Novo-Hispanic school. Mexico. 18th century.Table-blazon or crowning piece of a reredos, depicting St. Thomas Aquinas”.124 x 93 cm. Blazon or altarpiece painting, profusely carved and gilded, with incised decoration of scrolls, flowers and geometrical designs made in polychrome and estofado technique, with a biretta in black centered above it. It has a central cartouche with an oil painting on panel of the Saint and Doctor of the Dominican Church (since 1567, proclaimed by Pope St. Pius V), known as the Angelic Doctor, Common Doctor and Doctor of Humanity, whose work is fundamental for the study of philosophy and theology. He was the main defender of natural theology.With the characteristic carving style of New Spanish Mexican art, we contemplate “a complex artifact” that encloses St. Thomas Aquinas, a painting with a frame forming part of a coat of arms, or an isolated crowning piece from an altarpiece or the door of a library or a refectory or chapter room, to which it would have been integrated (in the manner of the doors of the Library of Coimbra of the Jesuit Fathers).This is a baroque artwork that shows unity and coherence, having a style which is difficult to include within formal canons. This clearly baroque piece is not very dogmatic in its artistic execution, because it shows an extraordinary eagerness for novelty and, in the process of its creation, limitless fantasy that makes it exceptional, unique and unrepeatable.In the center, on a plain panel in the middle of this elaborate frame, we contemplate St. Thomas Aquinas, full-length and standing, depicted in a Dominican monk´s habit, wearing a white tunic with a scapular, and a black cloak with its hood thrown back. With his right hand he holds a pen from which a halo of light or fire emanates, referring to his books and written doctrine.With the left hand he holds a monstrance. This refers to his devotion to the Blessed Sacrament, which manifested itself in particular in his magnificent composition of his Eucharistic Hymn "Adoro Te Devote."On his chest hangs a sun, which is an attribute to show his wisdom, and behind his back two large wings protrude, which allude to the moment when the angels girded the saint with the symbol of chastity. Above his head is Christ crucified surrounded by putti, who descend from the heavens to inspire him. The figure of the saint is depicted as a young man, beardless and with a monastic tonsure. He is superimposed on a landscape in which, at his feet, he treads and defeats the Moors and infidels, in the manner of Santiago Matamoros, as defender of “la verae doctrinae”.In the words of St. John Paul II and Benedict XVI, St. Thomas Aquinas is “the model of the correct way of theology”. He showed that there is harmony between faith and reason, that faith is not contrary to reason. St. Thomas not only dedicated himself to study and teaching, but also preached to the people. He was a theologian who knew how to speak with simplicity and kindness. His feast day is celebrated on January 28. Provenance:- Large estate. Seville.'
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This stunning, custom-mounted GE90 composite fan blade is a piece of aerospace history. Designed for the Boeing 777, the world’s first twin-engine aircraft capable of long-haul transoceanic flights, this fan blade revolutionized jet engine technology with its pioneering use of carbon fiber composites. Developed by General Electric, the GE90 engine remains the most powerful jet engine in commercial aviation, capable of generating a staggering 115,000 pounds of thrust-enough to propel a fully loaded 777 off the ground with ease. The fan blade’s swept-back, curved design isn’t just aesthetically striking-it’s a feat of aerodynamics, allowing the engine to pull in massive volumes of air while maintaining efficiency, reducing fuel burn, and minimizing noise. Constructed from carbon fiber reinforced with a toughened epoxy matrix, this blade is twice as strong yet weighs only one-third as much as its titanium predecessors. Its advanced materials and design contribute to lighter overall engine weight, improved fuel efficiency, and quieter operation, making the Boeing 777 one of the most efficient aircraft in the sky. Now mounted on a custom pedestal, this authentic fan blade transforms into a breathtaking statement piece-a fusion of engineering ingenuity and sculptural beauty. Whether displayed in a private collection, corporate office, museum, or aviation-inspired space, this rare artifact embodies the evolution of flight and the relentless pursuit of innovation. This museum-worthy Boeing 777 GE90 fan blade is a conversation starter, a symbol of power and precision, and a tangible connection to the legacy of the Boeing 777 and modern aviation.Issued: c. 1990sDimensions: 72"H x 20"WCountry of Origin: United StatesCondition: Good
• Chauffeur driven car for Field Marshal Montgomery during WWII• HM King George VI, Winston Churchill and General Eisenhower were driven in this car• The Phantom III was the only pre-war Rolls-Royce powered by a V12 engine• Incredible history file and highly interesting provenance• Fitted with overdriveWe are pleased to present a truly remarkable automobile – the 1936 Rolls-Royce Phantom III Touring Limousine by Freestone & Webb, chassis number 3-AZ-186. A total of only 710 Phantom IIIs were built before production ceased due to the war, and today, fewer than 300 examples are thought to remain worldwide. This stunning car, famed for its smooth-running 7,338cc V12 engine and unparalleled luxury, is far more than a testament to the marque’s engineering prowess. It is an extraordinary piece of history, with direct connections to some of the most iconic figures of the Second World War, including Field Marshal Montgomery and Winston Churchill.The story of this Phantom III begins in 1936, when it was initially owned by Frederick Wilcock, the CEO of the Talbot Motor Company. At the outbreak of World War II, the car was requisitioned by the Ministry of War’s Transport Section for use by Field Marshal Montgomery, the commanding officer of the British Eighth Army. Montgomery, famously known as “Monty,” used the Rolls-Royce as his personal staff car during the war. The vehicle became known as the ‘Green Car’ due to its unique British Racing Green and black livery, a change from Montgomery’s usual black Rolls-Royces.Montgomery used the Phantom III extensively, travelling between his homes in Virginia Water, Surrey, and London, as well as during his time at Southwick House near Portsmouth in the crucial months leading up to the D-Day invasion of Europe. This car was part of the tight security and secrecy surrounding those meetings. In fact, Montgomery’s car carried not only him but also high-ranking military figures, including General and 34th President of the United States Dwight D. Eisenhower, Prime Minister Winston Churchill, and HM King George VI. A particularly fascinating detail is the custom electric cigar lighter fitted in the rear compartment for Churchill's personal use, still in place today.After the Allied victory in Europe, the Phantom III’s service continued. It was reassigned to the Chief of Staff of the United States Army Air Force, General Carl Spaatz. Unfortunately, while in American hands, it suffered some damage when an American fuel tanker backed into it, the damage that was subsequently repaired. In the 1950s, during the Suez Crisis, the car was purchased by a rubber-planter in Malaya and shipped to Penang. Given the closure of the Suez Canal, it was driven through Italy and shipped from Capetown to its new home in Malaya.By this time, the Phantom III had already earned a reputation as one of Rolls-Royce’s finest models, powered by the iconic V12 engine, unique to the Phantom III and the only Rolls-Royce to be powered by a V12 until the Silver Seraph arrived in 1998. Known for its smoothness, near-silent operation, and extraordinary torque, the Phantom III set a benchmark for luxury motoring in its day. Although the car had faced mechanical challenges in more remote regions, its engine was rebuilt several years ago and remains in superb condition. It now benefits from the fitment of overdrive, enhancing its refinement for modern road use. The car was serviced at Cheshire Classic Cars in 2017 at a cost of around £11,000 plus VAT, work consisted of a comprehensive engine service, a new exhaust system, and an alloy