to ARR - see Buyers Conditions).

PETER FREETH RA (BRITISH B.1938). UNREAL CITY REVISITED. (d) aquatint, signed and numbered 15/16, 69cm x 86cm, framed. (Subject to ARR - see Buyers Conditions).

Jean-Michel FOLON (1934-2005), aquatint Livre et oiseaux, numbered 23/99 and signedJean-Michel FOLON (1934-2005), aquatint ‘Livre et oiseaux’, genummerd 23/99 en getekend29.5 x 39 cm

RICHARD BAWDEN RWS NEAC RE (B.1936); 'Staircase to the Library' etching and aquatint with hand-colouring, limited 50/85 signed in pencil 'Richard Bawden' and inscribed with title, 39x59cms, framed and glazed.39x59cms good condition

Paco Aguilar (Spanish, b.1959), etching with aquatint, signed and dated '81, 77x56cm (full sheet size) framed and glazed

Bryan Poole (1953-2022) New Zealand Native Botanicals A folio of ten hand-coloured aquatint etchings, limited edition number 20/50, with original folio folder, London, 1998.

Louis Icart (1888 - 1950), by and after, Pink Alcove, etching with aquatint, signed in pencil, blindstamp, oval, 34cm x 42cm

Kay Bernard (1927-2021) Rouen signed in pencil in pencil lower right margin, numbered 52/100 lower left, aquatint engraving, 63cm x 48cm.

A framed antique hand coloured aquatint entitled 'Military College Chelsea'

Juan Renau signed original aquatint titled 'The American Way of Life. In Spain. Mr Marshall!' Attached to the front black and white photo signed and inscribed by Ernest Hemingway. Inscription reads 'Welcome to the 123. Ernest & Mary, Antonio & Carmen Cristina. Best Always Ernest Hemingway.' Aquatint dated 24/6/1963. 22x22 inch overall in total. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

* IAN FLEMING RSA RSW RGI (SCOTTISH 1906 - 1994), THISTLES IN THE SUN etching and aquatint on paper, studio stamp verso and numbered 172mounted, framed and under glassimage size 50cm x 59cm, overall size 64cm x 74cm Provenance: the artist's studio sale, Great Western Auctions

Joseph Constantine Stadler (British 1755-1828) after Joseph Farington RA (British 1747-1821): 'Blenheim', 'Petworth', 'Pope's House', and 'View from Nuneham', set of four late 18th century aquatint engravings with hand-colouring pub. 1793, 22cm x 33cm (4)

Jonathan Fisher (c 1740-1809) (Circle of) “Landscape with Cattle,”  O.O.C., c. 1770, 48cms x 64cms. (1) In a wooded valley, two cows rest at the edge of a lake, beyond which can be seen a weir, with a river in the distance. There are steep cliffs on either side of the valley, and the smoke rising from a cottage chimney is reflected in the still waters of the lake. The composition is Claudean, with craggy cliff in the left foreground mirrored with tall trees on the right. In the far distance can be seen a mountainous landscape, dotted with trees. While this painting has all of the attributes of an autograph Jonathan Fisher, there are telling details, such as the two men in the foreground, and the cottages in the middle distance, that suggest it is a copy, or perhaps based on a landscape by Fisher. Born in Dublin, Jonathan Fisher was largely self-taught as an artist. In 1763, while living in Dame Street, he was awarded a premium of ten guineas for a landscape, and the following year he moved to Great Ship Street. He sent several pictures to the first exhibition of the Society of Artists, held in George’s Lane in 1765, and was a regular contributor until 1801. In 1768 he was awarded the Dublin Society’s prize for best landscape. His patron, John, first Earl of Portarlington, himself an amateur artist, stayed in Fisher’s house when in Dublin. In 1770 Fisher published six large views of Killarney, engraved after paintings by himself, including The Eagle’s Nest, The Canal between the Lakes, O’Sullivan’s Cascade and the Lakes of Killarney. Two years later he published views of Carlingford, Rostrevor and Narrow Water Castle. He also published small views of Irish cities, including Kilkenny, Cork, Belfast and Waterford. In 1789 he published a portfolio of engravings A Picturesque Tour of Killarney. In 1792 Fisher began work on the series of prints, Scenery of Ireland illustrated in a series of prints of select Views, Castles and Abbies, drawn and engraved in Aquatint by Jonathan Fisher. Dr. Peter Murray 2025

