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A group of aeronautical folk art, to include:a propeller barometer,91cm long,two framed photographs, one in a frame formed as an aeroplane component,32cm long, anda leather cased camera (5)

Two pairs of Binoculars to inc Prinz and Soviet made and a vintage box camera, all with cases [3]

A vintage 9ct gold pendant or charm formed as a camera, XRF confirmed, 0.93g, 15mm wide

A rare vintage Casio WQV-2 watch with wrist camera, stainless steel strap and case

Mix of scientific items to incl monocular, thermometers, Panasonic Zoom camera, 2 sets of binoculars etc

Vintage Kodak No. 2 Hawkette Bakelite folding camera with canvas case

Mix of vintage Zenza Bronica camera items to incl film back, 80mm lens, 150mm lens, SQ-AM camera body etc

Assorted vintage camera/projecter equipment to incl a Pentax ME Super camera with 50mm lens and other accessories, projector film reels and viewer, and a portable ITT KB record player

Sony DVP-NS355 CD/DVD player and a Polaroid 'The Button' Land Camera in box [2]

Canon EOS 1100D camera with EFS 18-55mm lens in carry case

Vintage Nikon camera items to incl camera, auto f=135mm lens, and MD-12 motor drive, in aluminium case

A charming 9-piece assortment of vintage and vintage-style accessories, this collection includes an array of ornamental hat pins and decorative hair clips. The hat pins feature elegant gold and black-toned embellishments, including engraved teardrop and round medallions, while two feature petite sculptural forms such as a pearl-tipped bud and a miniature camera with chain. The hair accessories include two ornate barrettes: one gold-toned with textured links and one silver-toned filigree style set with blue enamel floral motifs, as well as a silver-toned claw clip adorned with sparkling pink rhinestones. A delightful group for collectors or wearable use. The longest pin measures approximately 5.25"H; the largest hair clip measures approximately 3.5"L.Dimensions: See DescriptionCondition: Age related wear.

Two Crates of Cameras & equipment; Pentax Asahi Cameras, various Pentax lenses, Casio Calculator & Camera Dark room items.

Wooden box and three boxes of ephemera, vase, camera equipment etc

Boxed camera monitoring system

Vintage camera equipment - Canon EOS 50E, Bush TDV562 video camcorder, cine Canonet 8 etc

Polaroid advertising light box, vintage camera processing equipment, projectors etc

THE ROLLING STONES - The Rockarchive Collection: Limited Edition Print by Pete Smith, Roundhouse, 1971 - A limited edition fine art photographic print featuring an image of The Rolling Stones taken by photographer Pete Smith on 14 March 1971. This lot is part of the Rockarchive Collection. The shot was taken at the Roundhouse in London during The Rolling Stones' brief "Goodbye Britain" tour. After the tour, the band left England and relocated to the South of France, becoming tax exiles as they discovered their taxes had not been paid for seven years. This giclee print is from a limited edition of 100 and presented on archival 310gsm cotton based rag paper, hand-numbered "4/100", and signed by Smith in pencil. It is also annotated "Rolling Stones, Roundhouse London 1971" along the bottom. Dimensions: 29.75 cm x 42 cm (11.75" x 16.5")Pete Smith recalled:"I heard The Rolling Stones were doing a gig at the Roundhouse. I didn't have a ticket or pass. Waving my camera I blagged my way in (you could still do that in 1971). Underfoot was compacted earth, an old farm cart was being pushed worryingly close to the packed crowd. I was able to get fairly close to the stage which had been set near the centre of the arena. Shooting from the floor over people's heads with a 135mm lens on my Nikormat: hand-held, wide open aperture, two rolls of Tri-X pushed a stop or two; photography inspired by music."Additional provenance:This lot comes from the Rockarchive Collection, founded by acclaimed music photographer Jill Furmanovsky in 1998. Rockarchive now comprises an impressive collection of over 1000 images by more than 100 photographers and graphic designers, allowing fans and collectors to purchase limited-edition prints featuring music's most established artists. This lot is accompanied by a certificate of authenticity co-signed by Jill Furmanovsky.VAT Status: †

