‡ MAX BECKMANN (GERMAN 1884-1950) GROSSER STEINBRUCH IN OBERBAYERN (LARGE QUARRY IN UPPER BAVARIA) Oil on canvas Signed and dated 0.34 (upper left) 86.5 x 119cm (34 x 46¾ in.)Painted in Ohlstadt in 1934.Provenance: Studio of the artist Private Collection, Alfred Eisenlohr, Munich (1941-1952) Thence by descent to Marie Louise Eisenlohr, Munich (1952) Private Collection, Walter Feilchenfeldt, Zurich, (acquired from the above in 1971) Kunsthandel Franz Resch, Gauting, (acquired from the above in 1973) Richard L. Feigen, New York, (acquired from the above in 2001)Exhibited: Bern, Kunsthalle Bern, Max Beckmann, Marguerite Frey-Surbek, Martin Christ, Fernand Riard, 1938, no. 19 (as Steinbruch in Bayern) Pforzheim, Kunst und Kunstgewerbeverein Pforzheim, Max Beckmann Ausstellung, March 1954, no. 24 Karlsruhe, Staatliche Kunsthalle (on loan from 1956-1971) Tübingen, Tübingen Kunstverein, Max Beckmann Landschaften und Graphik, June-July 1958, no. 4 Hamburg, Hamburger Kunsthalle: Bielefeld Kunsthalle, Bielefeld; Vienna, Kunstforum Wien, Max Beckmann: Landschaft als Fremde, 1998-1999, no. 34 Paris, Centre Georges Pompidou; London, Tate Modern; New York, Museum of Modern Art, Max Beckmann, 2002-2003, no. 96 New York, Richard L. Feigen & Co, Max Beckmann from Private Collections, 2018Literature: H. Klinkel in Stuttgart Zeitung, Stuttgart, 26 June 1958, n.p. E and B. Göpel eds., Max Beckmann, Katalog der Gemälde, Bern 1976, vol I, cat. no. 392, pp. 265-266, vol II. cat. no. 392, pl. 131 Max Beckmann, Abseits der Großstadt-oberbayerische Landschaft, exhibition catalogue, Schlossmuseum, Murnau, 1998, p.56 Industrie und Natur: Zur Geschichte des Hartsteinwerkes Werdenfels im Murnauer Moos, exhibition catalogue, Schlossmuseum, Murnau 2000, pp.9-10 in detail on the front and back cover Ich kann wirklich ganz gut male: Fredrich August von Kaulbach - Max Beckmann, exhibition catalogue, Schlossmuseum, Murnau, 2002 R. Smith, Max Beckmann, in the New York Times, 6 June 2018, p. CI6 A. Tiedemann, ed. Max Beckmann Catalogue Raisonné der Gemälde, no. 392 https://beckmann-gemaelde.org/392-grosser-steinbruch-oberbayern (accessed on 7 May 2025) For more details on this work, please follow the below link: https://www.dreweatts.com/news-videos/large-quarry-in-upper-bavaria-the-political-expressionism-of-max-beckmann-tales-from-the-art-crypt-works-from-the-richard-feigen-collection-14815/ Condition Report: Please refer to the department for condition report on this lot. Condition Report Disclaimer
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Collection of Manchester Utd match day private boxes, VIP, carvery, grill room etc, pre-match dinner menus to include 1995/96 (3) including Rotor Volgograd (26 September), 1998/99 Arsenal (17 February) (1), 1999/2000 Sturm Graz (2nd November), Valencia (8 December), Bordeaux (1st March), Fiorentina (15 March) x2, Real Madrid (19 April) x2, 2000/2001 (14) including Bayern Munich (3 April), Valencia (20 February), Panathinaikos (21 November), Anderlecht (13 September), 2001/02 (10) including Lille (18 September), Deportivo La Coruna (10 April), Bayern Munich (13 March), Deportivo La Coruna (17 October), 2002/03 (12) including Deportivo La Coruna (11 December), Real Madrid (23 April), Zagreb (27 August), Olympiakos (1st October) Maccabi Haifa (18 September, 2003/04 (11 including Leeds Utd, Manchester City, Arsenal etc.; generally good. Total (58)
