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TWO SILVER-MOUNTED CIGAR AND CIGARETTE BOXES MADE FROM WOOD RECOVERED FROM THE S.S. FUKUI MARU (EX-ABERGELDIE, 1882), AFTER SHE WAS SUNK AS A BLOCKSHIP AT PORT ARTHUR DURING THE RUSSO-JAPANESE WAR OF 1904the lids with inset dual-language inscriptions in English and Japanese reading Made of wood belonging to the S.S. / "Fukui Maru", sunk to block the entrance / of Port Arthur on the 27th March 1904 by / the hero Hirose who was killed after / having achieved his gallant deed, silver edging with decorative shaped corners and push-button catch, the largest -- 4½ x 8½ x 5¾in. (11.5 x 21.5 x 14.5cm.); together with another, similar, made of wood from H.M.S. Victor Emmanuel of Hong Kong 1874-1898(3)Lt. Cmdr. Hirose Takeo (1868-1904) was a Japanese naval officer who is best known for his heroic death during the opening stages of the Russo-Japanese War in 1904. On 27th March that year a Japanese naval force surprised the Russian Fleet at anchor in Port Arthur. Takeo, serving aboard the battleship Asahi volunteered to command the aging merchantman Fukui Maru and sink it as a blockship in the harbour entrance. In the event he was sunk by shore batteries before he could attain his objective. The Fukui Maru blew up and, although seriously wounded, Takeo refused to abandon his post and continued to direct his men to safety, dying before he could escape. He soon became a national hero being posthumously promoted to commander and deified as a ‘military god’.
A DETAILED 1:192 SCALE WATERLINE MODEL OF THE 'MILITARY'-CLASS TRAWLER H.M.S. GRENADIER, ORIGINALLY BUILT BY COOK, WELTON & GEMMELL, 1942by E. Dyke, the 12½in. carved hull with detailed wood and metal fittings and armament as appropriate, with dazzle camouflage and signal flags, contained to painted display base with Plexiglass cover -- 7¾ x 21¾ x 8in. (19.5 x 55.5 x 20.5cm.)Mainly deployed as a convoy escort, Grenadier's commander earned an oak leaf to his War medal when he saved the entire complement of thirty men of the merchantman Inger Toft which was torpedoed by U-722 on 15th March 1945. Ignoring his training, Acting Skipper Lt Arthur George Day RNR turned towards the stricken vessel instead of raising speed and dropping depth charges. Fine condition
Good collection of the Royal Antediluvian Order of Buffaloes regalia including a turned ringed wood and gilt decorated tipstaff with a crown finial, 2 other tipstaffs, Knights Chapter, Lodge, and Provincial Grand Lodge collars and cuffs, silver gilt jewel to Bro. Keith W. Short, Forest Lodge, 2002; gilt and enamel jewel to Sir Henry Arthur, Queen Mary Lodge, 17.2.39, 18 other gilt and enamel jewels, and The Order & Development of the Order of Buffaloes, by M. W. Payne, Vol. 1, 1953, Vol. 2, 1962, and Vol. 3 combined 1973, and Historical Review of the Order by W. H. Rose, 1927, in 3 cases. (a lot)
The highly emotive Great War M.C., D.F.C. group of five awarded to Captain L. M. Woodhouse, Royal Flying Corps, late Essex YeomanryHe had been forced to write to his father with the excruciating news that his younger brother 'Mole' had been killed attempting to come to his aid in an aerial combat in August 1917; the elder Woodhouse was then himself shot down and killed in action a year laterMilitary Cross, G.V.R., the reverse engraved ‘Awarded 3rd July 1917 1st Battle of Somme. Lieut. Lionel Mostyn Woodhouse, R.F.C., 52nd Squadron’; Distinguished Flying Cross, G.V.R., the reverse engraved ‘Awarded 17th Sept. 1918. Capt. Lionel Mostyn Woodhouse M.C., R.A.F.’; British War and Victory Medals (Capt. L. M. Woodhouse, R.A.F.); Great War Bronze Memorial Plaque (Lionel Mostyn Woodhouse); Great War Memorial Scroll in the name of ‘Capt. Lionel Mostyne Woodhouse, M.C., D.F.C. [red ink] 59th Sqdn. Royal Air Force [blue ink], good very fine (Lot)Provenance:Glendining's, March 1990.M.C. London Gazette 25 August 1917. The original citation states:'For good work. This Officer has done splendid work whilst observing for Artillery. He Observed for over 2,000 rounds during the month of May 1917, of which 121 were O.K.’s. Thirteen emplacements were destroyed, eighteen explosions and six fires were caused.'D.F.C. London Gazette 2 November 1918. The original citation states:'For skill and gallantry. On the 22nd August 1918, this Officer carried out a Special Contact Patrol from a height of from 200 feet to 400 feet. He was throughout subjected to very heavy fire from the ground and his machine was badly shot about. He showed great daring during a heavy counter attack on Logeast Wood and flying at a