ASTERIX CONQUERS AMERICA (1994) - Asterix, Obelix and Multi-Character Original Production Cel and Pan Original Layout Drawing Setup - A richly detailed pan layout setup from the animated feature Asterix Conquers America (aka Asterix In America), expertly composed using seven original hand-painted production cels over a large-format pan background drawing.Asterix Conquers America was the first Asterix film produced entirely outside France and marked an ambitious expansion of the franchise. With its distinctive style, international tone, and strong visual storytelling, it brought the iconic Gauls to a new generation.While this specific arrangement does not appear "as is" in the film, each cel and layout element was created for the production and has been thoughtfully assembled by the studio to showcase the visual dynamism and character design that define the feature. The studio officially released this piece as part of the Asterix Art Program, curated to preserve the series' legacy and offer collectors a rare look into the production process.Set in a Native American village deep in the New World, the artwork brings together an ensemble of key characters: the defiant Asterix stands mid-conversation alongside the wise druid Getafix (Panoramix), recently kidnapped and flung across the ocean by Roman forces. To their side, the young tribal girl, while a wary villager and medicine man, and the elaborately dressed village chief observe from either end, the ever-faithful Obelix acting as both mediator and muscle in the scene.The pencil layout background stretches across, laying out the ceremonial grounds and tipi village in a sweeping perspective. These layouts were integral to shot planning, camera movement, and cel positioning. The scale, clarity, and theatrical composition make this setup an ideal display piece, a scene that captures the drama and charm of the film's aesthetic. Multiple production reference numbers are handwritten along the bottom edge of the cels, and several annotations are written on the drawing. The official studio stamp is present on the bottom right corner of the layout, authenticating its origin. A special offering for fans of the franchise and for collectors who value the immediacy, scale, and storytelling power of original animation art. Dimensions: 31 cm x 109 cm (12.25" x 43")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: Ω

SWORD IN THE STONE, THE (1963) - Merlin Holding Wart Original Production Pencil Drawing - An original production drawing of Merlin and Wart from Walt Disney's 1963 animated film The Sword in the Stone. Directed by Wolfgang Reitherman, The Sword in the Stone was the final animated feature released during Walt Disney's lifetime. This is a rare opportunity to own a moment of genuine connection between mentor and protege in the Disney canon and from a film that often flies under the radar.This artwork is likely a working drawing used for precise positioning and character staging. This drawing features Merlin, the eccentric wizard, gently grasping the young Wart (Arthur) by the shoulders. The interaction between them is carefully composed, and both figures are expressive and well-posed within the camera framing lines.The characters are rendered in graphite and red pencil on 16-field 3-peg animation paper, with Wart drawn in red pencil. This was a common animation technique used to distinguish overlapping characters or to define placement in multi-character interactions. Wart's placement, partially unfinished in red, indicates he may have been finalised in a separate drawing for inking, while this composite would guide the animators and layout team. The registration peg holes remain intact, and a camera alignment line is visible across the top and bottom margins. There is a minor tear on the bottom edge of the paper. Dimensions: 32 cm x 39.5 cm (12.5" x 15.5")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

BATMAN: THE ANIMATED SERIES (1992-1995) - Framed Original Hand-Painted Background "The Man Who Killed Batman" Animation Cel - A moody and evocative preliminary background from Batman: The Animated Series, hand-painted by celebrated artist John Calmette for Episode 51, "The Man Who Killed Batman" (1993).While the final camera pan in the episode reveals a slightly modified background with a "Diamond Exchange" sign over the door, this earlier, almost identical iteration captures the distilled atmosphere of Gotham's skyline with graphic elegance and anticipation. Calmette's signature Art Deco geometry and theatrical use of light are on full display, from the looming vertical scale to the isolation of a single glowing streetlamp.Unusually, the piece is inscribed in the artist's own hand: "406 551, Diamond Exchange, sc. B60, Batman, J. Calmette", a rare dedication for internal production work. Painted on black paper rather than the usual white in animation, this was a deliberate stylistic choice by the art department to enhance the show's noir shadows and dramatic compositions. As a result, the atmosphere isn't layered on in post-production or FX cels; it's embedded in the very base of the painting. Gotham breathes here…quiet, stylised, and waiting to detonate. A beautifully preserved and highly displayable original, this is a compelling acquisition for collectors drawn to the visual world-building of the series as much as the action within it.It comes mounted within a black frame with plexiglass and features a hanging wire on the reverse. The frame displays minor marks, and the lot comes with a Warner Bros. Animation Art certificate of authenticity. Dimensions (framed): 16" x 21.75" x 1" (41 x 55 x 2.5 cm)Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