Markus Lüpertz 1941 Liberec/Böhmen - lebt und arbeitet in Berlin, Düsseldorf und Karlsruhe Dürers Garten - Feuer. 2001. Öl und Papier auf Leinwand. Links unten monogrammiert. 81 x 100 cm (31,8 x 39,3 in). Im Original Künstlerrahmen. [MH]. • Aus der 20 Gemälde umfassenden Werkgruppe 'Dürers Garten' – eine Hommage an den großen Renaissance-Künstler Albrecht Dürer. • Lüpertz zitiert Dürers Meisterstiche 'Melancholie', 'Hieronymus im Gehäuse' und 'Ritter, Tod und Teufel'. • Markus Lüpertz errichtet in jedem seiner Werke einen neuen bildnerischen Kosmos und lässt dem Betrachter vielerlei Interpretationsspielraum. • Seine Gemälde befinden sich heute in zahlreichen bedeutenden Sammlungen, u. a. im Louisiana Museum of Modern Art, Humlebæk, in der Pinakothek der Moderne, München, sowie im Stedelijk Museum, Amsterdam. Die Authentizität der vorliegenden Arbeit wurde von Prof. Markus Lüpertz bestätigt, dem wir für die freundliche Unterstützung danken. PROVENIENZ: Galerie Michael Werner, Köln (auf der Rahmenrückpappe mit einer handschriflichen Notiz). Privatsammlung Bayern. AUSSTELLUNG: Markus Lüpertz. Dürers Garten, Neue Galerie im Höhmann-Haus, Augsburg / Ecke Galerie, Augsburg, November-Januar 2001/02. Aufrufzeit: 07.06.2025 - ca. 16.44 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONMarkus Lüpertz 1941 Liberec/Böhmen - lebt und arbeitet in Berlin, Düsseldorf und Karlsruhe Dürers Garten - Feuer. 2001. Oil and paper on canvas. Monogrammed in the lower left. 81 x 100 cm (31.8 x 39.3 in). In the artist's original frame. [MH]. • From the series of 20 paintings entitled “Dürer's Garden” – an homage to the great Renaissance artist Albrecht Dürer. • Lüpertz draws on Dürer's master engravings “Melancholia,” “St. Jerome in His Study,” and “Knight, Death, and the Devil.” • Markus Lüpertz creates a new pictorial universe in each of his works, leaving plenty of room for interpretation. • Today, his paintings can be found in numerous important collections, including the Louisiana Museum of Modern Art in Humlebæk, the Pinakothek der Moderne in Munich, and the Stedelijk Museum in Amsterdam. The authenticity of this work has been confirmed by Prof. Markus Lüpertz, to whom we are grateful for his kind support. PROVENANCE: Galerie Michael Werner, Cologne (with a hand-written note on the back). Private collection, Bavaria. EXHIBITION: Markus Lüpertz. Dürers Garten, Neue Galerie im Höhmann-Haus, Augsburg / Ecke Galerie, Augsburg, November-January 2001/02. Called up: June 7, 2025 - ca. 16.44 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.