carburettor to replace the fragile Mazak original. In more recent years, the car has seen very little use, so some recommissioning would be recommended but the engine ran very smoothly during our photography, with some coughs from the exhaust, possibly due to either old fuel or an exhaust leak.In 2014, DGY 1 was driven back to Southwick House for a commemorative event marking the 70th anniversary of D-Day. Present at the event were prominent figures such as Patrick Churchill, Winston Churchill’s grandson, and Lady Arabella Stuart-Smith, Montgomery’s granddaughter. The car’s participation in this event, along with its mention in various media outlets, solidified its status as an important historical artifact.The extensive history file for this vehicle is a testament to its remarkable past, including its original wartime requisition letter. The file also contains numerous old logbooks, a huge amount of correspondence during the 1960’s when Mr Wilcock’s Son was trying to track down and purchase the car, writing to several owners trying to chase the car, but often just missing it after it had been sold, photographs, and further documentation detailing the car's fascinating ‘second life’ after the war. This 1936 Rolls-Royce Phantom III (DGY 1) is a rare and historically significant motorcar, offering a unique connection to the military and political leadership of World War II. It is a true collector’s piece, preserved in remarkable, possibly original, condition and benefitting from a well-documented provenance. A once-in-a-lifetime opportunity, this Phantom III is a must-see for any serious collector of automotive or wartime history. Supplied to auction with V5C registration document, highly detailed history folder and fitted toolkit in the boot, this Phantom III would be welcome at many top-level events and deserves to be shown around the world. Consigned by Fraser SmithCHAUFFEUR DRIVEN CAR FOR FIELD MARSHAL MONTGOMERY DURING WWIIHM KING GEORGE VI, WINSTON CHURCHILL AND GENERAL EISENHOWER WERE DRIVEN IN THIS CARTHE PHANTOM III WAS THE ONLY PRE-WAR ROLLS-ROYCE POWERED BY A V12 ENGINEINCREDIBLE HISTORY FILE AND HIGHLY INTERESTING PROVENANCE
This vintage Hebrew prayer book was published in Israel and features a beautifully detailed embossed metal cover with vibrant enamel accents. The cover showcases intricate depictions of religious symbols, the Ten Commandments, and various scenes from biblical history, framed by an ornate decorative border. The spine and back continue the motif with embossed symbols and Hebrew lettering, adding to its artistic and historical appeal. Inside, the text is in Hebrew with decorative elements surrounding the pages, and it includes illustrated plates depicting key biblical scenes. Published by Sinai Publishing in Tel Aviv, this piece is a significant religious and collectible artifact.Issued: 1976Dimensions: 3.5"L x 1.25"W x 5"HCountry of Origin: IsraelCondition: Age related wear.
French, c.1950, the body engraved 'TRILENE 2 LAB AVLON' in a fitted case with empty case for Trichlorethylene' ampoules, and mouth cover all in fitted case.The Trilene inhaler was designed to administer trichloroethylene, a drug commonly referred to as Trilene, for pain relief during labor. Mothers used the device to inhale the vapor just before the onset of each contraction, helping to manage discomfort.Introduced as an anesthetic agent in 1934, Trilene became widely used in obstetric care for its simplicity and effectiveness. However, its popularity declined over time due to the development of portable inhalers delivering a mix of nitrous oxide and oxygen. Nitrous oxide, often preferred for its pleasant taste and reduced side effects, gradually replaced Trilene in labor pain management.While now largely a historical artifact, the Trilene inhaler represents an important step in the evolution of obstetric anesthesia and pain relief techniques.Note: from Birmingham Hospital, sold on behalf of University Hospitals Birmingham Charity
Framed display featuring a typed letter signed by President Harry S. Truman alongside a portrait photograph. The letter, dated May 5, 1947, is addressed to Rabbi Martin M. Weitz of Temple Bnai Jeshurun in Des Moines, Iowa, congratulating the congregation on the 75th anniversary of its establishment. Truman’s message conveys a heartfelt call for spiritual strength and justice, quoting the prophet Micah: “And what doth the Lord require of thee, but to do justly, and to love mercy, and to walk humbly with thy God?†The letter is typed on official White House stationery and signed in ink by Truman. This historic presentation is set in a gold-toned, ornately molded frame with black and gold matting. A meaningful presidential artifact that blends political history with interfaith goodwill.Issued: 1947Dimensions: 18.5"L x 14.5"HCondition: Age related wear. The frame has minor wear and a few chips along the top edge
A historically significant signed photograph of Commander Lloyd M. Bucher, the commanding officer of the USS Pueblo, which was seized by the North Korean Navy in 1968 in an international crisis known as the Pueblo Incident. This black-and-white portrait captures Bucher in his naval uniform with a coastal background. The inscription, dedicated to James Harvey, includes a personal message and Bucher’s signature. Commander Bucher’s leadership during the 11-month captivity of his crew in North Korea became a pivotal moment in Cold War history, making this piece a rare and poignant collectible for military historians, Cold War collectors, and naval enthusiasts. The photograph is housed in a wooden frame, preserving this important artifact with a classic presentation.Issued: 20th centuryDimensions: 9"L x 11"HCondition: Age related wear.
Presented in a deep blue matte and wood frame, this historical display features a black and white photographic portrait of Rear Admiral Robley D. Evans, a prominent figure in U.S. naval history. Known as "Fighting Bob," Evans earned distinction during the Spanish-American War and later commanded the Great White Fleet in 1907. Below the portrait is an ink autograph reading “R.D. Evans, Rear Admiral U.S.N.,†offering a compelling glimpse into American naval heritage. The reverse of the frame includes a vintage printed image captioned “Admiral Robley D. Evans,†further anchoring the provenance of the piece. A captivating artifact for collectors of naval memorabilia or military autographs, this signed piece honors one of the most respected leaders in early 20th-century American naval history.Issued: c. 1900Dimensions: 8.75"L x 10.75"HCondition: Age related wear.
Powerful black and white photograph featuring the crew of the B-29 Superfortress "Bockscar," the aircraft responsible for dropping the second atomic bomb on Nagasaki, Japan. The crew stands before the iconic bomber on the tarmac. This historic image is hand-signed by Charles Donald Albury, co-pilot of the mission, with the inscription: C.D. Albury, Nagasaki Aug. 9, 1945 written in marker at the lower right. The piece is professionally presented in a polished metal frame with reinforced backing. A deeply significant WWII artifact, capturing one of the most pivotal moments of the 20th century. A rare collectible for military historians, autograph collectors, and those preserving the legacy of the Pacific War.Issued: 1945Dimensions: 10.5"L x 8.5"HCondition: Age related wear.
A sepia-toned photographic portrait of General John J. Pershing, inscribed and signed in ink below the image: "For the American Minister & Mrs. H.C. Cook, with very cordial regard and good wishes, John J. Pershing, July 1925." The photo is attractively framed under glass in a black frame. The image captures Pershing in full uniform, complete with the four-star insignia he was promoted to during his tenure as General of the Armies. A significant artifact tied to one of the most decorated military leaders in American history.Issued: 1925Dimensions: 11.5"L x 14.5"HCondition: Age related wear.
A striking large crucifix featuring a wooden cross with a cast metal figure of Christ. The metal elements have a vintage patina, adding to the character of this devotional piece. Includes an INRI plaque and a small inscription plate reading "Christ Crucified, Have Mercy on Us." A meaningful religious artifact suitable for display in a chapel or home. Measures 14.5"W x 29.25"H.Dimensions: See DescriptionCondition: Age related wear.