height of 100 feet he shot up the advancing troops and rendered great assistance in bringing this attack to a standstill and causing very high casualties. He then continued his patrol along the whole Corps front. Throughout the recent operations he has set a very good example of courage and devotion to duty to the whole Squadron.'Lionel Mostyn Woodhouse - or Lio to his friends and comrades - was born at Brooklands, Broomfield, Essex on 10 December 1896. Educated at St. Peter’s Court, Broadstairs and Eton College from 1909-14, he joined Eton O.T.C. as a Private. Whilst at Eton, Woodhouse was in R. S. de Havilland's House, playing in the Cricket XI in 1914.With the outbreak of the Great War, he was appointed 2nd Lieutenant in the 2/1st Essex Yeomanry 1 July 1915 and was seconded to the Royal Flying Corps in August 1916. He served in No. 52 Squadron from October 1916 with R.E.8’s then B.E.2e’s and then back to R.E.8’s on 15 June 1917, returned to Home Establishment on 15 August soon after his brother’s loss six days earlier.The loss of his brother was a hugely emotional event and one which was a huge blow to the entire family. Christopher Courtney wrote on 14 August 1917:'Dear Arthur,I feel I must write to you and give my most sincere and heartfelt sympathy in the loss of your boy. I was terribly shocked to hear of it, but it was some small consolation to know that he went out gallantly fighting.I wonder if your eldest son has told you that he was killed in an endeavour to protect his brother's machine from attack?He probably did not know it but there was an artillery machine being attacked and so he at once dived in order to chase off the enemy; unfortunately he was caught by several enemy scouts and shot down but he certainly succeeded in drawing them off the artillery machine in which, it afterwards turned out, was his brother.I think it was a most gallant death. I went to his funeral, a simple and straightforward one; he is buried under the shadow of the sand-dunes in a quiet and secluded spot.I feel very guilty in not having answered your letter; I am afraid I am a bad correspondent at the best of times; but I had had it in mind for some days to write and tell you that he was in a good squadron and getting on well; his Squadron Commander spoke most highly of him.'Promoted Captain on 16 September 1917, Woodhouse Instructed for a year then on 12 August 1918 he returned to No. 59 Squadron, taking command of ‘B’ Flight on R.E.8’s. On 29 August with his Observer they shot down an enemy Scout. On 1 September they were hit by A.A. but with the Observer, Lieutenant Peel holding his Lewis gun at arms length leaning over the side, managed to help steady the R.E.8 for Woodhouse to get safely back. Peel and Woodhouse’s luck ran out on 27 September 1918 when they were shot down and both lost their lives.Sold together with original letter from his brother 'Jack' on winning the D.F.C., his cloth RFC 'Wings', besides original photographs and a remarkable archive of copied letters, these of a highly emotive and unpublished nature.…
Pair: Captain A. T. Dominy, Northern Bengal Mounted RiflesIndian Volunteer Forces Officers’ Decoration, G.V.R. (Capt. A. T. Dominy. N.B. Mtd. Rfls.); Volunteer Force Long Service Medal (India & the Colonies), E.VII.R. (Captn: A. T. Dominy. N. Bl. Mtd. Rifles.), officially engraved naming, good very fine (2)Provenance:Buckland, Dix & Wood, December 1994.Arthur Tothill Dominy - or 'Chub' to his friends and comrades - was born in Lambeth in May 1871. He went to India circa 1890 to become a tea planter in the areas surrounding Darjeeling, first gaining work as an assistant with the Lebong Company, Badamtam Division (his father at that time with the Tukvar Division). He also joined the Indian Volunteers at this time and was noted as a Lieutenant by May 1906, being a Captain in 'A' Squadron by March 1907. He was awarded his Medal as per Indian Army Order 257 of May 1911 and his Decoration as per Indian Army Order of March 1917.He retired home with his wife and family in 1929 and settled in Westfield Road, Thames Ditton. Dominy died on 14 July 1952.…
