We found 70550 price guide item(s) matching your search

Jade pendant in the form of a gourd with 14k yellow metal naturalistic form mount, 6cm high together with a string of jade round beads, each bead approximately 7mm diameter, total length 60cm

Two silver brooches including a presentation brooch with an oval Murano glass panel surrounded by beads (some losses) and a silver foliate scrolling surround, Birmingham 1929, 6.5cm long, sterling silver brooch in the form of a pheasant set with coloured glass stones, 5cm long, approximate gross weight 46.5 grams together with a white metal bracelet set with scarab panels, white metal bangle set with red stones and two further white metal bracelets (6)

Collection of costume jewellery including silver cross pendant on silver chain, necklaces, beads, bangles, necklaces, bracelets, brooches, rings and other items (3 boxes)

Mixed lot including collection of thirteen vintage coloured plastic beads, 3.5cm long together with a easel back gilt metal photograph frame, enamel Festival of Britain badge, oriental style doll's house chest of drawers and other items 

Large collection of bead jewellery making accessories including six multi-drawer cabinets containing various beads, three cases containing beads and threads plus various tiara frames and other accessories (2 boxes)

Mixed lot including cherry amber style bead necklace, comprising twelve graduating beads with yellow metal link spacing, largest bead approximately 24mm, total length 44cm together with a single matching earring (a/f). approximate total weight 21.5 grams, quantity vintage and contemporary wristwatches to include an Homme quartz gent's wristwatch, modern quartz pocket watch, an Ingersoll Triumph pocket watch, a Sekonda 17-jewel wristwatch, etc and ' The Coronation Street story ' book dated 1995 containing facsimile signatures of the cast to inside cover Condition Report Some light surface scratches. No obvious signs of damage to the beads. We do not offer in-house shipping. Please try Mailboxes.com or Mjmpost458@gmail.comEaring - 0.70 gramsNecklace and loose links - 21.25 grams

A vintage Egyptian gold brooch of floral design, with claw set turquoise beads and tiny Egyptian style markings to front, length 5cm, approx 12.7g.Condition Report: Has been tested on the Kee gold tester which confirms a gold content.

A large quantity of assorted costume jewellery including bangles, watches, beads, necklaces, bracelets, rings, earrings, pearls, etc.

A large quantity of assorted costume jewellery, beads, semi-precious stones, jewellery making equipment, jewellery parts including clips, earring backs, broken parts, clasps, etc.

Four items of 9ct gold jewellery comprising a ring set with four small pink coral beads, size M, a small garnet cluster ring, size K, a rose gold bar brooch with central leaf design set with small amethyst, length 3.5cm, and a pink stone pear shaped drop pendant, suspended on gold chain, length 38cm, combined approx 8.6g (4).

A small quantity of assorted costume jewellery, including bracelets, brooches, bangles, beads, necklaces, rings, earrings, etc.

A group of ethnic and semi-precious stone set costume jewellery including necklaces, bracelets, pendants, beads, etc.

Group of vintage beads, other jewellery and wristwatches

Afrikanische Bead-Figur der Bamileke, Kamerunstehende Darstellung einer männlichen Figur, flächendeckend mit bunten Beads besetzt, H 81cm, aus norddeutscher Sammlung

Afrikanische Zeremonial-Stülpmaske der Kuba, KongoStoff, Leder, Geflecht, Beads, Schnecken und Fell, H ca. 55cm, aus norddeutscher Sammlung, auf Ständer präsentiert

Afrikanische Stülp-Tanzmaske, wohl Kuba, KongoStoff, Leder und farbige Beads, männlicher Kopf, von einer Tierfigur bekrönt, H ca. 60cm, aus norddeutscher Sammlung, Alterspatina, auf Stand präsentiert

Afrikanische Bwoom Maske der Kuba, Kongomännliches Gesicht aus Holz, Beads, Schnecken, Leder und Stoff, H ca. 50cm, aus norddeutscher Sammlung, auf Stand präsentiert