After James Gillray (1757-1815) Meeting of the Monied Interest, etching and aquatint with hand-colouring, originally published Hannah Humphrey 1798, 24 x 36.5 cm, frame 46 x 57 cm

Travel Collection of works, 18th-20th century Carr, John. A Northern Summer; or Travels round the Baltic, through Denmark, Sweden, Russia, Prussia, and Part of Germany, in the Year 1804. London: for Richard Phillips, 1805. First edition, 4to, contemporary half russia, 11 aquatint plates possibly by William Daniell (including a folding panorama of St Petersburg, with linen reinforcement to verso of fold), bound without publisher's catalogue to rear, joints cracked but firm [Abbey Travel 73]; [Freygang, Wilhelm von]. Letters from the Caucasus and Georgia; to which are added, the Account of a Journey into Persia in 1812, and an Abridged History of Persia since the Time of Nadir Shah. London: John Murray, 1823. First edition in English, 8vo, contemporary half calf, 2 aquatint plates, 2 engraved plate, 2 lithographic maps (one folding, discreet repairs verso), front joint repaired at head, tear to foot of each joint, repaired tear in pp. 253/4; McLeod, Norman. Illustrations to the Epitome of the Ancient History of Japan. Tokyo: [for the author], 1879. Third edition, inscribed ‘To General Cuncliffe, with the authors compts, Yokohama 24th June 1884', oblong 4to, original Japanese stab binding of woven green silk over limp boards, 35 etched plates printed on both sides (containing in total 70 numbered etchings), 10 further etched plates printed on one side only; Hadfield, William. Brazil and the River Plate in 1868. London: Bates, Hendy and Co., 1869. First edition, 8vo, original cloth; Harris, Walter B. Tafilet. The Narrative of a Journey of Exploration in the Atlas Mountains and the Oases of the North-West Sahara. Edinburgh: William Blackwood and Sons, 1895. First edition, 8vo, original cloth, worn; Ayala, Ignacio Lopez de. The History of Gibraltar … with a Continuation to Modern Times by James Bell. London: William Pickering, 1845. 8vo, original cloth, folding colour map frontispiece; and 5 others (13)