WARRIORS, THE (1979) - Cast-Autographed Poster - A cast-autographed commercial poster for Walter Hill's action thriller The Warriors. The poster features the recognisable 'sea of gangs' design by David Jarvis, which shows the gang looking formidably down the camera. Jarvis' artwork was largely used in the movie's global marketing campaign. It is autographed in blue ink by six cast members, including Michael Beck (Swan), James Remar(Ajax), Dorsey Wright (Cleon), David Harris (Cochise), Terry Michos (Vermin), and Thomas G. Waites (Fox). Dimensions: 91.5 cm x 61 cm (36" x 24")The autographs in this lot have been professionally authenticated by expert Garry King; see notice in the Buyer's Guide.VAT Status: M

ROBIN HOOD (1973) - Prince John Original Production Cel - An original production cel of the scheming, insecure lion Prince John, memorably voiced by Peter Ustinov, mid-conversation with his slithery advisor, Sir Hiss. Robin Hood holds a special place in Disney's history. It was the first animated feature completed after the deaths of both Walt and Roy O. Disney, marking a turning point for the studio. Led by some of the legendary "Nine Old Men" (notably Ollie Johnston here as the Directing Animator for Prince John), the film overcame budget limitations to deliver a beloved classic known for its clever wit, expressive animation, and enduring heart.Prince John's wonderfully exaggerated expression, with his sly grin and sparkling eyes, perfectly conveys the humour and charm that have made him one of Disney's most memorable animated villains.This hand-painted cel features beautiful, vibrant colours and visible camera lines, adding an authentic behind-the-scenes touch (note how there is no cel paint below the camera line). The artwork draws the viewer right into the scene and is a fantastic showcase of Disney character animation at its best. Dimensions (mounted): 40.75 cm x 50.75 cm (16" x 20")Sold without copyright; see copyright notice in the Buyer's Guide.This item will ship from our LA facilityVAT Status: US

WINNIE THE POOH AND A DAY FOR EEYORE (1983) - Winnie The Pooh Holding "Hunny" Pot Original Production Cel - An original production cel of Winnie the Pooh from Walt Disney's animated short film Winnie the Pooh and a Day for Eeyore.This cel was used in the final of the four original featurettes that began with Winnie the Pooh and the Honey Tree (1966), Blustery Day (1968), and Tigger Too (1974). These shorts became foundational to Disney's interpretation of A.A. Milne's beloved characters. Cels of this quality and scale featuring Pooh himself are rarely found. Most production cels from the era were trimmed for layout or taken directly from studio use without certification.This hand-painted large-character production cel shows Winnie the Pooh centrally positioned with his iconic red shirt and a classic "hunny pot" in hand. The pose and expression are quintessential Pooh: curious, gentle, and quietly delightful. The hand-painting work stops just below the horizontal camera line. This example is numbered "25" and bears the official Walt Disney seal, indicating release through the Disney Art Program, likely sold at a Disney theme park or authorised gallery at the time. The original production cel is in overall excellent condition, considering its age. Dimensions: 27 cm x 31.5 cm (10.5" x 12.5")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M