Afrikanische Bead-Maske der Bamileke, KamerunHolz, geschnitzt und mit blauen, schwarzen und weißen Beads besetzt, auf der Haube Krokodilmotive, H 56cm, aus norddeutscher Sammlung

Afrikanische Bead-Figur der Bamileke, Kamerunstehende Darstellung einer männlichen (Ahnen-)Figur, flächendeckend mit bunten Beads besetzt, H ca. 110cm, aus norddeutscher Sammlung

Afrikanische Nkisi Fetischfigurwohl Akan, Ghana, Holz,Stoff, Muscheln, Raffia, Schnur, Beads und Vielzahl Eisen Vorhängeschlösser, stehende Figur mit Schweinekopf, wohl um 1970, H 40cm, aus norddeutscher Sammlung

Afrikanische Bead-Figur der Bamileke, Kamerunsogenannte "ancestor figure", sitzende Darstellung einer männlichen Ahnenfigur, flächendeckend mit bunten Beads besetzt, H ca. 110cm, aus norddeutscher Sammlung

A sterling silver clasped double row of graduated cherry Bakelite beads, largest bead 28mm, 73g

Three vintage mid-20th century evening bags - two beaded, one with ivory and pink beads with stylised floral decoration, faux-seed pearl borders, popper closure, 19 x 17cm; the other decorated with ivory and bronze coloured glass and faux-seed pearl beads, 14.5 x 14cm; together with a 1930s evening bag in ivory silk with gold and silver sequined and metal bead swagged decoration, gilt metal chain handle, 13.5 x 15cm (silk a/f). (3)

A pearl, yellow metal and hematite bead necklace - with 5mm pearls and 6mm hematite beads, with 18ct gold lobster claw clasp (stamped 750), length 80mm. 

A vintage egg yolk and clear amber necklace - mid-20th century, the polished, naturalistically-shaped beads in a variety of sizes and forms, including five large teardrop shaped beads divided by fringed-trios of smaller beads, the upper section of the necklace with smaller singles and trios of beads, all divided by yellow metal twisted-wire links, no clasp, approx. 80cm long.

A vintage egg yolk amber necklace - the ovoid beads graduating from 9mm to 17.5mm long, with a rolled gold hexagonal box clasp, gross weight 30.3g, 54cm long.

A 9ct gold, pink stone and seed pearl bracelet - the lobster claw clasp stamped '9K', with seven graduated ovals of seed pearls interspersed with pink gemstone beads, 17cm long.

Box of costume jewellery, necklaces, beads

Three large cherry amber beads 30.5 carats

A string of coral beads 19 inch

A set of red cherry amber beads 29 inch 49.8 gms

INDIA BRITISH. George V. Bronze 1/4 Anna , 1917. King George V crowned head left, legend in English, toothed rim/nDenomination and date within a circle of beads wreath and toothed rim surrounds/nEdge:PlainMS 64 RD.Reference: KM# 512Diameter: 25 mm.Weight: 4.85 g.Composition: Bronze.PLEASE NOTE: A 22.50% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

A single strand necklace of amethyst beads and cultured pearls. L. 120cm.

A quantity of amber, mother of pearl and other beads etc.

A single strand of Tibetan human skull prayer beads, L. 58cm.

Johan Rohde for Georg Jensen, a Danish Skonvirke silver pedestal bowl and cover, model 43, designed circa 1914, chalice form, the planished hemispherical body with shallow ogee domed lid on an open cage of coiled tendrils of graduated beads, turned baluster stem and stepped disk foot, mark for 1915-25, 14.5cm high, 13.85ozt

Johan Rohde for Georg Jensen, a Danish silver footed bowl, model 414C, designed circa 1927, the flat based ogee form bowl on five groups of three beads, sweeping circular foot, 22cm diameter, 10.5cm high, 13.37ozt

Georg Jensen, a Danish Skonvirke silver tea caddy, model 215, designed circa 1915, lobed Campana urn form with double beads to the shoulder rim, the ogee domed lid modelled with foliate lappets, coiled lead and bud finial, marks for 1915-25, 14cm high, 6.04ozt