Science and cookery Collection of works, 18th-19th century Desaguliers, John Theophilus (translator). The Motion of Water, and Other Fluids. Being a Treatise of Hydrostaticks … Written Originally in French, by the late Monsieur Marriotte … Translated into English. London: for J. Senex, and W. Taylor, 1718. First edition, 8vo, contemporary panelled calf, 7 engraved plates, advertisement leaf; Hammond, Nathaniel. The Elements of Algebra. London: J. Walthoe, 1742. First edition, 8vo, contemporary sprinkled calf, from the library of the Earls of Macclesfield with bookplate and blind stamps as usual; Keys, John. The Antient Bee-Master's Farewell; or, Full and Plain Directions for the Management of Bees to the Greatest Advantage. London: G. G. and J. Robinson, 1796. First edition, 8vo, 20th-century maroon morocco, 2 engraved plates, half-title discarded, prelims misbound; Bateman, Thomas. A Practical Synopsis of Cutaneous Diseases. London: Longman [etc.], 1814. Third edition, 8vo, contemporary green quarter calf, marbled sides, vellum tips, colour aquatint frontispiece; Leslie, John. A Short Account of Experiments and Instruments, depending on the Relations of Air to Heat and Moisture. Edinburgh: William Blackwood [etc.], 1813. First edition, 8vo, modern cloth, etched plate; Glasse, Hannah. The Art of Cookery made Plain and Easy … A New Edition, with all the Modern Improvements. London: for T. Longman [and others], 1796. 8vo, 20th-century quarter calf, repaired loss to title-page affecting costing one letter, contemporary ownership inscriptions to title-page and p. iii, Hannah Glasse's printed facsimile signature to p. 1, pp. xxxii-xl (bills of fare) misbound between between 418 and 419; Stone, Edward. A New Mathematical Dictionary. London: W. Innys [etc.], 1743. Second edition ('with large additions'), 8vo, contemporary sprinkled calf ruled in gilt, final leaf of index pasted to rear pastedown, bound without errata leaf and advertisement leaf; Gagliardi, Domenico. Anatome Ossium. Leiden: apud Henricum Mulhovium, 1723. First edition, 8vo, 20th-century tan quarter sheep by Claude Honnelaitre, 4 engraved plates (one folding); Fothergill, John. The Works … by John Coakley Lettsom. London: for Charles Dilly, 1783-4. 3 volumes, 8vo, 20th-century quarter calf, 11 engraved plates, volume 2 title-page with repaired closed tear, J. Johnston Abraham; ‘Arabella Atkyns’ [pseud.]. The Family Magazine: in Two Parts. Part I. Containing Useful Directions in all the Branches of House-Keeping and Cookery … Part II. Containing a Compendious Body of Physick. London: for J. Osborn, 1741. 8vo, contemporary calf, worn; and 1 other (13)

Hobhouse, John Cam A Journey through Albania, and Other Provinces of Turkey in Europe and Asia, to Constantinople during the Years 1809 and 1810. London: for James Cawthorn, 1813. First edition, 4to, [3] viii-xix [1] 1152 pp., contemporary marbled calf, engraved frontispiece, 17 hand-coloured aquatint plates (including 7 double-page views), 2 engraved folding maps, sepia-printed etched plate, 2 facsimile letters, 2 plates of Greek music, bound without ‘Advertisement' at front (a2-3), joints splitting at head and foot, frontispiece laid down, title-page and first leaf of list of contents frayed, first folding map clumsily folded, with split to one fold and reinforcements to verso, contemporary marginalia to pp. 143 [Atabey 524; Blackmer 821; cf. Abbey Travel 202 for the second edition]

Scottish history, topography and law Collection of works, 17th-19th century Including: [1715 Jacobite Rebellion], The History of the Late Rebellion rais'd against His Majesty King George, by the Friends of the Popish Pretender … by a Lover of the Prosperity and Peace of Great-Britain [i.e. Peter Rae], Drumfries [Dumfries]: printed by Robert Rae, 1718 (first edition, 4to, contemporary panelled calf, rebacked, xiv 388 [8] pp., autograph letter signed from the author Peter Rae (1671-1748), minister at Kirkbride, later Kirkconnell, pasted to rear free endpaper, dated 1744 and discussing ‘a double of the registrated contract betwixt the Earl of Queensberry and Mr George Cleiland’, ownership inscriptions to title-page including John Carruthers (dated 1734), early marginalia to p. 3 ('This is a damnd lie …'); John Skene, Regiam Majestatem, The Auld Lawes and Constitutions of Scotland, Edinburgh: Thomas Finlason, 1609 (first edition in Scots, folio, 20th-century quarter calf, initial blank with ownership inscription of James Mowat of Fawsyde dated January 1628 (repair to foot of leaf), lacking ff. 12 and 15 (C2 and C5), minor damp-staining; Thomas Garnett, Observations on a Tour through the Highlands and Part of the Western Isles of Scotland … New Edition, London: John Stockdale, 1811 (2 volumes, 4to, contemporary boards, rebacked, 52 sepia aquatint plates, engraved map (all bound at rear of each volume rather than dispersed through text), text browned and slightly spotted, volume 1 title-page repaired; John Stoddart, Remarks on Local Scenery and Manners in Scotland during the Years 1799 and 1800, London: William Miller, 1801 (first edition, 2 volumes, 4to, contemporary tan calf decoratively panelled in gilt and blind, rebacked with original spines laid down, half-titles, engraved vignette title-pages, engraved folding map, 32 sepia aquatint plates, spotting and browning); Francis Grose, Military Antiquities respecting a History of the English Army … a New Edition with Material Additions and Improvements, London: T. Egerton, 1801 (2 volumes, 4to, contemporary diced russia gilt, sometime bound as a set of Grose's works as indicated by spine-lettering, numerous engraved plates, complete as listed in volume 1, no list of plates present in volume 2 so full collation not established); and 11 others similar (23)

