We found 502 price guide item(s) matching your search

THE PHANTOM OF THE OPERAOriginal Production Script for The Phantom of the Opera with the Technical Production Manager’s Annotations. The Technical Production Manager Jake Bell’s annotated script for the first Broadway production of The Phantom of the Opera, the title page headed in ink "Jake's script" and in type "New York Production," under the credits on the title the addresses of the London based "Really Useful Group" and New York based "Cameron Mackintosh Productions" are printed. Within, the printed pages of the script are annotated in pencil and typed notes in the margins, most sheets are backed or interleaved with either music of Jake Bell's print outs of computerized cues for rollers, auto-fly, traps, etc. The script is about 120 leaves, many being backed by other printed and marked up sheets. Housed in a black three-hole binder with related production instruction in the front folder titled "Stage Right Preset" and "Deck Cues," an opening night Playbill dated 26 January 1988, and a stage-used Phantom dummy finger. The title page somewhat spotted, other stray stains, wear from use, light spotting and soiling.The present script is a remarkable artifact of one of the most technically challenging and crowd pleasing musicals in Broadway history. As described in his notes below, Technical Production Manager Jake Bell was instrumental in raising - and crashing down - the famous Phantom chandelier at the Majestic Theatre on Broadway and on numerous tours. Jake's annotations and the additional inserted material here not only provides the script but also the technical cues for the monkey music box ("Warn Monkey," "Monkey Go") and the pyrotechnics for when the chandelier is first raised. As noted below, as one of the first shows to incorporate a computer system, the instructions captured in this script for that early system is quite interesting. A very important original production script wth annotations for one of Broadway's best-loved and longest running musicals. Technical Production Manager Jake Bell's Notes on The Phantom of the Opera:This script comes from the archives of Jake Bell, Technical Production Manager for The Phantom of the Opera from its first year on Broadway to its closing in April 2023 as the longest running musical in Broadway history at 13,981 performances. Jake Bell had been with Phantom from the beginning, having been first hired by British Producer Cameron Mackintosh for the Broadway production in 1988 and continuing through decades of national and international tours. The show’s technical requirements were so advanced that many theaters had to undergo extensive renovations to accommodate it. An excavator was brought in to dig the basement 10 feet deeper, allowing the candles and candelabras—212 in total—to rise seamlessly from the stage floor. The expanded basement also provided space for a trap door, a retractable staircase, and the rising Paris Opera House roof dome. Further, steel support structures were installed to hold the massive proscenium and chandelier both of which hung over the audience. Suspended above the audience, the chandelier dramatically crashed onto the stage in one of the show’s most spectacular effects. The original Broadway chandelier remained in use throughout the show’s 35-year run. It was never replaced, thanks to meticulous maintenance—including rewiring, re-welding, replacing globes, repainting, and continuous cleaning. The chandelier was named “Ruthie II” after its London counterpart, “Ruthie I.” The name was in honor of Ruth Mitchell, Hal Prince’s formidable assistant, who was known for her strong personality and unmatched dedication.At the Majestic Theatre on 44th Street, Phantom was one of the first major productions to incorporate a fully computer-automated system. With 52 computer operated automated effects controlling both the deck scenery and fly system, manual operation would have been impossible due to the sheer volume of simultaneous cues. Computerization became essential.The show’s costumes were equally legendary. The beading, fabric selections, and intricate designs were breathtaking. The Masquerade Ball scene alone featured 50-60 costumes, with some discreetly placed on mannequins to enhance the grandeur. Christine’s wedding dress bustle weighed nearly 35 pounds. The U.S. National Tour required 1.5 full 48-foot tractor-trailers solely for transporting costumes. With its technical achievements, Phantom became a global phenomenon, captivating audiences across the world.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available. Request a condition report

THE PHANTOM OF THE OPERAThe silver mask worn in the final Broadway performance of The Phantom of the Opera. The silver mask designed for Emilie Kouatchou as Christine, and worn in the dramatic bridal scene by the Phantom's Christine double reflected in the mirror in the catacombs of the Paris Opera House. Some minor wear from stage use and slight crack mid-mask; Together with a similar white mask, previously worn in the Broadway production before the pandemic shutdown.An important artifact from the longest-running show in Broadway history, the silver mask worn by Emilie Kouatchou's Christine Bride double in the final Broadway performance of The Phantom of the Opera. The mask is important for being stage used in the final performance, but perhaps more critically, it is the first time the costume was changed upon the role of Christine being played by a Black woman. The silver mask was introduced on October 27, 2021, when the show reopened after being closed for over a year due to COVID. The mask was designed specifically for Emilie Kouatchou, the first black woman to perform the role, who performed as Christine until the show's epic final performance on April 16, 2023.Technical Production Manager Jake Bell's memories of The Phantom of the Opera:The silver mask present here was worn on stage in the final Broadway performance of Phantom on April 16th, 2023. The masks comes from the collection of Jake Bell, Technical Production Manager from the show's first year on Broadway to its closing in April 2023 as the longest running musical in Broadway history at 13,981 performances. Jake Bell had been with Phantom from the beginning, having been first hired by British Producer Cameron Mackintosh for the Broadway production in 1988 and continuing through decades of national and international tours. The show’s technical requirements were so advanced that many theaters had to undergo extensive renovations to accommodate it. An excavator was brought in to dig the basement 10 feet deeper, allowing the candles and candelabras—212 in total—to rise seamlessly from the stage floor. The expanded basement also provided space for a trap door, a retractable staircase, and the rising Paris Opera House roof dome. Further, steel support structures were installed to hold the massive proscenium and chandelier both of which hung over the audience. Suspended above the audience, the chandelier dramatically crashed onto the stage in one of the show’s most spectacular effects. The original Broadway chandelier remained in use throughout the show’s 35-year run. It was never replaced, thanks to meticulous maintenance, including rewiring, re-welding, replacing globes, repainting, and continuous cleaning. The chandelier was named “Ruthie II” after its London counterpart, “Ruthie I.” The name was in honor of Ruth Mitchell, Hal Prince’s formidable assistant, who was known for her strong personality and unmatched dedication.At the Majestic Theatre on 44th Street, Phantom was one of the first major productions to incorporate a fully computer-automated system. With 52 computer-operated automated effects controlling both the deck scenery and fly system, manual operation would have been impossible due to the sheer volume of simultaneous cues. Computerization became essential.The show’s costumes were equally legendary. The beading, fabric selections, and intricate designs were breathtaking. The Masquerade Ball scene alone featured 50-60 costumes, with some discreetly placed on mannequins to enhance the grandeur. Christine’s wedding dress bustle weighed nearly 35 pounds. The U.S. National Tour required 1.5 full 48-foot tractor-trailers solely for transporting costumes. With its technical achievements, Phantom became a global phenomenon, captivating audiences across the world.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available. Request a condition report

A rare archaeological fragment from the Middle Jomon Period of Japan, dated approximately 5,000 years ago (ca. 3000 BCE). This ancient pottery shard represents a piece of a hand-formed earthenware vessel from one of Japan's earliest settled cultures. The surface exhibits darkened, oxidized clay typical of Jomon ceramics, with traces of early cord-marked or paddle-textured impressions. According to the included handwritten note, this shard was excavated at Setagaya in Tokyo on September 14, 1968 by H. Semba, and comes with both original English and Japanese documentation detailing the site's cultural context. Housed in a custom wooden display box, this piece is an authentic relic of Japan's Neolithic heritage and a striking artifact for collectors of early ceramics, Japanese antiquities, or world archaeology. Fragmentary as excavated, with visible fissures and wear consistent with burial and age. Stable for display. This item is stored in a wooden box.Dimensions: 4"L x 3"W x 1.5"HProvenance: Excavated at Setagaya, Tokyo, Japan in 1968. Includes typed and handwritten provenance documentation. Condition: Age related wear.