Antique 1777 nautical map depicting the Gulf of Mexico and the Florida coastline, a remarkable historical artifact from the late 18th century. This highly detailed chart showcases hand-colored coastlines, compass roses, and period-accurate maritime illustrations, reflecting the navigational knowledge of the time. The map is elegantly framed under glass with a double mat and an ornate gold-tone wooden frame, preserving its historical significance. A rare and valuable addition for collectors of antique maps, maritime history, or early American cartography.Issued: 1777Dimensions: 55.5"L x 27.5"HCondition: Age related wear. Minor buckling.
This distinguished gold-toned Miami-Dade County Key to the City is a symbol of honor and recognition, traditionally awarded to esteemed individuals for their contributions or visits. The key features intricate detailing with the official emblem of Miami-Dade County, representing civic pride and significance. Encased in a sleek presentation case, this piece is both a collectible and a historical artifact. A rare and meaningful item for collectors of civic memorabilia or those with ties to Miami-Dade County. Key: 6.75"H, case 7.25"L x 4.75"W x 1.25"H.Dimensions: See DescriptionCondition: Age related wear.
Fossilized walrus tusk scrimshaw by Peter Kinney, titled Hanalei Landing. This intricately engraved piece depicts a maritime scene with a sailing ship, tropical landscape, and dolphins in motion. The reverse side retains its natural fossilized texture, emphasizing the tusk's organic form. Mounted on a Kingwood base with a brass support, this unique artifact is signed by the artist on the lower right.Artist: Peter Kinney (b. 1955, American)Issued: c. 20th centuryDimensions: 3.5"HCondition: Age related wear.
THE CREAM - I FEEL FREE 7" (IBC SOUND RECORDING STUDIOS ACETATE). A glorious artifact here with The Cream's second single I Feel Free on a single-sided acetate from 1966 (IBC Sound Recording Studios acetate, single-sided, 1966, UK, mono). The record is in VG condition with surface marks/ scuffs - nothing feelable. The centre label is clean with light, age-related discolouration.
WARREN COMMISSIONReport of The President's Commission on the Assassination of President John F. Kennedy. Washington, D.C.: United States Government Printing Office, [1964]. Inscribed over two blanks by Lyndon B. Johnson, Earl Warren, Hale Boggs, J. Lee Rankin, Richard Russell, John Sherman Cooper, John J. McCloy, Allan Dulles, and Gerald Ford has also signed the volume which also bears his Presidential bookplate. Original dark navy pebbled morocco stamped with the presidential seal and lettered in gilt. 9 x 6 inches (23 x 15 cm); frontispiece portrait of President Kennedy, diagrams and illustrations throughout, 888 pp. Some light toning but fine overall.A significant artifact of the Warren Commission - Gerald Ford's copy of the final report inscribed and signed by President Johnson and each of the members of the commission including Ford. President Johnson has inscribed the volume "To Jerry Ford/With appreciation/Lyndon B. Johnson" above "In appreciation of our association in the preparation of this report/Earl Warren" followed by the signatures of the others and that of Ford. Hale Boggs has also signed his name again further into the volume.At the time of President Kennedy's assassination on November 22nd, 1963, Gerald Ford was serving as Congressman from Michigan as he had since 1949. On November 29th, President Johnson appointed Ford to the commission to investigate the assassination to be chaired by Earl Warren, Chief Justice of the Supreme Court. Ford was responsible for writing the biography of Lee Harvey Oswald and he and Warren jointly interviewed Oswald's killer Jack Ruby. While the conclusions of the commission have proven controversial, Ford defended them in his book A Presidential Legacy and The Warren Commission. We trace no other copy of the commission report inscribed between members of the Warren Commission.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
This vintage set of glass fishing floats features four vibrant, hand-blown glass spheres in amber, green, blue, and purple, encased in an intricate knotted rope net. Traditionally used by fishermen to keep their nets afloat, these collectible floats have become sought-after decorative pieces. The floats are secured within the original netting, complete with a cork separator and an elongated hanging loop for display. A wonderful maritime artifact, perfect for coastal decor enthusiasts and collectors of nautical antiques. Measures 26"L.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.
A striking Mesoamerican carved stone head fragment, possibly from an ancient civilization such as the Aztecs or Mayans. The piece depicts a stylized human face with deeply incised eyes, nose, and mouth, framed by a prominent headdress or ceremonial adornment. The weathered surface and rough texture indicate significant age and exposure to natural elements over time. This artifact serves as a testament to the craftsmanship and cultural symbolism of Mesoamerican societies, where such carvings were often used in religious, architectural, or funerary contexts. Mounted on a custom metal stand for display.Issued: 20th centuryDimensions: 14"HCondition: Age related wear. Fragmentary with expected weathering and surface wear consistent with age.
This original WWII-era homefront propaganda poster, published in 1942 by Victory Builders, was created by Bressler Editorial Cartoons, Inc. The striking artwork, signed Bressler, depicts a determined industrial worker flexing his muscles, symbolizing the essential role of factory laborers in wartime production. The bold text, "I'm a Fightin' Man Too! Watch My Smoke", reinforces the message of unity between the homefront workforce and soldiers on the battlefield. Featuring a dynamic color palette of blue, yellow, and orange, this poster embodies the patriotic spirit of wartime America. A powerful historical artifact and a rare collectible for WWII memorabilia and propaganda poster enthusiasts.Artist: Bressler Editorial CartoonsIssued: 1942Dimensions: 27"L x 40"HCountry of Origin: United StatesCondition: Age related wear.