Gunnery and field sports Large collection of works, 19th and early 20th century Including: Wilkinson, Henry. Engines of War: or, Historical and Experimental Observations on Ancient and Modern Warlike Machines and Implements. London: Longman [and others], 1841. First edition, inscribed ‘Most respectfully presented to Admiral Sir Charles Adam by the author’ 8vo, original cloth, bookplate, a little wear to spine-ends and joints; Greener, William. The Gun; or, a Treatise on the Various Descriptions of Small Fire-Arms. London: Longman [and others], 1835. First edition, 8vo, contemporary cloth, 4 engraved plates (damp-stained), contemporary ownership inscriptions to title-page and front free endpaper; Hawker, Peter. Instructions to Young Sportsmen. London: Longman [and others], 1824. Third edition ('considerably enlarged and improved'), large 8vo, later tan half calf, gilt spine, 10 engraved or aquatint plates (4 hand-coloured); Daw, George H. The Central-Fire Cartridge before the Law Courts, the Government, and the Public. London: printed for private circulation, 1867. First edition, 8vo, contemporary red half morocco, bookplates (Markree Library; Howard L. Blackmore, authority on historical firearms); Baker, Ezekiel. Remarks on Rifle Guns. London: E. Baker, 1825. Ninth edition, 8vo, contemporary red half morocco, hand-coloured etched frontispieces and plates; Reid, Sir Alexander John Forsyth. The Reverend Alexander John Forsyth … and his Invention of the Percussion Lock. Aberdeen: University Press, 1910. First edition, inscribed ‘with the authors kind regards & remembrances …’ on title-page, 8vo, original cloth; and 37 others similar (approximately 45)

Royle, J. Forbes Illustrations of the Botany and Other Branches of the Natural History of the Himalayan Mountains and of the Flora of Cashmere. Vol. II. – Plates. London: Wm. H. Allen and Co., 1839. First edition, folio (37 x 26.5cm), 20th-century tan quarter calf, half-title, hand-coloured lithographic plate of geological profiles, aquatint view, lithographic plan ('Botanic Garden at Saharunpore'), 98 lithographic plates numbered 1-100 (lacking no. 23), plate 79 hand-coloured and bound as frontispiece, damp-staining to spine, half-title browned, blind stamp of Wigan Free Public Library to frontispiece and title-page, occasional light spotting [Nissen BBI 1690]

