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John Ruskin (1819-1900), a group of various letters including: an eight-page signed letter, undated, to The Reverend Stephen Bridge concerning the building of St Matthew, Denmark Hill, the letter includes eleven small pen sketches of architectural details within the text, through which Ruskin attempts to show that the architect has made several serious design errors: '...I find myself reduced to the ungracious task of finding fault with the present design without being able to suggest any mode of arriving at a happier result - still, I feel so strongly that the large sum required for the completion of this floor plan will be miserably wasted - and that many who might be pleased by the drawing, would yet be disappointed by the church - that I cannot forbear giving you the reasons...', a signed letter to 'Mr. Bridge' from 31 Park Street, 23rd Nov., stating he has returned from Normandy '...finding in my own neighbourhood a piece of architecture so graceful and picturesque as your new church - I wrote a very impertinent letter about the design of it... I trust you will acquit me of conceitedness in the matter - and of putting much value on my high opinion - but I do love architecture very much and I believe I enjoy more than most people when I enjoy a design at all: and suffer more than most when I do not.', and three other signed letters from Ruskin to Bridge, an envelope to Bridge, franked 29th and 30th December 1846, a section of the text of a lecture by Ruskin, 'The Aim of Poetry', delivered in the Sheldonian Theatre, Oxford, 24th October 1877, and a two-page signed letter by Arthur Severn, dated Dec 5th 1900, from Brantwood, to The Reverend Stephen Bridge, concerning the choice of the dignitary to unveil the Ruskin Memorial (qty.)

A collection of Czech industrial photography, early to mid-20th century, comprising a quantity of functionalist architectural postcards, including the Bata shoe factory in Zlin, Czech Republic, a collection of train photography, and promotional photographs for motorbikes and cars, pictured with women and racing (qty.)Condition ReportWith minor signs of wear to some examples with creasing and folding to the edges of the pictures commensurate with use. Otherwise appearing in good order.

Berenice Abbott (American, 1898-1991), seven photographic prints, 20th century, of architectural studies of gates, entrances and stairways, four examples with notes verso,five large-format images, 24 x 19.2cmtwo small-format images, 17 x 12cm (7)Condition ReportIn good overall condition with some minor wear, folds and creases to the edges of the paper commensurate with use. The two small format images inscribed 'Charleston' on verso. The large format images including the border measure 24.7cm x 20cm and the smaller format measure 17.4cm x 12.2cm.Please see the additional images.

A group of daguerreotypes, mid-19th century, comprising a group of portraits, three portraits of children, one of which is overpainted and heightened in gold, a woman in a bonnet with a sleeping baby and a little boy (illustrated), a ruddy-faced man with a little girl and a little boy, three portraits of young men, a portrait of a young couple holding hands, an old gentleman, and an old woman in an elaborate headdress, presumed to be a mourning bonnet,two ambrotypes, anda view of an unidentified architectural maquette in the Gothic style,housed in leather cases (15)Condition ReportWith wear, marks and scratches to the leather cases. Some examples missing their metal fastening catches commensurate with use and age. The daguerreotypes and ambrotypes with fading and surface marks commensurate with use and age.

A set of 5 early 19th century prints depicting Regency period ladies fashions, from the Ladies Pocket Magazine, mainly dated to the 1830's, some with hand coloured details, each 22cm x 14cm and a large qty of assorted French architectural prints, Construction Moderne, 19th century, each 35cm x 27cm [qty]

Vintage Goebel nativity stable designed as a wooden architectural backdrop for Hummel nativity figures. The structure features a detailed facade with carved brickwork, arched supports, tiled roof elements, and a side lean-to shelter, all crafted in natural wood. Includes original Goebel assembly instruction sheet printed in West Germany, identifying the components: base plate, back wall, side part, roof, and large roof section.Dimensions: 23.5"L x 34.75"W x 23.5"HCountry of Origin: GermanyCondition: Age related wear.

This striking Retro-era ring is crafted in solid 18K gold and features a richly colored faceted amethyst in a secure prong setting. The central stone is flanked by three small round diamonds on each shoulder and two additional accent diamonds set above and below, adding brilliance and symmetry to the bold geometric design. Stylized scroll and barrel-like motifs at the sides give the ring its unmistakable mid-century flair, blending luxury with architectural form. Marked 18K inside the band. Approx Total Weight: 11.21g with stones.Dimensions: Ring size approx. 6.75Condition: Age related wear. Diamonds and amethyst tested with Presidium Gem Tester II.

Attributed to Mohammed ben Ali R'bati, widely regarded as one of the earliest figures in modern Moroccan art. The scene depicts a traditional street procession or gathering with a diverse group of figures in colorful robes set against an architectural backdrop characteristic of early 20th-century Morocco. The composition features intricate geometric and floral-style borders and architectural detailing such as arched windows and brick facades. The work is signed in Arabic at the lower right, though the signature has not been formally verified. Painted in watercolor with pen-and-ink outlines, the artwork exhibits cultural and historical visual elements consistent with R'bati's known themes. Mohammed ben Ali R'bati is often referred to as "the father of Moroccan painting," recognized for his early adoption of European watercolor techniques blended with indigenous Moroccan subject matter.Artist: Mohammed ben Ali R'batiIssued: c. 1920Dimensions: 19.5"L x 13.75"HCountry of Origin: MoroccoCondition: Age related wear.