This collection of BETA cards includes some heavy hitting cards, Dark Ritual (GD), Giant Growth (EX), Clone (EX), Copper Tablet (EX), Terror (GD) Sacrifice (LP), Red Elemental Blast (EX), Llanowar Elves (LP), Animate Artifact (EX) and fireball (EX) alongside two of each basic land and other commons and uncommons. This is a great collection that's been stored in excellent shape for the last 20 years!

This transmute artifact ahs been graded and authenticated by CGC and awarded a mint 9! 

Power Artifact from Antiquities (1994), the card is in beautiful near mint condition. Please feel free to request any addition scans or get in contact if you have any questions.

This Transmute Artifact suffers from very minor folding from the affects of the ring from a ring binder. While the affects can be felt on the card that is the only major imperfection. This is a really nice binder copy or the ideal copy to play with. 

A SET OF THREE GLASS CONTAINERS | EUROPE (EUROPE / EUROPEAN) | height 10 cm x 18 cm | provenance: from the estate of the painter Viktor Stretti (1878 - 1957) | Lot description | Convolute including three glass objects from different historical periods and regions.The first piece is a green Baccarat vase, originating from France. This blown glass vase with the typical bubble effect and flared neck is a product of the Baccarat glass factory.The second artifact is a blue biedermeier jug ​​vessel, made of opal glass.The third element of the set is a pink vase with a wavy edge, decorated with a delicate mother-of-pearl effect. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded. |

RICHARD FREMUND'S EASEL | BOHEMIA (CZECH / BOHEMIAN) | height 170 cm, width 98 cm, depth 90 cm | Lot description | Wooden painting easel, used by the famous Czech painter Richard Fremund (1928-1969). The stand bears traces of paint and signs of long-term use.Richard Fremund was one of the leading representatives of post-war Czech painting, his work is characterized by expressive handwriting and rich colors. This painting easel is not only a historical artifact, but also a valuable document of the artistic work of one of the most important Czech artists of the 20th century. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded. |

MADONNA AND CHILD | CENTRAL EUROPE (CENTRAL EUROPE / CENTRAL EUROPEAN 19TH CENTURY) | 19th century | height 39 cm | provenance: JUDr. Matouš Mandl (1865-1948), Czech lawyer and politician, mayor of Pilsen, art collector | Lot description | The wooden polychrome statue of Madonna and Child dates from the 19th century and bears the characteristic features of folk carving. The figure of the Virgin Mary is depicted in traditional iconography with a crown on her head, wearing a long cloak with a prominent gilded border. In her left hand she holds a baby Jesus, also with a crown, whose proportions and stylization refer to the period's aesthetic conventions of folk art.Polychromy combines dark blue and red tones with gilding, which emphasizes important details of clothing and crowns. In some places, wear of the color layer is visible, corresponding to the age of the artifact. The sculpture probably served as a domestic religious object or part of a rural altar.The overall composition, proportions of the figures and decorative elements indicate the influence of the Baroque tradition transformed into a rustic style, typical of 19th century sacred sculpture in Central Europe. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded. |

Striking framed front page from The Age newspaper, dated Wednesday, December 10, 1980, announcing the murder of John Lennon. This iconic edition features bold black lettering with the word "LENNON" over a somber portrait of Lennon, and the word “MURDER” beneath in large type. Printed by David Syme & Co. Limited, 250 Spencer Street, Melbourne, the page captures a historic moment in music and cultural history. Nicely preserved and professionally framed, this piece serves as both a powerful memorial and a collectible artifact of journalism and Beatlemania. Toning consistent with age, a small red mark lower left, minor edge wear under glass; overall very good vintage condition.Dimensions: 18"L x 24"HIssued: 1980Condition: Age related wear.

Group of 23 volumes of Chinese language journals detailing bronze and artifact excavations.Provenance: From the Distinguished Personal Collection of Dr. Robert Jacobsen.(Shipping dimensions) Height: 16 in x width: 15 in x depth: 21 in.Condition: Wear throughout as expected from age and use. Books not checked for notes, soiling, or losses. Books are sold as-is.

Vintage gas station price sign featuring a flip-number panel design marked UNLEADED in bold black lettering across the top. The metal display shows red numerals on hinged metal flaps, currently reading 1.43, indicative of an earlier fuel pricing era. The bottom margin includes faint printed text reading MOTOR WHILE FILLING TANK, and the sign is marked along the top MAY ADV. BOX 2062 FT. WORTH TEX. Reverse side shows a series of mounting bolts. A nostalgic artifact of American roadside service history.Dimensions: 15"L x 15"HIssued: 20th centuryCondition: Age related wear.

Original hand-painted and signed commemorative canvas banner for the U.S.S. PT-811, part of Motor Torpedo Boat Squadron 1 (MTB RON 1). This World War II era banner features a vivid central insignia of a cartoon character riding a torpedo, surrounded by hand-written signatures of crew members including ranks and assignments such as FA, TM3, and BM1 USN. The stenciled text reads U.S.S. PT-811 and MTB RON 1, with additional embellishments and personalized inscriptions. The canvas includes reinforced metal grommets around the edges and measures approx. 67 in. L. The reverse shows bleed-through of the painted emblem. A compelling piece of naval history and a rare artifact from a celebrated U.S. Navy PT boat.Dimensions: 6725"L x 23"HIssued: 20th centuryCondition: Age related wear. Water marks.

A finely presented framed display featuring a portrait of Rutherford B. Hayes, the 19th President of the United States, alongside his signature. The sepia-toned, hand-colored portrait depicts Hayes in profile, dressed in a formal suit with his characteristic full beard. Beneath the portrait is a matted cut signature reading Rutherford B. Hayes, with the title Commander in Chief printed below. The display is housed in an ornate gold-tone frame with maroon and green double matting, and preserved under glass. A significant historical artifact suitable for presidential memorabilia collectors or patriotic displays.Issued: Late 19th century (signature), custom framing likely late 20th centuryDimensions: Frame: 13.25"L x 15.25"HCondition: Age related wear.

