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Of medical and social interest: 'Francesco Lentini', c.1884, a photographic print depicting a boy with three legs, inscribed 'Born in Rosolini Square, Sicily, Italy, July 8th 1884, The Edena Photo Co, 208 Arch Street, Philadelphia PA.', inscribed verso,13.8 x 9.8cm,a photograph of 'San Francisco after the Earthquake', c.1906, depicting 24 Mason Street, inscribed verso 'Hugo Welly Photographer',11.5 x 19cm, anda Russian album of female medical students, c.1931-1936 (3)Condition Report'San Francisco After the Earthquake' with considerable losses and tears to the card mount. The measurement of the photograph of San Francisco including the border is 15.7cm x 23.3cm. The measurement of the picture of the three legged boy including the border is 16.6cm x 11cm. The Russian album with wear to the cover and surface marks. With smalls tears and folds to the pages commensurate with use.

Set of four Lalique crystal tumblers from the Floride collection, each featuring the iconic Arch motif with vivid green cabochon accents. These striking glasses are part of Lalique's Floride series, known for its dynamic curves and sculptural clarity. The vibrant green dots are inset into the flowing clear crystal base, adding both visual and tactile contrast. Each tumbler is etched Lalique France on the base, underscoring its authenticity and craftsmanship. Issued: 20th centuryDimensions: Each: 4.50"H Country of Origin: FranceCondition: Age related wear.

Carved celadon sculpture featuring a procession of eight elephants in single file, mounted atop an arch-form lacquered base to showcase elephants crossing the bridge. The elephants are crafted to imitate the appearance of jade, with variegated amber and brown coloration suggesting the texture and translucency of stone. Each elephant is depicted with an upward-curving trunk and incised detailing to define ears, tails, and skin folds. Faux bone tusks are inset into each head. The base is lacquered in a dark finish and decorated with an inlaid geometric honeycomb pattern. The base structure includes three arched cutouts beneath the elephants, forming a bridge-like composition.Dimensions: 14.5"L x 2"W x 4.25"HCondition: Age related wear. As is. Missing "tusks" and some elephants loose on base.

Set of four Lalique crystal tumblers from the Floride collection, each featuring the iconic Arch motif with turquoise cabochon accents. These striking glasses are part of Lalique's Floride series, known for its dynamic curves and sculptural clarity. The turquoise dots are inset into the flowing clear crystal base, adding both visual and tactile contrast. Each tumbler is etched Lalique France on the base, underscoring its authenticity and craftsmanship. Issued: 20th centuryDimensions: Each: 4.50"H Country of Origin: FranceCondition: Age related wear.

Gorgeous antique stained glass panel featuring a regal crown and cross motif within a lancet arch design. The rich color palette includes deep burgundy, emerald green, amber, violet, and marbled opalescent glass pieces. A heraldic medallion with a crowned cross, embellished with jewel-like red glass rondels, sits centrally within a Gothic-inspired tracery. Surrounding this are intricate floral and scroll elements, all housed in a solid wood frame. Likely crafted in the late 19th to early 20th century, this ecclesiastical style panel exemplifies high craftsmanship in leaded and stained glass, making it suitable for architectural reuse or decorative display. Light wear consistent with age.Issued: Early 20th centuryDimensions: Approximately 37"L x 1.75"W x 79.50"HCondition: Age related wear.

JAWS 2 (1978) - David Frangioni Collection: US Theatre Entrance Display, 1978 - A truly awesome theatre entrance display for the sequel to Steven Spielberg's blockbuster sensation. This large poster was designed to be a standee that, when cut out and assembled, would sit in an arch over the theatre doorway, so moviegoers had to walk through the mouth of the shark (a whopping 6' 8" tall!) in order to gain entry. Because the assembly of the display requires cutting the paper, many of these pieces have not survived in their original uncut condition making this a brilliant centrepiece for any Jaws collector.Some handling wear and a few large tears (largest being 9 cm) which, relative to the size of the poster, are quite minimal. Some discolouration to the whites in places and very minor paper loss around some edges. Assembly instructions are included in this lot. Dimensions (approx.): 96" x 144" (2.4 x 3.6 m)Condition: Very Fine-Artist: Unknown ArtistAdditional Provenance:David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.VAT Status: Ω

