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Betty Joel (1894-1985) for Token Works, an Art Deco sycamore bedroom suite, c.1935, comprising: a dressing table,with drawers on both sides, having ivorine escutcheons and locks, no keys, raised on coromandel veneered plinths, labelled,174cm wide48cm deep121cm high, together with a matching chair,43cm wide41cm deep74cm high, seat 47cm high,a cabinet-on-chest,76cm wide43cm deep147cm high,a 3ft single bed, comprising a headboard and footboard with no irons,headboard 100cm wide96cm high, anda bedside table,36cm wide30cm deep75cm high (5)
A charming collection of four illuminated resin village buildings from the Thomas Kinkade Hawthorne Village series, each adorned with snow-covered roofs and holiday decorations. Set includes Holiday Bed and Breakfast (as identified from the base stamp) with mirrored base. Three additional complementary structures are each detailed with classic Kinkade-style architecture and landscaping. Each piece is fitted with a corded light fixture and sits atop its original packaging. Beautifully detailed, these buildings bring nostalgic warmth to seasonal decor or collector's displays.Issued: 2000Dimensions: 8"L x 6"HCountry of Origin: United StatesCondition: Age related wear.
CINDERELLA (1950) - Cinderella In Bed Original Production-Era Animation Pencil Drawing - An original production-era animation drawing of Cinderella from Walt Disney Studios c.1949-1950. While this drawing does not match an exact final frame in the completed 1950 animated film, several production markers affirm its authenticity: the paper, peg configuration, and character styling place it squarely within the film's production window. The line quality and looseness of the facial features and hairstyle suggest it may have been part of a rough animation pass, an assistant animator's timing test, or a development drawing created while refining key scenes.Drawings like this often originate from early or alternate versions of sequences that were later revised or reanimated. The softer linework and absence of ink-and-paint registration marks reinforce that this was not traced for cel use but was a working part of the animation process. It is ideal for collectors who value the craftsmanship and behind-the-scenes artistry that shaped the golden age of Disney animation.The drawing shows Cinderella seated in bed and holding a blanket. It is rendered in graphite with a small amount of pink coloured pencil added to her lips on 12-field, 5-peg hole animation paper. It is numbered "47" on the lower right. The paper displays some minor creasing. Dimensions: 25.5 cm x 30.5 cm (10" x 12")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M
Grouping of seven collectible items featuring Beatrix Potter characters. Includes "The World of Peter Rabbit Postcard Book", containing 30 illustrated cards, and a sealed copy of "The Peter Rabbit Pop-Up Book". Also included are two Beswick porcelain collectors plates with original boxes: one depicts Peter Rabbit in Mr. McGregor's garden, and the other features Jemima Puddle-Duck walking with Mr. Tod Fox in a wooded path. Figurine selections include three Beswick porcelain models: "Little Black Rabbit", "Squirrel Nutkin" holding a green nut, and "Timmy Willie Sleeping" nestled in a bed of vegetables. All items display characters and scenes based on the works of Beatrix Potter. The tallest book measures: 7.75"L x 0.5"W x 10.75"H. A plate measures: 7.75"L x 0.75"W x 7.5"H. The tallest figurine measures: 2"L x 2"W x 4.25"H.Dimensions: See DescriptionCondition: Age related wear.
This Swarovski 2016 Annual Edition Christmas Ball Ornament features an enchanting clear crystal gift box with a faceted bow, suspended within a transparent glass globe. The interior base of the globe is filled with a bed of thousands of tiny clear crystals, creating a stunning snow-like effect that sparkles in the light. A white satin ribbon is attached for hanging, accompanied by a metal tag engraved with the year 2016. The ornament includes its original blue Swarovski box and certificate. A captivating collectible that captures the elegance of Swarovski holiday design. This item has its original box.Issued: 2016Dimensions: Box: 4.75"HCountry of Origin: AustriaCondition: Age related wear.
An Indian florally embroidered and mirror applied panel or bed cover, 19th century, worked in orange, white, green and black threads with repeated triple florets around three large central flowers, the end borders with further floral decorations211 x 133cmProvenance:Gurney's Manor, Hingham, NorfolkOn a cotton base cloth.Please see further images.
