ROYAL DOULTON; thirteen figures including 'Town Crier', 'Grand Manor', 'Cherie', 'Debbie', 'Anna', 'Carrie', 'Fair Maiden', 'Tinkle Bell', 'Marie', Peggy', 'Bedtime', 'Darling' etc, also a Coalport figure, 'Lady Alice', height 22cm, and a Royal Worcester figure, 'Jane' from the Summer Romance series, height 23.5cm (15).
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BOB DYLAN (born 1941); a signed limited edition print from 'The Drawn Blank' series, 'Bell Tower in Stockholm', signed lower right and numbered 41/295, 41 being the year in which the artist was born, with original certificate of authenticity, signed and numbered by the artist, 70 x 56cm, unframed, with original purchase receipt from Castle Fine Art dated 23 May 2018.Condition Report: This print is in brand new condition and has not been opened since being collected from the gallery in 2018.
Early 20th century French gilt brass three-piece clock garniture, the bell striking clock with roman numerals on white enamel plaques and two winding holes, movement stamped 2425 AM, 42cm high and a pair of four-branch candle stands (3) Condition ReportLight surface scratches/marks. accretions and tarnishing to all items. Two screws on backplate are broken and appear to have been drilled or cut away with surrounding area sunken in and worn away. Backplate is slightly separated from body of clock towards top. No key, sold as untested so cannot say whether in working order. General wear and tear.
George III bracket clock, the arched case with brass handle to top, gilt metal mounts and pierced gilt metal panels to sides, on four gilt metal feet, the brass arched dial with rococo-style spandrels having an enamelled strike/silent dial, the enamel face with roman and arabic numerals with two winding holes, twin fusee movement, the bell striking movement signed to the backplate 'Simon Samuel London', with pendulum, 44cm high x 26cm wide Condition ReportCase with some surface scratches, scuffs and knocks. Splits to wood on sides. Front glass panel is loose, brass mesh is loose on one side, minute hand is off but present, screw missing from top handle, not the correct pendulum. Hinges have been replaced. Strike is on two bells (ting-tang). General wear and tear.
Noel Bouvard (1912-1975) Oil on canvas 'Venice' - Venetian canal scene with gondolier in foreground, St. Mark's Campanile bell tower in background, signed lower right, framed, titled on J. Hilliard & Sons gallery label verso, 33cm long x 25cm high approx excluding frame Condition Report Good condition. No damage or restoration. General wear and tear.
Mixed lot of silver plate and metalware including a silver plate oval serving tray, a silver plate dish and various items of flatware, a pewter hammered vase, two handheld fans, a bronze crinoline lady table bell, a pair of gilt metal twin-branch wall sconces with crystal drops and other items
Scrap album being a personal collection of a Mary Ireland, the inner page containing the inscription ' Interesting people I have met, their signatures, scraps and mementos, etc ', the album containing autographs from letters, mostly dating to the early 20th century including South Pole expeditioner Herbert Ponting, H.R.H Princess Beatrice (daughter of Queen Victoria), Lady Oppenheimer, Major J C Darling, Robert Anning-Bell, Stanhope Forbes and many others, together with various newspaper cuttings, letters, invitations, tickets and other ephemeraCondition ReportAdditional photos of scrap book uploaded. Scrap book approx. two-thirds full.
A longcase clock 18th century and later the 30-hour birdcage movement with single hand and bell strike,the dial Thomas Kefford, housed in a slender ebonised case 194cm high dial 10.5inThomas Kefford (baptised 18 March 1686, in Royston) (fl. 1710–1750), was a noted English clockmaker doing business at The Dial, Fore Street, Royston, Hertfordshire. Thomas was the son of Thomas Kefford (also a clockmaker) and Mary Fordham, and was one of 4 siblings baptised at Royston. Condition ReportLentical replaced, shringkage splits, later ebonised Complete with pendulum and weight. working order at the property. We are unable to guarantee that this is in full working order and we would recommend inspection by a professional
A gilt brass and glass cased mantel clock, 19th century, with a twin-train French movement striking on a bell, within a castellated case with turret finials to each corner, with associated sunburst pendulum and two winders,19cm wide16cm deep34cm highCondition ReportWith pendlum and two winding keys. Good condition overall. Light scratches to the glass. Light tarnish to the metal. Ticks when wound but untested for a period of time, we would recommend having a clock expert review the clock. Please see additional images.
Three collectable soft toys by Steiff, Merrythought and Moore Bears - comprising a Steiff 110023 plush Monkey with yellow tag and button in ear, 10in high; a Merrythought Chipmunk, 10½in high; and a Moore Bears artist's bear Cat in long white mohair, with green glass eyes, collar with bell and pink nose and pads to the paws, 16in high.