Johan Rohde for Georg Jensen, a Danish Skonvirke silver pedestal bowl and cover, model 43, designed circa 1914, chalice form, the planished hemispherical body with shallow ogee domed lid on an open cage of coiled tendrils of graduated beads, turned baluster stem and stepped disk foot, mark for 1915-25, 14.5cm high, 14.11ozt

Charles Robert Ashbee for the Guild of Handicraft, an Arts and Crafts silver and cabochon set jug, London 1906, planished and footed helmet form with bisected double strand whiplash handle, the socle set with amethyst stones between gilded beads, gilt interior, 9.5cm high, 3.28ozt

Vampire slaying kit comprising a 19thC percussion hammer action pocket pistol with engraved locks, chequered grip, vacant wrist cartouche and smooth bored barrel, Eley percussion cap tin, copper and brass powder flask embossed with an eagle, Persian dagger with niello handle and scabbard and 8cm curved blade, painted brass crucifix stamped 'AD 1863', a string of rosary beads, wooden mallet and three glass bottles, in a Gothic style coromandel, brass and ivory box. Has ivory exemption certificate for this sale

MARINA B: AN ONYX, EMERALD, RUBY AND DIAMOND 'NAJWA' NECKLACE, CIRCA 1982Designed as a rope of onyx beads, spaced by links set with pear-shaped cabochon emeralds, brilliant-cut diamonds, and onyx and ruby sections, mounted in 18K gold, signed Marina B, with maker's mark 'MB', numbered W347, with maker's mark 'S.A. P.B' for Sté Pierre-G. Brun, French assay marks, with maker's case, length approximately 83cm (slightly extensible)Société Pierre-G Brun is a jewellery workshop which worked for Cartier, Fred, amongst others. They were bought by Cartier in 2000.For a similar model, page 75: 'Marina B. The Art of Jewellery Design', by Viviane Jutheau de Witt, first published in 2003 by Skira Editore S.p.A.  In the transformative landscape of the late 20th century, Marina B emerged as a visionary jewellery designer and pioneer, whose creations bridged the worlds of engineering precision and refined artistry.  Born into the illustrious Bulgari family, she was part of the third generation of this renowned jewellery house. Following the death of her father in 1973, Marina assumed a central role in the family business until 1976 and in 1978, she established Marina B, opening her first showroom on Geneva’s Place du Molard and quickly expanding to the fashionable hubs of London, Milan, Monte Carlo, Paris, and New York. Marina B’s designs are characterised by splendid, heavy gold pieces set with intensely coloured gemstones. Instead of the conventional method of stringing pearls and beads, which she found mundane, she pioneered innovative assembly techniques that revealed the hidden beauty of each gemstone. By creating deliberate “belly buttons” in round, colourful stones and embracing interchangeable design elements, she crafted jewellery that was both dynamic and adaptable. A defining chapter in her colourful career was her collaboration with the highly skilled Parisian workshop of JeanPierre Brun. Introduced to her by her trusted draughtsman, JeanPierre Varin, Brun’s workshop became her principal partner. Brun’s jewellery workshop was established in Paris in 1936, and quickly became a cornerstone of ‘haute joaillerie’, renowned for its exceptional craftsmanship and collaborations with prestigious design houses.  Initially led by Pierre G. Brun until his retirement in 1975. Under his sons’ Jean-Pierre and Etienne stewardship, the workshop solidified its reputation, working with esteemed brands such as Asprey, Boucheron, Bulgari, Cartier, Chaumet, and Van Cleef & Arpels. JeanPierre Brun himself described Marina B’s creations as highly structured, architectural, and meticulously constructed, comparing her uncompromising attention to detail to that of Suzanne Belperron. This collaboration not only underscored her commitment to precision but also played a crucial role in realising her inventive designs, including complex mechanisms for chokers and necklaces. Perhaps one of her most celebrated masterpieces is the Najwa sautoir necklace, introduced in 1982. Designed originally for a princess. Comprising a seamless strand of 1,800 nearly invisible pearls interwoven with subtle yet striking motifs in gold and diamond pavé, this necklace defied conventional aesthetics. The Najwa sautoir quickly evolving into a symbol of Marina B’s creative genius and remains an enduring icon of her prestige. Marina B’s work has always been more than mere ornamentation. It tells a story of a woman who dared to break with tradition, blending her heritage with her own inventive vision. Her jewellery, whether it be a transformative piece with reversible earrings, interchangeable gemstones, or a meticulously engineered choker, continues to capture the imagination of those who appreciate the fusion of technical mastery and artistic flair. Marina B changed ownership multiple times after Marina Bulgari stepped away from the brand in 1996.  Drawing inspiration from its remarkable archive of over 12,000 sketches, in 2017 the brand has entered an exciting new chapter under the leadership of renowned jewellery designer Guy Bedarida. Known for his influential roles at Boucheron, Van Cleef & Arpels, John Hardy, took the helm at Marina B by acquiring a majority stake in the band and becoming its creative director. In February last year, Marina Bulgari passed away in her Roman house on Valentine’s Day, at the age of 93. Her lasting impact on the jewellery world is evident in every beautiful piece she created, reflecting her timeless style and spirit.  Condition Report: A couple of beads discoloured to the front near the clasp (discreet) and a dozen on the reverseEmeralds: of bluish-green hue, medium tone, overall well matchedRubies: of purplish-red hue, medium tone, overall well matchedDiamonds: bright and livelySignature on clasp + maker's mark 'MB' for Marina B located on the tongue of claspEagle's head for French 18K gold + stamped OR750Maker's mark for Marina B - numbered W347With maker's mark for Société Pierre-G BrunClasp closes securelyNormal signs of wear, commensurate with ageTotal gross weight approx. 130g