Twain, Mark The Adventures of Huckleberry Finn (Tom Sawyer's Comrade) London: Chatto & Windus, 1884. First edition (preceding the US edition), first issue with advertisements dated October 1884, binding state B (no priority assigned), 8vo, xvi 438 [2] pp., original diagonal-ribbed red cloth lettered in gilt and decorated in black, half-title, wood-engraved frontispiece, wood-engraved illustrations throughout the text, 32 pp. advertisements to rear (preceding by leaf blank save for publisher's wood-engraved colophon), spine slightly toned, a few marks to covers, upper fore corner of front board bumped, endpapers cracked along inner hinges with webbing visible, S1 with closed tear at head of gutter; Haggard, H. Rider. King Solomon's Mines. London: Cassell & Company, Limited, 1885. First edition, 8vo, 20th-century red calf gilt by Frost & Co. of Bath, top edge gilt, half-title, folding chromolithographic frontispiece, 16 pp. advertisements to rear dated 5G.8.85 and 5B.8.85, original cloth covers and spine bound in at rear, ownership inscription of Brent Gration-Maxfield to front free endpaper, his binding instructions in pencil to advertisements, spine slightly faded, joints rubbed, spotting, neat repair to frontispiece, pp. 271/2 with paper restoration to fore margin; Hilton, James. Good-bye, Mr. Chips. Boston: Little, Brown, and Company, 1934. First US edition, 8vo, original tan cloth lettered in blue, with the dust jacket (price-clipped), bookseller's ticket to rear pastedown; Alken, Henry (illustrator). The Life of a Sportsman. By Nimrod. London: Rudolph Ackermann, Eclipse Sporting Gallery, 1842. First edition, 8vo (23.9 x 14.5cm), 20th-century red crushed morocco gilt by Riviere & Son, all edges gilt, 36 hand-coloured aquatint plates, 8 pp. advertisements to rear, original cloth covers bound in, bookplate (Stuart-Stevenson of Torrance), ownership inscription to original front free endpaper, 3 plates (facing pp. 14, 18 and 55) mounted on card (as issued, the mounts each with imprint to foot) (4)

Guillim (John). Display of Heraldry..., 5th edition, London: printed by S. Roycroft for R. Blome, 1679, title in red and black with manuscript ownership to lower margin (trimmed and cropped to margins and crudely repaired), engraved plates and woodcut armorials, lacking all after 2A1 of tables/index at rear, many leaves cropped to margins and repaired, browning, spotting and some dust-soiling, 20th-century light tan/cream half calf, folio, together with:Nisbet (Alexander). A System of Heraldry Speculative and Practical: with the True Art of Blazon..., Edinburgh: J. Mackeuen, 1722, repaired closed tear to title, engraved plates, browning, dust-soiling and spotting, some fraying and few closed tears to margins etc., contemporary panelled calf, boards detached, worn, folio,Dallaway (James). Inquiries into the Origin and progress of the Science of Heraldry in England..., Gloucester: printed by R. Raikes for T. Cadell, 1793, engraved title with uncoloured aquatint illustration (torn to fore-margin), etched and engraved plates (few hand-coloured), top edge gilt, remainder untrimmed, contemporary red half morocco, extremities rubbed, large 4to QTY: (3)NOTE:Sold with all faults, not subject to return.

Hall (Basil). Account of a Voyage of Discovery to the West Coast of Corea, and the Great Loo-Choo Island; with an Appendix, containing charts and various hydrographical and scientific notices... and a Vocabulary of the Loo-Choo Language, by H. J. Clifford, 1st edition, London: John Murray, 1818, half-title, 8 hand-coloured aquatint plates, 5 maps and charts (3 folding), 2 further plates, some spotting and offsetting, bookplate of Cliff Parfit, small armorial bookplate of Grantham, front hinge tender, contemporary half calf, 'Newby Hall' stamped in gilt to leather of upper cover, joints cracking, spine and edges rubbed, 4toQTY: (1)NOTE:Abbey Travel 558; Cordier Sinica 3009; Prideaux pp. 251 & 338; Tooley 241. Hall captained the brig Lyra on its mission to escort Lord Amherst's embassy to China (1816-17). His book 'describes this commission, his explorations in the little known eastern seas and his visit to Canton (Guangzhou)' (ODNB), as well as an interview with Napoleon on St. Helena on the return journey.