ANONYMOUS SOUTHERN NETHERLANDISH OR FRENCH ILLUMINATOR (CIRCA 1500) DAVID IN THE ACT OF SLAYING GOLIATH (FRAGMENT FROM PRAYERBOOK, BOOK OF HOURS, OR BIBLE) Tempera and gold leaf on vellum 10 x 6.5cm (3¾ x 2½ in.)Provenance: Sale, Sotheby's London, Western and Oriental Manuscripts, 3 December, lot 9 (part lot) Condition Report: The colours are good. There is an area of skinning and associated loss (approx. 1cm) to the very top of the arch at the upper edge (see online and catalogue images). A further area of similar losses to Goliath's face (approx. 5mm) and some very minor loss to David's face and Goliath's hand (visible in online images). Some undulation to the sheet under the glaze, most noticeably to the upper right edge which is noticeably creased. One or two very minor spots of dirt throughout. Unexamined out of glazed frame.Framed measurements: 29.5 x 26 cm (11.6 x 10.2 inches)Condition Report Disclaimer

This 3-piece Hummel collection pays tribute to Sister Maria Innocentia Hummel, featuring a porcelain bust, a commemorative crowned figurine, and a curved candleholder with child figure. The angular black-and-white bust portrays Sister Hummel in her nun's habit and is inscribed with her name at the base, standing approximately 5.75"H. The matching Madonna-style figurine, created in honor of the 75th anniversary of her birth, depicts Sister Hummel in ornate robes and a crown, holding a small child figure, and stands approximately 9.25"H. Between them is a Goebel candleholder arch featuring a girl in green with pigtails standing atop the center, measuring approximately 10.5"L x 8.5"H. The commemorative figurines come with original boxes: the bust in a 6.25"L x 8.25"H blue Goebel box, and the crowned figurine in a 7.5"L x 11"H red anniversary box. A thoughtful and meaningful grouping for collectors of M.I. Hummel's legacy.Dimensions: See DescriptionCountry of Origin: GermanyCondition: Age related wear.

Set of four Lalique crystal tumblers from the Floride collection, each featuring the iconic Arch motif with deep purple cabochon accents. These striking glasses are part of Lalique's Floride series, known for its dynamic curves and sculptural clarity. The vibrant purple dots are inset into the flowing clear crystal base, adding both visual and tactile contrast. Each tumbler is etched Lalique France on the base, underscoring its authenticity and craftsmanship. Issued: 20th centuryDimensions: Each: 4.50"H Country of Origin: FranceCondition: Age related wear.

A Victorian mahogany breakfront wardrobe, the centre section with drawer over a fall front compartment as two drawers, opening to reveal two linen shelves, over two further drawers, flanked by sentry box type hanging cupboards, with figured arch panelled doors, 206 cm wide x 57 cm deep x 204 cm high

Victorian arch topper overmantle mirror

PERCUSSION RIFLE | TURKEY, TURKISH | Country: Central Europe (Turkey) | Date: end of the 18th century | Condition: very good | Lot information | Hunting percussion rifle from Central Europe from the first half of the 19th century, using the original Turkish Damascus barrel from the end of the 18th century. Richly decorated barrel with distinctive Turkish damask pattern, decorated with oriental ornaments and engravings. The weapon was additionally adapted from the original flintlock system to percussion ignition. Lock plate decorated with a fine engraving with hunting game motifs and plant ornaments. The stock is made of dark walnut wood, equipped with a dovetail in the grip and decorated with brass fittings. Trigger arch and other parts decorated with engraving. | Dimensions | Length: 125.5 cm | Caliber: 22 mm | Barrel: 86.2 cm | Weight: 4,4 kg***IMPORTANT NOTICE*** | SHIPPING ONLY WITHIN THE EUROPEAN UNION | Bidders are obliged to inform themselves about the condition of the lots before the auction, subsequent complaints will not be taken into account.

HELMET "STURMHAUBE" | EUROPE, EUROPEAN | Country: Europe | Date: 19th century | Condition: excellent, the stand is not included in the item | Lot information | This Sturmhaube assault helmet is a quality romantic replica from the 19th century, inspired by original helmets from around 1580. The helmet features a hemispherical dome with a prominent crest that provides additional impact protection. The arch is connected to a wide shield that provides protection for the face and movable ear pads that allow partial coverage of the ears and cheekbones. The earcups are fastened with a rivet and are decorated with perforations | Dimensions | Length: 35 cm | Weight: 190 g, 900 g***IMPORTANT NOTICE*** | SHIPPING ONLY WITHIN THE EUROPEAN UNION | Bidders are obliged to inform themselves about the condition of the lots before the auction, subsequent complaints will not be taken into account.