PUP ON A PICNIC (1955) - Spike and Tyke Original Camera Layout Pencil Drawing - An original camera layout drawing showing Spike and Tyke used in the production of the beloved Tom and Jerry short Pup on a Picnic, directed by William Hanna and Joseph Barbera.This layout represents the opening scene and sets the stage for one of the most iconic recurring duos in animation history: Spike the Bulldog and his son Tyke. We see Spike proudly instructing his son ("That's my boy!") beside their kennels, with multiple position marks for Tyke across the sequence. To the left, outlines of Tom can be found, just follow his curling tail to where he's shown diving into the picnic basket and disrupting the peace. Even Jerry makes several outlined appearances in red pencil, dashing across the setup from right to left in his escape.This drawing is not just a scene layout; it's a piece of visual choreography. The artwork reveals how spatial design, timing, and movement came together before a single frame was painted. These layouts were foundational to story pacing and gag delivery, especially in a studio like MGM, where visual comedy was king. A rare survivor from a now largely lost production archive, this layout is dynamic, charming, and packed with historical significance.It is drawn in graphite with additional red and blue animation notes. This panoramic field sheet shows multiple placements of characters and actions. The annotations and camera instructions offer further insight into the animation process. "SAFETY LINE," "ADD 2'00," and references to props like the "basket-onion bag" and "table cloth" capture the layered, collaborative nature of Golden Age Animation production. A note in red describes a key moment of comic timing: "Tom pitches food up + hits Spike w/ tomato". There is a tiny tear on the bottom edge. Dimensions: 26.75 cm x 63.5 cm (10.5" x 25")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M

ROBIN HOOD (1973) - Friar Tuck and Church Mice Original Production Cel - An original large-format multi-layer production cel featuring Friar Tuck and the two Church Mice from Walt Disney's animated film Robin Hood.This is an expressive, well-composed multi-character cel, a strong example from one of Disney's most affectionately remembered animated features. The charming image captures a moment of warmth and solidarity, with the mice perched affectionately atop Friar Tuck's head, conveying trust, closeness, and quiet humour.The characters are hand-inked and painted, and Friar Tuck, in particular, dominates the composition with excellent scale and presence. A visible camera line is running below the character, a reminder that this piece was created for screen use. The cel comprises two layers stapled together in the upper right corner, the top featuring the mice labelled "19" and the underneath sheet features Friar Tuck marked "A15".The cel also retains the official Disney seal, indicating release through the Disney Art Program. It is laminated, as was Disney's standard studio practice during the period, and remains in remarkably good condition. The lot displays some minor marks and light scratches, which do not affect the artwork. Dimensions: 32.5 cm x 41 cm (12.75" x 16")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M

WHO FRAMED ROGER RABBIT (1988) - Multi-Character Original Production Drawing - An original character production drawing from Robert Zemeckis' landmark hybrid movie, Who Framed Roger Rabbit, featuring Mickey Mouse, Minnie Mouse, Goofy, Daffy Duck, Bugs Bunny, Tweety, and Betty Boop.Created for the film's iconic final sequence, this historic moment famously marks the first and only time animated characters from rival studios including Disney, Warner Bros., Fleischer, and others appeared together on screen.Drawn on 16-field animation paper in graphite and orange pencil, this image was created for the film's final sequence, where the characters gather around the dipped remains of Judge Doom (indicated by the soft orange outline in the foreground). The use of orange pencil denotes rough positioning and scene planning, while the refined graphite outlines signal this was a traced and finalised element intended for production reference prior to cel painting. Registration marks, scene notation ("237/B1"), faint orange cross pan indicators, and a camera crop line through Bugs Bunny's ears point to its use as a working layout for the animators and camera team. Each character is delicately rendered, ready for ink and paint.This original drawing, featuring classic poses and expressions of some of the most iconic cartoon characters, is a wonderful example of the intricate and detailed processes of animation before colouring and placing it onto film. Dimensions: 32 x 41 cm (12.5" x 16.25")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M

STEVEN SPIELBERG - Steven Spielberg Autographed Photograph - An autographed photograph of acclaimed director Steven Spielberg. Printed on photographic paper, it shows Spielberg looking through the lens of a Panavision Panaflex camera. At the bottom of the photo, Spielberg has written in black marker pen: "To Charlotte, my very best", followed by his signature. The white borders exhibit light creasing and some marks in the bottom left corner. Dimensions: 25.5 cm x 20.5 cm (10" x 8")The autographs in this lot have been professionally authenticated by expert Garry King; see notice in the Buyer's Guide.VAT Status: M

