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Five volumes including Island of Bali by Miguel Covarrubias, published 1937. Two volumes More than Shadows a biography of W. Russell Flint. Rubaiyat of Omar Khayyam 1974 printing by Grosset & Dunlop and another

ADOLFS, G.P. Bali and Java - Java-China-Japan-Lijn. (Ca. 1938). Pen and ink drawings w. small explanatory texts. Or. cold. wrps., stab sewn w. sturdy yarn. (Spine foxed but otherwise in good condition). -- Added: M.S. TJITJALENGKA (Ca. 1938). Information brochure about the, at the time, newest ship of the J.C.J. Lijn, w. many drawings & b&w photos. Owrps. -- (2).

Royal Crown Derby table china - a set of six Green Derby panel pattern 27cm diameter dinner plates, (all seconds) others nine Caliph pattern 21.5cm dessert plates, nine Caliph 16cm diameter side plates, a bali cake stand, mostly seconds, part unmarked training pieces qty

A Large Astrological Calendar, Palelintangan, Bali, Indonesia. Probably early 20th C.Watercolor on canvas.Maroufled on another canvas.(147,5 x 178 cm)Canvas Dimensions:(W:159 x H:128 cm)

A hand-carved Indonesian-style wooden dance mask, likely from Java or Bali, with exaggerated features and remnants of original paintwork and wear, size 15x15cm.

A LLADRO FIGURINE 'BALI DANCER POSE' no. 6142, sculptor Francisco Polope, issued 1994, retired 1997, glaze finish, height 23cm, marked on the base and impressed details (1), (Condition Report: overall ok condition there is damage to some of the flowers on the headdress, would benefit a clean)

A CARVED WOOD PULLEY, BALI, INDONESIA, 19TH CENTURY in the form of a leonine naga with serpentine body, the wheel with handle at the centre, a frog crouching on its tail, 21.5cmSlightly worn and chipped

Indonesien - - Sammlung von 152 OPhotographien mit Aufnahmen aus Bali. Vintages. Silbergelatineabzüge. Um 1954. Versch. Formate von ca. 6 x 6 bis 18 x 23 cm. Mont. in Album d. Zt. Quer-4°. Ldr. mit Kordelbindung (etw. berieben u. fleckig). Gezeigt werden u.a.: Tempel, Einheimische, Tänze, Maskierte, überschwemmte Straßen, Brand, Landschaften, Familienphotos. - Darunter 1 koloriertes u. 1 Farbphoto. - Gelegentlich gering ausgesilbert, tls. montagebedingt etwas wellig, insg. wohlerhalten. Indonesia - Collection of 152 orig. photographs with pictures from Bali. Vintages. Silver gelatin prints. Mounted in contemp. album. Leather with cord binding (somewhat rubbed and stained). - Shown are among others: Temples, natives, dances, masked people, flooded streets, fire, landscapes, family photos. - Including 1 coloured and 1 colour photo. - Occasionally slightly silvered, partly somewhat wavy due to mounting, overall well preserved.

Albert Edward Halliwell (1905 - 1987), an original painted posted design for The British Museum, and another poster designed for Bali 1920s, 25cm x 15cm, unframed (2)Good condition

S4a Flown London to Sydney 1969 Signed Pilot Sqn Ldr J C Waters. 17 Dec 69 BFPS 1105 London to Sydney Air Race Commemorating the 50th Anniversary of the First Flight from England to Australia 12th Nov to 10th Dec 1919. Royal Air Force Biggin Hill. Green Flown cachet Flown by Sqn Ldr J C Waters RAF in Piper Aztec G ARXF from Gatwick to Athens to Bahrain to Karachi to Calcutta to Singapore to Bali to Darwin to Alice Springs to Adelaide to Sydney. Total Flying time 65 hrs 36 mins. Total time elapsed 73 hrs 56 mins. Added red cachet 29th Overall 19th Class B 8th British Registered Aircraft. Personally Signed Sqn Ldr J C Waters. Backstamped 2 Ja 70 GPO Sydney 139 NSW AUST. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

A framed and glazed montage of 1930s real photographic postcards of Bali and its people; From the collection of Helen L Pinkney, an American from the Dayton Art Institute who died in 2001 aged 90, frame approx. 91cm x 71cm.