1997 Mercedes-Benz CL 420Registration number R657 VSEChassis number TBAEngine number TBA RedPurchased 2014 from a deceased estateRegularly maintained over the course of current ownershipSalvaged parts generally acquired from Carl Burgess Maintenance by Steve Mowatt, ex-McLaren In 2015, automatic box serviced, power steering pump, high pressure pipe, idler arm & PS fluid replaced In 2016, all four wheels blasted and powder coated in titanium, rear brake calipers serviced and new pads/pins fitted G40 coolant and thermostat with housing replaced 2022, new front discs, pads & calipers replacedSalvaged rear drive shafts (from Germany) replaced to provide good ABS rings  2024, new iridium spark plugs   Oil and filter changed at alternate MOT'sHPI clearNotes from the vendor: Type : • Mercedes Benz : Model Range W/V/C 140 , [previously to 1995 = SEC 420] • Succeeding the favourite W126 • Its the CL420 : S Class Coupe, of the fabled (but reputationally troubled) W140 model : having cost Dm millions to develop : with the engine bay suitable to carry the newly developed V12 600 . [To niche compete with the new BMW E38 V12] • Released coinciding with a fuel crisis in early 1990s. Facelifted 1995 • Approx 1500 of all 3 engine types , 300 of 420s; ever imported in RHD , • About 125 of all still DVLA recorded (49 licensed 70 SORN : Mid 2024) • Engine type M119 V8 . Colour 572 Ruby Red Pearl . Interior : Mushroom electric leather Ownership History • Purchased Autumn 2014 , from the previous deceased owners nephew , in Lyme Regis . • Running but in poor health approx 92,000 miles: listed as 5 owners , but includes some Register No. changes . • Only NSF wheel arch in v. poor condition • Salvaged parts generally acquired from Carl Burgess : www.W140.co.uk (www.R129.co.uk ) • Maintenance by Steve Mowatt, ex Maclaren , running as Avantgarde : MB specialist , Martock . Now located in Clevedon . 2015 • Automatic box serviced : Power steering pump , high pressure pipe , idler arm & PS fluid replaced with good salvaged . • This vehicle DOES NOT have the self levelling rear suspension, traditional rear springs & dampers . • Replaced : Aux belt (Conti) , 8 plugs & oil & 3 filters, Steering damper • NSF wing replaced with good salvage & lower NS sprayed to match . 2016 • Due to work commitments : & free secure garage parking: taken off road . ? All 4 wheels blasted & completely powder coated – Titanium : ? Rear brake calipers serviced & new pads/ pins fitted (rear discs are vented & apparently unusual for this model (MB dealer gave incorrect part No.s) ? G40 Coolant & thermostat with housing replaced. 2017 • Secure parking lost : Over-wintered in a new car tent , back home since then : with 240V mains battery conditioner & internal 240 v De-humidifier . 2022 : • New Front Discs, pads & calipers replaced • Salvaged rear drive shafts ( from Germany) replaced to provide good ABS rings • New Rear Shocks replaced . • Fuel filter replaced 4 x NOS Nankang tyres fitted 2024 • New Iridium spark plugs x 8 , Oil & filter change with MOT . • Over the years I have had Oil & filter changed at alternate MOTs • OSR Wing /wheel arch scraped by careless HGV driver : including bumpers minor scuffs repaired & repainted . All lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditionsThis lot must be collected by 12.30pm on Friday 27th June. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £100 + VAT, to include the first week of storage, unless otherwise noted. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice

Glazed finish porcelain sculpture depicting a graceful lady in a flowing gown and wide brim hat, resting thoughtfully against a balustrade beneath a floral arch, with a small attentive dog at her feet. Lladro backstamp. Artist: Fulgencio GarciaDimensions: 7"L x 14"W x 19.5"HCountry of Origin: SpainCondition: Age related wear.

T. Travis- mid-18th century 8-day oak longcase clock, with a flat pediment, broad cornice and frieze beneath, square hood door, with a long trunk and conforming break arch topped door, on a square plinth raised on aa bracket shaped skirt, brass dial with cast spandrels, matted centre, seconds dial, date aperture and steel hands, chapter with Roman numerals, five minute Arabic's and minute track,dial pinned to a rack striking four pillar movement, striking the hours on a bell. With weights, key and pendulum.Dimensions: Height: 203cm  Length/Width: 42cm  Depth/Diameter: 23cm

Small pastel prayer rug, cream field with Mihrab arch and trailing floral motifs in pink, blue, and green, bordered by floral patterns, knotted fringe to both endsDimensions: Length/Width: 108cm  Depth/Diameter: 64cm