Alf Lechner 1925 München - 2017 Obereichstätt Kegel — Subtraktion. 1976. . Vierkantstahl massiv. Unikat. 185 x 200 x 230 cm (72,8 x 78,7 x 90,5 in). Ausgehend von der Beobachtung, dass bei der Bewegung regelmäßiger Teile einer Skulptur auf dem Boden gesetzmäßige Abläufe, gleichsam Bodenzeichnungen, entstehen, entwickelte der Künstler Rahmenskelette, Pyramiden, Kegel, Tetraeder und Kreisteilungen. Diese Skulpturen haben nicht nur unterschiedliche räumliche Erscheinungsbilder, sondern entwickeln auch ein von ihr unabhängiges flaches Bodenbild. [EH]. • Unikat. • Aus der Werkgruppe der 'Flächenabwicklungen'. • Unermüdlich beschäftigt sich Alf Lechner mit den Möglichkeiten der Zerteilung und Unterteilung geometrischer Formen, hier am Beispiel des Kegels. • Lechner zählt zu den führenden deutschen Bildhauern seiner Zeit, sein bevorzugtes Material ist massiver und widerstandsfähiger Stahl. PROVENIENZ: Privatsammlung Freiburg/Merzhausen (direkt vom Künstler erworben). Privatsammlung Bayern (2008, Ketterer Kunst). LITERATUR: Dieter Honisch, Alf Lechner. Skulpturen, Nürnberg 1990, WVZ-NR. 199 (m. Abb.) - Ketterer Kunst, München, Auktion 343, Kunst nach 45 / Zeitgenössische Kunst, 4.12.2008, Los 676 (m. Abb S. (80ff.)). Aufrufzeit: 07.06.2025 - ca. 16.58 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONAlf Lechner 1925 München - 2017 Obereichstätt Kegel — Subtraktion. 1976. Sculpture. Square steel, massive. Unique object. 185 x 200 x 230 cm (72.8 x 78.7 x 90.5 in). Based on the observation that the movement of regular parts of a sculpture on the ground creates regular patterns, like drawings on the floor, the artist developed frame skeletons, pyramids, cones, tetrahedrons, and circle divisions. These sculptures have different spatial appearances and create a flat image on the floor completely independent of the sculpture. [EH]. • Unique object. • From the group of works entitled “Flächenabwicklungen”. • Alf Lechner tirelessly explores the possibilities of dividing and subdividing geometric shapes, in this case the cone. • The artist is one of the leading German sculptors of his time, his preferred material is solid, durable steel. PROVENANCE: Private collection, Freiburg/Merzhausen (acquired directly from the artist). Private collection, Bavaria (2008, Ketterer Kunst). LITERATURE: Dieter Honisch, Alf Lechner. Skulpturen, Nuremberg 1990, catalogue raisonné no. 199 (ilustrated) - - Ketterer Kunst, Munich, A 343. Post War / Contemporary Art, December 4, 2008, lot 676 (illustrated on pp. 80 ff). Called up: June 7, 2025 - ca. 16.58 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.
Markus Lüpertz 1941 Liberec/Böhmen - lebt und arbeitet in Berlin, Düsseldorf und Karlsruhe Dithyrambe. 1964. Leimfarbe auf Leinwand. Rechts unten signiert. 149 x 147 cm (58,6 x 57,8 in). [MH]. • Dithyrambische Arbeit aus dem Frühwerk des Künstlers. • Spiegel der für Lüpertz typischen Verschmelzung von Spontaneität und Kontrolle sowie seinem sicheren Umgang mit Form und Farbe. • Markus Lüpertz geht es darum, existierenden Gegenständen eine Konstruktion aufzuzwingen und dafür einen eigenen Stil zu entwickeln. • Vergleichbare Arbeiten aus dem Frühwerk werden selten auf dem internationalen Auktionsmarkt angeboten. Die Authentizität der vorliegenden Arbeit wurde von Prof. Markus Lüpertz bestätigt, dem wir für die freundliche Unterstützung danken. PROVENIENZ: Galerie Fred Jahn, München. Privatsammlung (seit 1978, vom Vorgenannten erworben). Privatsammlung Bayern (durch Schenkung vom Vorgenannten). 'Den Malstil kreieren ist Gegenstände[n], existierende[n] Gegenstände[n] eine Konstruktion aufzuzwingen, die sie für die der Dithyrambe entsprechende Malweise möglich macht.' Zit. nach: Armin Zweite (Hrsg.), Markus Lüpertz. Gemälde - Skulpturen, Düsseldorf 1996, S. 14. Aufrufzeit: 07.06.2025 - ca. 17.45 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONMarkus Lüpertz 1941 Liberec/Böhmen - lebt und arbeitet in Berlin, Düsseldorf und Karlsruhe Dithyrambe. 1964. Glue-bound distemper on canvas. Signed in the lower right. 149 x 147 cm (58.6 x 57.8 in). [MH]. • Dithyrambic work from the artist's early creative phase. • A reflection of Lüpertz's characteristic fusion of spontaneity and control and his masterful treatment of form and color. • Markus Lüpertz seeks to impose a structure on existing objects and to cultivate a unique style in the process. • Comparable works from his early period are rarely offered on the international auction market. The authenticity of this work has been confirmed by Prof. Markus Lüpertz, to whom we are grateful for his kind expert advice. PROVENANCE: Galerie Fred Jahn, Munich. Private collection (since 1978, acquired from the above). Private collection, Bavaria (by donation from the above). 'Creating a painting style means imposing a structure on existing objects to make them suitable for the dithyrambic style .” (quoted from: Armin Zweite (ed.), Markus Lüpertz. Gemälde - Skulpturen, Düsseldorf 1996. p. 14. Called up: June 7, 2025 - ca. 17.45 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.