JESSIE MARION KING (1875-1949) AND ELISE PRIOLEAU ‘HOW FOUR QUEENS FOUND SIR LANCELOT IN THE WOOD’, CIRCA 1910 coloured silks, framed 20.5cm x 41cm (frame size 48cm x 65.5cm) Provenance: Jessie Marion King and Ernest Archibald TaylorBy descent to their daughter Merle TaylorEstate of Merle Taylor Literature: The Studio, no. 213, December 1910, pp. 232-235, illustrated in colour p.233 White C. The Enchanted World of Jessie M King, Canongate 1989, p.33, pl.28 illustratedExhibited: Barclay Lennie Fine Art Limited, Glasgow, Jessie Marion King Exhibition 2nd-25th November 1989, no. 45 Dumfries and Galloway Museum Service Tolbooth Art Centre, Kirkcudbright, Jessie M King Anniversary Exhibition, June 4th - July 18th 1899, no. 20The Glasgow School of Art Jessie M King Anniversary Exhibition, 27 July-3 September 1999, no. 54Jessie M King’s ‘How Four Queens Found Sir Lancelot in the Wood’ employs striking design and skilful execution to illustrate a beguiling legend. Most intriguing of all however, is the artistic partnership behind its creation, a piece of the puzzle so often extinguished from the history of decorative art. The embroidery was executed around the time King and her husband E. A. Taylor were living in France. The couple moved to Paris in 1910 and founded the Shearing Atelier School of art. It can be argued that some of her finest works belong to this Paris period, including pieces considered influential to the creation of the Art Deco movement.This work marked the genesis of a collaboration between King and Paris based embroiderer Madame Elise Prioleau. Despite her French sounding name, Prioleau was descended from an ancient English family and married to a banker from South Carolina. Prior to King’s move to France, Prioleau had contacted the artist via letter. A feeling was present amongst artistic circles that contemporary embroidery lacked imaginative input and was instead producing ‘insipid and meaningless’ works, a fault of the designers rather than the embroiderers. This was a sentiment with which Prioleau agreed, hence why, on seeing King’s inspired illustrations in the Studio magazine, she suggested collaboration. The subject of the embroidery is taken from the 15th century prose work Le Morte d’Arthur by Thomas Mallory, an interpretation of the legends of King Arthur and the Knights of the Round Table. Chapter three, Book VI, Volume I describes how four fantastical queens discover Sir Lancelot resting beneath an apple tree. Having placed an enchantment, they take him to a castle where he must choose between picking a queen as his ‘paramour’ or death. Prioleau was sent a small watercolour of the design, and having traced it onto canvas, she then painstakingly worked the piece in silk threads. She was a master of her art, praised by Colin White for her use of satin stitch ‘cleverly angled across the picture like brushstrokes’, the effect being a ‘three-dimensional appearance’. Despite White’s comparison of threads with paint, E.A. Taylor in a Studio magazine article of December 1910 considers ‘How Four Queens Found Sir Lancelot in the Wood’ to be refreshingly original precisely because to him, Prioleau seems ‘at pains to avoid imitating…the pictorial painter’. The association between King and Prioleau was not limited to this piece, the duo producing works including ‘Richard Coeur de Lion’, also illustrated in the Studio. This was a fruitful and widely admired artistic partnership. ‘How Four Queens Found Sir Lancelot’ enjoyed exposure in the foremost artistic forums of the day. A full-page colour image was first reproduced in the December 1910 volume of the Studio magazine with an accompanying article discussing the state of embroidery in Paris, as well as the design featuring in ‘The Studio Year Book of Decorative Art’ the same year. Then, in 1912 the work was displayed at the Musée Galleria exhibition of embroidery, a show reported upon in the September edition of the Studio magazine. In both instances, the partnership between King and Prioleau is described in glowing terms. Whilst E. A. Taylor, King’s husband, is the author of both articles and therefore not an unbiased reporter, the publicity the embroidery received and consequently the high regard with which it must have been viewed is undeniable.
A Wedgwood Jasperware biscuit barrel, with a plated mount, lid and handle, the base with relief decoration in blue decorated with figures and swags against a pale yellow ground, 14cm high, together with a Langley pottery bowl, cream glaze, decorated with flowers, 26cm diameter, and an Arthur Wood treacle glaze jug, relief decorated with a stag and dogs, 24cm high.
Art Deco Vases, Wall Pockets by Radford, Myott etc, plus other ceramics including coronation cups, Stelio dish etc:- One Box.Crown Devon pot with crazing, commemorative cups with crazing, one with chips to rim wool pockets with crazing to inside and chips to paint launch studio bowl with some chips to edge and marks to inside. Arthur Wood jug with chip repair to rim other jugs with light crazing no chips.