Set of six clear crystal champagne flutes from Christofle in the Albi pattern. Each glass features a classic, unadorned silhouette with a tall, slender bowl and smooth stem. The Albi collection was introduced in late 20th century and takes its design inspiration from the town of Albi in southwestern France, notably its famous cathedral known for its strong architectural lines. Each piece is marked Christofle.Issued: Late 20th to 21st centuryDimensions: 2.5"W x 8.5"HCountry of Origin: FranceCondition: Age related wear.

Elegant round dining table featuring a substantial beveled-edge glass top resting on an intricately crafted wrought iron base with a gilded finish. The base showcases a dynamic arrangement of scrollwork in a symmetrical spiral motif, offering both visual movement and architectural stability. The aged patina of the gold-toned iron enhances its vintage appeal, while the transparent glass surface allows the decorative ironwork to remain a central visual element. This striking table serves equally well as a functional dining centerpiece or as a sculptural statement in a formal interior. The table design reflects traditions of 20th-century artisan ironwork that blend classic French and Mediterranean influences. Such sculptural bases were favored in luxury interiors for their ability to combine ornamentation with durability, often produced by boutique studios or commissioned by interior designers. The spiraling forms suggest a custom or studio origin, elevating it beyond utilitarian furniture into the realm of decorative art.Issued: 20th centuryDimensions: Approximately 60"dia x 30"H. Condition: Age related wear. Minor chips on one edge of the glass top.

A beautifully detailed and hand-colored engraved map of Douai (Dovay), a historic city in northern France, from the seminal 16th-century cartographic work Civitates Orbis Terrarum by Georg Braun and Frans Hogenberg. This city view showcases the intricate layout of Douai, including its fortified walls, canals, and notable architectural landmarks. The map is bordered with vivid marbled paper and professionally matted, enhancing its aesthetic appeal. The upper corner features Latin text describing Douai as elegantly adorned and praising the city for its residents and intellectual life, underscoring its prominence during the Renaissance. An exquisite example of early urban cartography, the map captures the essence of Douai's historical importance as a center of learning and culture. The figures in period attire at the lower left and the windmill on the outskirts add a dynamic and humanized perspective, characteristic of Braun & Hogenberg's work. This map is a testament to the artistry and technical skill of the era, merging aesthetics and information in a harmonious composition. Georg Braun (1541-1622) and Frans Hogenberg (1535-1590) were pioneers of Renaissance cartography. Their monumental work, Civitates Orbis Terrarum, published between 1572 and 1617, consisted of six volumes depicting over 500 city plans and views, providing a comprehensive visual account of urban centers across Europe and beyond. This collaboration marked a significant advancement in geographical representation, blending artistry with geographic precision. Douai, historically part of the Spanish Netherlands during the time of this map's creation, was renowned for its University of Douai, founded in 1562, which contributed to the city's intellectual reputation. The city played a vital role in the region's political and cultural history, which is reflected in the meticulous detail of this map. German text on verso. Artwork can be unframed and rolled for shipment. Map without mat: 20.75"L x 16"H.Artist: Georg Braun (1541-1622) & Frans Hogenberg (1535-1590)Issued: c. 1582Dimensions: See DescriptionCountry of Origin: BelgiumCondition: Age related wear.

A vibrant giclee print of the oil painting Abstract Reflected by Connie Winters, a celebrated impressionist painter known for her expressive brushwork and luminous color palette. This artwork captures a serene riverside scene, featuring architectural reflections on the water, lush greenery, and warm, inviting tones that convey a sense of tranquility and movement. Winters work is highly regarded for its impressionistic style, rich with texture and color harmony, evoking the beauty of European and Southern landscapes. This archival quality giclee print faithfully reproduces the depth and vibrancy of the original oil painting. Framed and the artist signature on the back.Artist: Connie Winters (American, b. 1944)Dimensions: 13.5"L x 1.5"W x 15.25"HCondition: Age related wear.

A vibrant and sculpturally engaging 6-piece collection of hand-blown art glass, featuring a range of vessel forms including decanters, pitchers, and vases in bold mid-century hues. The centerpiece is a tall emerald green decanter with flared trumpet neck and applied foot - elegant and architectural. Accompanied by two charming hand-blown pitchers, one in amber crackle glass, the other in emerald green, both with applied handles and pulled lips. A sunglow orange bottle form contrasts with a twisted amethyst vase on a dark foot, and a final smaller green handled ewer completes the display. Each piece exhibits variations in bubble patterning, pontil marks, and lip finishing consistent with small-scale studio production, likely from Italy or the U.S., mid-20th century. Largest piece 12.25"H.Issued: 21st centuryDimensions: See DescriptionCondition: Age related wear.

A striking Verlys French opalescent glass vase, dating to the Art Deco period, featuring an elegant leaf and berry motif in deeply molded relief. The vase exhibits a softly glowing opalescence with a milky-white translucence, enhanced by sharply faceted lobes that create a rhythmic, architectural silhouette. Each vertical panel is adorned with subtle botanical detailing, capturing the refined naturalism and geometric harmony that defined Verlys' best work. This sculptural form showcases the impeccable craftsmanship of Verlys, a renowned French glassmaker noted for their limited production decorative pieces made between the 1930s and 1950s. Signed Verlys on the base, this example exemplifies the studio's ability to merge fine French glass artistry with bold Art Deco aesthetics. A superb collector's piece of period design and technical excellence, ideal for display in both classic and modern interiors.Issued: c. 1930Dimensions: 10.5"HCountry of Origin: FranceCondition: Age related wear.