Josef Scharl 1896 München - 1954 New York Junger Mann in dunklem Anzug. 1926. Öl auf Leinwand. Links oben signiert und datiert. 90 x 70 cm (35,4 x 27,5 in). [AW]. • Umfangreiche Ausstellungshistorie. • Teil der großen Retrospektive 'Josef Scharl. Zwischen den Zeiten' 2018/19 u. a. im Museum Buchheim, Bernried. • Ausdrucksstarkes Porträt aus der bedeutendsten Schaffensphase des Künstlers. • Gemälde aus dem Frühwerk befinden sich in zahlreichen bedeutenden Sammlungen, wie u. a. der Nationalgalerie Berlin, dem Städel Museum, Frankfurt a. Main, und dem Lenbachhaus München. PROVENIENZ: Galerie Nierendorf, Berlin (bis mind. 1983). Galerie Hermeyer, München (bis mind. 1986). Galerie Florian Sundheimer, München (verso auf dem Keilrahmen mit dem Galerieetikett). Privatsammlung Bayern (2008 vom Vorgenannten erworben). AUSSTELLUNG: Josef Scharl, Pavillon im Alten Botanischen Garten, München, 3.-25.1.1953. 60 Jahre Galerie Nierendorf, Galerie Nierendorf, Berlin, 13.6.-18.11.1980. Josef Scharl. 34 Bilder und Graphiken, Galerie Hermeyer, München, 7.5.-6.6.1981. Josef Scharl. 1896-1954, Städtische Galerie im Lenbachhaus, München, 15.12.1982-30.1.1983, Kat.-Nr. 4 (m. Farbabb. S. 113; verso auf dem Keilrahmen mit dem Ausstellungsetikett). 1900-1945. Künstler in Deutschland - Individualismus und Tradition, Württembergischer Kunstverein, Stuttgart, 18.9.-9.11.1986 (m. Farbabb. S. 256; verso auf dem Keilrahmen mit dem Ausstellungsetikett). Josef Scharl. 1896-1954, Gemäldegalerie Neue Meister, Dresden, 10.5.-18.6.1995 (m. Farbabb.). Josef Scharl. Zwischen den Zeiten, Museen Böttcherstraße, Paula Modersohn-Becker Museum, Bremen, 18.2.-3.6.2018; Ernst Barlach Haus, Hamburg, 17.6.-14.10.2018; Buchheim Museum, Bernried, 25.5.-15.9.2019, Kat.-Nr. 8 (m. Farbabb. S. 43). LITERATUR: Andrea Firmenich, Andrea Lukas, Peter Bronner, Josef Scharl. Monographie und Werkverzeichnis, Köln 1999, WVZ-Nr. 70 (m. Abb.). - - Matthias Arnold, Joseph Scharl, in: Weltkunst, 20/1986 (m. Abb. S. 3015). 'Zwischen 1926 und bis spätestens 1933 verfeinert Scharl seine Pinselführung: Der Farbauftrag verläuft zwar noch immer parallel, doch schmiegen sich die Striche nun stärker aneinander. Auffallend wird die plastische Gestaltung, die Scharl durch den pastosen Farbauftrag erzielt. So modelliert er mit der Ölfarbe die Köpfe und Hände der Dargestellten gleichsam und forciert so den Fokus auf die Körperteile, die über den Porträtierten wohl am meisten verraten.' Katharina Henkel, Josef Scharl und sein künstlerischer Leitstern Vincent van Gogh, in: Frank Schmidt, Karsten Müller (Hrsg.), Josef Scharl. Zwischen den Zeiten, Bremen, Hamburg 2018, S. 13f. Aufrufzeit: 07.06.2025 - ca. 14.16 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONJosef Scharl 1896 München - 1954 New York Junger Mann in dunklem Anzug. 