Golden Cockerel Press.- Jones (Gwyn) The Green Island, one of 100 specially-bound copies, from an edition limited to 500, wood-engraved frontispiece and illustrations by John Petts, frontispiece very slightly offset and with couple light marks, very light spotting to endpapers, original pictorial two-tone green & grey morocco, gilt, t.e.g., others uncut, spine slightly faded, couple small marks, some light spotting, Golden Cockerel Press, 1946 § Grimm (Jakob Ludwig & Wilhelm Carl) Grimms' Other Tales, translated by Michaelis-Jena and Arthur Ratcliff, one of 75 specially-bound copies signed by the artist, from an edition limited to 500, wood-engraved frontispiece and illustrations by Gwenda Morgan, few faint spots, very light browning to margins at beginning and end, original pictorial purple morocco, gilt, t.e.g., spine faded, some spotting and light discolouration, mainly to upper cover, Golden Cockerel Press, 1956 § Griffiths (Bill) The Land Ceremonies Charm, one of 185 copies signed by the author and illustrator, colour illustrations by Mary Parry, original boards, printed paper labels to spine and upper cover, lower cover slightly rubbed, Tern Press, 1985; and others from various presses, v.s. (c.35)
A COLLECTION OF SILVER ITEMS To include: a George III swing handled pedestal sugar basket, maker's mark I.M, London 1775, with a swing loop handle, beaded border, the body chased with a swag band and pierced decoration, on a circular domed foot, 14cm high, with a blue glass liner; a pair of oval salts by Stokes & Ireland Ltd. (William Henry Stokes & Arthur George Ireland), London 1913, with pierced bodies and on four ball feet, 7cm long, with two blue glass liners; a pair of pepperettes by E. S. Barnsley & Co.(Edward Souter Barnsley), Birmingham 1914, with pierced domed covers. chased with ribbon and bow bands, 6cm high, with two blue glass liners; a pair of electro-plated wine coasters, with reeded borders, pierced bands and turned wood bases, 13cm diameter; and other silver cruet items 304g (9.75 oz) gross weighable Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
Folio Society.A collection of works published by The Folio Society, including Brontë (Charlotte, Emily and Anne), The Complete Novels with wood engravings, 1991, seven volumes, moiré silk bindings, slipcase; The Fairy Tales of the Brothers Grimm, 1996, illustrations by Arthur Rackham, original boards, slipcase; Kipling (Rudyard), Short Stories, five volumes, slipcase, in original shrinkwrap; with others, including literature, history, food, etc., all but four in slipcases, several in original shrinkwrap.(138)None of the books have been collated.
Illustrated Works.A Collection of Illustrated and Other Works, including Davies (W. H.), Moss and Feather, London: Faber & Gwyer, 1928, large-paper edition, number 465 of 500 copies, signed by the author, drawings by William Nicholson, original paper-covered thin boards; Postan (Alexander), The Complete Graphic Work of Paul Nash, London: Secker & Warburg, 1973, special edition, number one of thirty-five copies for sale, signed by Postan, four unpublished woodcut prints mounted on card leaves, each numbered (1/35), original leather-backed boards, slipcase; Esslemont (David, publisher), The Printer's Flowers, Montgomery: David Esslemont, 1999, number 54 of 75 copies signed by the publisher, wood engravings and linocuts, original decorative boards; Tennyson (Alfred Lord and Edmund J. Sullivan, illustrator), Maud, London: Macmillan and Co., 1922, one of 520 copies signed by the artist, colour plates, black and white full-page illustrations, black and white head-pieces, original cloth-backed boards; Rackham (Arthur, illustrator), The Rhinegold & The Valkyrie by Richard Wagner, London Heinemann, New York: Doubleday, Page & Co., 1910, second impression, colour plates as called for with captioned tissue guards, original pictorial cloth gilt; together with a quantity of others, including Kate Greenaway Wedgwood design cards and a Jessie M. King designed book cover.(Qty)