A LAPIS LAZULI AND GOLD BEAD NECKLACEComposed of graduated faceted lapis lazuli beads, each with reeded gold cap connectors, to a gold clasp, Italian registry mark, mounted in gold, length 80.5cm Condition Report: Lapis lazuli: of deep blue hue, with gold pyrates throughout, minor abrasions on some corners, largest bead approx. 22.92mm to smallest approx. 13.68mmClasp stamped 750 for 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 337.9g

VAN CLEEF & ARPELS: A CHRYSOPRASE PENDANT/BROOCH, CIRCA 1965-70Of openwork lattice design, set throughout with chrysoprase beads, between polished gold frames, to an articulated similar bale, with ropetwist and beading detailing, mounted in 18K gold, signed VCA, numbered, with maker's mark, French assay marks, length (excluding bale): 3.8cm Condition Report: bale: signed 'VCA', numbered '68110534' & '©' & eagle's head for 18K gold French on the reverse of baleDouble pin: signed 'VCA' + numbered '68110534' + '750' + '©' + two partial eagle's headReverse of the brooch: eagle's head for French 18K gold + maker's mark 'C + Ladder + B', probably for 'CB' for Camille Bournadet, workshop in Paris between 1932-1972, worked for Cartier, Van Cleef, Lacloche amongst others.Chrysoprase: of green medium hue, translucent, overall well matched and in good conditionPin clasp: Closes securelyBale: articulated to be worn as pendant or hidden to be worn as broochNormal signs of wear, overall in good conditionTotal gross weight approx. 21.8g

A GOLD AND LAPIS LAZULI COCKTAIL RINGThe openwork wire mount highlighted by beads and scrolled shoulder detailing, set with a prominent faceted lapis lazuli, mounted in 18K gold, ring size O½   Condition Report: Lapis lazuli with some light surface abrasion, calcite and pyrite present, one drill hole visibleStamped 750 inside hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 34.4g