Dimensions: Height 13,8 cm Wide 10,6 cm Depth 3 cmWeight: 464 grams This tsa tsa clay tablet depicts a seated Buddha in a meditative posture (dhyana mudra), adorned with remnants of gilt. The Buddha is framed by an arched niche with flanking stupas, a common architectural motif in Pagan period Buddhist art. The seated figure is positioned on a tiered pedestal, emphasizing stability and spiritual grounding. The tablet's teardrop shape, smooth yet slightly weathered surface, and evident cracks suggest both age and historical wear.The Buddha's serene expression and minimalist detailing align with Pagan period stylistic norms. The use of gilding highlights the significance of this piece, likely used for personal devotion or as a votive offering. During the Pagan period (11th–13th century), Burma (now Myanmar) witnessed an extraordinary flourish of Buddhist art and architecture. The Pagan Empire's devotion to Theravāda Buddhism led to the mass production of tsa tsa tablets, often inscribed with sacred texts or prayers. These clay tablets were typically enshrined in stupas or distributed as religious offerings to accumulate merit.The presence of gilding on this piece is notable, indicating it may have been part of a higher-status ritual object. While many tsa tsa are simpler in design, gilded examples are rarer and reflect more elaborate devotional practices. This tsa tsa exemplifies the devotional art of Pagan-era Burma, blending artistic refinement with spiritual intention. The preservation of gilding, despite its age, enhances its value as a rare and significant artifact. It may have been produced for pilgrims visiting the grand temples of Pagan, reflecting the empire’s deep commitment to Buddhist practice.

Dimensions: Height 20,5 cm Wide 10 cm Depth 5 cmWeight: 1283,9 grams A beautifully carved stone shrine featuring Guanyin, the Bodhisattva of Compassion, standing in the central position, exuding a serene and benevolent presence.Guanyin is flanked by two attendant figures, possibly disciples or celestial beings, symbolizing her role as a compassionate savior. Backed by a mandorla or a flame-like halo, emphasizing her divine status.The base of the shrine includes lions.Traces of red pigment remain on the surface, hinting at its once richly painted details. This small shrine would have been used for personal devotion or as part of a larger altar, making it a significant artifact of Buddhist spiritual practice.As a deity of mercy, Guanyin is revered for her ability to hear the cries of the world and offer salvation.A tree, which is commonly associated with natural settings in Buddhist art, symbolizing enlightenment under the Bodhi tree or a serene, divine realm.The base of the shrine features inscriptions, likely in Chinese characters here the photos

Dimensions: Height 18 cm Wide 31 cm Depth 31 cm Weight: 3737 grams This bronze vessel, possibly Thailand, is composed of two parts: a broad, domed lid and a matching bowl-like base. The vessel has a circular, tiered structure with concentric bands and subtle engraved decorative motifs around the sides, particularly along the midsection. The surface bears a time-worn patina with notable green oxidization, indicative of its age and exposure to natural elements over time. Likely used as a ceremonial food container or offering vessel, this type of artifact is associated with ritual contexts, particularly in ancient Thailand cultures. The intricate decoration and craftsmanship suggest its use in important ceremonial or funerary rites. with restauration Please have a look here

Novo-Hispanic school. Mexico.  18th century.Table-blazon or crowning piece of a reredos, depicting St. Thomas Aquinas”.124 x 93 cm. Blazon or altarpiece painting, profusely carved and gilded, with incised decoration of scrolls, flowers and geometrical designs made in polychrome and estofado technique, with a biretta in black centered above it.  It has a central cartouche with an oil painting on panel of the Saint and Doctor of the Dominican Church (since 1567, proclaimed by Pope St. Pius V), known as the Angelic Doctor, Common Doctor and Doctor of Humanity, whose work is fundamental for the study of philosophy and theology.  He was the main  defender of natural theology.With the characteristic carving style of New Spanish Mexican art, we contemplate “a complex artifact” that encloses St. Thomas Aquinas, a painting with a frame forming part of a coat of arms, or an isolated crowning piece from an altarpiece or the door of a library or a refectory or chapter room, to which it would have been integrated (in the manner of the doors of the Library of Coimbra of the Jesuit Fathers).This is a baroque artwork that shows unity and coherence, having a style which is difficult to include within formal canons.  This clearly baroque piece is not very dogmatic in its artistic execution, because it shows an extraordinary eagerness for novelty and, in the process of its creation, limitless fantasy that makes it exceptional, unique and unrepeatable.In the center, on a plain panel in the middle of this elaborate frame, we contemplate St. Thomas Aquinas, full-length and standing, depicted in a Dominican monk´s habit, wearing a white tunic with a scapular, and a black cloak with its hood thrown back.  With his right hand he holds a pen from which a halo of light or fire emanates, referring to his books and written doctrine.With the left hand he holds a monstrance. This refers to his devotion to the Blessed Sacrament, which manifested itself in particular in his magnificent composition of his Eucharistic Hymn "Adoro Te Devote."On his chest hangs a sun, which is an attribute to show his wisdom, and behind his back two large wings protrude, which allude to the moment when the angels girded the saint with the symbol of chastity.   Above his head is Christ crucified surrounded by putti, who descend from the heavens to inspire him.    The figure of the saint is depicted as a young man, beardless and with a monastic tonsure. He is superimposed on a landscape in which, at his feet, he treads and defeats the Moors and infidels, in the manner of Santiago Matamoros, as defender of “la verae doctrinae”.In the words of St. John Paul II and Benedict XVI, St. Thomas Aquinas is “the model of the correct way of theology”.   He showed that there is harmony between faith and reason, that faith is not contrary to reason. St. Thomas not only dedicated himself to study and teaching, but also preached to the people. He was a theologian who knew how to speak with simplicity and kindness.   His feast day is celebrated on January 28. Provenance:- Large estate. Seville.'

Two Kyi Zi (bell plates) Ceylonese or Burmeseeach in the form of a stupa, with curving pointed edges, the largest 20cm wide x 13cm high (2)Provenance: From a Private Oxfordshire collection Notes: Spurlock Museum, University of Illinois Urbana-Champaign, artifact identification: 2012.08.0008A Both with signs of wear consistent with age and use. Areas of patina/discolouration.