Savage (Toni). New Broom Private Press Publications, 1975-91, including Blackboard of Misfortune, by John Foreman, illustrated by Kathie Layfield, New Broom Press, Leicester, 1975, limited signed edition 94/125, The Setting Sun, by John Clare, illustrations by Rigby Graham, 1976, limited edition, one of 125 copies, From the Wood, engravings by Duine Campbell, 1978, limited edition, one of 60 copies, To Napoleon, by John Clare, 1978, limited edition, one of 80 copies, Sketches of Venice, Poems by Toni Savage, illustrations by Kathie Layfield, 1980, limited edition 97/100, Lap Larch, Poems by Rex Brisland, illustrations by Rigby Graham, 1982, limited edition 34/100, Warbling, by Steve Cartwright, drawings by Rod Felton, 1982, limited edition 69/100, The Day I Swam the Hellespont, by Arthur Caddick, 1983, limited edition 65/100 The Wild Thing Went From Side to Side, by Chris Challis, illustratioons by Rigby Graham, 1984, limited edition 47/130, The Bacchic Bicycle, by Arthur Caddick, illustrations by Rigby Graham, 1986, limited edition 48/130, Rhythms, Poems by Sue Mackrell illustrations by Robert Tilling R. I., 1991, limited edition 20/90, plus many duplicate booklets, others include The Chinese Opera, by Kim Butcher, Cherub Press, 1983, limited edition 19/20 from a total edition of 100, Chinese Papercuts, by David Butcher, Cherub Press, 1985, limited edition 15/28 from a total edition of 148, many publications, small broadsheets (Phoenix Broadsheets), booklets and pamphlets illustrated by Rigby Graham, Kathie Layfield, Pauline Clarke, et al QTY: (approximately 200)
Three: Guardsman A. Morris, 1st Battalion, Grenadier Guards, who was killed in action during the First Battle of Ypres, 29 October 1914 1914 Star, with clasp (12666 Pte A. Morris. 1/G. Gds:); British War and Victory Medals (12666 Pte. A. Morris. G. Gds.) very fine (3) £100-£140 --- Arthur Morris was born in Pixham Ferry, Worcestershire, and was the husband of May Morris, of West Raynham, Fakenham, Norfolk. He served during the Great War with the 1st Battalion, Grenadier Guards on the Western Front from 6 October 1914. Guardsman Morris was killed in action on the Western Front, 29 October 1914. On the latter date the Battalion were engaged during the First Battle of Ypres: ‘Moved forward to hold line on Menin Road (Kruiseecke crossroads) (28th). Came under heavy fire from British artillery falling short during early morning (29th). Enemy attacked later and pushed Battalion back to support line. Major Stucley, Captains Lord Wellesley and Rennie killed, Major Weld-Forester and Lieutenant Douglas-Pennant mortally wounded. Lieutenant-Colonel Earle was severely wounded and subsequently taken prisoner. The Medical Officer, Lieutenant Butt was shot through the head while attending to his wounds. Later feel back to wood then counter-attacked. Some ground gained near the brickworks, then took up line in ditch on south side of Menin road. Relieved then during night marched to billets at Hooge. Roll called - 4 officers, 100 men [just 12 days earlier the Battalion had gone into action over 1,000 strong].’ (British Battalions in France & Belgium 1914, by R. Westlake refers) Guardsman Morris is commemorated on the Ypres (Menin Gate) Memorial, Belgium.