Ireland Cap from the collection of football memorabilia-Bill McCracken (1883-1979) Ireland cap from the Collection of football memorabilia-Bill McCracken (1883-1979) Celebrate the extraordinary career of Bill McCracken, a pioneering footballer whose influence shaped the modern game. Known as “the man who changed the offside rule,” McCracken was a stalwart of Newcastle United, making 443 appearances over an illustrious 19-year tenure (1904-1924), during which he won three league championships, an FA Cup medal, and earned 13 Ireland caps. Elected to the Football Hall of Fame in 1971, his legacy endures as one of football’s most innovative and accomplished figures. Ireland Cap (1903-1904 Season): A rare artifact representing McCracken’s international career. Royal blue with gold tassel. The cap has the Irish Football association crest embroidered and was made by Hatters, AP Dalzell, Royal Avenue Belfast also embroidered on the inside of the cap. Further Details Club Ireland National Team Name Bill McCracken Season 1903/04 Condition Excellent condition considering age. Some evidence of minor war and tear on tassel Provenance Vendor is the 3rd Cousin of Bill McCracken and the cap was passed down through family along with other memorabilia included within the Bill McCracken (1883-1979) memorabilia collection. Provenance Available Letter Signed by Vendor
A UNIQUE PATEK PHILIPPE FROM THE FOOTBALL PLAYER SEBASTIANO ROSSI Commemorative 100th anniversary Milan A.C Annual Calendar with original paperwork. Brand: Patek Philippe Model: Commemorative Milan A.C Annual Calendar Case reference: 5035R-001 Year: 1998 Movement: Automatic 315 S QA 24h Dial: Silvered sunburst, rose gold applied parachute hour markers with tritium insert, black outer minute division, rose gold leaf hands with trivium insert, black centre seconds hand, subsidiary dial for 24h at the six o'clock position, subsidiary dial for day of the week in Italian at the nine o'clock position, subsidiary dial for the month of the year in Italian at the three o'clock position, date aperture at the six o'clock position Material:18k rose gold, exhibition back Bracelet/Strap: Black leather, 18k rose gold deployment clap Signed: Dial, movement, case, strap, clasp Dimension: 37mm Accessories: Original paperwork from Patek Sebastiano Rossi, the legendary goalkeeper of A.C. Milan, is one of the most celebrated figures in Italian football. His tenure at Milan (1990–2002) was marked by numerous domestic and international victories, including five Serie A titles, a UEFA Champions League triumph, and multiple Italian Super Cups. Most notably, he held the record for the longest unbeaten streak in Serie A history, going 929 minutes without conceding a goal—a record that stood for over two decades.A Legendary Watch with a Legendary ProvenanceThis Patek Philippe 5035R-001 is already an exceptional timepiece, commemorating A.C. Milan’s 100th anniversary in 1998. The entire collection was reserved for club members only, and was not available to the general public. However, the fact that it was owned by Sebastiano Rossi elevates its historical and collectible significance. As a key figure in Milan’s golden era, Rossi’s connection to this watch ties it to one of football’s most dominant teams.The Annual Calendar complication, first introduced in 1996, was a groundbreaking innovation for Patek Philippe, and this limited edition Milan A.C. tribute model is further enhanced by its Italian-language calendar indicators—a perfect homage to both the club and its celebrated goalkeeper.With its 18K rose gold case, silvered sunburst dial, and tritium-filled rose gold hour markers, this timepiece is a stunning blend of elegance and mechanical ingenuity. Accompanied by original Patek Philippe paperwork, this watch is more than just a collectible—it is a piece of football and horological history.Owning this watch is like owning a physical artifact from A.C. Milan’s golden era, directly linked to one of the greatest goalkeepers in Serie A history. Whether for a watch collector, a football enthusiast, or both, this is a truly one-of-a-kind piece.That’s an incredible discovery! Sebastiano Rossi, the legendary goalkeeper of A.C. Milan, is one of the most celebrated figures in Italian football. His tenure at Milan (1990–2002) was marked by numerous domestic and international victories, including five Serie A titles, a UEFA Champions League triumph, and multiple Italian Super Cups. Most notably, he held the record for the longest unbeaten streak in Serie A history, going 929 minutes without conceding a goal—a record that stood for over two decades.
The London Mint Office - Nelson: Leader Hero Legend the Definitive Coin set comprising Nelsons Column Gold Proof 24ct 6.3g coin, Nelsons Portrait Gold Proof 24ct 1.3g, 3 Silver proof coins (28.2g each) and a original copper artifact from the Hull of HMS VictoryShipping £28.00 plus vat (UK Only)
This Williams 2005 bargeboard represents the FW27, driven by renowned drivers such as Ralf Schumacher and Nick Heidfeld. This particular piece is a genuine race-used component, with visible signs of wear and race-specific markings.A unique collectible for any motorsport enthusiast or serious F1 fan, whether displayed as a centrepiece in a collection or cherished as a rare artifact of Formula 1 engineering, this bargeboard is a must-have for those seeking to own a piece of F1 history.
Ca. 350 - 300 BC. A black-glazed kantharos with a tapering body, twin handles, and a footed base. The body is decorated with vertical ribbing and the upper register features a continuous band of painted ornamentation. One side presents a central depiction of a dove in added white, with details in yellow, positioned between two arched vegetal motifs. The other side displays a frieze of short diagonal strokes encircling the vessel just below the rim. The foot is reserved and encircled by a row of yellow-painted dots.For similar see: The Spurlock Museum, Artifact Identification 1922.01.0049.Size: 95mm x 150mm; Weight: 155gProvenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982.
ALEXANDER SERGEYEVICH PUSHKIN (1799-1837) | PORTRAIT BY LITHOGRAPHER THOMAS WRIGHT (RUSSIA / RUSSIAN) | 1837 | Alexander Sergeyevich Pushkin (Александр Сергеевич Пушкин) | profession: Poet | country: Russia | signature: Printed autograph | size: 200 x 135 mm | technique: Lithograph on paper | Lot information |Rare lithograph depicting the portrait of Alexander Sergeyevich Pushkin, one of the most prominent Russian poets and the founder of modern Russian literature. The artwork is by lithographer Thomas Wright, whose delicate graphic rendering highlights the poet's distinctive features, including his iconic hairstyle and attire. At the bottom, there is a reproduction of Pushkin's signature. This print is a valuable collector's artifact, paying tribute to the legendary author of works such as Eugene Onegin, Boris Godunov, and The Captain's Daughter.
MARIS RUDOLFS LIEPA (1936-1989) | HANDWRITTEN SIGNATURE WITH DRAWING (RUSSIA / RUSSIAN) | 1975 | profession: Ballet | country: Russia / Lithuania | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten signature on a paper card | Lot information | Signature of the famous Latvian ballet dancer Maris Rudolfs Liepa, accompanied by a simple sketch of ballet dancers. Liepa was one of the most significant dancers of his generation, a long-time soloist at the Bolshoi Theatre in Moscow, and one of the most prominent figures in 20th-century classical ballet. This unique artifact not only captures his signature but also includes a personal artistic element, making it an exceptional collectible item.
MARIE ALSOVA (NEDOHLEDANO) | HANDWRITTEN CONGRATULATORY LETTER (CZECH/ BOHEMIAN) | 1914 | profession: Wife of the famous Czech painter Mikolas Ales | country: Czechia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten letter with signature | Lot information | Handwritten name-day greeting from Marie Alesova, the wife of renowned Czech painter Mikolas Ales. The letter is dated April 4, 1914, and originates from Kralovske Vinohrady.In the letter, she expresses heartfelt wishes for health and happiness to the recipient and their family. The document also includes a delicate drawing featuring a folk motif. This is a rare personal artifact connected to the family of one of the most significant Czech artists.
JAROSLAV KOCIAN (1883-1950) | HANDWRITTEN AUTOGRAPH WITH MUSICAL NOTATION (CZECH/ BOHEMIAN) | 1915 | profession: Violinist | country: Czechia | signature: Original signature | size: 160 x 210 mm | technique: Handwritten autograph and music notation by J. S. Bach: Andante | Lot information | Signature of the famous Czech violinist Jaroslav Kocian, accompanied by handwritten musical notes from the Andante by Johann Sebastian Bach. Kocian, one of the most prominent Czech violinists of the first half of the 20th century, was known for his brilliant technique and lyrical tone.The document is dated Prague, October 9, 1915, and represents a unique collectible artifact capturing the mastery of this outstanding musician.
DMITRY SERGEYEVICH MEREZHKOVSKY (1865-1941) | AUTOGRAPH (RUSSIA / RUSSIAN) | 1933 | Dmitry Sergeyevich Merezhkovsky (Дми́трий Серге́евич Мережко́вский) | profession: Poet | country: Russia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten autograph on a paper card | Lot information |Handwritten signature of Dmitry Sergeyevich Merezhkovsky from 1933, a Russian writer, philosopher, and literary critic. The autograph is elegantly placed in a mat along with a period portrait of the author, on which his printed signature also appears. Merezhkovsky was one of the key figures of Russian symbolism and literary modernism. His works focused on historical and philosophical themes, often analyzing the relationship between religion, culture, and politics. An interesting collectible artifact presented in a representative style.