A Bokara style cotton wall hanging, bought in Bali by repute, on a carved wooden pole, 94cms long.Location: GIf there is no condition report shown, please request

A Royal Crown Derby Bali pattern octagonal bowl, 21cm wide, second; a Bali pattern side plate, pattern number 8687, second; a Royal Doulton figure, With Love HN3393, second; a Beswick Beatrix Potter model; three Abbeydale trinket dishes; a Royal Crown Derby commemorative five petal tray; etc

CHRIS | INDONESIA (BALI), INDONESIAN | Country: Indonesia (Bali) | Date: 19th century | Condition: Excellent | Lot information | A traditional oriental weapon originating from Bali, Indonesia, made in the 19th century. The Kris is known for its signature wavy blade, which in this case is Damascus, adding to its strength and aesthetic value. The handle is richly carved, suggesting that it is a representative or ceremonial piece. This type of weapon had not only combat but also symbolic and spiritual value in Indonesian culture. | Dimensions | Length: 415 mm | Blade: 325 x 23 mm | Weight: 170 g***IMPORTANT NOTICE*** | SHIPPING ONLY WITHIN THE EUROPEAN UNION | Bidders are obliged to inform themselves about the condition of the lots before the auction, subsequent complaints will not be taken into account.

A 20th century Balinese painting of masks. Signed Suardi, Ubud Bali. 14cm x 20cm, glazed and in a green painted carved wood frame.

A striking giclee photograph by Monica and Michael Sweet, titled Rainbow Bali Hai, capturing the breathtaking natural beauty of Kauai's north shore. This vivid landscape features the turquoise waters of the Pacific gently lapping against the golden sands, with the lush, jagged peaks of Bali Hai (Makana Mountain) rising dramatically in the background. The Sweets, known for their vibrant and intimate perspectives of Hawaii, employ a photographic style that enhances the natural radiance of their subjects, emphasizing the interplay of light, water, and sky. The image is framed in a tropical-inspired woven bamboo-style frame, complementing the island aesthetic. Signed by the artists in the lower margin and accompanied by a gallery biography. Framed in a bamboo design frame.Artist: Monica and Michael Sweet (American & Swiss 20th-21st century))Dimensions: 48"L x 25"HCountry of Origin: USA/SwitzerlandProvenance: Galerie Sweet Hawaii Condition: Age related wear.

Royal Crown Derby Bali pattern table service for eight comprised of; a meat dish, another smaller, bread dish, two lidded tureens, gravy boat and stand, another stand, six dinner plates, seven smaller, seven soup bowls and saucers, eight tea cups and saucers, side plates, eight coffee cans and saucers, milk jug, first/ second quality marks.

Royal Crown Derby to include: a Bali trio (coffee can, saucer and plate); a 1128 base coffee can and saucer (unmarked), a Heraldic coffee can and saucer, a Derby Border coffee can and saucer, a Red Aves coffee can, saucer, side and lunch plate, an Olde Avesbury coffee can, saucer, side and lunch plate together Royal Albert Old Country Roses - two sugar bowls, 3 various bon bon dishes and a plate (Q)

Original vintage advertising poster for a French painter's Marthe Van Deryken (1892-1981) artwork exhibition - a Bali et Peintures des annes 1930 a 1940 / in Bali and Paintings from the 1930s to 1940s - held at the Galerie Katia Granoff from 9 to 31 October 1973, featuring artist's painting of long dark haired ladies in red and yellow robes standing in water among lush green tropical leaves. Good condition, light staining, fold. Country of issue: France, designer: Marthe Van Deryken, size (cm): 67x46, year of printing: 1973.

Großer Kris - Indonesien, Bali, gewellte Damastklinge (dapur sangkelat) mit schönem Pamor, Griff „Bebondolan“ aus Edelholz, Mendak aus Metall mit Ziersteinbesatz, Warangka vom Typ Godoan, Holzscheide, leichte Gebrauchsspuren, L. Klinge ca. 46,3 cm/ Gesamtlänge mit Scheide ca. 68 cm

Large Solid wood carved Polynesian Princess bust. Signed A Fatimah of Bali. 39cm in height.