Yorkshire. Hunter (Joseph), Hallamshire. The History and Topography of the Parish of Sheffield [...], first edition, large paper copy, London: Printed for the Author, by Richard and Arthur Taylor, Published by Lackington, Hughes, Harding, Mavor, and Jones, 1819, double-column, frontispiece and plates, those and the prelims with some foxing, original publisher's papered boards, rebacked, uncut, folio (39 x 27cm); and five works of bibliography and paleography, comprising Sellars (Frank), Old Books: First steps towards caring about and collecting early printed books, sole edition, Rotherham, 1977, [1], 77, [3]ff, contemporary cloth over boards, folio (33.5 x 22.5cm); [Bedford Hours], Thames and Hudson, 1953, original papered boards, faux wood case en suite, 8vo; Bibliotheca Corviniana: The Library of King Matthias Corvinus of Hungary, first English edition, Shannon: Irish University Press, 1969, colour plates, pictorial dustjacket over cloth boards, 4to; etc., (6)
Assorted volumes to include poetry, art, reprint society, mid-century novels - Rackham, Arthur (ills) "The Tempest", London, William Heinemann 1926, pictorial cloth, part of the original d-w but a quarter of the backstrip including titles and most of the author is missing, Riall, Richard "A New Bibliography of Arthur Rackham", Bath Ross Press, Mulberry House 1994, signed on the ffep by the author, blue pictorial cloth, Russell-Flint, W (ills) "The Canterbury Tales", 1928, colour plates, Russell, John "Baroque", Milne, A A "14 Songs from When We Were Very Young", illustrations by E H Shepherd, boards, Eade, H S "Savage Messiah", Heinemann, Kitchin, C H B "Ten Pollitt Place", Secker & Warburg 1957, d-w chipped, Hemingway, Ernest "The Torrents of Spring", 2nd impression 1933, Jonathan Cape, King, Francis "The Dark Glasses", Longmans Green & Co 1954, d-w chipped, Bowen, John "The Centre of the Green", Faber & Faber 1959, d-w chipped, Elliot, T S "Murder in the Cathedral", Faber & Faber, with d-w, Frost, Robert "A Witness Tree", d-w, backstrip missing, Hunt "The Ascent of Everest", Hodder & Stoughton, Campbell, Roy "Broken Record", London Boris Wood 1934, printed in Great Britain at the Alcuin Press, Camden, d-w not price clipped and other volumes (3 boxes)
THREE PHOTOGRAPH ALBUMS CONTAINING SIGNED PHOTOGRAPHS OF CELEBRITIES AND POLITICIANSSee below for signature names. We are unable to guarantee the authenticity of all signatures and advise viewing in personRed Celebrity Album: Raquel Welch, Michael Cane, Richard Burton,. Elizabeth Taylor, Roger Moore, Client Eastwood, Isla Blair, Deryck Guyter, Jeremy Beadle, Brigit Forsyth, Robert Gillespie, Christopher Benjamin, Tommy Cannon, Bobby Ball, Kenny Everett, Brian Glover, Peter Egan, Arthur English, Tony Britton, Penelope Keith , Jim Davidson, Michael Bentine, Leonard Rossiter, Leonard Parkin, Martyn Lewis, Cilla Black, Matthew Parris, Bernie Winters, Janette Brown, Bob Holness, Jim Browen, The Cast of Rainbow, Sarah Green, Roy CAstle, Rod Hull, John Pertwee, David Attenborough, Arthur Negis, Barbara Cartland, Cyrill Fletcher, Paul Daniels, Tom O'Connor, Ted Rodgers, Gordan Burns, Glynis Barber, Nigel Havers, Peter Davison, Giles Branderth, Gina Anderson, Nigel Davenport, James Cossins, Hannah Gordan, Donald Churchill, Michael Denison, Glynn Edwards, Michael Elphick, Lionel Blair, Richard Attenborough, George Cole, Dennis Mortimer, Timothy Spaal, Timothy Healy, David Jason, Victoria Wood, Keith Barron, June Whitfield. Blue Album: Morcombe & Wise, Ronnie Corbett, Ronnie Barker, Frankie Howard, Steve Davies, Mel Smith Griff Rhys Jones, Pamela Stephenson, Marti Caine, Max Boyce, Rowen Atkinson, Reece Dinsdale, John Thaw, Irene Handl, Patricia Hayes, Melvin Hayes, Bernard Cribins, James Bolan, Dickie Davies, Alistair Burnet, Henrey Cooper, Jack Charton, Eric Bristow, Terrance Griffiths, Kenneth Kendall, Harry Carpenter, Bruce Forsyth, Melvin Bragg, Des Lynam, Gordon Honeycommbe, Pamela Armstrong, Pat Coombs, Jimmy Cricket, Russel Harty, Frank Bough, Harry Secombe, HArold Goodwin, Lenny Henry, Nigel Hawthorne, Benny Hill, Carole Drinkwater, Michael Hordern, Brian Johnston, Jimmy Greaves, Ian St John, Carole BArns, David BEllamy, Sandy Gall, Peter Sissons, Celina