Musschenbroek (Petrus van). The Elements of Natural Philosophy. Translated from the Latin by John Colson, 2 volumes, 1st English edition, London: J. Nourse, 1744, 26 folding engraved plates (including 1 map), advert leaf at rear of volume 1, some spotting and occasional offsetting, ink ownership inscription of R. S. Creed, dated 1936, to front free endpapers, contemporary calf, somewhat worn, covers near detached, 8vo, together with: [Lettsom, John Coakley], Hints designed to Promote Beneficence, Temperance, and Medical Science. Vol. 1 [all published], 1st edition, London: C. Dilly, 1797, 4 plates including two folding and two in aquatint, folding table, some spotting and a little offsetting from plates, closed tear at foot of p. 93, library stamps and withdrawn stamp of Charing Cross Hospital Medical School Library affecting title and endpapers at front and rear, Lettsom’s own copy with his bookplate (torn with slight loss) pasted vertically to front pastedown, contemporary tree calf, rebacked with spine relaid, partially split at head of spine, some edge and spine wear, 8vo, plusSimpson (James Young). ‘On a New Anaesthetic Agent, More Efficient than Sulphuric Ether’, [pp. 549-550 in:] Lancet, Volume 2, London: George Churchill, 1847, entire volume, double column, occasional illustrations, heavy spotting and front and rear not affecting Simpson’s paper, contemporary half calf over marbled boards, heavily rubbed, 4toQTY: (4)NOTE:Garrison-Morton 5657: First edition. Musschenbroek was one of the most influential advocates of Newtonianism on the Continent, who further developed Newton's natural philosophy and dealt with physical problems that were left unaddressed by him. ‘In an attempt to find an anaesthetic less irritating than ether, Simpson discovered the advantages of chloroform.’ This summary by Simpson was published in the 20 November 20 1847 issue of the Lancet, just ten days after he first reported his experience with chloroform as an anaesthetic in a self-published pamphlet. This issue contains the original report (pp. 571-572) from St. Bartholomew's Hospital on ‘Surgical Operations Performed upon Patients Rendered Insensible to Pain by the Inhalation of Chloroform’, which includes reports of the operations that William Lawrence and Edward Stanley performed in which chloroform was used.

AFTER WILLIAM DANIELL (19TH CENTURY) `View from the Park, Arundel`, coloured aquatint, 21.5cm x 28.5cm.

Alan Carr Linford(Mid 20th Century British)"Queens Gate SW7",pencil signed and titled,aquatint etching,plate 27.5 x 31.5cms, unframed,and;"The Wier, Toddington", "South Kensigton Hotel" and "Pelham Crescent SW7",pencil signed and titled,etchings. (3)Note: From the private collection of the artist William Palmer Robins (1882-1959) by descent.

Max Klinger(1857-1920)Verfolger Centaur (Chased Centaur) 1881,signed in plate,etching and aquatint,plate 19.5 x 37.5cms, 47 x 66.5cms in frame.

Christian Vlasto(Mid-20th Century British School)The train station,pencil signed,aquatint etching,plate 17.5 x 25cms, unframed.Note: From the private collection of the artist William Palmer Robins (1882-1959) by descent.

Russell Sidney Reeve(1875-1970)"Circus Performers",pencil signed and titled,aquatint etching, limited edition 2/10,plate 16.5 x 23cms, unframed.Note: From the private collection of the artist William Palmer Robins (1882-1959) by descent.

Leonard Russell Squirrell(1893-1979)"Stoke-by- Nayland, Suffolk",pencil signed, titled and dated 1955,aquatint etching,plate 21.5 x 33cms, unframed.Note: From the private collection of the artist William Palmer Robins (1882-1959) by descent.

Leonard Russell Squirrell(1893-1979)"Morning in Durham",signed in pencil and in plate,aquatint etching,24 x 33cms, 44 x 54.57cms in frame.

Paul Signac(French, 1863-1935)Paris: Le Pont des Arts with Tugboats (Paris: Le Pont des Arts avec Remorqueurs),signed in plate,etching and aquatint,plate 12.5 x 19cms, 29.5 x 36cms in frame.

Norman Ackroyd CBE RA (1938-2024) “Foul Sound”, signed, titled and dated '01 in pencil, limited edition aquatint etching 65/90, 17.5 x 34cms, 41.5 x 56.5cms in frame.

Kay Anderson(1902-1974)"Olympia, London"both pencil signed, one titled, the other dated 'Xmas 1927,aquatint etching,plate 20 x 36cms, unframed. (2)Note: From the private collection of the artist William Palmer Robins (1882-1959) by descent.