A Royal Crown Derby Royal Pinxton Roses shaped circular dinner plate, 25.5cm diameter; a set of four Posies circular dinner plates; an Olde Avesbury dinner plate; Posies trinket dishes; a Psies miniature teacup and saucer; other Royal Crown Derby, including Mikado, Bali, Devonshire, etc, qty

A pair of carved hardwood sculptures, young man wearing a hat, H34cm, and bust of a young woman, both impressed Klunghung, Bali

A COLLECTION OF ROYAL CROWN DERBY CERAMICS to include a large quantity of 'Derby Posies' items to include six trios (two side plates and a saucer marked second quality), a milk jug, a cream jug, a handled cake plate, three rectangular trinket dishes (one marked second quality), a group of graduating trinket dishes, a dinner plate, an 'Old Aves' saucer, a 'Bali' saucer (marked second quality), and a gilt cobalt floral saucer, etc (qty) (Condition report: itemised conditions above, some light scratches, overall good quality)

3 Blankwaffen, wohl Borneo/Bali um 1900, jeweils in geschnitzten Holzscheiden, einschneidige Stahlklingen, Holzgriffe, einmal mit Eisendrahtwicklung. Das größere Messer mit beschädigtem Griff und geklebter Scheide. Längen ca. 31 - 38 cm, Alters- und Gebrauchsspuren.

A Royal Albert Old English Garden dinner and tea service for six, comprising dinner plates, dessert plates, dessert bowls, side plates, teapot, cream jug, sucrier, coffee cups, teacups and saucers, etc; a pair of Royal Crown Derby Bali pattern diner plates; etc, qty

A Royal Crown Derby Bali pattern part dinner, coffee and tea service, comprising large oval serving platter, dinner plates, dessert plates, side plates, soup bowls and stands, coffee cups and stands, etc, second quality, qty

The Macabre - an Indonesian mother of pearl (pyganodon grandis) shell, pierced and carved with a skeleton and skulls, 26.5cm long, Bali

Künstler/in unbekannt (Bali, Indonesien, 20. Jh.), Traditionelle Szenen, Mischtechnik/Lw.,im Stil v. Mura, Mangku (1920 - 1999), Gr. ca. 107 x 124 cm, gerahmt (ca. 108 x 125 cm). Zustand: Verweis auf Vorbesichtigung. Verpackung und Versand nicht durch das Auktionshaus möglich.