1926. Oil on canvas. Signed and dated in the upper left. 90 x 70 cm (35.4 x 27.5 in). [AW]. • Comprehensive exhibition history. • Part of the major retrospective “Josef Scharl. Zwischen den Zeiten” in 2018/19 at, among other venues, the Museum Buchheim in Bernried. • Expressive portrait from the artist's most important creative period. • Paintings from his early years are in many important collections, including the Nationalgalerie Berlin, the Städel Museum, Frankfurt am Main, and the Lenbachhaus Munich. PROVENANCE: Galerie Nierendorf, Berlin (until at least 1983). Galerie Hermeyer, Munich (until at least 1986). Galerie Florian Sundheimer, Munich (galery label on the reverse of the stretcher). Private collection, Bavaria (acquired from the above in 2008). EXHIBITION: Josef Scharl, Pavillon im Alten Botanischen Garten, Munich, January 3–25, 1953. 60 Jahre Galerie Nierendorf, Galerie Nierendorf, Berlin, June 13–November 18, 1980. Josef Scharl. 34 Bilder und Graphiken, Galerie Hermeyer, Munich, May 7–June 6, 1981. Josef Scharl. 1896-1954, Städtische Galerie im Lenbachhaus, Munich, December 15, 1982-January 30, 1983, cat. no. 4 (illustrated in color on p. 113; exhibition label on the reverse of the stretcher). 1900-1945. Künstler in Deutschland - Individualismus und Tradition, Württembergischer Kunstverein, Stuttgart, September 18-November 9, 1986 (illustrated in color on p. 256; exhibition label on the reverse of the stretcher). Josef Scharl. 1896-1954, Gemäldegalerie Neue Meister, Dresden, May 10-June 18, 1995 (illustrated in color). Josef Scharl. Zwischen den Zeiten, Museen Böttcherstraße, Paula Modersohn-Becker Museum, Bremen, February 18–June 3, 2018; Ernst Barlach Haus, Hamburg, June 17–October 14, 2018; Buchheim Museum, Bernried, May 25–September 15, 2019, cat. no. 8 (illustrated in color on p. 43). LITERATURE: Andrea Firmenich, Andrea Lukas, Peter Bronner, Josef Scharl. Monograph and catalogue raisonné, Cologne 1999, catalog number 70 (illustrated) - Matthias Arnold, Joseph Scharl, in: Weltkunst, 20/1986 (illustrated on p. 3015). 'Between 1926 and 1933 at the latest, Scharl refined his brushwork: although he still applied the paint in parallel strokes, the lines now nestled more closely together. The three-dimensional effect that Scharl achieved through his impasto application is striking. He used oil paint to model the heads and hands of his subjects, thereby emphasizing the parts of the body that reveal the most about the people portrayed.' Katharina Henkel, Josef Scharl und sein künstlerischer Leitstern Vincent van Gogh, in: Frank Schmidt, Karsten Müller (eds.), Josef Scharl. Zwischen den Zeiten, Bremen, Hamburg 2018, pp. 13f. Called up: June 7, 2025 - ca. 14.16 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.