Set of eight clear crystal water goblets from Christofle, designed in the Albi pattern. The Albi collection, introduced in the late 20th century, is inspired by the straight lines and classic elegance of the French town of Albi, located between Toulouse and Bordeaux. The design draws from the architectural influence of Albi Cathedral. Each goblet features a subtly tapered bowl with a plain, uncut surface and a smooth, elongated stem. These goblets are crafted from high-quality crystal and are marked Christofle.Dimensions: 3"W x 8.5"HCountry of Origin: FranceCondition: Age related wear.

Gorgeous antique stained glass panel featuring a regal crown and cross motif within a lancet arch design. The rich color palette includes deep burgundy, emerald green, amber, violet, and marbled opalescent glass pieces. A heraldic medallion with a crowned cross, embellished with jewel-like red glass rondels, sits centrally within a Gothic-inspired tracery. Surrounding this are intricate floral and scroll elements, all housed in a solid wood frame. Likely crafted in the late 19th to early 20th century, this ecclesiastical style panel exemplifies high craftsmanship in leaded and stained glass, making it suitable for architectural reuse or decorative display. Light wear consistent with age.Issued: Early 20th centuryDimensions: Approximately 37"L x 1.75"W x 79.50"HCondition: Age related wear.

BEAUTY AND THE BEAST (1991) - Collection of Four Production Concept Designs by Hans Bacher - A collection of four original hand-drawn and painted concept designs by celebrated artist Hans Bacher, created during the early development of Disney's Academy Award-winning animated feature Beauty and the Beast.Hans Bacher, a renowned production designer and visual development artist, contributed extensively to some of Disney's greatest animated achievements, including Mulan, Aladdin, Hercules, and Who Framed Roger Rabbit. For Beauty and the Beast, Bacher served as a production consultant and visual development artist, helping shape the film's visual atmosphere and emotional tone. Rarely do such treasures from Disney's "Renaissance" period surface on the open market, original pre-production artworks of this calibre are fiercely sought after and represent an extraordinary opportunity to acquire a piece of Beauty and the Beast's creative journey.This lot includes a hand-painted full character study of Mrs. Potts in her human form dressed in a period costume (dated "4/20/89"); a concept storyboard sheet featuring four different scenic compositions (dated "April 7, 90"); a dual-concept design (one rendered in cold blues and another in earth-toned detail) atmospheric forest settings (dated "3/22/90" and an architectural study of the castle gardens and staircase leading to the fountain (dated "3.90). Each piece is signed and dated by Hans Bacher, and the storyboard sheet features an official Walt Disney Pictures Production Design development stamp.The use of vibrant colour blocking, expressive linework, and mood-driven layouts highlight Bacher's extraordinary ability to influence the atmosphere and pacing long before animation began. These works are not just production artefacts but the foundations of the film's emotional and visual DNA. The lot exhibits some minor marks. Dimensions (largest sheet): 30.5 cm x 21.5 cm (12" x 8.5")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: Ω

BEAUTY AND THE BEAST (1991) - Lumiere, Cogsworth, Mrs. Potts, Chip and Sultan Hand-Painted Cel Setup and Production Background - A hand-painted cel setup featuring the beloved enchanted objects Lumiere, Cogsworth, Mrs. Potts, Chip, and Sultan, the footstool from Walt Disney's animated film Beauty and the Beast, placed over the actual screen-used production background.Although Beauty and the Beast was the first Disney feature to use CAPS (Computer Animation Production System) for final colouring, thereby eliminating the traditional cel painting from the production process, Disney recognised collectors' interest in physical artwork as they have done since the 1930's with supplying the Courvoisier galleries.For the 1992 Sotheby's The Art of Beauty and the Beast auction, 249 unique setups were created, using hand-inked and painted cels based on original animation drawings, carefully matched to actual production backgrounds used in the film. The result: a hybrid of artistry and authenticity, offering collectors the closest experience to owning a piece of the finished film. This lot was part of the Sotheby's auction. This piece is a true collector's piece. Rare, character-rich, and directly tied to the making of an Oscar-winning classic.This scene captures a moment of comic tension and curiosity as Lumiere, Cogsworth, Mrs. Potts, Chip, and the faithful footstool Sultan peer in horror and amazement. The background here is a masterclass in layout and lighting, with rich burgundy tones, gilded mouldings, and elegant architectural perspective rendered in gouache. The cel characters pop with warmth and vitality, and their lighting effects are carefully considered to match the background's highlights and shadow. A Walt Disney Productions stamp is present on the back of the piece and the lot is accompanied by a The Art of Beauty and the Beast certificate of authenticity. Dimensions: 32 cm x 43.25 cm (12.5" x 17")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