Jen Orpin The Gate, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About The visual representations of landscapes in my paintings and the framed view from the car make up and form the basis of visceral memories and nostalgia, liminal spaces that occupy the landscape between the places and people that mean the most to us. The importance of these external landscapes is often mirrored by the internal dialogue of the driver and passenger with the confinements of the car at times offering an intimate confessional space. The mundanity of these every day actions often belies the truth of deep routed emotions that come with these well-travelled routes and connections to these familiar places. In these paintings I aim to portray this feeling, emotionalism is a key element in the success of each one and as a viewer you are forced to look down the road as its sole traveler and undertake each journey as your own.   Education 1993-1996 BA Hons in Fine Art, Manchester Metropolitan University, UK   1992-1993 Art Foundation, West Surrey College of Art and Design, UK   Solo Exhibitions 2024 We Left Nothing Behind, Union Gallery, London, UK A Navigation Of Memory, Jari Lager Gallery, Seoul, South Korea Art Busan, solo presentation, Jari Lager Gallery, South Korea 2023 The Journey Continues, Saul Hay Gallery, Manchester, UK 2022 Thirteen Bridges, London Modern, Waltham Forest Town Hall, London, UK 2021 The Manchester Modernist Society, Silent Cursors Punctuated Journeys, Manchester, UK   Group Exhibitions 2025 London Art Fair, Saul Hay Gallery, UK A Bell Is A Cup Until It Is Struck, BLOC Projects, Sheffield, UK Journeys, Taylor-Jones & Son, Deal, UK Rolling Action...Paint!, Jari Lager Gallery, Vestfossen, Norway 2024 Here is My Favourite Place, Jari Lager Gallery, Seoul, UK London Art Fair. Encounters Space, Saul Hay gallery, London, UK New Light Art Prize, Bankside Gallery, London, UK New Light Art Prize, Rheged Arts Centre, Penrith, UK A Small Space On Tour, TAT Art Space, Bali Royal Academy Summer Show, London, UK Terrace Open, Patchworks, London, UK Friends Of Dorothy, Refuge. Manchester, UK New Light Art Prize, The Biscuit Factory, Newcastle, UK Connections. MAFA, Stockport War Memorial art Gallery, UK New Light Art Prize, The Mercer Art Gallery, Harrogate, UK Rogue Women 3, curator, Rogue Studios, Manchester, UK The Pearls & The Oyster, The Birley Studios, Preston, UK Manchester Contemporary. Rogue Women stand, Manchester, UK 2023 Rogue Women II. Co-Curated, Rogue Artists' Studios, Manchester, UK Coalescence, Contemporary Six Gallery, Manchester, UK Royal Academy Summer Exhibition. London, UK MAFA Summer Exhibition, Dean Clough, Halifax, UK A Generous Space 3, Huddersfield Art Gallery, UK New Light Art Prize. Williamson Art Gallery, Birkenhead, UK Sight Ingested, part performance. Tokyo My Brutal Life, Moore Street substation, Sheffield, UK Sight Seeing, School of Fine Art, Athens The Bury Open, Bury Museum and Art Gallery, UK ING Discerning Eye, Mall Galleries, London, UK The London Group Open, Copeland Gallery, London, UK Manchester Contemporary. Rogue Women, Curator, UK A Small Space, Square Feet Space, London, UK Daegu Art fair, Jari Lager Gallery, South Korea In Case You Missed It, The Modernist, Manchester, UK Gallery Representation Saul Hay Gallery, Manchester, UK Jari Lager Gallery, London/South Korea Public Collections Manchester Art Gallery, UK New Art Gallery Walsall, UK   Statement about AOAP Submitted Artwork My night driving paintings capture the interplay of artificial and natural light, evoking a sense of solitude, romanticism, mystery, and the fleeting nature of night time journeys. These paintings emphasise contrasts, car headlights pick out the shadowy details and subtle shapes. The soft glow of distant lights offers a visual narrative of transition, introspection, and the quiet beauty of the darkened world outside the car. Through this lens, night driving becomes both a literal and metaphorical journey, often exploring themes of isolation, motion, and the search for meaning in the vastness of the night.