William Hepton of Northallerton - mid 18th century eight day longcase clock, with a flat pediment and break arch hood door beneath, profusely carved oak case with a break arch topped trunk door and a rectangular plinth with moulded and carved panels, break arch brass dial with makers name to the arch engraved on a silvered boss, cast spandrels and a plain dial centre with seconds dial, date aperture and steel hands, silvered chapter with Roman numerals and five minute Arabic's, dial pinned to a rack striking movement striking the hours on a bell.With pendulum, weights and key. Dimensions: Height: 205cm  Length/Width: 38cm  Depth/Diameter: 25cm

Benjamin Bothamley of Boston (Lincs)-Early 19th century oak and mahogany 8-day longcase clock c 1820, with a swan neck pediment, brass ball and spire finial and paterie, with detached pilasters to the hood door and curved back spats, trunk door with inlay, crossbanding and shaped curved top, rectangular plinth raised on bracket feet, painted dial with images of fruit to the spandrels and a cameo depiction of a maiden and dog to the arch, with upright Arabic numerals for the hours and quarter minutes, minute markers, seconds dial and stamped brass hands, dial pinned directly to a rack striking movement striking the hours on a bell.With weights and pendulum.This item has been registered for sale under Section 10 of the APHA Ivory ActDimensions: Height: 210cm  Length/Width: 45cm  Depth/Diameter: 23cmCondition Report: Ivory Act submission reference: 475KCKKG

Pair of late 19th-century Gothic revival oak hall chairs, arched back with pierced quatrefoil and vertical lancet decoration with trefoil arch, seat with chamfered edge above scalloped apron on hexagonal baluster turned legs Dimensions: Height: 92cm  Length/Width: 46cm  Depth/Diameter: 35cm

South American School, early 20th century The Queen's Arch (Arco de la Reina), Calle García Moreno, Quito, Ecuadorsigned 'A. Vallejo / Quito' lower right; titled and dated 1930 versooil on canvas64 x 70cm

A wire work garden arch, 20th century, the rounded arch surmounted by a fleur-de-lys265 x 115 x 24cm

French, 1913-1999Nature Morte avec Rouge et BlancSigned C. Venard (lr)Oil on canvas23 1/2 x 23 1/2 inches (59.7 x 59.7 cm)Provenance:The Marble Arch Gallery, New York(Framed 30 3/8 x 30 3/8 inches)Surface soiling throughout, would benefit from a cleaning. Several faint cracks to thicker pigments in isolated areas. Wear along the edges from frame rubbing.Surface soiling throughout, would benefit from a cleaning. Several faint cracks to thicker pigments in isolated areas. Wear along the edges from frame rubbing.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

A MAHOGANY 'DUKE OF WELLINGTON' DESK IN GEORGE III STYLE, CONTEMPORARY With a tooled leather inset top, the kneehole with a foliate-carved arch beneath three frieze drawers 82cm high, 180cm wide, 120cm deep

19th century eight-day longcase clock with 13-inch square brass dial marked Hugh Isaac, Llangwyllog, square date aperture, the hood with broken arch pediment and fluted columns, 220cm high. (Please note: The pine longcase was incorrectly listed with this lot.)

Nancy Bailey (1913-2012) Oil on canvas "Arch Rock, Porthcothan", coastal landscape with rock formation, signed lower right, signed and titled verso, 40.5cm x 76cm

Georgian mahogany cased eight-day longcase clock with painted broken-arch dial decorated with sailing ship, shells and nets, subsidiary seconds dial and calendar arch and signed W Smith, Wingham, elaborately shaped hood with fluted decoration, three ball and spire finials, plain brass capped columns, the base has been raised at some point and a 30-hour movement with painted broken-arch dial decorated with lady sitting by a tree, signed Fawcett, Finkle Street, Richmond 

18th century mahogany and inlaid cased eight-day longcase clock with painted broken arch dial decorated with exotic flowers and a naval battle scene, arabic numerals, subsidiary seconds dial and calendar (missing hand), the swan neck pediment hood with turned pillars, 202cm 

Mid-century mahogany and banded cased eight-day grandmother clock in the Georgian manner, the broken arch brass dial with silvered chapter ring in similar shaped hood with ball and spire finial, signed Geoffrey H Bell, Alresford fecit 1974 with certificate signed by the maker as one of the last 25 handmade by him before his retirement, 200cm 

ROLEX; a stainless steel GMT-Master II left handed wristwatch, with 'Sprite' bezel, with automatic movement, the black dial set with luminescent hour markers and date aperture, model 126720VTNR, serial no. 1960L6V6, diameter of dial including bezel 40mm, with pouch and card. Provenance: This item is being sold without reserve by order of the County Court. Condition Report: Condition of the arch is good, no scratches or losses to the dial or strap, the watch looks to be original with no referbishments.