SLEEPING BEAUTY (1959) - Maleficent Original Production Pencil Drawing Signed by Marc Davis - An original production drawing of Maleficent signed by legendary animator Marc Davis from Walt Disney's 1959 animated film Sleeping Beauty.Davis was one of Walt Disney's celebrated Nine Old Men and the designer and principal animator behind Maleficent, one of Disney's most iconic villains. His sophisticated draftsmanship and mastery of gesture defined her regal menace. This approach helped elevate Sleeping Beauty's animation style into something almost architectural in its stylisation, complementing the overall stylings of Eyvind Earle. Good original drawings of Maleficent are scarce, and examples signed by Davis are highly sought after. This is an exceptional piece of animation history and a direct connection to one of the most revered talents in Disney's golden age.This elegant yet intimidating profile pose captures the dark majesty of the character and displays hallmarks of Davis's confident, refined linework. The drawing is rendered in graphite on 12-field, 3-peg hole animation paper and signed prominently by her creator, the legendary Disney animator Marc Davis. The drawing is numbered "11" and presents beautifully on original production paper with vintage peg hole configuration and tape marks to the lower edge from archival studio use. Dimensions: 32 cm x 39.5 cm (12.5" x 15.5")Sold without copyright; see copyright notice in the Buyer's Guide.The autographs in this lot have been professionally authenticated by expert Garry King; see notice in the Buyer's Guide.VAT Status: M

ITALIAN SCHOOL (18TH CENTURY) ARCHITECTURAL CAPRICCIO Pen and ink Inscribed with a device (lower right) 11.5 x 15cm (4½ x 5¾ in.) Provenance: Charles Molinier (1845-1910) [Lugt 2917] Condition Report: Framed measurements: 34 x 34cmThe work has been laid down at the four corners. Some light discolouration and staining to the sheet, together with brown spots of foxing throughout. Some light wear to the extreme edges commensurate with age. Some light undulation to the sheet under the glaze. Unexamined out of glazed frame.Condition Report Disclaimer

‡ ATTRIBUTED TO CARLO SARACENI (ITALIAN 1579-1620) DEATH OF THE VIRGIN Oil on copper Stencilled 'L.A.' (to frame's verso, possibly a collector's stencil) 37.5 x 28.5cm (14¾ x 11 in.) Provenance: Sale, Christie's, London, 14 December 1979, lot 47 (as F. Saraceni) Sale, Dorotheum, Vienna, 20 October 2015, lot 54 (as Workshop of Carlo Saraceni, for € 75,000) Carlo Saraceni produced several compositions depicting the Death of the Virgin. His most renowned interpretation of the subject was commissioned by the Discalced Carmelite friars for the Cherubini Chapel in Santa Maria della Scala, Rome. This painting was intended to replace Caravaggio's earlier version of the same theme, which had been rejected by the friars for its perceived lack of decorum.Saraceni's first version, completed in 1612, ultimately failed to meet the friars' expectations as well. They requested that the architectural background be replaced with a celestial "glory of angels". Rather than modifying the original canvas, Saraceni sent the painting to Venice and quickly produced a new version, which remains in situ to this day. The first, rejected version was donated to the Metropolitan Museum of Art in New York by Richard L. Feigen in 2019.Various smaller versions on copper, such as this one, also exist. Feigen owned one such example, which had previously belonged to the artist Sir Peter Lely, as documented in Italian Paintings from the Richard L. Feigen Collection (Yale University Art Gallery, 2010, pp. 140-145, nos. 43 and 44). Condition Report: UV light reveals scattered meticulous retouching to the drapery, most notably to the figures in the pink and green cassock to the left border. In addition a few slight restoration are visible in the lower border, and a 5 cm diagonal restoration on the blue drapery of the Madonna, which starts from the head of the man with the pink cassock - such retouching covers what might have abbe a past damage. Condition Report Disclaimer

BARTHOLOMEUS BREENBERGH (DUTCH 1598-1657) WALLS OF A CITY, POSSIBLY LATINUM Pen and brown ink, with brown and grey wash over black chalk Later inscribed (lower right) 8 x 14.5cm (3 x 5½ in.)Drawn circa 1626 - 1629.Provenance: The Collection of The Rt. Hon. F Leverton Harris His Sale, Sotheby's, London, 22 May 1928, lot 18 Sale, Kunstveilingen Mak Van Waay B.V, Amsterdam, 11 June 1975, lot 55, where purchased by Richard L. Feigen Literature: M. Roethlisberger, Bartholomeus Breenbergh, Handzeichnungen, Berlin, 1969, under no. 61 M. Roethlisberger, Bartholomeus Breenbergh: The Paintings, 1981, no. 101, p.51 (ill., fig. 101)Exhibited: New York, Richard L. Feigen & Co, Bartholomeus Breenbergh, cat. by M. Roethlisberger, 18 September - 31 October 1991, no.29 (ill) travelled to London, 18 November - 20 December 1991, no. 29The number at the upper right identifies this almost pure wash drawing as part of Breenbergh's small sketchbook, the dated sheets from which range from 1626 to 1629, during the artist's later years in Rome. Roethlisberger has pointed out that this scene was probably sketched from life just outside an unidentified town in Latinum. Interestingly, this motif does not recur in any known painting by Breenbergh and is his only known architectural study viewed parallel to the picture plane rather than from a sharp diagonal. Condition Report: The sheet is not laid down, but stuck to the mount at the corners, overall there is some discolouration, particularly along the upper edge. There is a repair along the left hand edge and in the upper left corner and a small possible repair upper right.   Condition Report Disclaimer

A collection of five Wedgwood Blue Jasperware Christmas plates, each crafted in classic Jasperware style with white relief on a distinctive blue background. The lot includes two plates from 1976, one from 1977, one from 1978, and one from 1979. Each plate is marked 'Wedgwood' on the reverse side. The designs capture architectural motifs. The collection comes in original packaging, with each box adorned in vibrant holiday motifs featuring holly, snowflakes, and "Christmas Plate" lettering.Issued: 20th centuryDimensions: 0.75"D x 8.25" dia. Country of Origin: EnglandCondition: Age related wear.