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Jen Orpin The Sign, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About The visual representations of landscapes in my paintings and the framed view from the car make up and form the basis of visceral memories and nostalgia, liminal spaces that occupy the landscape between the places and people that mean the most to us. The importance of these external landscapes is often mirrored by the internal dialogue of the driver and passenger with the confinements of the car at times offering an intimate confessional space. The mundanity of these every day actions often belies the truth of deep routed emotions that come with these well-travelled routes and connections to these familiar places. In these paintings I aim to portray this feeling, emotionalism is a key element in the success of each one and as a viewer you are forced to look down the road as its sole traveler and undertake each journey as your own.   Education 1993-1996 BA Hons in Fine Art, Manchester Metropolitan University, UK   1992-1993 Art Foundation, West Surrey College of Art and Design, UK   Solo Exhibitions 2024 We Left Nothing Behind, Union Gallery, London, UK A Navigation Of Memory, Jari Lager Gallery, Seoul, South Korea Art Busan, solo presentation, Jari Lager Gallery, South Korea 2023 The Journey Continues, Saul Hay Gallery, Manchester, UK 2022 Thirteen Bridges, London Modern, Waltham Forest Town Hall, London, UK 2021 The Manchester Modernist Society, Silent Cursors Punctuated Journeys, Manchester, UK   Group Exhibitions 2025 London Art Fair, Saul Hay Gallery, UK A Bell Is A Cup Until It Is Struck, BLOC Projects, Sheffield, UK Journeys, Taylor-Jones & Son, Deal, UK Rolling Action...Paint!, Jari Lager Gallery, Vestfossen, Norway 2024 Here is My Favourite Place, Jari Lager Gallery, Seoul, UK London Art Fair. Encounters Space, Saul Hay gallery, London, UK New Light Art Prize, Bankside Gallery, London, UK New Light Art Prize, Rheged Arts Centre, Penrith, UK A Small Space On Tour, TAT Art Space, Bali Royal Academy Summer Show, London, UK Terrace Open, Patchworks, London, UK Friends Of Dorothy, Refuge. Manchester, UK New Light Art Prize, The Biscuit Factory, Newcastle, UK Connections. MAFA, Stockport War Memorial art Gallery, UK New Light Art Prize, The Mercer Art Gallery, Harrogate, UK Rogue Women 3, curator, Rogue Studios, Manchester, UK The Pearls & The Oyster, The Birley Studios, Preston, UK Manchester Contemporary. Rogue Women stand, Manchester, UK 2023 Rogue Women II. Co-Curated, Rogue Artists' Studios, Manchester, UK Coalescence, Contemporary Six Gallery, Manchester, UK Royal Academy Summer Exhibition. London, UK MAFA Summer Exhibition, Dean Clough, Halifax, UK A Generous Space 3, Huddersfield Art Gallery, UK New Light Art Prize. Williamson Art Gallery, Birkenhead, UK Sight Ingested, part performance. Tokyo My Brutal Life, Moore Street substation, Sheffield, UK Sight Seeing, School of Fine Art, Athens The Bury Open, Bury Museum and Art Gallery, UK ING Discerning Eye, Mall Galleries, London, UK The London Group Open, Copeland Gallery, London, UK Manchester Contemporary. Rogue Women, Curator, UK A Small Space, Square Feet Space, London, UK Daegu Art fair, Jari Lager Gallery, South Korea In Case You Missed It, The Modernist, Manchester, UK Gallery Representation Saul Hay Gallery, Manchester, UK Jari Lager Gallery, London/South Korea Public Collections Manchester Art Gallery, UK New Art Gallery Walsall, UK   Statement about AOAP Submitted Artwork My night driving paintings capture the interplay of artificial and natural light, evoking a sense of solitude, romanticism, mystery, and the fleeting nature of night time journeys. These paintings emphasise contrasts, car headlights pick out the shadowy details and subtle shapes. The soft glow of distant lights offers a visual narrative of transition, introspection, and the quiet beauty of the darkened world outside the car. Through this lens, night driving becomes both a literal and metaphorical journey, often exploring themes of isolation, motion, and the search for meaning in the vastness of the night.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Asia.- Bernard (Paule) [Collection of c.100 loose photographs and c.35 colour diapositives relating to "Troublante Asie"] occasional tears and creasing, trimming to some edges, some duplicates, some with ink ownership stamp, many with ink or pencil inscriptions to versos, colour diapositives in plastic casings with ink manuscript labels, sizes range from c.60 x 65 mm and c.280 x 220 mm [1958]; and several film negatives and a flyer for the film "Troublante Asie" series (small quantity)*** Paule Bernard was a pilot nurse during World War Two and a maker of travel films. She produced several photographic documentaries, films and articles, including the Troublante Asie from which these photographs are related. Images include scenes from Bali, Tahiti, and Laos.