This stunning, custom-mounted GE90 composite fan blade is a piece of aerospace history. Designed for the Boeing 777, the world’s first twin-engine aircraft capable of long-haul transoceanic flights, this fan blade revolutionized jet engine technology with its pioneering use of carbon fiber composites. Developed by General Electric, the GE90 engine remains the most powerful jet engine in commercial aviation, capable of generating a staggering 115,000 pounds of thrust-enough to propel a fully loaded 777 off the ground with ease. The fan blade’s swept-back, curved design isn’t just aesthetically striking-it’s a feat of aerodynamics, allowing the engine to pull in massive volumes of air while maintaining efficiency, reducing fuel burn, and minimizing noise. Constructed from carbon fiber reinforced with a toughened epoxy matrix, this blade is twice as strong yet weighs only one-third as much as its titanium predecessors. Its advanced materials and design contribute to lighter overall engine weight, improved fuel efficiency, and quieter operation, making the Boeing 777 one of the most efficient aircraft in the sky. Now mounted on a custom pedestal, this authentic fan blade transforms into a breathtaking statement piece-a fusion of engineering ingenuity and sculptural beauty. Whether displayed in a private collection, corporate office, museum, or aviation-inspired space, this rare artifact embodies the evolution of flight and the relentless pursuit of innovation. This museum-worthy Boeing 777 GE90 fan blade is a conversation starter, a symbol of power and precision, and a tangible connection to the legacy of the Boeing 777 and modern aviation.Issued: c. 1990sDimensions: 72"H x 20"WCountry of Origin: United StatesCondition: Good

• Chauffeur driven car for Field Marshal Montgomery during WWII• HM King George VI, Winston Churchill and General Eisenhower were driven in this car• The Phantom III was the only pre-war Rolls-Royce powered by a V12 engine• Incredible history file and highly interesting provenance• Fitted with overdriveWe are pleased to present a truly remarkable automobile – the 1936 Rolls-Royce Phantom III Touring Limousine by Freestone & Webb, chassis number 3-AZ-186. A total of only 710 Phantom IIIs were built before production ceased due to the war, and today, fewer than 300 examples are thought to remain worldwide. This stunning car, famed for its smooth-running 7,338cc V12 engine and unparalleled luxury, is far more than a testament to the marque’s engineering prowess. It is an extraordinary piece of history, with direct connections to some of the most iconic figures of the Second World War, including Field Marshal Montgomery and Winston Churchill.The story of this Phantom III begins in 1936, when it was initially owned by Frederick Wilcock, the CEO of the Talbot Motor Company. At the outbreak of World War II, the car was requisitioned by the Ministry of War’s Transport Section for use by Field Marshal Montgomery, the commanding officer of the British Eighth Army. Montgomery, famously known as “Monty,” used the Rolls-Royce as his personal staff car during the war. The vehicle became known as the ‘Green Car’ due to its unique British Racing Green and black livery, a change from Montgomery’s usual black Rolls-Royces.Montgomery used the Phantom III extensively, travelling between his homes in Virginia Water, Surrey, and London, as well as during his time at Southwick House near Portsmouth in the crucial months leading up to the D-Day invasion of Europe. This car was part of the tight security and secrecy surrounding those meetings. In fact, Montgomery’s car carried not only him but also high-ranking military figures, including General and 34th President of the United States Dwight D. Eisenhower, Prime Minister Winston Churchill, and HM King George VI. A particularly fascinating detail is the custom electric cigar lighter fitted in the rear compartment for Churchill's personal use, still in place today.After the Allied victory in Europe, the Phantom III’s service continued. It was reassigned to the Chief of Staff of the United States Army Air Force, General Carl Spaatz. Unfortunately, while in American hands, it suffered some damage when an American fuel tanker backed into it, the damage that was subsequently repaired. In the 1950s, during the Suez Crisis, the car was purchased by a rubber-planter in Malaya and shipped to Penang. Given the closure of the Suez Canal, it was driven through Italy and shipped from Capetown to its new home in Malaya.By this time, the Phantom III had already earned a reputation as one of Rolls-Royce’s finest models, powered by the iconic V12 engine, unique to the Phantom III and the only Rolls-Royce to be powered by a V12 until the Silver Seraph arrived in 1998. Known for its smoothness, near-silent operation, and extraordinary torque, the Phantom III set a benchmark for luxury motoring in its day. Although the car had faced mechanical challenges in more remote regions, its engine was rebuilt several years ago and remains in superb condition. It now benefits from the fitment of overdrive, enhancing its refinement for modern road use. The car was serviced at Cheshire Classic Cars in 2017 at a cost of around £11,000 plus VAT, work consisted of a comprehensive engine service, a new exhaust system, and an alloy carburettor to replace the fragile Mazak original. In more recent years, the car has seen very little use, so some recommissioning would be recommended but the engine ran very smoothly during our photography, with some coughs from the exhaust, possibly due to either old fuel or an exhaust leak.In 2014, DGY 1 was driven back to Southwick House for a commemorative event marking the 70th anniversary of D-Day. Present at the event were prominent figures such as Patrick Churchill, Winston Churchill’s grandson, and Lady Arabella Stuart-Smith, Montgomery’s granddaughter. The car’s participation in this event, along with its mention in various media outlets, solidified its status as an important historical artifact.The extensive history file for this vehicle is a testament to its remarkable past, including its original wartime requisition letter. The file also contains numerous old logbooks, a huge amount of correspondence during the 1960’s when Mr Wilcock’s Son was trying to track down and purchase the car, writing to several owners trying to chase the car, but often just missing it after it had been sold, photographs, and further documentation detailing the car's fascinating ‘second life’ after the war. This 1936 Rolls-Royce Phantom III (DGY 1) is a rare and historically significant motorcar, offering a unique connection to the military and political leadership of World War II. It is a true collector’s piece, preserved in remarkable, possibly original, condition and benefitting from a well-documented provenance. A once-in-a-lifetime opportunity, this Phantom III is a must-see for any serious collector of automotive or wartime history. Supplied to auction with V5C registration document, highly detailed history folder and fitted toolkit in the boot, this Phantom III would be welcome at many top-level events and deserves to be shown around the world. Consigned by Fraser SmithCHAUFFEUR DRIVEN CAR FOR FIELD MARSHAL MONTGOMERY DURING WWIIHM KING GEORGE VI, WINSTON CHURCHILL AND GENERAL EISENHOWER WERE DRIVEN IN THIS CARTHE PHANTOM III WAS THE ONLY PRE-WAR ROLLS-ROYCE POWERED BY A V12 ENGINEINCREDIBLE HISTORY FILE AND HIGHLY INTERESTING PROVENANCE

This vintage Hebrew prayer book was published in Israel and features a beautifully detailed embossed metal cover with vibrant enamel accents. The cover showcases intricate depictions of religious symbols, the Ten Commandments, and various scenes from biblical history, framed by an ornate decorative border. The spine and back continue the motif with embossed symbols and Hebrew lettering, adding to its artistic and historical appeal. Inside, the text is in Hebrew with decorative elements surrounding the pages, and it includes illustrated plates depicting key biblical scenes. Published by Sinai Publishing in Tel Aviv, this piece is a significant religious and collectible artifact.Issued: 1976Dimensions: 3.5"L x 1.25"W x 5"HCountry of Origin: IsraelCondition: Age related wear.