German- 19th century 8-day spring driven wall clock in a mahogany case with turned finials and pendants, architectural pediment and an ogee fluted base, with turned full length pilasters to the glazed case door displaying a gridiron pendulum and two-part dial with Roman numerals and gothic steel hands, twin train movement striking the hours on a gong.Dimensions: Height: 140cm  Length/Width: 46cm  Depth/Diameter: 22cm

This 13-piece glassware collection features a variety of mid-century modern and vintage glass designs. Included are 2 Anchor Hocking Berwick-Boopie-Gold water goblets, each with a clear bowl, a gold rim, and a pressed glass foot with rounded detailing. Also included are 3 double old fashioned glasses, each adorned with two owls perched on a branch, rendered in raised gilded enamel with black accents. Completing the set are 8 highball glasses by Cera Glass in the Golden Grapes-Green pattern, showcasing detailed grapevine and architectural column motifs in green and metallic gold around the upper band. The pieces show vintage wear consistent with age. Water goblet: 3"W x 5.5"H. Double old fashioned: 3.25"W x 3.25"H. Highball: 2.75"W x 5.5"H.Issued: Mid 20th centuryDimensions: See DescriptionCondition: Age related wear.

This watercolor painting depicts an architectural scene of a historical European building characterized by its arched doorway, circular window, and ornate detailing on the adjacent wall. The artist's signature is visible in the lower right corner. Artwork is in a protective matte. Sight measurements: 12.75"L x 19.25"H. Matte measures: 17.75"L x 24.5"H x 0.25"W. Artwork can be unframed and rolled for shipment. Artwork can be unframed and rolled for shipment.Artist: Arnold A. ArbeitIssued: C. 1980Dimensions: See DescriptionCondition: Age related wear.

This exceptional 2-piece ensemble from Jil Sander showcases modern luxury and precise tailoring, blending refined minimalism with practical elegance. The grey jacket features a unique asymmetrical double-breasted button closure, adding an architectural edge to its softly structured silhouette. Crafted from a fine wool blend, it boasts functional patch pockets and buttoned cuffs, maintaining a clean yet sophisticated aesthetic. Accompanying the jacket is a warm camel-brown corduroy belted coat, defined by its casual-chic approach. Designed with a classic collar and buttoned front, it features a self-tie belt that cinches the waist for a flattering fit. Spacious flap pockets and a structured shoulder give it a timeless feel while maintaining the brand's signature understated sophistication. Both pieces are Italian made and labeled as Jil Sander, renowned for its commitment to luxurious materials and impeccable tailoring. Size 38, this set exudes modern European style, perfect for elevating any wardrobe with effortless versatility.Issued: c. 1980Dimensions: Approximately: 24 and 27"LCondition: Age related wear.

This elegant pairing includes a navy wool ruched dress by Bruce Oldfield and a striking colorblock sleeveless dress by Gianfranco Ferre. The Bruce Oldfield design, crafted in England from 100 percent wool, features long sleeves, a high neckline, and fabric-covered buttons accenting the ruched front, presenting a refined silhouette ideal for evening wear. The Gianfranco Ferre piece, made in Italy, is a modern sleeveless dress with a fitted black bodice and camel-colored skirt panel, offering a clean, architectural look in true Ferre style. Both dresses reflect sophisticated tailoring and timeless high fashion from two iconic European designers.Issued: c. 1980Dimensions: Average: 41"L Country of Origin: England & ItalyCondition: Age related wear.

A charming architectural collectible that captures the romantic spirit of a traditional ceremony. Modeled in resin with fine detail, the chapel features arched gothic windows, a tall steeple, manicured landscaping, and a front facing sign reading "Wedding Chapel." The side panel opens to reveal an interior scene of a bride and groom at the altar, surrounded by seated guests beneath stunning red rose stained-glass windows. The base is lined with felt and includes a battery compartment, indicating the chapel was designed to be illuminated for added display impact. Harmony Ball sticker label. Artist: Bob OlszewskiIssued: 2006Dimensions: 4.25"L x 5.5"W x 7"HCondition: Age related wear.

This intricately detailed architectural sculpture depicts the world renowned Notre Dame Cathedral, a masterpiece of French Gothic architecture. The piece captures the majesty of the cathedral's iconic facade, complete with its dual bell towers, rose window, and sculpted portals, all rendered with remarkable accuracy and texture. The structure's rear reveals soaring flying buttresses and translucent gothic windows that highlight the craftsmanship behind this collectible. Harmony Ball Co. sticker label. Issued: 2005Dimensions: 6"L x 5.5"W x 7"HCondition: Age related wear.

This intricately designed resin sculpture showcases a tiered pagoda structure with exquisite architectural detail. Featuring soft pastel hues and elaborate patterns, the exterior reflects traditional East Asian influences with its tiled roof and ornate paneling. A hidden compartment opens to reveal a serene interior diorama depicting a meditating Buddha surrounded by miniature trees and a stone lantern, evoking a tranquil garden setting. A beautifully executed piece, this sculpture blends decorative elegance with spiritual reverence. harmony Ball Co. sticker label. Issued: 2004Dimensions: 3.5"W x 7.5"HCondition: Age related wear.