ALEXANDR I. PAVLOVIC (1777-1825) | PORTRAIT BY LITHOGRAPHER FRANCESCO VENDRAMINI (RUSSIA / RUSSIAN) | Alexandr I. Pavlovic (Александр I Павлович) | profession: Tsar | country: Russia | signature: Marked in the board | size: 310 x 260 mm (size of the pad) | technique: Lithograph on paper by Francesco Vendramini (1780 - 1856) by drawing by Louis de Saint-Aubin | Lot information |Rare lithograph depicting the portrait of Tsar Alexander I Pavlovich, who ruled the Russian Empire from 1801 to 1825. The artwork was created by renowned Italian lithographer Francesco Vendramin, whose precise technique emphasizes the tsar's majestic expression and his ornately decorated military uniform adorned with orders. Based on the original artistic model, the lithograph was dedicated to Empress Maria Feodorovna, the mother of Alexander I. This graphic print is a significant historical artifact, commemorating the reign of a ruler who played a key role in the Napoleonic Wars and the formation of the Holy Alliance.
KORNEL MAKUSZYNSKI (1884-1953) | HANDWRITTEN LETTER WITH SIGNATURE (POLAND / POLISH) | 1929 | profession: Writer | country: Poland | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten text with signature | Lot information | This rare autograph contains a fragment from the opera Krol Roger and is dated October 22, 1932, in Prague. Szymanowski, the most prominent Polish composer of the first half of the 20th century, is known for his original musical synthesis of impressionism, Oriental influences, and innovative harmonies. This document represents an important artifact associated with his peak creative period.
SAMUIL YAKOVLEVICH MARSHAK (1887-1964) | AUTOGRAPH WITH DEDICATION (RUSSIA / RUSSIAN) | 1962 | Samuil Yakovlevich Marshak (Самуил Яковлевич Маршак) | profession: Writer | country: Russia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten letter with signature | Lot information |Handwritten dedication and signature of the famous Soviet poet, playwright, and translator Samuil Yakovlevich Marshak, written in Moscow on November 23, 1962. Marshak is best known as the founder of Soviet children's literature, author of popular fairy tales, poems, and translations of English literature, including works by William Shakespeare.Original text in Russian:"Мой сердечный приветДорогому Карлу Шафранеку,С. МаршакМосква, 23-XI-1962"English translation:"My heartfelt greetings to dear Karel Safranek,S. MarshakMoscow, November 23, 1962."This handwritten dedication represents a valuable artifact from one of the most influential figures in Soviet literature, whose works shaped generations of readers and contributed significantly to the development of children's poetry and literary translation in the Soviet Union.
KAROL MACIEJ SZYMANOWSKI (1882-1937) | HANDWRITTEN SIGNATURE WITH MUSICAL NOTATION AND DEDICATION (POLAND / POLISH) | Prague 1932 | profession: Composer | country: Poland | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten notation by Krol Roger with signature | Lot information | This rare autograph contains a fragment from the opera Krol Roger and is dated October 22, 1932, in Prague. Szymanowski, the most prominent Polish composer of the first half of the 20th century, is known for his original musical synthesis of impressionism, Oriental influences, and innovative harmonies. This document represents an important artifact associated with his peak creative period.
JERZY ZAGORSKI (1907-1984) | MANUSCRIPT WITH DEDICATION TO DIRECTOR BURIAN (POLAND / POLISH) | 1958 | profession: Poet | country: Poland | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten text with signature | Lot information | Handwritten note on the letterhead of the book Swieto Winkelrida by Andrzejewski and Zagorski, dated March 14, 1958, in Warsaw. Jerzy Zagorski addresses a personal dedication to director Burian, in which he praises his outstanding directorial work on the production of Romeo and Juliet, which left a deep impression on the audience.The text is signed by the author and includes his address in Warsaw (Zoliborz). This document is a remarkable collectible artifact reflecting cultural connections and the theatrical scene of the second half of the 20th century.
PAUL MAXIMILIEN LANDOWSKI (1875-1961) | POEM WITH DEDICATION AND SIGNATURE (POLAND / POLISH) | 1939 | profession: Sculptor | country: Poland / France | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten poem dedicated to Karel Safranek | Lot information |Handwritten poem dedicated to Czech sculptor Karel Safranek. The text reflects the strength of the human spirit and its resilience against obstacles, while also paying tribute to the art of sculpture. The author compares Safranek's work to the masterpiece of the divine Michelangelo and extends his admiration to other artists as well. This unique manuscript is not only a literary artifact but also a rare testament to the artistic connections between creators from different fields.
JAN EVANGELISTA KUBELIK (1880-1940) | HANDWRITTEN AUTOGRAPH WITH VIOLINIST DRAWING (CZECH/ BOHEMIAN) | 1915 | profession: Violinist | country: Czechia | signature: Original signature | size: 210 x 160 mm | technique: Handwritten autograph | Lot information | Signature of the famous Czech violinist Jan Kubelik, accompanied by a stylized drawing of the violinist in action. Kubelik was considered one of the most prominent violin virtuosos of his time, and his technical brilliance earned him international fame.The document is dated January 9, 1915, and represents a unique artifact that combines the artist's signature with his artistic expression.
GUNDULA JANOWITZ (1937*) | AUTOGRAPHED PHOTOS (AUSTRIA / AUSTRIAN) | profession: Soprano | country: Austria | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten signature on the photo | Lot information | Black-and-white portrait photograph of the renowned Austrian soprano Gundula Janowitz (born 1937), one of the most celebrated opera singers of the 20th century. Her career began at the Vienna State Opera in 1960, where she quickly established herself as a leading interpreter of Mozart, Strauss, and Bach operas.Below the photograph is the handwritten signature of Gundula Janowitz, making this artifact highly valuable to collectors.
KAZIMIERZ PRZERWA-TETMAJER (1865-1940) | AUTOGRAPH WITH DEDICATION (POLAND / POLISH) | 1904 | profession: Writer | country: Poland | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten text with signature | Lot information | Original handwritten dedication and signature of the renowned Polish writer, poet, and playwright Kazimierz Przerwa-Tetmajer. The document contains a dedication addressed to Adolf Cerny and is part of the second volume of his work Na skalnem Podhalu, published in Warsaw in 1904.Kazimierz Przerwa-Tetmajer was one of the most significant Polish literary figures of the late 19th and early 20th centuries, closely associated with the Mloda Polska (Young Poland) movement. His poetry and prose often reflected the Tatra landscape and the folklore of the Podhale region.This document is a rare example of personal correspondence from a distinguished author, making it a valuable collectible artifact.
IVAN MESTROVIC (1883-1962) | HANDWRITTEN AND SIGNED LETTER (JUGOSLAVIA / JUGOSLAVIAN) | 1933 | profession: Sculptor | country: Jugoslavia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten letter with signature | Lot information | Handwritten letter by the renowned Croatian sculptor Ivan Mestrovic, written and signed in Split on September 26, 1933.Original text in Croatian:"Postovani gospodine!Tek mi je sada vase pismo prispjelo u ruke, te rado ispunjam vase zelje i klijetim se sa osobitim postovanjem.Split, 26. IX. 1933."English translation:"Dear Sir!Your letter has just reached my hands, and therefore I will fulfill your request and remain with deep respect.Split, September 26, 1933."Ivan Mestrovic was one of the most significant sculptors of the 20th century, whose monumental works carry strong historical, religious, and national themes. His work influenced not only the Balkan sculptural tradition but also European modernism. Mestrovic was the first sculptor to have a solo exhibition at the Metropolitan Museum in New York during his lifetime.This handwritten document represents a unique collectible artifact, reflecting his personal and professional relationships."