Scott, Angela Rippon, Esther Rantzen, Richard Baker, Rolph HArris, Noel Edmunds, Michael Aspel, Terry Wogan, Michael Parkinson, Eamonn Andrews, Lorraine Chase, John Unman, Tim Brooke-Taylor, Russ Abbott, Windsor Davies, Peter Bowers, John Cleese, Mike Yardwood, Christopher Biggins, William Franklin, Val Doonican, Patrick Moore, Brown Album: Harold McMillian, Alec Douglas, Edward Heath, Harold Wilson, James Callaghan, Margaret Thatcher, Denis Healy, Michael Foot, J.Enoch Powell, Geoffrey Howell, George Brown, Peter Alexander Carrington, Cyril Smith, David Steel, Shirley Williams, Tony Benn, Sally Oppenheim, Norman St John- Stevas, Winston S Churchill, Pope John Jonas Paulas II, George Thomas 1st Viscount Tonypandy, Barbara Castle, Lord Denning, Mrs Indira Ghandi (Indian prime minister), Douglas Hurd, Also others indistinctly signed
Nine period Fishing Books to include Fly Fishing 1939 Viscount Grey of Fallodon, Rod and Line 1947 Arthur Ransome, Border River Angling 1959 W.H Lawrie, Trout and Salmon Fishing 1950 John E Hutton, Salar the Salmon 1961 Henry Williamson, My way with Salmon 1957 Ian Wood, River Keeper 1947 John Waller Hills, Trout Fishing from all Angles 1950 Eric Taverner, Wye Salmon and Other Fish 1949 J Arthur Hutton. Mixed condition with some missing/worn dust jackets, marks
Orrell "Osprey" split cane trout fly rod, 8ft 2pc, line 5/6#, alloy uplocking reel seat with wood insert, built Sept 1980, red agate butt ring, cloth bag, very light use. Unnamed split cane trout fly rod, 7ft 3" 2pc, brass sliding reel fittings, red agate butt/tip rings. Arthur Allen Glasgow split cane trout fly rod, 9ft 6" 3pc with spare tip, brass sliding reel fittings, agate butt/tip rings, cloth bag. Looks tidy. (3)
MILITARY: Selection of signed commemorative covers, autograph envelope (1), A.L.S. (1), signed clipped piece (1) by various British Field Marshals and other military leaders, some Air Marshals and other pilots etc., including Evelyn Wood VC (A.L.S.), Garnet Wolseley, Bernard Law Montgomery (autograph envelope addressed to the autograph collector Stephen W. Bumball and signed by Montgomery with his initials M of A to the lower left corner), Frederick Rosier, Neville Duke, Johnnie Johnson, Arthur T. Harris, Alex Henshaw, Harold Bird-Wilson etc. G to generally VG, 8
* Lucas (Arthur, 1845-1922). Land’s End, Cornwall, 1894, oil on wood panel, inscribed by the artist to verso ‘Land’s End t Lucas 1894’, 22.5 x 14 cm (8 3/4 x 5 1/2 ins), period gilt frame, glazed, together with Henry (James Levin, 1855-1929). Summer Landscape with Cattle Grazing, 1892, oil on canvas, signed and dated lower left, relined, 31 x 41.5 cm (12 x 16 1/4 ins), framed, with old handwritten label to verso (indistinct)QTY: (2)
* Heriot (George, 1766-1844). The Waterfall of Scaleforce near Crummoch Lake, Cumberland, 1819, watercolour on paper, 173 x 265 mm, antique-style gilt wood frame, glazed, with printed label for Ruskin Gallery,11 Chapel Street, Stratford-on-Avon to verso (stating that the work is inscribed and dated verso 1818), original manuscript title in brown ink (presumably by the artist) pasted to verso of frame, together withGlennie (Arthur, R.W.S., 1803-1890). Cutting Marble in a Quarry, watercolour on paper, sheet size 17.4 x 26.1 cm (6 7/8 x 10 1/4 ins), gilt frame, glazed, (37.5 x 45 cm) with Abbott & Holder label to versoQTY: (2)NOTE:Geroge Heriot produced picturesque watercolour views of both in England, on the Continent, and also in Canada, where he took up the office of deputy postmaster general at Quebec in 1799. As an officer cadet at the Royal Military Academy, Woolwich, he was instructed by the foremost topographical artist of the time Paul Sandby. He is the author of Travels through the Canadas (1807), and A Picturesque Tour made in the years 1817 and 1820 through the Pyrenean Mountains.