Interior Decoration - a pair of monochrome glazed earthenware architectural fittings, each modelled as a Chinese dragon, 45cm high

A small Regency mahogany bookcase, with architectural pediment above a glazed door opening to adjustable shelves, the base with panelled cupboard doors and raised on scroll feet. Height 204 cm, width 76 cm, depth 44 cm (see illustration).Both doors are warped,  The glass is cracked at the top on both panes.  There is missing veneer top left.  Neither door locks although keys are present. 

Architectural Model, Arched tower with colums and stairs , wood in different colours . 90 cm high

A PAIR OF CARVED GILTWOOD AND MARBLE TOPPED CONSOLE TABLES IN THE MANNER OF DESIGNS BY WILLIAM KENT, 19TH CENTURY 80cm high, 83cm wide, 47cm deep Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.there are some elements of gilt gesso such as the pendant swags; the marble worn and aged with marks and chips; the inner frieze has metal corner braces; there is some evidence of old worm; the gilding has been re-touched and the overall finish is semi-distressed; some repairs and losses; some sectional cracks to the masks.An impressive pair of gilt tables with an air of architectural grandeur despite the smaller than usual size.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer

A SECTION OF CARVED STONE FRIEZE POSSIBLY 17TH CENTURY With stiff leaf frieze above two running animals, dog in pursuit possibly of a hare or deer, snake to the left, modern stand the stone 48.5cm wide, 16cm high, 9cm deep, 21cm high overall Provenance: Sotheby's Shrubland Park, 19th September 2006, part lot 1030 catalogued as "A quantity of architectural stonework including some urn sections" Condition Report: with historic breaks and repairs, inset brass plaque to top, part of the structural re-pinning. wear and loss to raised detailing Condition Report Disclaimer

A GROUP OF CARVED STONE To include A George I carved stone pestle, dated 1729 and initialled MD, 26.5cm high, 35cm wide: An Elizabethan carved stone architectural fragment, dated 1597 or 1599, with part carved detail to front, reverse inscribed 1597(or 9) RD, 36cm high: And a carved twin handled pedestal stone pedestal cup, frieze with portrait medallions and scrolled handles above stiff leaf decoration, 30cm high Provenance: The Davies-Cooke Collection from Gwysaney Hall, North Wales For further details about the collection, visit: www.dreweatts.com/news-videos/gwysaney-hall-a-welsh-family-s-portrait-of-british-history-14767 Condition Report: All with contact marks, scuffs and some surface wear and losses as per handling, age and clumsy movement of items. Please see additional images for evidence of decoration and condition. The third item has sizable loss to foot. Mortar approx 30/40kg, second items 20/30kg, third item 10/20kg Condition Report Disclaimer

WORKSHOP OF FRANCESCO DI SIMONE FERRUCCI (1437-1493), A POLYCHROME STUCCO RELIEF OF THE VIRGIN AND CHILD ITALIAN, LATE 15TH OR EARLY 16TH CENTURY Three-quarter length portrait of The Virgin, holding the Child in her arms, in walnut frame decorated with gilt-polychrome and inscribed to lower frieze 'Ave Maria Gratia Plena Do', below the escutcheon of the Franzesi Rinaldeschi family approximately 135 x 77cm Literature: E.Benezit, Le dictionnaire des peintres, sculpteurs, dessinateurs et graveurs. Maestro e Botteghe, pittura a Firenze, alle fine del Quattrocento p.149, 150. As with the example held in the Victoria and Albert Museum (Accession number 7622-1861) this is a stucco squeeze (or cast) probably cast from a terracotta or marble. The V&A example retains the architectural setting (and later 16th century base design)of Ferrucci's marble relief in the Palazzo Communale at Solarolo (near Ravenna), which was originally housed in the Rocca of Solarolo. This example is slightly pared back focusing on the primary image but shares the same composition, scrolling chair arm, fingers placement of her right hand over the standing child's right leg, and broad brushstrokes of clothing design. It lacks the oval medallion or brooch and her head is tilted fractionally less open- closer to an example in terracotta sold Sotheby's London, Old Master Sculpture and Works of Art, 10th July 2014 lot 174. Condition Report: The whole with characteristic wear, losses and retouching as is typical for an object of this period and size. Under natural light diagonal crack running from middle of lower margin of plaque up through her right hand and across mid body of child. Old inset damage and losses to wooden frame and signs of later strengthening to painted details. Under UV light the majority of the painted surface showing signs of later remedial retouching. All three carved elements reattached. Please see additional images. Condition Report Disclaimer