French, c.1950, the body engraved 'TRILENE 2 LAB AVLON' in a fitted case with empty case for Trichlorethylene' ampoules, and mouth cover all in fitted case.The Trilene inhaler was designed to administer trichloroethylene, a drug commonly referred to as Trilene, for pain relief during labor. Mothers used the device to inhale the vapor just before the onset of each contraction, helping to manage discomfort.Introduced as an anesthetic agent in 1934, Trilene became widely used in obstetric care for its simplicity and effectiveness. However, its popularity declined over time due to the development of portable inhalers delivering a mix of nitrous oxide and oxygen. Nitrous oxide, often preferred for its pleasant taste and reduced side effects, gradually replaced Trilene in labor pain management.While now largely a historical artifact, the Trilene inhaler represents an important step in the evolution of obstetric anesthesia and pain relief techniques.Note: from Birmingham Hospital, sold on behalf of University Hospitals Birmingham Charity

Framed display featuring a typed letter signed by President Harry S. Truman alongside a portrait photograph. The letter, dated May 5, 1947, is addressed to Rabbi Martin M. Weitz of Temple Bnai Jeshurun in Des Moines, Iowa, congratulating the congregation on the 75th anniversary of its establishment. Truman’s message conveys a heartfelt call for spiritual strength and justice, quoting the prophet Micah: “And what doth the Lord require of thee, but to do justly, and to love mercy, and to walk humbly with thy God?†The letter is typed on official White House stationery and signed in ink by Truman. This historic presentation is set in a gold-toned, ornately molded frame with black and gold matting. A meaningful presidential artifact that blends political history with interfaith goodwill.Issued: 1947Dimensions: 18.5"L x 14.5"HCondition: Age related wear. The frame has minor wear and a few chips along the top edge

A historically significant signed photograph of Commander Lloyd M. Bucher, the commanding officer of the USS Pueblo, which was seized by the North Korean Navy in 1968 in an international crisis known as the Pueblo Incident. This black-and-white portrait captures Bucher in his naval uniform with a coastal background. The inscription, dedicated to James Harvey, includes a personal message and Bucher’s signature. Commander Bucher’s leadership during the 11-month captivity of his crew in North Korea became a pivotal moment in Cold War history, making this piece a rare and poignant collectible for military historians, Cold War collectors, and naval enthusiasts. The photograph is housed in a wooden frame, preserving this important artifact with a classic presentation.Issued: 20th centuryDimensions: 9"L x 11"HCondition: Age related wear.

Presented in a deep blue matte and wood frame, this historical display features a black and white photographic portrait of Rear Admiral Robley D. Evans, a prominent figure in U.S. naval history. Known as "Fighting Bob," Evans earned distinction during the Spanish-American War and later commanded the Great White Fleet in 1907. Below the portrait is an ink autograph reading “R.D. Evans, Rear Admiral U.S.N.,†offering a compelling glimpse into American naval heritage. The reverse of the frame includes a vintage printed image captioned “Admiral Robley D. Evans,†further anchoring the provenance of the piece. A captivating artifact for collectors of naval memorabilia or military autographs, this signed piece honors one of the most respected leaders in early 20th-century American naval history.Issued: c. 1900Dimensions: 8.75"L x 10.75"HCondition: Age related wear.

Powerful black and white photograph featuring the crew of the B-29 Superfortress "Bockscar," the aircraft responsible for dropping the second atomic bomb on Nagasaki, Japan. The crew stands before the iconic bomber on the tarmac. This historic image is hand-signed by Charles Donald Albury, co-pilot of the mission, with the inscription: C.D. Albury, Nagasaki Aug. 9, 1945 written in marker at the lower right. The piece is professionally presented in a polished metal frame with reinforced backing. A deeply significant WWII artifact, capturing one of the most pivotal moments of the 20th century. A rare collectible for military historians, autograph collectors, and those preserving the legacy of the Pacific War.Issued: 1945Dimensions: 10.5"L x 8.5"HCondition: Age related wear.

A sepia-toned photographic portrait of General John J. Pershing, inscribed and signed in ink below the image: "For the American Minister & Mrs. H.C. Cook, with very cordial regard and good wishes, John J. Pershing, July 1925." The photo is attractively framed under glass in a black frame. The image captures Pershing in full uniform, complete with the four-star insignia he was promoted to during his tenure as General of the Armies. A significant artifact tied to one of the most decorated military leaders in American history.Issued: 1925Dimensions: 11.5"L x 14.5"HCondition: Age related wear.

A striking large crucifix featuring a wooden cross with a cast metal figure of Christ. The metal elements have a vintage patina, adding to the character of this devotional piece. Includes an INRI plaque and a small inscription plate reading "Christ Crucified, Have Mercy on Us." A meaningful religious artifact suitable for display in a chapel or home. Measures 14.5"W x 29.25"H.Dimensions: See DescriptionCondition: Age related wear.

Antique 1777 nautical map depicting the Gulf of Mexico and the Florida coastline, a remarkable historical artifact from the late 18th century. This highly detailed chart showcases hand-colored coastlines, compass roses, and period-accurate maritime illustrations, reflecting the navigational knowledge of the time. The map is elegantly framed under glass with a double mat and an ornate gold-tone wooden frame, preserving its historical significance. A rare and valuable addition for collectors of antique maps, maritime history, or early American cartography.Issued: 1777Dimensions: 55.5"L x 27.5"HCondition: Age related wear. Minor buckling.

This distinguished gold-toned Miami-Dade County Key to the City is a symbol of honor and recognition, traditionally awarded to esteemed individuals for their contributions or visits. The key features intricate detailing with the official emblem of Miami-Dade County, representing civic pride and significance. Encased in a sleek presentation case, this piece is both a collectible and a historical artifact. A rare and meaningful item for collectors of civic memorabilia or those with ties to Miami-Dade County. Key: 6.75"H, case 7.25"L x 4.75"W x 1.25"H.Dimensions: See DescriptionCondition: Age related wear.

Fossilized walrus tusk scrimshaw by Peter Kinney, titled Hanalei Landing. This intricately engraved piece depicts a maritime scene with a sailing ship, tropical landscape, and dolphins in motion. The reverse side retains its natural fossilized texture, emphasizing the tusk's organic form. Mounted on a Kingwood base with a brass support, this unique artifact is signed by the artist on the lower right.Artist: Peter Kinney (b. 1955, American)Issued: c. 20th centuryDimensions: 3.5"HCondition: Age related wear.

THE CREAM - I FEEL FREE 7" (IBC SOUND RECORDING STUDIOS ACETATE). A glorious artifact here with The Cream's second single I Feel Free on a single-sided acetate from 1966 (IBC Sound Recording Studios acetate, single-sided, 1966, UK, mono). The record is in VG condition with surface marks/ scuffs - nothing feelable. The centre label is clean with light, age-related discolouration.