Jörg Immendorff 1945 Bleckede bei Lüneburg - 2007 Düsseldorf Fortuna (Frau auf Kugel). 1989. Bronze mit grau-grüner Patina. Rechts auf der Plinthe mit dem Monogramm, der Datierung und der Nummerierung 'E.A. IV/VI'. Künstlerexemplar IV/VI. Höhe ohne Sockel: 107 cm (42,1 x 31,4 x 31,4 in). Sockel: 70.5 x 80 x 80 cm (27,7 x 31,4 x 31,4 in). Gegossen bei Kayser, Düsseldorf (auf der Plinte mit dem Gießerstempel). [EH]. • Radikale Neuinterpretation der Glücksgöttin als fragile Figur in der Wechselhaftigkeit der Geschichte. • Vergänglichkeit, Macht und Menschsein – Immendorff macht die 'Frau auf der Kugel' zum existenziellen Kommentar. • Der Künstler erweitert seinen politischen Diskurs auf das skulpturale Werk. PROVENIENZ: Privatsammlung Bayern (2009, Dorotheum; seitdem in Familienbesitz). AUSSTELLUNG: Immendorff. Für alle Lieben in der Welt, Haus der Kunst, München, 14.9.2018-27.1.2019, Kat.-Nr. 52 (m. Abb.) (anderes Exemplar). LITERATUR: Dorotheum, Wien, Auktion Zeitgenössische Kunst, 25.11.2009, Los 36 (m. Abb.). Aufrufzeit: 07.06.2025 - ca. 18.00 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONJörg Immendorff 1945 Bleckede bei Lüneburg - 2007 Düsseldorf Fortuna (Frau auf Kugel). 1989. Bronze with gray-green patina. On the right side of the plinth with the monogram, date, and the number “E.A. IV/VI”. Artist copy IV/VI. Height without base: 107 cm (42.1 x 31,4 x 31,4 in). Base: 70.5 x 80 x 80 cm (27,7 x 31,4 x 31,4 in). Cast by Kayser, Düsseldorf (with the foundry mark on the plinth). [EH]. • Radical reinterpretation of the goddess of fortune as a fragile figure in the changing course of history. • Transience, power, and humanity—Immendorff turns the “Frau auf der Kugel” (Woman on the Globe) into an existential commentary. • The artist expands his political discourse to include sculpture. PROVENANCE: Private collection, Bavaria (2009, Dorotheum; family-owned since). EXHIBITION: Immendorff. Für alle Lieben in der Welt, Haus der Kunst, Munich, September 14, 2018 - January 27, 2019; cat. no. 52 (illustrated) (different copy). LITERATURE: Dorotheum, Vienna, auction of Contemporary Art, November 25, 2009, Vienna, lot 36 (illustrated). Called up: June 7, 2025 - ca. 18.00 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.
A red and white Bayern Munich v. CSKA Moscow pennant, 2014, embroidered badge FC BAYERN MUNCHEN UEFA Champions League 2014/2015 FC Bayern Munchen PFC CSKA Moskva 10. Dezember 2014, with hanging bar, 51cm highIn the UEFA Champions League match played the 10th December 2014 in Allianz Arena, Bayern defeating CSKA 3-0
GERMANY. BAVARIA. Maximilian II. Gold 1 Ducat, 1855. Munich. Crowned Arms. Bare head of Maximillian II right, legend around, C.V. below; "MAXIMILIAN II KOENIG V. BAYERN". Engraved by Carl Friedrich Voight. / Crowned Bavarian shield flanked by lions, denomination above, date below; "EIN DUCATEN". Engraved by Carl Friedrich Voight. Edge milled.In secure plastic holder, graded PCGS MS61 , certification number 51861553.PCGS population in this grade: 1.PCGS population in higher grade: 2.Reference: KM-839; Fr-277; Schlum-110 Mintage: 1,540.Diameter: 21 mm.Weight: 3.49 g. (AGW=0.1051 oz.)Composition: 937/1000 Gold.PLEASE NOTE: A 22.50% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Tommy McLean rare blue No.7 Rangers v. Dynamo Moscow match worn European Cup Winners Cup Final long-sleeved shirt, 1972, Umbro, M with crew-neck collar and embroidered badge inscribed EUROPEAN CUP WINNERS CUP FINAL 1972 The above shirt was worn Tommy McLean in the 1972 Cup Winners Cup against Dynamo Moscow. Rangers finally recorded their first European Cup Winners final win in 1972 after two final defeats in 1961 and 1967. In the run to the final Rangers saw of Rennes, Sporting Club, Torino and Bayern Munich and in the final match played on 24th May 1972 at the Nou Camp, before 35,000 spectators Rangers defeated Dynamo Moscow 3-2 with goals from Willie Johnstone and Colin Stein and the newly christened Barca Bears wrote their names into the annals of Rangers Football Club historyThe following lots 83 to 131 relate to the career of Scotland International, Kilmarnock, Rangers legend Tommy McLean