A CHINESE EXPORT BLACK AND GILT LACQUER BUREAU CABINET PROBABLY CANTON (GUANGZHOU), MID 18TH CENTURY The architectural pediment top with doors enclosing an arrangement of recesses, divisions, drawers and slides, some with pierced fretwork, the serpentine bureau with a fall enclosing stepped and shaped drawers flanking a European inspired shepherd with sheep, reverse painted on mirror in Chinese hand 227.5cm high, 114cm wide, 62cm deepFor a related bureau cabinet see Victoria & Albert Museum, London, Accession number W.28:1 to 6-1935, about which is written 'This bureau cabinet was made in Canton (Guangzhou) in southern China, which in the 18th century became the principal - and later the only - trading port at which Europeans were permitted to buy Chinese goods. A formalised commercial system developed there, and Chinese merchants and artisans became increasingly familiar with western tastes and demands. The elaborate design of this cabinet shows how Chinese craftsmen were able to master the complex forms of western furniture, although in its arrangement of compartments and drawers the upper section of the cabinet is more Asian in style. The palette of black and gold is not typically Chinese but imitates Japanese lacquer, which was expensive and difficult to procure in the 18th century. The cabinet features typical lacquer decoration of natural themes such as flowers, animals and landscape scenes, which would have had exotic appeal in the West.'For other related bureau cabinets see Christie's, Le Gout Steinitz, New York, 19th October 2017, lot 30, USD301,000 (incl. premium); Christie's, Important Furniture, New York, 19th October 2000, lot 131, USD127,000 (incl. premium).The reverse painted mirror door to the interior of the bureau appears to be a rare feature. Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.The finish has overall craquelure and aging with some rubbing to the painted detail and some later painting; the cornice is probably missing a central finial as there is a vacant slot; there are some construction joint cracks and indentations; some warping to the fall and doors so that they do not quite sit flush with the carcass; a later piece of wood to the base; some repairs and later ebonising; there is some evidence of old worm; there is a key but it does not operate any of the later locks; the feet possibly later.A striking and unusual decorative bureau cabinet, with a reverse painted panel to the interior.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer

A dressed stone scroll, the architectural fragment 33cm, 35cm, 15cm

A Victorian rowing club wall hanging sign Cheltenham College, dated 1865, listing crew names in black and red against white painted ground with red and black stripe decoration to sides and architectural gothic form upper part highlighted in gold, 98cm x 55cm

Mixed lot of collectables including a boxed Milbro student microscope, a mahogany cased jeweller's weights set, an early 20th century wooden cased draughtsman's set, various drawing equipment including rulers and pencils, a Reeves & Sons prize colour box for architectural working drawings, a wooden carving of a snipe bird and various ephemera including a WWI sweetheart postcard and other items 

Isle of Man 1982 decimal coin set, a limited edition cased set of five European architectural heritage year 1975 commemorative proof coins, 40 Charles and Diana 1981 commemorative coins, 20 1980 commemorative coins and further commemorative coins, a Seiko travel clock and two calculators 

Late 19th century French clock garniture, the time piece in architectural case with columns, cariatives and surmounted by a seated female figure, the movement signed F Marti approx 47cm high and accompanied by a pair of bronze urns,

Late 19th century American mantel clock in architectural black and veined marble case, the circular enamel dial with roman numerals, the movement and dial marked for the Ansonia Clock Co. New York USA

Wendy Long - Architectural study of a rural barn , gouache - framed

TWO BOXES AND LOOSE CLOCKS, sixteen clocks, in need of some attention, to include a mantel clock in a black painted wooden case emulating slate, with gilt dial and architectural details, a brass cased Jaccard alarm clock, a selection of dome topped mantel clocks, an art deco style Temco mantel clock, etc (2 boxes + loose) (sd)

FRANCE. Napoleon III, 1852-70. Gilt White Metal Medal, 1867. Paris. Universal exhibitions were created to showcase the industrial achievements of different nations. They represented the technological and industrial showcase of the participants, testifying to progress during the Industrial Revolution. The first World's Fair was held in London in 1851.Originally, each country had its own space in a central pavilion. National pavilions were introduced in 1867. In principle, they were allocated only if there was something to present that the central pavilion could not accommodate. They soon became widespread, with exhibiting nations building pavilions typical of their country's architecture.Competition was ubiquitous at world's fairs, and medals and prestige were awarded to the most deserving.Numerous architectural achievements built for world's fairs went on to become symbols of the cities that hosted them: the Eiffel Tower in Paris, the Atomium in Brussels, the Space Needle in Seattle, the Biosphere in Montreal.Last but not least, the holding of world's fairs has always been an opportunity to set up urban planning projects: construction of the Paris metro in 1900 or the Montreal metro in 1967, extension of the Lisbon metro in 1998.Obv: NAPOLEON III EMPEREUR, laureate head left. Design by Hubert Ponscarme. Rev: EXPOSITION · UNIVERSELLE · DE · MDCCCLXVII · À · PARIS, Victory flying above the globe and holding the plan of the Mars.In secure plastic holder, graded ANACS MS 60. Composition: Gilt White Metal.PLEASE NOTE: A 22.50% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

UKRAINE. Republic, 1991-date. Silver 20 Hryven, 1997. Proof. Dedicated to the Saint Saviour's Cathedral, the outstanding architectural monument of Kyiv Rus, erected in 1033-1034 during the rule of Chernihiv Prince Mstyslav, a son of the Great Prince Volodymyr.Obv: УКРАЇНА, a fragment depiction of the Holy Teklya fresco, national emblem of Ukraine above and denomination below. Design by Oleksandr Ivakhnenko and Anatolii Snizhko. Engraved by Robert Kotowicz. Rev: ЧЕРНІГІВ СПАСЬКИЙ СОБОР ХI ст, Savior Cathedral with ribbon below inscribed; ДУХОВНІ СКАРБИ УКРАЇНИ. Edge milled. Comes with the original box as issued by the Mint and the certificate of authenticity (COA). Reference: KM-36; Zahreba-CM-20.2.Mintage: 5,000.Diameter: 39 mm.Weight: 33.63 g.Composition: 925/1000 Silver.PLEASE NOTE: A 22.50% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Pair of 19th-century classical style carved stone architectural fragments of rectangular form with a raised floral rosette motif Dimensions: Height: 13cm  Length/Width: 32cm  Depth/Diameter: 28cm