GENNADY NIKOLAYEVICH ROZHDESTVENSKY (1931-2018) | AUTOGRAPHED PHOTO (RUSSIA / RUSSIAN) | 1974 | Gennady Nikolayevich Rozhdestvensky (Генна́дий Никола́евич Рожде́ственский) | profession: Conductor | country: Russia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Original photograph with handwritten signature | Lot information |Black-and-white photograph of renowned Russian conductor Gennady Nikolayevich Rozhdestvensky with his handwritten signature in red ink, dated June 2, 1977. Rozhdestvensky was one of the key figures in the 20th-century conducting scene, known for his precise leadership of orchestras such as the Grand Symphony Orchestra of All-Union Radio and Television, BBC Symphony Orchestra, Vienna Symphony Orchestra, and the Royal Stockholm Philharmonic Orchestra. His interpretations of Shostakovich, Prokofiev, Mahler, and others were highly praised for their analytical approach and emotional depth. This autograph originates from his visit to Prague and represents a noteworthy collector's artifact documenting his artistic career.
ADOLF KASPAR (1877-1934) | AUTOGRAPH (CZECH/ BOHEMIAN) | 1917 | profession: Painter | country: Czechia | signature: Original signature | size: 210 x 160 mm | technique: Handwritten autograph | Lot information | Signature of the prominent Czech painter and illustrator Adolf Kaspar, dated 'Prague 25th September 1917'. Kaspar is primarily known for his illustrations for the works of Alois Jirasek and Bozena Nemcova. This autograph represents an interesting collectible artifact associated with one of the most significant Czech illustrators of the first half of the 20th century.
JOSEF HOLECEK (1853-1929) | HANDWRITTEN VERSE FROM THE BOOK SOKOLOVIC (CZECH/ BOHEMIAN) | profession: Writer | country: Czechia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten letter with signature | Lot information | Handwritten verse by Josef Holecek, a prominent Czech poet and journalist. This text is part of his literary work Sokolovic, in which he focuses on a realistic portrayal of life and the emotional experiences of his characters. The letter contains his verse, accompanied by his signature:"Krasny prirodni dar byl matek stroj,dobrou dava, pece tu nastroji,velikemu nasemu prani cil,ale take tuz je co si manzeli."("A beautiful natural gift was the mother's machine,she gives well, care arranges it here,a great goal of our wish,but also a bond that makes one a husband and wife."â€)This selected verse from his work reflects a deep understanding and contemplation of human relationships and social values. Holecek was known for his literary realism and focus on the Czech national identity, making this handwritten piece a valuable literary artifact.
IVAN YAKOVLEVICH BILIBIN (1876-1942) | DEDICATION WITH SIGNATURE (RUSSIA / RUSSIAN) | 1935 | Ivan Yakovlevich Bilibin (Ива́н Я́ковлевич Били́бин) | profession: Painter | country: Russia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Card with handwritten dedication and signature | Lot information |Card with a handwritten dedication and signature of the prominent Russian illustrator and theatre designer Ivan Yakovlevich Bilibin, dated 18 June 1935. Bilibin was one of the most important artists of Russian Modernism, especially famous for his illustrations of Russian fairy tales and stage designs for opera and theatre productions. Original text in Russian:"Во воспоминание о первый представлении"Tsar Saltan" in beautiful Prague.18/VI 1935И. Bilibin"Translation in Czech:"In memory of the first performance of "Tsar Saltan" in beautiful Prague.June 18, 1935I. Bilibin"A rare collector's artifact associated with one of Russia's most important illustrators and his work on the set design of Nikolai Rimsky-Korsakov's opera "The Tale of Tsar Saltan".
TOMAS GARRIGUE MASARYK (1850-1937) | POSTCARD WITH PRINTED SIGNATURE (CZECH/ BOHEMIAN) | 1917 | profession: President | country: Czechia | signature: Printed autograph | size: 90 x 145 mm | technique: Printed signature on a postcard (issued by the Union of Czechoslovak Students) | Lot information | Historical postcard depicting Tomas Garrigue Masaryk at work at a desk in an interior, likely during his stay in Kyiv in 1917.In the upper left corner, there is a printed signature and date: "T. G. Masaryk, Kyiv, 30 (17), XI. 17." The postcard was issued by the Czechoslovak Student Union.T. G. Masaryk played a key role in the struggle for the independence of Czechoslovakia, and his stay in Kyiv was part of his diplomatic activities in the formation of the Czechoslovak Legions. This artifact is a valuable historical document illustrating his international activities.
JOSEF CAPEK (1887-1945) | ORIGINAL SIGNATURE ON PHOTO (CZECH/ BOHEMIAN) | profession: Painter | country: Czechia | signature: Original signature of the ink on a photograph from the series of portrait photographs "Gallery of outstanding personalities" from the studio of Jindrich Vanek | size: 310 x 260 mm (size of the pad) | technique: Postcard from the studio | Lot information | Portrait of Czech writer, painter, and journalist Josef Capek, one of the most prominent Czech intellectuals, known for his works for both children and adults.This original photograph comes from the portrait series "Gallery of Outstanding Personalities", created by renowned photographer Jindrich Vanek.The photograph captures Capek in his distinctive appearance, wearing glasses and elegant attire, and is accompanied by his ink signature.This authentic artifact is valued not only for its historical significance but also as an important testament to a figure who helped shape Czech culture and literature.
HENRI FANTIN-LATOUR (1836-1904) | HANDWRITTEN LETTER (FRANCE / FRENCH) | 1903 | profession: Painter | country: France | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Personal letter | Lot information |"January 26, 1903 Sir, It will be possible to come and photograph my painting on Monday or next Tuesday from 9 to 11 o'clock or from 5 to 3 o'clock on the same days. My painting is not quite finished. Please accept the expression of my highest consideration. H. Fantin-Latour 81, rue des Beaux-Arts" Original French text: "26 Janvier 1903 Monsieur, On pourra venir photographier mon tableau Lundi ou Mardi prochain de 9h a Onze heures ou de 5h a trois les memes jours mon tableau n'est pas tout a fait achieve. Veuillez agreer l'expression de ma consideration la plus distinguee. H. Fantin-Latour 81, rue des Beaux-Arts" This personal letter from Henri Fantin-Latour, a renowned 19th-century French painter, was sent in 1903 regarding his unfinished painting, which was to be photographed. The letter is written in elegant handwritten script and reflects the artist's attention to detail and his dedication to his craft. This document is a remarkable historical artifact, showcasing the painter's care for his work and his engagement in artistic communication.