VAN CLEEF & ARPELS: A LAPIS LAZULI, CULTURED PEARL AND GOLD 'TWIST' BRACELET, CIRCA 1965Of twist rope design, with alternating rows of lapis lazuli, cultured pearl and gold beads, mounted in 18K gold, signed VCA, numbered, with maker's mark 'S Cie' for Roger Stoffel et Compagnie' and maker's mark 'VCA', French assay marks, with maker's case, length 19.8cmRoger Stoffel et Companie, Parisian workshop that worked in the 1960s for Van Cleef & Arpels, Jean Schlumberger, amongst others.For a similar example of the 'Twist' collection, with coral beads, see page 162 from 'Le Dictionnaire Merveilleux, Van Cleef & Arpels', by Fabienne Reybaud, éditions Flammarion.Another similar example with cultured pearls and gold beads, was shown at the 'The Art of Movement, Van Cleef & Arpels' exhibition, at the Design Museum in London in Sept-Oct. 2022. See page 130 from 'Le Dictionnaire Merveilleux, Van Cleef & Arpels', by Fabienne Reybaud, éditions Flammarion. Condition Report:Cultured pearls: of white/cream tint, with pink and green overtones, high lustreLapis lazuli beads: Overall well matched in colour - a minority of darker or lighter onesClasp closes securelyMaker's marks + number (104027) + signature VCA + French assay marks located on claspNormal signs of wear, overall in good conditionTotal gross weight approx. 63.7g 

An embroidered panel, 20th century, Indian, woven with sequins, beads and gold-coloured metal thread, depicting peacocks and scrolling foliage above the Taj Mahal, on a light blue ground, 98 x 40cmCondition ReportLight wear present, some minor discoloration to the blue ground. The fringed edges lacking in areas. In general no obvious condition issues.

A beaded ceremonial tunic, 20th century, Nigeria, Yoruba, with glass beads and cowrie shells on a linen ground, decorated throughout with masks and stylised animals,231 x 78cmCondition Reportsmall losses and staining to the linen ground, overall good decorative order

French Needlework Box Circa Early XX Century, housing sequins, beads, pins, etc, 40.5cm wide.

A Pair of Silver Plated Squat Candlesticks, cast with elongated flutes, 11cm high, a silver plated circular tray with inscription, two oval trays, an oval box and cover and two sets of rosary beads etc.

The following 121 Lots are the residual contents of The Monastery of the Holy Spirit, known locally as Kirk Edge Convent, a Carmelite Monastery for nuns situated on Kirk Edge Road between the villages of Worrall and High Bradfield. Nineteen Printing Blocks, with Christmas greetings, flowers, Religious symbols etc; a pestle and mortar, a box of white candles and circular holders and a box of beads and crosses. (A Lot)

A Freshwater Lavender Coloured Pearl Bead Necklace, the beads of uniform size, knotted to fancy clasp stamped "925", suspending a shell and stone inset pendant, of graduated form, stamped 925", approximately 40cm long excluding pendant drop.

Assorted Pandora beads, together with a mid century smokey quartz and marcasite bracelet, one quartz lacking, on a snap clasp, with safety chain as fitted, white metal stamped 935, jade leaf pendant, with a yellow metal mount, stamped 18k, and a wedding hair ornament.

Assorted amber and simulated amber bead necklaces, polished and rough hewn, together with loose beads.

A partial string of graduated cherry amber beads, with thirty beads, 36.2g.

Silver and costume jewellery, including silver and gold plated bangles, paste set necklace and brooch, French jet beads, bi-colour silver bale link bracelet, and a lady's cocktail watch.

Three 1950's paste set necklaces, together with a string of crystal beads. (4)

A red resin beaded necklace, having beads of oval form with matching earrings

A small group of costume jewellery, including three pairs of silver cufflinks, a modern single strand of pearls, by Braybrook and Britten, with silver clasp, further faux pearl necklaces, a nurse's watch, shirt studs, various brooches, earrings and ear clips, necklaces, and beads. (1 bag)

A graduated bead necklace with possibly amber stones, with twenty six beads in total, 23.0g, largest bead 15.5 by 22mm, 34cm long.