An antique repousse metal mask, likely from Bali, featuring intricate detailing and ornate craftsmanship. This striking mask showcases a serene yet expressive face adorned with elaborate headdress elements, floral patterns, and decorative earrings. The repousse technique brings out fine details, enhancing the textured surface with depth and dimension. The piece is mounted on a decorative metal stand, allowing for display. The aged patina and wear suggest significant age and cultural history, making it a remarkable collectible or display piece.Issued: 20th centuryDimensions: 6.25"HCondition: Age related wear.

Two early to mid 20th century Balinese carved wooden portrait busts of male and female, both inscribed to base 'Klungkung Bali', height of tallest 31cm (2).

HERMÈS Seidencarré "H AU GALOP", by Bali Barret, Entwurf erstmals erschienen 2005. 100% Seide. Blaues Modell gestreift mit Pferdemotiv "Hermès pour Sal. Oppenheimer". Handrollierte Säume. 40 x 40 cm. Gebrauchsspuren dezent vorhanden.| HERMÈS silk carré ‘H AU GALOP’, by Bali Barret, design first published in 2005. 100% silk. Blue striped model with horse motif ‘Hermès pour Sal. Oppenheimer’. Hand rolled hems. 40 x 40 cm. Discreet signs of wear.

Franz Kienmayer, Alpenländisches Bauernhaus und Garten, Ölgemälde, gerahmtFranz Kienmayer, 1886 Wien - 1963 Baden-Baden, österreichischer Maler und Illustrator sowie Orientalist, hier: Sommerlicher Bauerngarten mit junger Frau im Dirndl bei der Ernte vor dem Haus, Öl/Holz, ca. 69,5 x 48,5 cm, sign., im Goldstuckrahmen, beil. kl. KatalogZum Künstler: Frank Kienmayer während wurde im WK 1 als Kriegsmaler in die Kunstgruppe des k.u.k. Kriegspressequartiers aufgenommen. Die Werke aus dieser Schaffensperiode befinden sich heute größtenteils im Heeresgeschichtlichen Museum in Wien. Nach dem Krieg war Kienmayer in Wien, Predlitz-Turrach, Graz, zuletzt in Leipzig und Baden-Baden tätig. In Leipzig wurde er als Kunstprofessor tituliert. Ab 1929 bereiste er Java, Bali und Indonesien, Motive aus dieser Zeit, wie Landschaften, Tempel- und Genreszenen, finden sich heute zahlreich auf Kunstauktionen wieder und befinden sich in Privatbesitz

A collection of Royal Crown Derby China including set of teacups, saucers and side plates in the Bali pattern

Paar Holzfiguren20. Jh., wohl Bali, zwei Gottheiten im prächtigen Gewand, geschnitzt, gefasst, teilweise vergoldet, H. 33 cm

The Macabre - an Indonesian mother of pearl (pyganodon grandis) shell, pierced and carved with a skeleton and skulls, 26.5cm long, Bali

FIVE TEXTILES FROM SUMBA, NEAR BALI, TIMORLargest 170cm x 100cm

Royal Crown Derby, including; Olde Avesbury pattern plate, 28cm diameter, Bali, Mikado plate, Mikado hexagonal plate, conforming tea bowl; 2451 pattern plate; 1128 pattern trinket dish; Pinxton Roses plate; Royal Antoinette; etc, (12 pieces).

Two trays of mainly Aynsley 'Cottage Garden' design items to include: vases, trays, plates, jar and cover etc. Together with and Aynsley 'Bali' coffee pot etc. (2) (B.P. 21% + VAT)

Vier Titel Geschlecht und Kulturbestehend aus: 1) Das Geschlechtsleben der Japaner von Dr. Friedrich S. Krauss, Leipzig im Ethnologischen Verlag 1911, 2) Die Anmut des weiblichen Körpers, von Dr. Friedrich S. Krauss, Leipzig Deutsche Verlagsactiengesellschaft 1906, 3) Bali, Volk, Land, Tänze, Feste, Tempel, von Gregor Krause München bei Georg Müller 1926, 4) Anthropophyteia, Jahrbücher für folkloristische Erhebungen und Forschungen zur Entwicklungsgeschichte der geschlechtlichen Moral, VI Band, herausgegeben von Dr. Friedrich S. Krauss, Leipzig im Ethnologischen Verlag 1909, Format max. 4°, teils deutlichere Alters- und Studierspuren.

Großformatige Marktszene Wayan SadiaEnde 20. Jh., signiert W. Sadia und ortsbezeichnet Ubud Bali, Gouache auf Leinen, auf Keilrahmen aufgezogen, vielfigurige Genreszene mit Darstellung lebhaften Markttreibens inmitten einer Dorflandschaft, aufwendig beschnitzter, teils durchbrochen gearbeiteter Laubholzrahmen, gute Erhaltung, Maße 130 x 90 cm.

Großformatige Marktszene Wayan SadiaEnde 20. Jh., signiert W. Sadia und ortsbezeichnet Ubud Bali, Gouache auf Leinen, auf Keilrahmen aufgezogen, vielfigurige Genreszene mit Darstellung lebhaften Markttreibens inmitten einer Dorflandschaft, aufwendig beschnitzter, teils durchbrochen gearbeiteter Laubholzrahmen, gute Erhaltung, Maße 130 x 210 cm.