A Georgian mahogany and ebonised linen press cabinet with architectural cornice over two panelled doors opening to a void interior which has been later adapted for hanging clothes over a base with two dummy drawers and two further long drawers raised on turned feetAppears to tilt slightly forward as front legs appear to short.Overall quite faeded and worn , but appears perfectly usable. Marks, scuffs and lifting veneer in several placesSection of moulding missing from top rightThe two small drawers have been adapted to add to the depth of the hanging space.Outer dimensions :Height - 211 cmDepth - 54 cmWidth - 125 cmInterior hanging space :Length -120 cmDepth - 48 cm

A late 19th Century mantel clock, the wooden case of architectural form with silvered dial

A LARGE 18TH - 19TH CENTURY SOUTH INDIAN CARVED WOODEN ARCHITECTURAL ELEMENT IN THE FORM OF A YALI. 34ins long. 7ins x 4.5ins.

Timothy Richards architectural sculpture, Ellis Island Statue, with presentation box

Books - Figure Drawing by Harry Watson & Modelling For Sculpture by Gilbert Bayes, both inscribed 'Robert Thompson Kilburn 1933' and The Handbook of Architectural OrnamentShipping £33.00 plus vat (UK Only)

This Swarovski Crystal Memories set features two intricately crafted miniatures: the "Secrets" gift box and the "Journeys" cathedral. The gift box opens to reveal a trove of multicolored crystal treasures and includes a matching corked vial filled with loose crystals. The cathedral features a domed structure with arched windows and golden detailing, showcasing Swarovski's attention to architectural elegance. Both pieces come with their original boxes. Each piece bears the Swarovski swan hallmark. Tallest item measures 2"H.Issued: 21st centuryDimensions: See DescriptionCountry of Origin: AustriaCondition: Age related wear.

Power of PlanktonThis design celebrates the diverse, colourful and beautiful microscopic organisms that live in our oceans. There are an estimated half a million species, essential to other life on Earth. Highly sensitive to the slightest changes in their environment, they must be protected at all costs. They of course share an awesome beauty with one of the Earth's largest mammals.by Terry WhitworthTerry Whitworth has been a professional designer, illustrator and painter for over forty years, specialising in architectural and natural history subjects. He has produced a wide variety of work for clients, both local, national and international. Now semi-retired from a life of commercial artwork, he still has a great enthusiasm for painting and drawing.Trail Location Lyme Regis: Marine Parade (Beach Huts).

Law.- Fitzherbert (Sir Anthony) La Graunde Abridgement, Collecte par le Iudge tresreuerend mo[n]sieur Anthony Fitzherbert..., 2 parts in 1, black letter, titles within ornate woodcut architectural borders, woodcut historiated initials, early ownership inscriptions to head of first title, few marginal defects, some light damp-staining near start, some light spotting, browning, often light and to margins, ex-Haverfordwest reference library with ink-stamps to pastedown and first title verso, contemporary panelled calf, covers with central blind-tooled lozenge, rebacked, lower cover corner repaired, covers worn at extremities with loss, later endpapers, [STC 10957], small folio, Richard Tottel, 1577.  *** An important work of its time (first published between 1514 and 1517), it was "an enormous enterprise for its day, a massive digest of 13,845 cases from the year-books arranged under alphabetical headings" (ODNB).

Chaucer (Geoffrey) The Workes, double column, black letter, title within woodcut architectural border, engraved portrait (fore-margin extended and lightly stained), divisional title with woodcut coat-of-arms, woodcut head- & tail-pieces and initials, final errata f. (few marginal repairs and very small rust-hole not affecting text), U4 tear into text repaired with very small loss to few letters, D5, 3K3 & 2Q3 small hole affecting few letters, 3K4 & 3S2 short tear into text without loss, few other small marginal chips or tears, occasional marginal water-staining, contemporary calf, rebacked, lower cover worn in places and repaired, endpapers renewed, [Pforzheimer 178; STC 5080], folio, Adam Islip, 1602. *** The second Speight edition. With Lydgate's The Storie of Thebes; also with much erroneously attributed to Chaucer.

Fabyan (Robert) [The Chronicle of Fabyan...nowe newely printed], 2 parts in 1, double column, black letter, title to part 2 within woodcut architectural border, title to part 1 present but curiously consisting of border only without text, decorative woodcut initials, lacking 3A6, ?first 6 ff., final f. and possibly a few others others supplied from another copy, various repairs to preliminary ff., occasionally affecting text but with loss to only few letters, D4 tear into text repaired without loss, *5 repair with loss to catchword, occasional other marginal repairs, one or two small wormholes within text from Sig. B-K and again to final few ff., Sig. 3S with margins repaired, some early ink underlining and occasional annotation, some light browning and staining, later blind-tooled calf over wooden boards, little rubbed and scuffed, [STC 10662], folio, [R. Grafton for William Bonham or Iohn Reynes], [1542].