MAX SVABINSKY (1873-1962) | BROMOGRAPHY WITH ORIGINAL AUTOGRAPH AND LETTER (CZECH/ BOHEMIAN) | 1927 and 1928 | profession: Painter | country: Czechia | signature: Original signatures | size: 310 x 260 mm (size of the pad) | technique: Bromograph with original autograph from 1928 and letter from December 1927 | Lot information | This photograph, a well-known bromograph, captures one of the most significant Czech artists, Max Svabinsky, with his original signature and dated July 2, 1928.The photograph comes from a professional studio and reflects the characteristic style of Svabinsky, who gained fame for his portraits and graphic works.Included in this auction is also a letter sent by Svabinsky in December 1927. The letter is addressed to "Slovutnemu panu doktoru" ("Esteemed Doctor"), in which Svabinsky expresses his gratitude and extends warm Christmas wishes, accompanied by a small Christmas gift as a token of appreciation.This rare letter, featuring the artist's personal signature, is a valuable artifact for collectors—not only for its historical significance but also for the personal touch it conveys from a time when Max Svabinsky was one of the leading Czech painters and graphic artists.
HANS HARTUNG (1904-1989) | HAND SIGNED NEW YEAR'S CARD (GERMANY / GERMAN) | 1975 | profession: Painter | country: Germany / France | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten New Year's greeting on a paper card | Lot information |Handwritten New Year's greeting with the signature of Hans Hartung, one of the most prominent representatives of lyrical abstraction and tachisme. Text in French: "MEILLEURS VÅ’UX Janvier 1975 Excusez-nous!!! Nous tacherons de mieux faire prochainement. Mille pensees tres cordiales de votre Hans Hartung." Translation into English: "Best Wishes January 1975 Excuse us!!! We will try to do better next time. A thousand warm thoughts from your Hans Hartung." Hans Hartung was a Franco-German painter and graphic artist, known for his gestural painting and dynamic brushstrokes, which influenced the direction of abstract expressionism. His works are represented in the most prestigious galleries and museums around the world. This personal message with the artist's handwritten signature is a unique collector's artifact reflecting Hartung's personality and style.
LEOPOLD STOKOWSKI (1882-1977) | AUTOGRAPHED PHOTO (POLAND / POLISH) | 1961 | profession: Composer and conductor | country: Poland / USA / Great Britain | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten signature on paper | Lot information | Photograph with a handwritten signature, dated May 20, 1967. Stokowski was one of the most significant conductors of the 20th century, known for his innovative interpretations of classical music and his collaboration with the Philadelphia Orchestra, where he created the distinctive "Stokowski Sound." He also gained fame for his work on the music for Walt Disney's animated film Fantasia. This autograph represents a valuable collectible artifact linked to his rich musical career.
ALEKSANDR TRIFONOVICH TVARDOVSKY (1910-1971) | A POEM WITH A SIGNATURE (RUSSIA / RUSSIAN) | 1963 | Aleksandr Trifonovich Tvardovsky (Александр Трифонович Твардовский) | profession: Poet | country: Russia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten poem with signature | Lot information |Handwritten quote by Russian poet and journalist Alexander Trifonovich Tvardovsky, accompanied by his signature and dated December 2, 1965, in Barvikha near Moscow. The text refers to his famous work Terescenko na bozim soude ("Терещенко на божьем суде"), a well-known poem from his literary period.Tvardovsky was one of the most significant Soviet poets, whose work influenced generations of readers. He is best known for his cycle about the soldier Vasily Tyorkin, where he masterfully combined serious and satirical motifs. As the editor-in-chief of the magazine Novyj mir, he played a significant role in publishing works by critics of the Soviet regime.This is a rare collector's artifact, combining literary significance with the author's personal handwriting.
A beautifully crafted antique cameo brooch, marked "SILVER" on the back, indicating the frame is sterling silver. The cameo is carved from what appears to be a natural material, likely shell, showcasing fine detailing and craftsmanship. The subject is a classical profile of a woman adorned with a pearl necklace, a traditional motif in Victorian and Edwardian jewelry. Dimensions: Height: Approximately 4 cm Width: Approximately 3 cm Features: Material: The cameo is carved with high precision, displaying natural variations and color typical of shell cameos. Frame: The silver setting features a delicate scalloped design, enhancing the elegance of the piece. Marking: The word "SILVER" is engraved on the reverse, confirming the material of the frame. Condition: The brooch is in excellent antique condition, with no visible chips or cracks in the cameo. The silver frame shows minor age-appropriate tarnishing that adds to its vintage charm. Stylistic Notes: This brooch represents a classic example of Victorian or early 20th-century cameo jewelry, prized for its elegance and the skill required to carve such intricate designs by hand. Cameos of this type were often cherished heirlooms, symbolizing refinement and status. Historical Significance: The use of shell and silver in cameos became popular in the late 19th and early 20th centuries, making this piece both a collectible and a wearable artifact of history. This brooch is a fine example of antique jewelry, suitable for collectors or those looking for a timeless accessory with historical significance.
A unique handcrafted string instrument featuring a resonator bowl made from a hollowed coconut shell. The instrument showcases a dark wooden neck with a fretboard inlaid with simple dot markers, leading to a carved headstock with four wooden tuning pegs. The coconut shell body gives this piece a rustic and organic appeal, likely crafted in the folk music traditions of Southeast Asia or Africa. The strings are stretched across a wooden bridge inside the shell, adding to its traditional aesthetic. A rare and decorative musical artifact with cultural significance.Issued: 20th centuryDimensions: 13.5"HCondition: Age related wear.
Magic Lantern Slide of Fairbottom Bobs, Newcomen-Type Beam EngineStandard squate magic lantern Slide, label in script reads '200 Fairbottom Nr Oldham', slide shows a very clear image of the Newcomen-type steam engine, used in the 18th century as a pumping engine to drain Fairbottom's colliery near Ashton-under-Lyne.Footnote:Fairbottom Bobs is a Newcomen-type beam engine taht was installed around 1760 or 1764 at Cannel Colliery in Fairbottom, near Ashton-under-Lyne, England. Its primary function was to pump water from the colliery, featuring a 28-inch (71 cm) bore cylinder with an 8-foot (2.4 m) stroke, capable of raising water from a depth of 240 feet at 14 strokes per minute.The engine's design included a single wooden king post beam with wrought iron straps and wooden arch heads at each end, supported by a dressed stone pillar. Notably, there was no engine house or roof to protect it from the elements.Beyond draining the colliery, Fairbottom Bobs contributed to maintaining water levels in the Ashton Canal by discharging into the Fairbottom Branch Canal at Fennyfield Bridge. After the colliery ceased operations in the 1820s, the engine continued to function until its abandonment in 1826 or 1827.In 1927, Henry Ford acquired the engine for preservation. It was dismantled and reassembled at the Henry Ford Museum in Dearborn, Michigan, where it remains on display as a significant artifact of early steam engineering.
a collection of 17 albumen prints, c.1894-1894, photographed by Lt Somerville during the work of the survey ship The Penguin in 1893, 12 mounted as gold-edged cabinet cards with annotations in blue pencil verso, some with additions in a later hand, one portrait/self-portrait titled 'Mr B T Somerville' 'The Penguin's Photographer', one titled Njaku and his canoe Mungeri' (a later printing from the negative, a gelatin silver print dated 1897 is in the British Museum, (Museum number Oc,B36.2), others showing native men and boys, and members of the ship's crew, with another smaller, also by Somerfield, captioned 'Shaving with a piece of glass at Ugi, one unmounted albumen print, again by Somerville, captioned 'Camping Party landed at Solomon Islands' with three further smaller albumen prints, apparently from the same expedition, cabinet cards 16.5cm x 10.6cm, images typically 10cm x 14.5cm, smallest three 10.5cm x 7.2cmH.M.S. Penguin and the 1893 Solomon Islands ExpeditionH.M.S. Penguin was a Royal Navy survey vessel that played an important role in charting the waters of the Pacific in the late 19th century. In 1893, Penguin undertook an expedition to the Solomon Islands, contributing significantly to British naval and scientific knowledge of the region.The primary purpose of the voyage was hydrographic survey work, mapping uncharted areas to improve navigation and facilitate safe passage for naval and commercial vessels. This work helped establish reliable maritime routes in the western Pacific. Additionally, the crew engaged in artifact collection, acquiring ethnographic items and natural specimens, many of which were later housed in British institutions, offering insight into the diverse cultures and ecosystems of the Solomon Islands.The expedition’s historical significance lies in its contribution to both imperial expansion and scientific inquiry, reflecting the dual role of the Royal Navy in exploration and colonial administration during the late Victorian era.