St Bartholomew’s Hospital, Ceremonial Staff,English, late 18th/early 19th century, single piece of tapered wood finished in green lacquer, with gilt & polychrome design to the top of the St Bartholomew's Hospital Shield above lettering 'ST. B.H' ( St Bartholomew's Hospital), length 183cm.Footnote: St Bartholomew’s Hospital, commonly known as Barts, is the oldest hospital in Britain to still occupy its original site. It was founded in 1123 by Rahere, a courtier of King Henry I, who experienced a religious vision while on pilgrimage to Rome. On his return, Rahere established the Priory of St Bartholomew alongside the hospital, intending it to care for the sick and poor of London. For centuries, it provided care under the management of the Augustinian monks.Following the dissolution of the monasteries in the 16th century, St Bartholomew’s faced closure, but it was refounded in 1546 by King Henry VIII, who granted it a royal charter and ensured its survival. During the following centuries, the hospital expanded and became a center of medical innovation, establishing its medical school in 1843. Today, it remains an internationally renowned institution specializing in cardiac and cancer care.History of the St Bartholomew's Hospital Shield - The St Bartholomew’s Hospital Shield has been a prominent emblem of the institution for over 500 years. Its design originates from the coat of arms associated with John Wakering, who served as the Master of the Hospital between 1423 and 1462. Although the College of Arms never officially granted this coat of arms to Wakering or the hospital, it became strongly linked to the institution during his tenure and continued to represent it after his death.The shield's earliest documented use as the hospital’s emblem appears in a 16th-century roll at the College of Arms. Its long-standing association with St Bartholomew’s and continuous use since the early 15th century likely solidified its legitimacy as the hospital’s symbol.The St Bartholomew’s Hospital Shield can also be found in The Book of Public Arms by Arthur Charles Fox-Davies, published in 1915, where it is noted as part of the hospital’s storied heritage.BUYER BEWARE: WE CANNOT SHIP THIS LOT, PLEASE ARRANGE COLLECTION OR OWN COURIER*We Recommend Pack & Send Oxford*
The Queen’s South Africa Medal awarded to Private A. Simpson, King’s Royal Rifle Corps, later Lancashire Fusiliers, who was awarded the D.C.M. for his conspicuous gallantry near Gheluwe on 1 October 1918, when he went out alone over ground swept by machine gun fire to discover the exact position of a German machine gun ’pill-box’ post which was firing at his platoon: crawling round to its flank, he shot both sentries and on his return, stalked and shot an enemy sniper who had been ‘annoying his platoon’ Queen’s South Africa 1899-1902, 4 clasps, Defence of Ladysmith, Orange Free State, Transvaal, Laing’s Nek (634 Pte. A. Simpson, K.R.R.C.) edge bruising and contact marks, nearly very fine £200-£240 --- Provenance: Buckland Dix & Wood, May 1992 (when sold alongside the recipient’s other campaign medals and an unnamed DCM) D.C.M. London Gazette 12 March 1919 (citation published 2 December 1919):
‘On 1st October, 1918, near Gheluwe, he went out alone to reconnoitre the position of an enemy Machine Gun which was firing at his platoon. He worked forward over ground traversed by machine-gun fire, shot two sentries, thoroughly reconnoitred the enemy position, and on his way back shot a sniper who had been harassing his platoon. He showed great courage and initiative, and rendered excellent service.’ Arthur Simpson attested for the King’s Royal Rifle Corps, and served with the 2nd Battalion in South Africa during the Second Boer War, being attached to the Mounted Infantry Company. Whilst in South Africa, he transferred to the 4th Battalion King’s Royal Rifle Corps, and subsequently served, alongside 103 other men from the K.R.R.C., with the British Mounted Infantry as part of the Somaliland Field Force during the 1902-04 campaign against the ‘Mad Mullah’, where he was present at the engagement at Jidballi on 10 January 1904. Discharged to the Army Reserve, Simpson returned to his native Rochdale, but on the outbreak of war, he re-enlisted for service with the 1/6th Territorial (Rochdale) Battalion, Lancashire Fusiliers, with whom he sailed for Alexandria aboard the SS Saturnia on 9 December 1914. The battalion formed part of the Lancashire Fusilier Brigade, 42nd East Lancashire Division, and remained in Cairo until early May 1915 from where it sailed for Gallipoli, landing on 5 August 1915. Transferring to the 1st Battalion Lancashire Fusiliers, Simpson served in ‘A’ Company under the command of Captain C. Wedgwood, and was present at Gheluwe on 1 October 1918, when his company distinguished itself in penetrating strongly held enemy positions that were holding up the advance. The Regimental History provides the following description of the events leading up to the award of Simpson’s D.C.M.: ‘On the other flank, ‘A’ Company, passing through ‘B’ at dawn, succeeded in fighting its way forward about four hundred yards, with its flank just beyond the Gheluwe-Dadizeele road. Wedgwood was conspicuous for his skill, driving the enemy out of three strongholds and inflicting many casualties without any loss to his company, which in fact suffered only sixteen casualties throughout the four days of fighting. In his company was Private A. Simpson, who during this day’s operations went out alone to discover the exact position of a German machine gun which was firing at his platoon. He found the offending ‘pill-box’, crawled round to its flank, shot its two sentries, thoroughly reconnoitred the position and on his way back shot a sniper who had also been annoying his platoon’. Note: Simpson’s other campaign medals, comprising a King’s South Africa Medals with both date clasps; an Africa General Service Medal with clasps for Somaliland 1902-04 and Jidballi; and a 1914-15 Star trio; together with his Territorial Efficiency Medal, were sold in these rooms in December 2018.

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