An early Victorian mahogany day bed, with gothic moulded frame flanked by rosettes on reeded lotus carved legs and castors 98 x 256 x 92cmstructurally some minor give to the back and armsfabric very tatty and faded, some holes and minor tears, very sun bleachedframe is slightly sun faded in places, knocked and scratched as you would expect with userecent block support added to the centre right part of the seat rail, assume it is sagging slightly in the middlesigns of historic worm to the undersidevertical dry crack to the front part of the right armsee images
Textiles - lace and linen - a small sample of Irish lace; needle lace sections; a white cupwork tea cosy, table cloth and six napkins; an Irish crochet purse, table mat and a collar; tape lace section; a child's woollen bed jacket; table cloths and napkins; night dresses; an apron with lace trim; a nightdress case; other white crochet and lace, some machine made; qty
A GEORGE III MAHOGANY SECRETAIRE CLOTHES PRESS IN THE MANNER OF PHILLIP BELL OR HENRY KETTLE, CIRCA 1760 The serpentine panelled doors enclosing three mahogany and oak lined sliding trays, the base with a fall front secretaire drawer enclosing fittings and a leather inset, a machine engraved formica inventory label to the back 'BM 254' 188.5cm high, 111cm wide, 63cm deepProvenance: Burford Priory, Burford, OxfordshireThough there are a number of comparable clothes presses with related distinctive serpentine panels to the doors, the feature of a secretaire drawer seems unusual.For clothes presses with related shaped cartouche panels see Christie's, Style and Spirit, 16th September 2015, lot 597, (£3500 exc. BP) with a paper label 'Henry Kettle, (Successor to Mr. Philip Bell), CABINET MAKER Upholder & Undertaker, at No.23, in St. Pauls Church-Yard, LONDON; and another, Lyon & Turnbull, Fine Antiques, 30th March 2011, lot 260, (£7500 exc. BP), with a paper trade label 'Philip Bell, Cabinet Maker and Upholder, at the White Swan, Against the South Gate in, St Pauls Churchyard London, Funerals Perform`d'.Like their contemporary, Giles Grendey, Bell and Kettle favoured cartouche shaped re-entrant panels and the use of high quality well figured timbers as demonstrated with the present lot.Similar cartouche-panelled doors are first seen on linen presses labelled by the London maker Giles Grendey (1693-1780), then on presses by Philip Bell and Henry Kettle.The serpentine panels of this bureau-cabinet relate to those of a bed, with antiquarian panelled headboard and canopy, acquired for Knebworth House, Hertfordshire in the 1740s and attributed to the Clerkenwell cabinet-maker Giles Grendey (d. 1780). Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use. Some old minor chips, splits and losses Some minor evidence of old worm, some old repairs The door lock looks original and has one key; the drawer locks are later and have no key The handles to the drawers are likely original There is a plastic inventory number to the interior of one of the secretaire drawers 'RP 378'; the suede inset writing surface is later.Features of this secretaire clothes press such as the choice cuts of timber, carved cornice, re-entrant cartouche shaped panels, original shaped trays and secretaire fittings combine to make this comparable to the work of Bell, Kettle or Grendey.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer
An 18th Century provincial splat chair-back daybed, possibly Welsh, the serpentine toprail above a pierced carved splat back, on square chamfered legs joined by stretchers, 167cm long, 61cm deep, 85cm highFor a similar example, see: Twiston-Davies (L.) & Lloyd-Johnes (H. J.) Welsh Furniture, Cardiff, University Press, 1950, plate 7, A day bed from Pentyrch, Glamorgan in the National Museum of WalesStructurally sound. One upright with with stable crack in timber, later rope upholstered seat. Minor scuffs and scratches consistent with age and use.
An oak four poster tester bed, 17th Century and later, the canopy with moulded cornice and lunette carved frieze, the headboard set with two deep panels inset with bog oak and holly geometric classical and floral inlay within a strapwork of flower head frame, the reeded posts on leaf and leaf and gadrooned baluster centre and panelled plinths, 209.5cm x 209cm x 149.75cm
A late 18th Century Chippendale period mahogany four poster bed, the canopy with moulded cornice and blind fret frieze, with cluster foot columns complete with hanging drapes, curtains, etc., 201cm long, 164cm wide, 240.5cm highCanopy and batons likely a later addition, likely the original had finials to the top of the posts. Fry finish and all over light scuffs and scratches commensurate with age and use. Has not been assembled so structural stability cannot be verified. Fabric to canopy in poor condition and requires replacement.
19th century brass and iron metamorphic campaign chair/bed, having an arched back, rectangular arms and trellis frame, with folding action converting it from an armchair to a bed, on brass and iron tapering legs with castors, replaced feather stuffed cushions, 99cm high x 81cm wide x 76cm deep as a chair
Early 20th century taxidermy rudd fish mounted in a naturalistic river bed setting, contained within an ebonised bowfronted display cabinet with glazed front, label to interior 'Rudd Caught in the Avon by John Sanders August 1st 1938 weight 2lb 7oz', fish 38cm long, case 31.5cm high x 49cm long
French white painted kingsize bed frame, the bed head with carved dome top rail, pineapple carved finials, column side and blue upholstered panel, with slatted base, 163cm wide Condition ReportFrame with surface scratches, scuffs and knocks. Losses/chips to white paint. Some fading/discolouration to upholstery, small tear to back of headboard. General wear and tear.
A contemporary wooden single bed in the form of a boat. Having a simulated plank top finished in white with blue to the 'waterline', the bow hinged to reveal an open interior, the base on wheels can be pulled out to create a second single bed, 93cm high, 280cm long, 116cm wide.Note: with fixings.
A late Victorian mahogany chaise longue day bed and tub armchair. The chaise raised on turned feet having scrolled backrest with carved panel detail, and spindle gallery to side. The armchair raised on turned legs, with a trio of carved pierced urn form splats to back. Each featuring tapestry upholstery. Measures approx: 74x180x60cm
A rare Royal Doulton Sung Flambe vase, standing 6.75" high. A scene of an Ocean Bed showcasing a mesmerizing blend of fiery red, blue, and golden hues with a unique abstract glaze pattern. This piece features an experimental glaze, pushing the boundaries of the iconic Flambe series. The base is marked with the Royal Doulton backstamp, artist signatures "F. Allen," and "Noke" and model number. A fine example of Royal Doulton's innovative artistry and a must-have for collectors of rare and experimental ceramic designs.Issued: 20th centuryDimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.

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64295 item(s)/page