A Mexican maskwith carved hair, moustache and beard, and with polychrome painted decoration, 22.5cm higha Bali mask, with an applied hair moustache, 19.5cm high, and an Indian mask, with a cobra surmount, 33.5cm high. (3)

A pair of tropical wooden bookends of a man and a woman, Indonesia, Bali, 1st half 20th century, h 20 cm, tot. 2x.

A pair of tropical wooden bookends in the shape of Ganesha, Indonesia, Bali, mid 20th century, h 34 cm, tot. 2x.

A collection of Indian and Indonesian hardwood carving busts and figures including a Balinese Deity, Bali dancer bust etc. 18 to 33cm tall. postage category C. NO RESERVE

A group of three modern Balinese acrylics on paper, two depicting figures and one a fishing boat with figures, each signed Wy Pageh Ubud Bali and within card mounts and moulded gilt frames, under glass 23cm x 22cm & 37.5cm x 35.5cm overall (2), & 22cm x 18cm & 36cm x 31cm overall.

Very large wooden Buddha with fine gilding, Bali, Indonesia, 20th centuryZeer groot houten Boeddha met fijne dorure, Bali, Indonesie, 20e eeuw100 x 34 x 20 cm

One of the most iconic decades in Broadway history spawned some of the greatest musicals and songs. Here we have a collection of ten mega-hits from the era. Included are Rogers and Hammerstein with South Pacific's Bali Ha'i, If I loved You and You'll never Walk Alone from Carousel, State Fair's It Might As Well Be Spring and You Can't Get A Man With A Gun from Annie Get Your Gun, Al Jolson's Toot, Toot, Tootsie! Is You Is, Or Is You Ain't (Ma' Baby), Ira Gershwin's Make Way For Tomorrow, Irving Berlin's Let's Take An Old Fashioned Walk, Down Argentine Way, and Sammy Cahn's Be My Love. All are standard sheet music size of 12"L x 9"W. Issued: 1940 - 1949Dimensions: See DescriptionCondition: Age related wear.

A Pacific Islands carved wooden mask, 20th century, of shaped rectangular form with stylised features; together with a carved hardwood bust of a woman, marks to base 'A Fatimah Bali', with a further pair of South-East Asian carved busts (4)first height 26cmCondition: General wear otherwise good condition

19th century silver jewellery including Indian Deity locket, on silver circular link chain necklace, hinged bangle with engraved vine leaf decoration, bracelet, coin brooch and one other brooch and a later Bali silver bracelet, with Rangda Demon Queen decorationCondition Report:Approx 203gm gross, pendant locket glass interior, locket diameter = 40cm, chain length = 48cm (excluding pendant links), all tested approx 900-925 silver

Ten black and white photographs, from high schools, Masonic lodges and film sets, including three black and white photographs of 1950s actors including Fred Astaire, Bing Crosby and Bob Hope from the movie 'The Road to Bali', and Jack Lemmon (10).

HOLZFIGUR "DÄMON" / KLINGENGRIFF, Asien/ Bali, wohl 20. Jh., ebonisiertes Holz, geschnitzt und montiert auf ebonisiertem sekundärem Postament. Ursprünglich Handgriff einer Ritualklinge in Form eines Dämons, vermutlich Bhutan Nawasari. H. 12,2 cm. (Spannungsrisse).

Three Asian wooden carved panels from Bali, Laos and Thailand. One panel depicts a landscape with buildings; another depicts three women working under a tree; third depicts Rama & Sita. Largest W 24cm, H 26cm, along with water buffalo bell from Sumbawa, Indonesia, L 27cm, D 8cm, H 12cm without cord; Wooden carved serving utensils in the form of people, L 39cm; Also a carved wood rabbit shaped coconut grater.

Silver Bali Snake Woven Bracelet Sterling 925 chain weight 58g

A collection of Indian and Indonesian hardwood carving busts and figures including a Balinese Deity, Bali dancer bust etc. 18 to 33cm tall. postage category C

ROYAL CROWN DERBY: PART TEA/COFFEE SERVICE, BALI PATTERN AND DERBY BORDERS PATTERN APPROXIMATELY 34 PIECES