Presenting an Antique Solid Silver Presentation Tray of remarkable historical and sentimental importance, crafted in 1925 by the distinguished Goldsmiths & Silversmiths Company of 112 Regent Street, London. This masterfully fashioned piece weighs approximately 730 grams and measures 25.5 cm in width. Its subtly octagonal outline rests on four dainty, claw-like feet, adding both balance and visual intrigue. The tray bears a full set of clear hallmarks, attesting to its maker and purity, and exemplifies the graceful styling and superb craftsmanship for which London’s finest silversmiths were renowned in the early 20th century.What elevates this tray beyond exquisite form and silver content is its unique provenance. It was presented to Lieutenant Robert Francis Lochee Bush (later Brigadier R.F.L. Bush, Royal Artillery) by the officers of the 19th Field Brigade on the occasion of his marriage on November 28th, 1925. Richly engraved across the tray’s surface are the names and signatures of many of these officers, capturing a moment in time when camaraderie, loyalty, and celebration converged. This personal touch provides an immediate, tangible link to the military circles of post-World War I Britain and to one distinguished soldier’s journey within the Royal Artillery.Lieutenant (later Brigadier) Robert Francis Lochee Bush was born on 15 May 1896 and passed away on 21 November 1955. Throughout a notable military career, he rose through the ranks—receiving acting, temporary, and substantive promotions from Major to Lieutenant-Colonel, Colonel, and ultimately Brigadier—reflecting his dedication and leadership. His service record includes pivotal appointments such as Commanding Officer of the 23rd Field Regiment Royal Artillery during the early years of the Second World War, before going on to command other brigades. He finally retired in 1948, having been granted the honorary rank of Brigadier.R.F.L. Bush’s connection to Robert Edwin Bush adds further depth to this story. The senior Bush was a philanthropist and public figure who, after returning to England in the early 1900s, purchased Bishop’s Knoll in Stoke Bishop, near Bristol. He married Margery Scott in 1907, served as Sheriff of Bristol in 1911, and became President of the Gloucestershire County Cricket Club in the same year. During World War I, Robert Edwin Bush famously converted Bishop’s Knoll into a hospital for wounded soldiers—funding its operations himself and personally serving as an ambulance orderly. This act of generosity and service to others exemplified the Bush family’s commitment to duty and compassion, traits that would have undoubtedly influenced young Robert Francis Lochee Bush in his own military endeavors.By 1919, Robert Edwin Bush’s philanthropic activities led to his role as an Australian delegate to the International Red Cross meeting in Geneva. He later engaged in both the film industry and broadcasting, traveling the world extensively until his death at Bishop’s Knoll on 29 December 1939. The Bush family’s extensive legacy of public service, military distinction, and transnational ties (spanning Britain, Australia, and beyond) weaves an extraordinary backdrop for the presentation tray offered here.Every aspect of this 1925 solid silver tray resonates with layers of history—an object commissioned to mark a joyous marriage within a prominent family, enriched by the respect and fellowship of military officers who signed their names in tribute. The tray’s regal lines and balanced proportions are underscored by the four decorative feet, while the engraved text and signatures create a mesmerizing focal point that entices collectors and historians alike.For connoisseurs of militaria, family history, or fine silver, this tray represents a compelling convergence of aesthetics, heritage, and personal narrative. In the same piece, you witness the elegance of London silversmithing, the storied career of an officer who rose to the rank of Brigadier, and the philanthropic achievements of a remarkable family that shaped British and Australian military and civilian life.This offering is not merely a collectible but a tangible document of its era, bridging personal sentiment with broader historical currents. Its presence at auction is a rare opportunity to acquire an artifact that embodies the spirit, service, and celebration of an influential family—and a lasting tribute to the dedication and fellowship of the officers of the 19th Field Brigade.In summary, the Antique Solid Silver Presentation Tray is:Crafted in 1925 by the Goldsmiths & Silversmiths Company (London).Approximately 730 grams, 25.5 cm wide, with a roughly octagonal shape and claw-like feet.Engraved with multiple signatures of the 19th Field Brigade, marking Lieutenant R.F.L. Bush’s marriage on November 28, 1925.Imbued with a rich family history, extending from Robert Edwin Bush’s WWI-era philanthropy to Brigadier Bush’s distinguished military career.This remarkable piece stands as a testament not just to fine silver artistry, but also to a storied lineage and a vivid chapter in 20th-century military history—an incomparable addition to any discerning collection.
10th-12th century A.D. With detailed depiction of a bird of elongated form on a dense field of flowing, intricate vegetal motifs with turquoise-coloured detailing; exterior ringed with a Kufic inscription, probably a blessing or prayer for the owner, written in a stylised script; heavily restored with overpainting. 569 grams, 20.5 cm (8 1/8 in.). [No Reserve] Acquired prior to 1998. Private collection, London.The Sultanabad region was renowned for its high-quality ceramics during the Seljuk period. While the precise translation of the legend is uncertain, such inscriptions were commonly used to invoke protection or good fortune, making the object not only a functional piece but also a meaningful, personal artifact.
A Fiji tapa cloth, 1940 or earlier, with dedication to John Miller on his 60th birthday, height 134 x 42.5cm. Original letter was placed inside the rear of the frame. Tapa cloth, made from the bark of trees and traditionally used by many Pacific Island cultures, is often prized for its intricate patterns and symbolic meaning. This particular piece was purchased in Fiji in 1940, during a pivotal time in history, as World War II was underway. It was gifted to Cornish artist John Miller on his 60th birthday by Tommy and Tean Craske-Rising, a couple with a fascinating history of their own. Tommy was a former headteacher at Penzance Boys Grammar School, and the couple shared a personal connection with Miller, who was a beloved artist in Cornwall. The provenance of the cloth adds to its mystique, as the accompanying letter conveys an extraordinary tale of survival and gratitude. The letter recounts the journey the cloth made during the Second World War, from Fiji across the Pacific Ocean and then through the Atlantic, following the perilous convoy journey where Tommy and Tean were miraculously spared from the convoy being wiped out. The letter reflects the belief that the cloth carried some sort of protective magic, preserving the lives of those who carried it. The Tapa cloth’s journey, with the letter conveying this story, becomes a precious artifact of not just artistic and cultural value, but also of historical importance, especially with the tie-in to wartime survival and the bond it represents between the artist and the Craske-Rising family. This gift, imbued with the luck and wishes of the couple, stands as a meaningful gesture for John Miller and continues to serve as a reminder of the intertwined histories and experiences of the people who gifted and received it.
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