WARREN COMMISSIONReport of The President's Commission on the Assassination of President John F. Kennedy. Washington, D.C.: United States Government Printing Office, [1964]. Inscribed over two blanks by Lyndon B. Johnson, Earl Warren, Hale Boggs, J. Lee Rankin, Richard Russell, John Sherman Cooper, John J. McCloy, Allan Dulles, and Gerald Ford has also signed the volume which also bears his Presidential bookplate. Original dark navy pebbled morocco stamped with the presidential seal and lettered in gilt. 9 x 6 inches (23 x 15 cm); frontispiece portrait of President Kennedy, diagrams and illustrations throughout, 888 pp. Some light toning but fine overall.A significant artifact of the Warren Commission - Gerald Ford's copy of the final report inscribed and signed by President Johnson and each of the members of the commission including Ford. President Johnson has inscribed the volume "To Jerry Ford/With appreciation/Lyndon B. Johnson" above "In appreciation of our association in the preparation of this report/Earl Warren" followed by the signatures of the others and that of Ford. Hale Boggs has also signed his name again further into the volume.At the time of President Kennedy's assassination on November 22nd, 1963, Gerald Ford was serving as Congressman from Michigan as he had since 1949. On November 29th, President Johnson appointed Ford to the commission to investigate the assassination to be chaired by Earl Warren, Chief Justice of the Supreme Court. Ford was responsible for writing the biography of Lee Harvey Oswald and he and Warren jointly interviewed Oswald's killer Jack Ruby. While the conclusions of the commission have proven controversial, Ford defended them in his book A Presidential Legacy and The Warren Commission. We trace no other copy of the commission report inscribed between members of the Warren Commission.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

This vintage set of glass fishing floats features four vibrant, hand-blown glass spheres in amber, green, blue, and purple, encased in an intricate knotted rope net. Traditionally used by fishermen to keep their nets afloat, these collectible floats have become sought-after decorative pieces. The floats are secured within the original netting, complete with a cork separator and an elongated hanging loop for display. A wonderful maritime artifact, perfect for coastal decor enthusiasts and collectors of nautical antiques. Measures 26"L.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.

A striking Mesoamerican carved stone head fragment, possibly from an ancient civilization such as the Aztecs or Mayans. The piece depicts a stylized human face with deeply incised eyes, nose, and mouth, framed by a prominent headdress or ceremonial adornment. The weathered surface and rough texture indicate significant age and exposure to natural elements over time. This artifact serves as a testament to the craftsmanship and cultural symbolism of Mesoamerican societies, where such carvings were often used in religious, architectural, or funerary contexts. Mounted on a custom metal stand for display.Issued: 20th centuryDimensions: 14"HCondition: Age related wear. Fragmentary with expected weathering and surface wear consistent with age.

This original WWII-era homefront propaganda poster, published in 1942 by Victory Builders, was created by Bressler Editorial Cartoons, Inc. The striking artwork, signed Bressler, depicts a determined industrial worker flexing his muscles, symbolizing the essential role of factory laborers in wartime production. The bold text, "I'm a Fightin' Man Too! Watch My Smoke", reinforces the message of unity between the homefront workforce and soldiers on the battlefield. Featuring a dynamic color palette of blue, yellow, and orange, this poster embodies the patriotic spirit of wartime America. A powerful historical artifact and a rare collectible for WWII memorabilia and propaganda poster enthusiasts.Artist: Bressler Editorial CartoonsIssued: 1942Dimensions: 27"L x 40"HCountry of Origin: United StatesCondition: Age related wear.

Ireland Cap from the collection of football memorabilia-Bill McCracken (1883-1979) Ireland cap from the Collection of football memorabilia-Bill McCracken (1883-1979) Celebrate the extraordinary career of Bill McCracken, a pioneering footballer whose influence shaped the modern game. Known as “the man who changed the offside rule,” McCracken was a stalwart of Newcastle United, making 443 appearances over an illustrious 19-year tenure (1904-1924), during which he won three league championships, an FA Cup medal, and earned 13 Ireland caps. Elected to the Football Hall of Fame in 1971, his legacy endures as one of football’s most innovative and accomplished figures. Ireland Cap (1903-1904 Season): A rare artifact representing McCracken’s international career. Royal blue with gold tassel. The cap has the Irish Football association crest embroidered and  was made by Hatters, AP Dalzell, Royal Avenue Belfast also embroidered on the inside of the cap.  Further Details Club Ireland National Team Name Bill McCracken Season 1903/04 Condition Excellent condition considering age. Some evidence of minor war and tear on tassel Provenance Vendor is the 3rd Cousin of Bill McCracken and the cap was passed down through family along with other memorabilia included within the Bill McCracken (1883-1979) memorabilia collection. Provenance Available Letter Signed by Vendor

A UNIQUE PATEK PHILIPPE FROM THE FOOTBALL PLAYER SEBASTIANO ROSSI Commemorative 100th anniversary Milan A.C Annual Calendar with original paperwork. Brand: Patek Philippe Model: Commemorative Milan A.C Annual Calendar Case reference: 5035R-001 Year: 1998 Movement: Automatic 315 S QA 24h Dial: Silvered sunburst, rose gold applied parachute hour markers with tritium insert, black outer minute division, rose gold leaf hands with trivium insert, black centre seconds hand, subsidiary dial for 24h at the six o'clock position, subsidiary dial for day of the week in Italian at the nine o'clock position, subsidiary dial for the month of the year in Italian at the three o'clock position, date aperture at the six o'clock position Material:18k rose gold, exhibition back Bracelet/Strap: Black leather, 18k rose gold deployment clap Signed: Dial, movement, case, strap, clasp Dimension: 37mm Accessories: Original paperwork from Patek Sebastiano Rossi, the legendary goalkeeper of A.C. Milan, is one of the most celebrated figures in Italian football. His tenure at Milan (1990–2002) was marked by numerous domestic and international victories, including five Serie A titles, a UEFA Champions League triumph, and multiple Italian Super Cups. Most notably, he held the record for the longest unbeaten streak in Serie A history, going 929 minutes without conceding a goal—a record that stood for over two decades.A Legendary Watch with a Legendary ProvenanceThis Patek Philippe 5035R-001 is already an exceptional timepiece, commemorating A.C. Milan’s 100th anniversary in 1998. The entire collection was reserved for club members only, and was not available to the general public. However, the fact that it was owned by Sebastiano Rossi elevates its historical and collectible significance. As a key figure in Milan’s golden era, Rossi’s connection to this watch ties it to one of football’s most dominant teams.The Annual Calendar complication, first introduced in 1996, was a groundbreaking innovation for Patek Philippe, and this limited edition Milan A.C. tribute model is further enhanced by its Italian-language calendar indicators—a perfect homage to both the club and its celebrated goalkeeper.With its 18K rose gold case, silvered sunburst dial, and tritium-filled rose gold hour markers, this timepiece is a stunning blend of elegance and mechanical ingenuity. Accompanied by original Patek Philippe paperwork, this watch is more than just a collectible—it is a piece of football and horological history.Owning this watch is like owning a physical artifact from A.C. Milan’s golden era, directly linked to one of the greatest goalkeepers in Serie A history. Whether for a watch collector, a football enthusiast, or both, this is a truly one-of-a-kind piece.That’s an incredible discovery! Sebastiano Rossi, the legendary goalkeeper of A.C. Milan, is one of the most celebrated figures in Italian football. His tenure at Milan (1990–2002) was marked by numerous domestic and international victories, including five Serie A titles, a UEFA Champions League triumph, and multiple Italian Super Cups. Most notably, he held the record for the longest unbeaten streak in Serie A history, going 929 minutes without conceding a goal—a record that stood for over two decades.