Wolfgang Grobe red No.4 Bayern Munich v. Tottenham Hotspur match worn long-sleeved shirt, 1982, Adidas, large, with crew-neck collar, the reverse lettered BAYERN MUNCHEN, the number wornThe above shirt was worn by Wolfgang Grobe and gained in a swap by Paul Price in the UEFA Cup Winners Cup match against Tottenham Hotspurs on the 20th October 1982 in White Hart Lane, the match finishing 1-1
A collection of various commemorative football coins and collectables, to include: - England 1966 medal - Manchester United 'The Treble' 1998-1999 - The Milk Cup Silver Jubilee Silver Coin 1985 - FA Cup Final - Everton v Manchester United 1985 matchbook - Wembley End of Era medal - Bayern Munich wallet - 14 various emblem stickers - 8 enamel badges
Henning Berg red No.21 Manchester United v. Bayern Munich 1999 Champions League Final match issued short-sleeved shirt, Umbro, XL, with v-neck collar and embroidered cloth badge inscribed MANCHESTER UNITED FOOTBALL CLUB, UEFA CHAMPIONS LEAGUE THE FINAL 1999, the reverse lettered BERG, the front of the shirt autographed by the cup-winning side, the right sleeve with Champions League flash The above was issued to Berg for the historical Champions League final played on 26th May 1999, United defeated Bayern 2-1 to complete “The Treble”. Berg did not play in the final due to injury
Joe Hart orange No.25 Manchester City v. Bayern Munich match worn goalkeepers shirt, 2011, Umbro, 42 with crew-neck collar and embroidered badge inscribed M.C.F.C., the reverse lettered HART, the right sleeve with Champions League flash, the other with UEFA Respects flashThe above was won by Joe Hart in the match against Bayern Munich played on 7th December 2011, City defeating Bayern 2-0. The England stopper would wear this 2009-2011 keeper design against the German’s and also Napoli during the campaign to avoid a keeper jersey clashThe Mark McCarthy Manchester City Shirt Collection Lots 1 to 145
Approximately three-hundred and fifty 'United Review' Manchester United football programmes, including 19th of February 1957 vs Sheffield Wednesday post Munich air disaster programme, with blank team, later filled in with pen; 24th of April 1968 vs Real Madrid European Champions Cup semi-final; 29th of May 1968 vs Benfica European Champions Cup final; 26th of May 1999 vs Bayern Munich Champions League final; 3rd of October 1973 Dennis Law testimonial; 1990-1991 Bryan Robson testimonial; and others
Autographed JIMMY RIMMER 12 x 8 photo : Col, depicting a defining moment in the 1982 European Cup Final - veteran goalkeeper JIMMY RIMMER having suffered a repeat of a recurring shoulder injury, leaves the pitch and his replacement - Nigel Spink enters the game after only 10 minutes, Spink playing in only his second game performed beyond all expectation and inspired Aston Villa to victory over the mighty Bayern Munich, signed (by Rimmer only) in black marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Football Autograph Ryan Giggs 16 X 12 Photo : Col, Depicting Manchester United Winger Ryan Giggs Kissing The Champions League Trophy, During Celebration Scenes At The Nou Camp, Following A Memorable 2-1 Victory Over Bayern Munich In The 1999 Final, Signed In Black Marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Leeds United 1975/76 Admiral home shirt signed by Leeds squad Original admiral shirt from the mid 1970s signed by the Leeds squad. Shirt comes framed in excellent condition and is signed by the full squad including Billy Bremner, Allan Clarke, Eddie Grey, Paul Reaney Norman Hunter , Trevor Cherry, Joe Jordan, Gordon McQueen, David Stewart, Duncan Mackenzie, Peter Hampton and other squad members of the time. Leeds United were European Cup Finalists in 1975 loosing to Bayern Munich 2-0 in Paris.