An antique middle eastern tinned bell metal vessel - probably 19th century, of cupped form with a flared foot, the rim with a band of Maltese cross and floret punched decoration, the exterior with incised character marks, 15cm diameter, 7.75cm high, the interior with heavy verdigris encrustation.
A small group of antique and vintage pocket and wrist watches - including a 1970s Seiko Bell-Matic gold plated bracelet watch (running when catalogued); a 9ct rose gold cased 1920s-30s manual wind wrist watch (no strap, case a/f, not running); a 1920s silver and enamel wrist watch (lacks crown, not running, no strap); a 1950s Smiths Ranger pocket watch (rider figure detached from minute hand, plastic glass loose); etc.
Three pairs of antique cut glass decanters - mid-19th and early 20th century, comprising a pair of late-Georgian ovoid decanters with three facet cut neck rings and panel and diamond cut bodies, star cut bases, 20.5cm high (no stoppers); a pair of late 19th / early 20th century shaft and globe decanters, with panel cut necks and printie and diamond cut bodies, star cut bases, 24.2cm high (one with tiny rim frit, the stoppers similar but one probably matched); and a pair of Edwardian bell-shaped decanters, with panel and prismatic cut necks, one with original plain mushroom stopper, the other matched, 24.2cm high; together with a single Georgian Prussian decanter with three rings to the panel cut neck, over a petal cut shoulder and comb basal cutting, the base plain, 22cm high (no stopper). (7)
Three small 18th and early 19th century wine glasses - comprising a small 18th century wine with a double ogee bowl on a stem with central swollen knop, on a folded foot, 9.8cm high; an early 19th century glass with bell bowl with moulded fluting, on a plain stem with central gadrooned knop, on a conical foot with pontil, 11.3cm high; and a heavy small wine with drawn trumpet bowl (bruise to rim), seated on a ball knop and short stem with plain foot with pontil, 11cm high.
A collection of 21 x 18th and 19th century drinking glasses - including a small 18th century wine glass with a bucket bowl etched with fruiting vines, on a bladed knop stem and folded foot, 9.5cm high; a similar Continental glass with a bell shaped bowl etched with fruiting vines, on a thick stem with swollen centre knop, on a folded foot, 9.8cm high; a small drawn trumpet bowl wine glass with folded foot, 9cm high; a set of five mid-19th century wine glasses with a petal cut ovoid bowl, seated on a bun knop and plain slender stem, the plain foot with ground pontil, 12.1cm high; a Georgian ale glass with basal petal moulding to the conical bowl, on a wrythen moulded stem with flattened centre knop and plain foot with pontil, 12.3cm high; two other 19th century ale glasses, one wrythen moulded 11.5cm high; the other with petal cut bowl and bladed knop, 13.8cm high (two tiny rim chips); etc.
A collection of three Chinese and Japanese export teapots, 18th/19th century, comprising:one famille verte, the bell-shaped body painted with butterflies and flowers, 12cm high, one iron red, painted with a lotus pond, the reverse inscribed with a poem,11.5cm long, and another, decorated with flowers from the four seasons under an aubergine glaze, 10cm high (6)Provenance: The David and Sarah Battie Collection.Condition ReportFamille verte - handle replaced, chipped to spout and shoulder.Iron red - cover chipped.
A Chinese blue and white gu vase, Qianlong (1736-1795), finely modelled with a trumpet neck above a central bulb and a bell-shaped foot, painted with dragons, chasing flaming pearls, amongst bats and clouds, with a six-character Qianlong mark within a rectangular cartouche to the neck, 23.5cm high Provenance: purchased from the Robert Edwards collection; exhibited at The Art Gallery, State University College, New York in December 1965. 清乾隆 青花赶珠云龙纹花觚 《大清乾隆年制》青花篆书款 Condition ReportNo obvious faults.
UNITED KINGDOM. Albert Smith. Brass Token, 1859. Obv: bust right. Rev: EGYPTION HALL PICCADILLY 1859 on four central lines; ALBERT SMITH'S above and CHINA. Edge smooth.In secure plastic holder, graded PCGS MS63 , certification number 83719709.PCGS population in this grade: 1.PCGS population in higher grade: 1.Reference: Bell-2810.Composition: Brass.PLEASE NOTE: A 22.50% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
POTTER (BEATRIX) 'The Tale of Jemima Puddleduck', 1st Ed., Warne London, 1908grey/green bds plus RHYS (Grace) .Banbury Cross Series 'Jack & The Giant Killer' and'Beauty and the Beast' 1 vol and 'The Sleeping Beauty' and 'Dick Whittington and his Cat'. R Anning Bell. Illus. Dent. London 1894, gilt brown bds (3) Jemima Puddle-Duck - good condition, bar few very, very light and small unassociated marks, finger marks. Pages overall clean. New photos added.