Frank Lewis Emanuel(1866-1948)Street fighting,pencil signed and dated 1923,aquatint etching,plate 33 x 21cms, unframed.Note: From the private collection of the artist William Palmer Robins (1882-1959) by descent.

Four 19th century fishing related prints. Comprising a set of three Alken (Henry) etchings with aquatint by J. Clark; 'Fishing in a Punt', 'Pike Fishing' and 'Salmon Fishing', all works from 'The National Sports of Great Britain', 23cm x 32.5cm and a A. Ducote lithograph published 1840 by T. McLean, 'Vacation Amusements No.5', 28cm x 36cm, all in matching wooden veneered frames

GRAHAM CLARKE - an etching with aquatint entitled 'Fred' (exhibition proof No.4/15) - 36cm x 42cm, signed in pencil by the artist to the mount

GRAHAM CLARKE - an etching with aquatint entitled 'Excelsior' (exhibition proof No. 4/15) - 36cm x 42cm, signed in pencil by the artist to the mount

GRAHAM CLARKE - an etching with aquatint entitled 'Snowy' (exhibition proof No.4/15) - 38cm x 42cm, signed in pencil by the artist to the mount

GRAHAM CLARKE - a Limited Edition etching with aquatint entitled 'Shanty Time', signed in pencil by the artist to the mount, together with 'The Very Nice Place' and 'Herberts for Fish' artist proof

GRAHAM CLARKE - an etching with aquatint entitled 'Are They?' (exhibition proof No. 4/15) - 36cm x 42cm, signed in pencil by the artist to the mount

Claude H. Rowbotham (1846-1949), an early 20th century etching with aquatint depicting sailing boats in calm waters, signed to the lower right in a glazed frame. H.43 W.38cm

After Henry Alken A cocking carthand-coloured aquatint18.5 x 28cmProvenance: The collection of David and Sandy Fuller.Condition ReportFramed: 38.5 x 46.5cmPresents well overall. Not viewed out of glazed frame.

After Anthony Vandyke Copley Fielding (British, 1787 - 1855), Fishing Boats off Hastings, coloured aquatint, 28 x 37.5cm, gilt framed and glazed and another picture (2)

Patrick Procktor RA (1936-2003) "Nasturtiums, Wusih" (1980) Signed and numbered 37/75, aquatint from "The China Series", 80cm by 67.5cm Provenance: Raya Gallery, SingaporeLiterature: "Patrick Procktor - Prints 1959-1985", The Redfern Gallery and Editions Alecto, 1985, p. 132, no 89Sold together with a signed copy of "Patrick Procktor - Prints 1959-1985", The Redfern Gallery and Editions Alecto, 1985 Slight cockling to the paper. Some light surface dirt and debris trapped under the glass. Feint stain to the upper left of the margin approx 3cm in size and two foxing spots to the upper left corner of the margin above this. Slight time staining/oxidisation to the paper to the extreme corners. Small brown mark to the central edge of lower margin. The slip has moved upper right corner. Not examined out of the frame.

John Egerton Christmas Piper CH (1903-1992)"Blenheim Gates"Signed and numbered 66/75, aquatint, 49cm by 68.5cmProvenance: Redfern Gallery, London

Patrick Procktor RA (1936-2003)"Palazzo Dario" (1978)Signed and numbered 34/35, aquatint from "The Venice Suite", 113cm by 87cmThe piece is float mounted, the paper has a deckled edge. Some light surface dirt and debris trapped under the glass with the odd thunder fly. Slight cockling to the paper. The odd sporadic scattered foxing spot in evidence, especially two upper left within the darker blue of the image, right margin, and lower right corner around the signature. An area of foxing approx 1cm in size to the white section lower right of the doorway. There are black marks in this area but they are mostly on the inside of the glass rather than the paper. Minor creasing to the top and lower margins. Not examined out of the frame.