The London Mint Office - Nelson: Leader Hero Legend the Definitive Coin set comprising Nelsons Column Gold Proof 24ct 6.3g coin, Nelsons Portrait Gold Proof 24ct 1.3g, 3 Silver proof coins (28.2g each) and a original copper artifact from the Hull of HMS VictoryShipping £28.00 plus vat (UK Only)

This Williams 2005 bargeboard represents the FW27, driven by renowned drivers such as Ralf Schumacher and Nick Heidfeld. This particular piece is a genuine race-used component, with visible signs of wear and race-specific markings.A unique collectible for any motorsport enthusiast or serious F1 fan, whether displayed as a centrepiece in a collection or cherished as a rare artifact of Formula 1 engineering, this bargeboard is a must-have for those seeking to own a piece of F1 history.

ITEM: Foot fragmentMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 2nd Century A.DDIMENSIONS: 25 mm x 50 mmCONDITION: Good conditionPROVENANCE: Ex European private collection, Ex Galerie Bader (1976), Ex private collection, M.E.S., SwitzerlandPARALLEL: The Metropolitan Museum of Art, Accession number 24.97.108Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.A Roman foot fragment in bronze is an intriguing artifact that provides valuable insight into the art and craftsmanship of the ancient Roman world, specifically in terms of sculpture and decorative metalwork. These fragments often come from larger statues, bronze sculptures, or decorative objects, where they represent just a small part of a larger whole. Roman bronze sculptures were often created to honor gods, rulers, or significant figures, and a foot fragment may have come from a statue of an emperor, deity, or mythological character. Bronze, being durable and able to hold fine details, was a favored medium for creating both public monuments and private artwork in the Roman Empire.The preservation of a bronze foot fragment often allows scholars to study the stylistic details that characterize Roman metalwork. These details could include realistic textures, such as the depiction of veins, muscles, and the fine lines of sandals or footwear, which demonstrate the high level of craftsmanship employed by Roman artisans. Such fragments reveal the naturalistic approach that Roman artists took when rendering the human body, drawing on Greek influences while also imbuing their sculptures with a sense of individuality and character. The foot itself, though a small piece, can indicate important stylistic choices in how the larger sculpture was conceived, including the use of contrapposto (a stance where weight is shifted to one leg), or drapery that might have flowed around the feet.The context in which these foot fragments are found is also significant, as they can provide clues to the location and function of the original sculpture. Many bronze statues were commissioned for public spaces such as temples, forums, and baths, and could serve both decorative and commemorative purposes. If a foot fragment is part of a larger statue, it might suggest a statue that was once an important political or religious symbol. For example, foot fragments from a statue of a ruler could symbolize imperial propaganda or a cult of personality.

Ca. 350 - 300 BC. A black-glazed kantharos with a tapering body, twin handles, and a footed base. The body is decorated with vertical ribbing and the upper register features a continuous band of painted ornamentation. One side presents a central depiction of a dove in added white, with details in yellow, positioned between two arched vegetal motifs. The other side displays a frieze of short diagonal strokes encircling the vessel just below the rim. The foot is reserved and encircled by a row of yellow-painted dots.For similar see: The Spurlock Museum, Artifact Identification 1922.01.0049.Size: 95mm x 150mm; Weight: 155gProvenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982.

Frank Guille and Frank Height for Artifact - a retro 1970s German multi-sectioned record rack. The record storage unit of rectangular form with smoked and white acrylic panels forming the shell. Maker's marks to the side.Measures approx. 36cm x 48cm x 33cm.

Frank Guille and Frank Height for Artifact - a retro 1970s German multi sectioned record rack. The record storage unit of rectangular form with smoked and cream acrylic panels forming the shell. Maker's marks to the side.Measures approx. 36cm x 32cm x 33cm.

ALEXANDER SERGEYEVICH PUSHKIN (1799-1837) | PORTRAIT BY LITHOGRAPHER THOMAS WRIGHT (RUSSIA / RUSSIAN) | 1837 | Alexander Sergeyevich Pushkin (Александр Сергеевич Пушкин) | profession: Poet | country: Russia | signature: Printed autograph | size: 200 x 135 mm | technique: Lithograph on paper | Lot information |Rare lithograph depicting the portrait of Alexander Sergeyevich Pushkin, one of the most prominent Russian poets and the founder of modern Russian literature. The artwork is by lithographer Thomas Wright, whose delicate graphic rendering highlights the poet's distinctive features, including his iconic hairstyle and attire. At the bottom, there is a reproduction of Pushkin's signature. This print is a valuable collector's artifact, paying tribute to the legendary author of works such as Eugene Onegin, Boris Godunov, and The Captain's Daughter.

MARIS RUDOLFS LIEPA (1936-1989) | HANDWRITTEN SIGNATURE WITH DRAWING (RUSSIA / RUSSIAN) | 1975 | profession: Ballet | country: Russia / Lithuania | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten signature on a paper card | Lot information | Signature of the famous Latvian ballet dancer Maris Rudolfs Liepa, accompanied by a simple sketch of ballet dancers. Liepa was one of the most significant dancers of his generation, a long-time soloist at the Bolshoi Theatre in Moscow, and one of the most prominent figures in 20th-century classical ballet. This unique artifact not only captures his signature but also includes a personal artistic element, making it an exceptional collectible item.

MARIE ALSOVA (NEDOHLEDANO) | HANDWRITTEN CONGRATULATORY LETTER (CZECH/ BOHEMIAN) | 1914 | profession: Wife of the famous Czech painter Mikolas Ales | country: Czechia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten letter with signature | Lot information | Handwritten name-day greeting from Marie Alesova, the wife of renowned Czech painter Mikolas Ales. The letter is dated April 4, 1914, and originates from Kralovske Vinohrady.In the letter, she expresses heartfelt wishes for health and happiness to the recipient and their family. The document also includes a delicate drawing featuring a folk motif. This is a rare personal artifact connected to the family of one of the most significant Czech artists.

JAROSLAV KOCIAN (1883-1950) | HANDWRITTEN AUTOGRAPH WITH MUSICAL NOTATION (CZECH/ BOHEMIAN) | 1915 | profession: Violinist | country: Czechia | signature: Original signature | size: 160 x 210 mm | technique: Handwritten autograph and music notation by J. S. Bach: Andante | Lot information | Signature of the famous Czech violinist Jaroslav Kocian, accompanied by handwritten musical notes from the Andante by Johann Sebastian Bach. Kocian, one of the most prominent Czech violinists of the first half of the 20th century, was known for his brilliant technique and lyrical tone.The document is dated Prague, October 9, 1915, and represents a unique collectible artifact capturing the mastery of this outstanding musician.