An early 20th century 8 inch vernier brass sextant unsigned the brass arc inset silvered arch calibrated to 170°, fitted sighting tubes mirrors and shades with ebonised handle in a fitted case with retailer's label for Christie & Wilson Glasgow, the case 12cm x 28cm x 25.5cm

GILT WOOD ARCH MIRROR

Matchbox - A boxed Matchbox Regular Wheels 7b Ford Anglia. The model with light blue body, green glazing, without silver trim to rear with red tail lights, gloss black base, and 24-tread silver plastic wheels, appears to be in Near Mint condition (tiny nibbles on rear wing and passenger wheel arch). The model sits within a Good overall D1 Pembroke Abbey box with price sticker to one side and some general wear. (This does not constitute a guarantee) (K)

An early 19th century provincial oak longcase clock - the eight day, bell strike movement fronted by a painted arched Arabic dial with fan spandrels and painted and gilt floral motif to the arch, the mahogany swan neck cornice with brass finial and rondels, on fluted columns, the trunk with mahogany cross banded door with central shell patera, flanked by fluted canted corners, raised on bracket feet. (LWH 47 x 22.5 x 218cm), glass cracked.

A late 19th or early 20th Century mahogany long case clock , having eight day movement, the painted arch dial having Britannia illustration

The exterior is decorated with a stark black ground, contrasting with vibrantly enameled birds in flight, painted in red, blue, yellow, and green. The base and upper borders are highlighted with green and gold detailing in both the "Arch" and "Wellington" border patterns. The interior features a pale-blue lustre ground with a detailed composition of botanical and avian elements. Pink and yellow camellia blooms and lavender chrysanthemums are interspersed with green leaves, along with stylized blue and yellow rock formations. A central crane figure is rendered in multicolored plumage, and the interior border is finished in the "Wellington" pattern. Wedgwood Portland Vase backstamp.Artist: Daisy Makeig-JonesIssued: 1920sDimensions: 6.75"W x 2.5"HCountry of Origin: EnglandCondition: Age related wear.

James Bowra of Sevenoaks Kent - 18th century 8-day ebonised longcase clock with gilt decoration c1740, with a flat top, dentil moulding beneath and shaped back splats, break arch hood door flanked by plain pilasters with wooden capitals, long trunk with a curved topped door, on a square plinth with canted corners and raised on a moulded base, brass dial with cast spandrels and a silvered 'Punch' automata to the arch, matted dial centre with seconds ring and date aperture, silvered chapter ring with Roman numerals, five minute Arabics, minute and quarter hour tracks, with matching steel hands and silvered makers name plate, rack striking movement with a recoil anchor escapement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 220cm  Length/Width: 45cm  Depth/Diameter: 23cm

18th century and later oak coffer bach, moulded hinged lid over panelled front and single drawer, shaped and stepped arch panels, on bracket feet, in black paint finishDimensions: Height: 51cm  Length/Width: 67cm  Depth/Diameter: 33cm

17th Century and later oak panel carved with geometric designs beneath an arch 67cm x 42cm

Henry Fisher of Preston (Lancs)- a fine late 18th century Mahogany 8-day longcase clock c 1790, with a swan necked pediment, brass paterie and Verre Eglomise glass panels with a blue ground beneath, broken arch hood door flanked by reeded pilasters with brass Corinthian capitals, trunk with inset reeded quarter columns and a wavy topped door in figured mahogany, plinth with conforming canted corners, raised panel and bracket feet, with an early Wilson painted dial comprising a colourful depiction of birds of paradise to the centre and a working lunar disc to the arch, with painted floral spandrels within gesso borders and matching steel hands, Roman numerals, five-minute Arabic's, minute markers and matching seconds and date dials, dial pinned via a cast Wilson falseplate to a rack striking four-pillar movement, striking the hours on a bell. With weights and pendulum.Henry Fisher is recorded as working in Preston, c1742-95. Dimensions: Height: 240cm  Length/Width: 50cm  Depth/Diameter: 23cm