Football Autographed Peter Lorimer 12 X 8 Photo : Col, Depicting Leeds United’s Peter Lorimer Celebrating After Scoring A Perfectly Legitimate Goal Against Bayern Munich In The 1975 European Cup Final At The Parc De Princes, Lorimer's Superb Volley On 62 Minutes Was Wrongly Disallowed As Bayern Captain Franz Beckenbauer Convinced Referee Michel Kitabdjian That Billy Bremner Was Standing In An Offside Position, Bayern Would Eventually Record A 2-0 Victory, Signed In Fine Black Marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Reservistenkrug Artillerie München 1910-1911. Undeutliche Bodenmarke, gedruckte Marke "Jak. Maier München". Keramik grau glasiert, kolorierter Umrissvordruck, Zinn. H 25 cm. Krug in Granatenform mit Monogramm auf zentralem Schulterstück, Bildnis Luipold Prinzregent v. Bayern und Wappen, daneben 4 Militärszenen sowie gedruckte Namensliste. "Einj. Freiw. Richard Kaselowski" "7. Feld Art. Rgt. 'PrinzReg. Luipold v. B.' 1. Batt. München". Deckel in Granatenform mit Löwen-Wappenhalter als Drücker. Aufrufzeit 26. | Feb. 2025 | voraussichtlich 17:19 Uhr (CET)Reservist mug artillery Munich 1910-1911. Indistinct bottom mark, printed mark "Jak. Maier München". Grey glazed ceramic, colored outline print, pewter. H 25 cm. Jug in grenade form with monogram on central shoulder piece, portrait of Luipold Prince Regent of Bavaria and coat of arms, next to it 4 military scenes and printed list of names. "Einj. Freiw. Richard Kaselowski" "7. Feld Art. Rgt. 'PrinzReg. Luipold v. B.' 1st Batt. Munich". Cover in grenade shape with lion crest holder as pusher. Aufrufzeit 26. | Feb. 2025 | voraussichtlich 17:19 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Radschlossgewehr. Lauf gemarkt "Georg Draußmiller". L 103 cm. Gezogener Lauf, außen achtkantig. Dekoratives Stück mit schön gravierten Beineinlagen und ziselierten Schlossplatten, Gegenplatte aus Kupfer, funktionierendes Kolbenfach. Visiereinrichtung und verzierter Ladestock, Kolben restauriert. Restaurierter Zustand mit Ergänzungen. Wenn zeitgenössische Signatur, dann: Literatur Stöckel: "Draussmiller ... Georg, München/D, erw. 1687 - ca. 1725. Beginnt 1687 seine Lehre in Wien/A. Aus Traunstein, Bayern?, stammend.". Aufrufzeit 26. | Feb. 2025 | voraussichtlich 17:28 Uhr (CET)Wheel lock rifle. Barrel marked "Georg Draußmiller". L 103 cm. Rifled barrel, octagonal on the outside. Decorative piece with beautifully engraved bone inlays and chiselled lock plates, copper side plate, functioning butt stock compartment. Sighting device and decorated ramrod, butt restored. Restored condition with additions. If contemporary signature, then: Literatur Stöckel: "Draussmiller ... Georg, Munich/D, born 1687 - ca. 1725, began his apprenticeship in Vienna/A in 1687. Originally from Traunstein, Bavaria?". Call time 26 | Feb. 2025 | probably 17:28 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Tottenham Hotspurs FC Collection of 4 Matchday Programmes Relating to Champions League Football. Spurs Vs Bayern Munich on 1. 10. 19 Programme. Spurs Vs FC Twente on 29. 9. 2010 Programme. Spurs Vs Real Madrid on 13. 4. 2011 Programme. Spurs Vs Juventus on 7. 3. 2018 Programme. Fantastic Programmes. Good condition Est.
A folder containing various European Cup Final matchday programmes, including: Liverpool v Juventus 29th May 1985; Barcelona v Sampdoria 20th May 1992; AC Milan v Barcelona 19th May 1994; Manchester United v Bayern Munich 26th May 1999, Real Madrid v Valencia CF 24th May 2000; Ajaz v AC Milan 24th May 1995 etc
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