DMITRY SERGEYEVICH MEREZHKOVSKY (1865-1941) | AUTOGRAPH (RUSSIA / RUSSIAN) | 1933 | Dmitry Sergeyevich Merezhkovsky (Дми́трий Серге́евич Мережко́вский) | profession: Poet | country: Russia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten autograph on a paper card | Lot information |Handwritten signature of Dmitry Sergeyevich Merezhkovsky from 1933, a Russian writer, philosopher, and literary critic. The autograph is elegantly placed in a mat along with a period portrait of the author, on which his printed signature also appears. Merezhkovsky was one of the key figures of Russian symbolism and literary modernism. His works focused on historical and philosophical themes, often analyzing the relationship between religion, culture, and politics. An interesting collectible artifact presented in a representative style.

ALEXANDR I. PAVLOVIC (1777-1825) | PORTRAIT BY LITHOGRAPHER FRANCESCO VENDRAMINI (RUSSIA / RUSSIAN) | Alexandr I. Pavlovic (Александр I Павлович) | profession: Tsar | country: Russia | signature: Marked in the board | size: 310 x 260 mm (size of the pad) | technique: Lithograph on paper by Francesco Vendramini (1780 - 1856) by drawing by Louis de Saint-Aubin | Lot information |Rare lithograph depicting the portrait of Tsar Alexander I Pavlovich, who ruled the Russian Empire from 1801 to 1825. The artwork was created by renowned Italian lithographer Francesco Vendramin, whose precise technique emphasizes the tsar's majestic expression and his ornately decorated military uniform adorned with orders. Based on the original artistic model, the lithograph was dedicated to Empress Maria Feodorovna, the mother of Alexander I. This graphic print is a significant historical artifact, commemorating the reign of a ruler who played a key role in the Napoleonic Wars and the formation of the Holy Alliance.

KORNEL MAKUSZYNSKI (1884-1953) | HANDWRITTEN LETTER WITH SIGNATURE (POLAND / POLISH) | 1929 | profession: Writer | country: Poland | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten text with signature | Lot information | This rare autograph contains a fragment from the opera Krol Roger and is dated October 22, 1932, in Prague. Szymanowski, the most prominent Polish composer of the first half of the 20th century, is known for his original musical synthesis of impressionism, Oriental influences, and innovative harmonies. This document represents an important artifact associated with his peak creative period.

SAMUIL YAKOVLEVICH MARSHAK (1887-1964) | AUTOGRAPH WITH DEDICATION (RUSSIA / RUSSIAN) | 1962 | Samuil Yakovlevich Marshak (Самуил Яковлевич Маршак) | profession: Writer | country: Russia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten letter with signature | Lot information |Handwritten dedication and signature of the famous Soviet poet, playwright, and translator Samuil Yakovlevich Marshak, written in Moscow on November 23, 1962. Marshak is best known as the founder of Soviet children's literature, author of popular fairy tales, poems, and translations of English literature, including works by William Shakespeare.Original text in Russian:"Мой сердечный приветДорогому Карлу Шафранеку,С. МаршакМосква, 23-XI-1962"English translation:"My heartfelt greetings to dear Karel Safranek,S. MarshakMoscow, November 23, 1962."This handwritten dedication represents a valuable artifact from one of the most influential figures in Soviet literature, whose works shaped generations of readers and contributed significantly to the development of children's poetry and literary translation in the Soviet Union.

KAROL MACIEJ SZYMANOWSKI (1882-1937) | HANDWRITTEN SIGNATURE WITH MUSICAL NOTATION AND DEDICATION (POLAND / POLISH) | Prague 1932 | profession: Composer | country: Poland | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten notation by Krol Roger with signature | Lot information | This rare autograph contains a fragment from the opera Krol Roger and is dated October 22, 1932, in Prague. Szymanowski, the most prominent Polish composer of the first half of the 20th century, is known for his original musical synthesis of impressionism, Oriental influences, and innovative harmonies. This document represents an important artifact associated with his peak creative period.

JERZY ZAGORSKI (1907-1984) | MANUSCRIPT WITH DEDICATION TO DIRECTOR BURIAN (POLAND / POLISH) | 1958 | profession: Poet | country: Poland | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten text with signature | Lot information | Handwritten note on the letterhead of the book Swieto Winkelrida by Andrzejewski and Zagorski, dated March 14, 1958, in Warsaw. Jerzy Zagorski addresses a personal dedication to director Burian, in which he praises his outstanding directorial work on the production of Romeo and Juliet, which left a deep impression on the audience.The text is signed by the author and includes his address in Warsaw (Zoliborz). This document is a remarkable collectible artifact reflecting cultural connections and the theatrical scene of the second half of the 20th century.

PAUL MAXIMILIEN LANDOWSKI (1875-1961) | POEM WITH DEDICATION AND SIGNATURE (POLAND / POLISH) | 1939 | profession: Sculptor | country: Poland / France | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten poem dedicated to Karel Safranek | Lot information |Handwritten poem dedicated to Czech sculptor Karel Safranek. The text reflects the strength of the human spirit and its resilience against obstacles, while also paying tribute to the art of sculpture. The author compares Safranek's work to the masterpiece of the divine Michelangelo and extends his admiration to other artists as well. This unique manuscript is not only a literary artifact but also a rare testament to the artistic connections between creators from different fields.

JAN EVANGELISTA KUBELIK (1880-1940) | HANDWRITTEN AUTOGRAPH WITH VIOLINIST DRAWING (CZECH/ BOHEMIAN) | 1915 | profession: Violinist | country: Czechia | signature: Original signature | size: 210 x 160 mm | technique: Handwritten autograph | Lot information | Signature of the famous Czech violinist Jan Kubelik, accompanied by a stylized drawing of the violinist in action. Kubelik was considered one of the most prominent violin virtuosos of his time, and his technical brilliance earned him international fame.The document is dated January 9, 1915, and represents a unique artifact that combines the artist's signature with his artistic expression.

GUNDULA JANOWITZ (1937*) | AUTOGRAPHED PHOTOS (AUSTRIA / AUSTRIAN) | profession: Soprano | country: Austria | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten signature on the photo | Lot information | Black-and-white portrait photograph of the renowned Austrian soprano Gundula Janowitz (born 1937), one of the most celebrated opera singers of the 20th century. Her career began at the Vienna State Opera in 1960, where she quickly established herself as a leading interpreter of Mozart, Strauss, and Bach operas.Below the photograph is the handwritten signature of Gundula Janowitz, making this artifact highly valuable to collectors.

KAZIMIERZ PRZERWA-TETMAJER (1865-1940) | AUTOGRAPH WITH DEDICATION (POLAND / POLISH) | 1904 | profession: Writer | country: Poland | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten text with signature | Lot information | Original handwritten dedication and signature of the renowned Polish writer, poet, and playwright Kazimierz Przerwa-Tetmajer. The document contains a dedication addressed to Adolf Cerny and is part of the second volume of his work Na skalnem Podhalu, published in Warsaw in 1904.Kazimierz Przerwa-Tetmajer was one of the most significant Polish literary figures of the late 19th and early 20th centuries, closely associated with the Mloda Polska (Young Poland) movement. His poetry and prose often reflected the Tatra landscape and the folklore of the Podhale region.This document is a rare example of personal correspondence from a distinguished author, making it a valuable collectible artifact.