German-early 20th century mantle clock c1910, in a walnut case with a break arch top and decorative cast brass finials, brass silk backed sound frets to the sides and a glazed break-arch door flanked by a pair of cast brass caryatid, on a dee ogee moulded plinth and raised on splayed paw feet, brass dial with cast spandrels and a matted dial centre, silvered chapter ring with Roman numerals, gothic steel hands and a conforming pendulum regulation dial to the arch, two train going barrel movement with rack striking, sounding the quarters on two gongs and the hour on one, With Pendulum and key.Dimensions: Height: 48cm  Length/Width: 30cm  Depth/Diameter: 23cm

Patrick Forrester of Hull-early 19th century 8-day oak and mahogany longcase, c1830, With a pagoda pediment and three matching ball and spire finials, break arch hood door beneath flanked by reeded pilasters with brass capitals, trunk with canted corners and a full length break arch topped door with crossbanding, on a square plinth with an applied moulding to the base, fully painted dial with matching spandrels and a scene of a huntsman to the arch, with Roman numerals, fifteen minute Arabic's, stamped brass hands, seconds dial and date aperture, dial pinned via a falseplate to a rack striking movement, striking the hours on a bell. With key, weights and pendulum. A good example of this refined design of case popular in the East Riding of Yorkshire and London, the hood is of particularly good proportions.Patrick Forrester is listed as working in Hull 1813-1840, also as a Jeweller and Goldsmith. Dimensions: Height: 234cm  Length/Width: 47cm  Depth/Diameter: 23cm

Flathers of Halifax-Late Victorian 8-day mahogany longcase clock c1860, with a swan neck pediment and three ball and eagle brass finials, break arch hood door flanked by two ring turned pilasters with brass capitals, trunk with canted corners and serpentine shaped trunk door on a rectangular plinth with a shaped base, trunk door and plinth profusely inlaid with Masonic symbols, regalia and emblems in contrasting satinwood, with an associated dial and movement comprising tumbling Arabic numerals, minute track, seconds dial, date aperture and brass hands, with images depicting two birds of paradise, the four continents and a rolling moon to the arch, dial pinned via a falseplate to a rack striking movement, striking the hours on a coiled gong. With weights and pendulum.The Flathers family were a prolific generation of Halifax clockmakers, working from various locations in Halifax from 1822-79.This item has been registered for sale under section 10 of the APHA Ivory Act.Dimensions: Height: 235cm  Length/Width: 43cm  Depth/Diameter: 23cmCondition Report: Ivory escutcheon and case ornament: Ivory Act - Submission Reference: BNSBV9ZR

John Henry Coates of Wakefield- late19th century oak and mahogany 8-day longcase clock c 1860, with a swan necked pediment and central brass ball and spire finial, break arch hood door flanked by unusual spindle turned pilasters, trunk with recessed rectangular corners and a wavy topped door, on a square plinth with conforming recessed corners and raised on a shaped base, fully painted dial with matching decorative rococo painted decoration to the spandrels and arch, with "shadow" Roman numerals and minute track, makers name, seconds and date dials and steel “crown” hands, dial pinned via a falseplate to a rack striking movement, striking the hours on a bell. With weights and pendulum. Painted dials with shadow Roman numerals were popular for a relatively short period of time during the late 19th century, as such, examples such as this are therefore comparatively rare.Dimensions: Height: 230cm  Length/Width: 54cm  Depth/Diameter: 24cm

Early 20th century - mahogany cased 8-day miniature longcase clock with a matching wall mounted bracket, break arch hood with ball finials and recessed quarter pilasters, conforming trunk with a long door and break arch top on a decorative plinth with a raised panel and stepped base, circular dial with Roman numerals and spade hands within a glazed bezel, French insert timepiece movement with a cylinder platform escapement, wound and set from the rear. With key.Dimensions: Height: 78cm  Length/Width: 26cm  Depth/Diameter: 17cmCondition Report:Slight damage to the plinth moulding.

Early 18th century figured walnut dome top bookcase on bureau, double arch top over two bevelled mirror glazed doors, enclosing fitted interior with central cupboard, two candle slides below, moulded fall front enclosing pigeonholes, small drawers and slide, two short and two long cock-beaded drawers below, on bracket feet Dimensions: Height: 208cm  Length/Width: 105cm  Depth/Diameter: 56cm

Zanetti of Manchester- late 19th century wheel barometer in a mahogany case with a break arch pediment, brass finial and rounded base, with a hydrometer, spirit bubble and boxed spirit thermometer, 12" silvered register with predictions and recording barometric air pressure from 29 to 31 inches, with recording button, steel indicating hand and brass recording hand.