VALLANCE (AYMER) The Art of William Morris, A Record by Amyer Vallance' with reproductions and designs and fabricsprinted in the colours of the originals. Examples of the type and ornaments used at the Kelmscott Press and manyother illustrations also a classified bibliography by Temple Scott at the Chiswick Press and published by George Bell & Sons,London MDCCCXCVII (1897) - Red and black printed title page with frontispiece portrait of William Morris with signature- historiatedfirst initials, plates and in text illustrations as per listing. Folio. orig. linen backed, blue cloth, spotting throughout, edges stained, binding worn and stained, box.
BLACK (Adam & Charles), 'Blacks General Atlas' comprehending sixty-one maps from the latestand most authentic sources, engraved on steel.... by SYDNEY HALL, HUGHES etc Edinburgh, 1844.Fo plus BELL (Major James) 'A View of Universal History, Literature.....' in twenty five illuminated,chronological tables.....5th Ed.Baldwin, London, 1842. Fo. both in poor condition, binding loose, foxing etc (2)
DOBSON (AUSTIN) THOMPSON (HUGH)'The Story of Rosina' plus'The Ballard of Beau Brocade' Keegan Paul, Trench, Trubner, London, 1898/92; red and gilt calf plusSONNETS OF SHAKESPEARE, The Shakespeare Head Press, 1905, full gilt blue calf plus Shakespeare (William)'A Midsummer Night's Dream' Robert Anning Bell, Illus. Dent, London 1895, gilt green cloth, 8vo, edges bumped etc, owners sigs (4)
COKE (Roger) A Detection of the Court and State of England during the Four Last Reigns and the Inter-Regnum consisting of Private memoires etc with Observations and Reflections. 2 vols in one. 3rd Ed. Andr. Bell at the Crosskeys and Bible in Cornhill. (London) 1697. 8vo, full later gilt calf – splits etc (1)
A matched pair of Dutch engraved colour twist wine glasses, the bell shaped bowls engraved with Jacobite style motifs including rose and moth to one, the other with bird and grape vines, on multi strand red and opaque spiral and lattice core stems on conical feet, 15.5cm and 16cm high, rims 6.2 and 6.3cm, feet 7.1cm diameter (2)
J. Butler, Reading, a Regency mahogany and brass strung bracket clock, circa 1820, pediment case, brass fretwork sound grilles, 20cm painted convex dial with Roman numerals, raised on brass ball feet, double fusee movement striking on a bell, 45cm high, 29cm wide, 17cm deep, (key and pendulum)
A matched pair of Dutch engraved colour twist wine glasses, the bell shaped bowls engraved with Jacobite style motifs including rose and moth to one, the other with bird and grape vines, on multi strand red and opaque spiral and lattice core stems on conical feet, 15.8cm high, rims 6cm, feet 7cm diameter (2)
Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts glass air twist and controlled bubble goblet, circa 1890, the optic ribbed bell shaped bowl with a spiral band of air bubbles, on a tapered stem of three helix strands, on a radial ribbed conical foot, 16.5cm highNote: from the 1880s Harry Powell experimented with trapped air techniques, in the 18th century manner, re interpreting the traditional methods in a new and innovative way to create contemporary designs. This appears to be a very rare and unusually large example of the use of these techniques, reflecting the trend in the 1880s for Venetian capacity wine goblets.See Evans, W. et al. 1995, Whitefriars Glass, Museum of London, p.79, pl.78 for an illustrated example of this pattern combination on a champagne flute, possibly from the same service.
Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts sherry or liqueur glass, circa 1900, the optic ribbed bell shaped bowl on a double spiral twisted hollow stem and radiating conical foot, 10cm highSee: Evans, W. et al, 1995, Whitefriars Glass, p.80 fig.81, for an illustrated example of this design in the 1904 Louisiana Purchase Exposition, St Louis.
A painted pot cupboard in the manner of Duncan Grant, late 19th century and later, having a single drawer over a panelled cupboard door, decorated with a floral spray,47cm wide35cm deep82cm highProvenance: Carel Weight RA, who was a personal friend of Vanessa Bell, thence by descent.Condition Reportlightly chipped and marked, the drawer pull lacking, marked and stained throughout, overall fair useable condition,
Early 19th Century George IV mahogany cased two train mantle clock by George Yonge Of The Strand (London), with silvered metal dial and Roman Numeral face, single bell strike movement, gilt metal finial and glass front and back, complete with pendulum, together with period mahogany fitted wall bracket

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135336 item(s)/page