Thomas Greaves of Newcastle - late 18th century 8-day mahogany longcase clock c1790, with a flat topped hood and break arch hood door flanked by pilasters with Corinthian capitals, trunk with canted corners and ogee spire topped trunk door, rectangular plinth on a decorative stepped base, early painted dial with raised gesso spandrels and a painted oval landscape to the arch, with matching steel hands, Roman numerals, five minute Arabic's and minute markers, subsidiary seconds dial and calendar aperture, dial pinned via a cast falseplate to a rack striking movement with a recoil anchor escapement, striking the hours on a bell. With pendulum and weights.Dimensions: Height: 215cm  Length/Width: 48cm  Depth/Diameter: 24cm

Edwardian-Miniature 8-day mahogany longcase clock, with a pagoda pediment and brass finials, break arch hood door flanked by turned pilasters, long trunk with inlay and a full length trunk door, rectangular plinth raised on bracket feet, with a brass dial, cast spandrels, matted dial centre, brass hands and a silver chapter ring, dial pinned to a French twin train movement, with rack striking, sounding the hours and half hours on a bell. With key and pendulum.Dimensions: Height: 190cm  Length/Width: 25cm  Depth/Diameter: 20cm

William Vale of Finsbury (London) - late 18th century 8-day mahogany longcase clock, flat topped break-front hood with a break-arch hood door, detached reeded pilasters with wooden capitals, trunk with a blind fret, stopped reeded quarter columns and a long wavy topped door, on a square plinth with canted corners and bracket feet, engraved silver sheet dial with cast brass spandrels, matching steel hands and rolling moon to the arch, with an engraved seconds dial, Roman numerals, five minute Arabics, minute markers and matching steel hands, three train, quarter chiming movement on six bells with a recoil anchor escapement. With pendulum and weights.This item has been registered for sale under Section 10 of the APHA Ivory ActDimensions: Height: 220cm  Length/Width: 50cm  Depth/Diameter: 27cmCondition Report: Ivory Act - Submission reference: 73SLGC31

A FINE PERSIAN QAJAR GLAZED POTTERY ARCH TILES. 12ins x 17ins.

After David Roberts, 'Baalbec', I.49.5 x 32.5cm; 'Site of Petra', I.36 x 51cm; 'Approach to Mount Sinai', I.35 x 51cm; 'Remains of a Triumphal Arch at Petra', I.33 x 49.5cm; 'The Convent of St Catherine, Mount Sinai', 34 x 49.5cm; and 'Conference at Wady Moosa', I.26.5 x 36cm, six works, lithographs. (6)

A very unusual George III satinwood and inlaid eight day longcase clock, the 14in painted dial with moonphase arch, inscribed 'Thos Lister, Halifax', 241cm high, (alterations to seating board and cheeks), with pendulum and weights.

An Oak Eight Day Longcase Clock, signed John Pace, Bury St Edmunds, circa 1830, wavy shaped pediment with brass ball finials, arch trunk door flanked by fluted pilasters, inside trunk door with a Brian Loomes label and a brass oval presentation plaque, 12-inch arch painted dial with Roman numerals, dial centre with seocnds dial and date aperture, dial arch signed, four pillar movement with an anchor escapement and rack striking on a bell210cm highFrom the presentation plaque this clock was once owned by Earl Beatty, Admiral of the Fleet in the first World War.Right hand side of the hood with one crack, right hand side hood column is loose and need securing, left hand side of the base is cracked and the left hand side panel is slightly lifting, later bracket feet, dial with minor scratches, with two weights and a pendulum.

A Mahogany Eight Day Painted Dial Longcase Clock, circa 1830, 14 inch arch painted dial signed W. Helliwell, Leeds, 230cm highWith pendulum and two weights, no keys, trunk door locked

French Dinky 530 Citroën DS 19 in green body, light grey roof, cream interior and concave hubs, minor paint chips on front left wheel arch, boot and base, overall clean, in the original box with tape repair (VG-E,BVG)

Prynne (William) Canterburies Doome. Or the First Part of a Compleat History of The Commitment, Charge, Tryall, Condemnation, Execution of William Laud, Late Arch-Bishop of Canterbury..., first edition, engraved frontispiece by Wenceslaus Hollar, 2 engraved portraits (often lacking), with final errata f., browning, else good, contemporary calf, covers with gilt-ruled borders, morocco spine label, few scuffs, [Wing P3917], small folio, John Macock, for Michael Spark senior, 1646.

Spenser (Edmund) The Faerie Queen: The Shepheards Calendar: Together with the Other Works of England's Arch-Poët, Edm. Spenser, general title within woodcut border (laid down with portion of loss), Faerie Queene with woodcut cartouches to head of each canto, Shepheards Calender with woodcut illustrations, divisional titles, woodcut initials and head- and tail-pieces, with blanks 2H6 & F4, Sig.[par] (Letter to Raleigh & commendatory sonnets) bound at end and lacking final blank [par]9, FQ M6 small loss to inner-margin, O6 with few ink marks mostly to margins, Z6 portion of loss affecting 2 stanzas with text supplied in later ink manuscript (affecting also cartouche to verso), [par]6 small loss to head affecting woodcut head-piece, FQ with occasional marginal annotation (slightly trimmed), very occasional minor worm trace to head of gutter, some light damp-staining to final few Sig. and ink splashes to final few ff., occasional spotting and the odd light stain, some light browning, 19th century half calf, stain to spine foot, quite worn, especially to corners, upper cover detached, [Pforzheimer 973; STC 23084], folio, H.L. for Mathew Lownes, 1611-13 [but later ?1615].  *** First collected edition of Spenser's works, second (?1615) issue with the title to the second part of the Faerie Queene dated 1612 and the colophon "16012" [sic]. With the Prosopopoia. Or Mother Hubberds Tale consisting of a single gathering A of 8 leaves and dated 1613 on the title, not found in the first issue. Provenance: "G.W. & B. Frere, E dono Johannis Frere vicesimo & nono die Januarii ad 1789" (gift inscription to front free endpaper, ownership name "Geo: Frere" also to head of general title). 

A RARE ANATOLIAN JEWISH PRAYER RUG WITH HEBREW INSCRIPTION Western or Central Anatolia, 19th centuryOf rectangular form, handwoven in wool with a mihrab-style central niche in deep madder red, the stepped arch framed by an olive-green field and decorated with a menorah-like stylised candelabrum in pale blue and white, flanked by small floral devices, the spandrels with polychrome eight-petalled rosettes and geometric motifs, the main border with star-like motifs in alternating colours and a cream ground secondary border of floral meander, a Hebrew inscription reading אנכי (“Anochi”, “I am [the Lord]”) woven into the top band in cream wool against a red field, a reference to the Ten Commandments and one of the strongest markers of Jewish use. The design merges Islamic architectural models of the prayer niche with Jewish liturgical iconography, resulting in a syncretic Anatolian textile tradition, likely woven for use in a synagogue or private prayer setting.168.5cm x 126cm This type of rug belongs to a small group of Jewish prayer rugs made in Ottoman Anatolia, often in villages with mixed Muslim and Jewish populations. While following the broader Anatolian design language (notably the mihrab layout typical of Islamic prayer rugs), these works often include uniquely Jewish symbols such as menorahs, Stars of David, or Hebrew script, and were produced either by Jewish artisans or Muslim weavers for Jewish clients. 168.5cm x 126cm Qty: 1

A QAJAR BRASS ASTROLABE WITH FOUR PLATES Possibly Isfahan, Early Qajar Iran, dated 1217 AH (1802 AD)Of typical circular shape, composed of a cast mater surmounted by an elaborately incised cusped arch with rosette scrollwork and a lyrical naskh inscription about daytime on one side, and a pair of birds against vegetal meanders on the reverse, the womb inscribed with the date in Arabic numerals 1217 AH, the instrument fitted with four engraved plates, each marked with stereographic projections for multiple latitudes and city names across Iran and greater Persia; an openwork rete with star pointers as stylised saz leaf scrollwork and arabesque palmettes; an alidade similarly decorated and inscribed; the reverse of the mater bearing trigonometric tables, including solar and shadow tables, and extensive astronomical inscriptions in Arabic, including scientific advice on how to correctly use the astrolabe, retaining the original suspension ring, the craftsmanship, technical accuracy, and date placing this tool within the tradition of Late Safavid and early Qajar scientific instrument making, most notably linked to the cultural centre of Isfahan.16.5cm diameter The long inscription on the reverse of the mater reading: If the letter of the stick (ruler / alidade ?) is placed every day on the point of intersection of the sun's orbit and the arc drawn by the city, then one should reduce the height. It goes on referring to the correct measurements related to the Qibla in Mecca. For further comparables, please see an early Qajar astrolabe made only nine years prior to the present example, dated 1208 AH and signed by Hajji 'Ali in the Royal Museum of Greenwich, London, Inventory No. AST0544; and another Qajar astrolabe sold at Christie's London, 28 October 2020, lot 43. 16.5cm diameter Qty: 10