FANTASIA (1940) - Chernabog Original Production Pencil Drawing - An original production drawing of Chernabog from Walt Disney's 1940 animated film Fantasia.Chernabog is the demonic mountain spirit from Fantasia's Night on Bald Mountain sequence. It is widely regarded as one of the most powerful and visually striking character animation pieces in Disney history. This high-calibre drawing offers a glimpse into the making of Fantasia and is a key artefact from one of the most ambitious sequences ever attempted in traditional animation. Chernabog was animated under the supervision of Vladimir "Bill" Tytla, one of Disney's most acclaimed animators. Tytla, who also animated Stromboli (Pinocchio) and Dumbo, often considered Chernabog his finest achievement.Drawn in graphite and highlighted with red and blue coloured pencils, the linework is bold and enhanced with animator notes in red indicating painting instructions. This drawing is labelled with the frame number "184". Using different coloured pencil lines also served a practical purpose in the animation process, allowing the ink and paint department to trace linework in specific colours when transferring to the cel. Characters were hand-inked in coloured lines rather than pure black. The 5-peg registration hole configuration at the base of the sheet confirms this was part of Disney's animation pipeline during the Golden Age, and the framing lines drawn around the figure reflect how the rostrum camera would capture this composition. Dimensions: 32 cm x 39.5 cm (12.5" x 15.5")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

18ct gold fan charm, four 9ct gold charms including bell and camera and a 9ct gold church charm with lightCondition Report:18ct approx 3.7 grams, none stone set 9ct gold approx 4 grams, stone set 9ct apprx 6.3 grams

Vintage Mansfield Holiday II camera with case, and Ernemann ¼ plate folding camera and four others

A Praktica MTL 50 camera and two Pentacon lenses together with a scratchbuilt TV camera constructed by a schoolboy

Seven various bellows cameras and a Comet 5 camera

A Sony A330 digital camera, body only.

An Olympus Trip 35 compact film camera, serial no. 4110619.

A Sony a57 DSLR camera, body only, boxed.

A Nikon AF-S f/2.8 105mm lens.Condition:This lens has been tested with a camera body and it focuses well on manual and auto. There is dust and minor scratches to the front element. These do not impact the image quality. There is cosmetic damage to the barrel. 

A Panasonic Lumix FZ72 digital camera, boxed.

A Nikon Coolpix B500 digital camera, in metallic purple.

A Canon Powershot S110 digital camera, boxed.

A Mamiya C220 TLR camera, with Mamiya-Sekor f/4.5 55mm lenses.Condition: There is a clear image visible through the viewfinder. There is minimal dust visible in the bottom lens. This item has not been tested for functionality

A Nikon FM2 film camera with a Nikon Nikkor f/1.8 50mm lens.

A Nikon D70 digital camera, body only, boxed.

A Nikon Coolpix S3500 digital camera.

A Sony A100 digital camera, with Sony f/3.5-5.6 18-70mm lens.

An Olympus MJU I compact 35mm camera.

A Samsung DV15OF digital camera, in white.

A Canon IXUS 130 digital camera.

Three camera lenses, to include, Carl Zeiss Jena f/2.8 28mm, Pentax-M f/4 75-100mm, Asahi Super-Takumar f/2 55mm. (3)

An Olympus Trip 35 compact film camera, serial no. 5283615.

A Sony A100 digital camera, with Minolta f/3.5-5.6 28-80mm lens.

A Canon Powershot A2300 digital camera, boxed.

A Canon TLb film camera, with Canon f/3.5-4.5 28-55mm lens.

A Canon EOS 600D digital camera, with a Canon EF-S f/3.5-5.6 18-55mm lens, boxed.

An Olympus Trip 35 compact film camera, serial no. 3217185.

A Canon EOS 4000D DSLR camera, with Canon EF-S f/3.5-5.6 18-55mm lens.

A Sony a200 digital camera, with Sony f/3.5-5.6 18-70mm lens.

A Konica Minolta Dynax 7D digital camera, with a Sigma f/3.5-6.3 28-300mm lens.

A Nikon D3200 DSLR camera with an AF-S Nikkor f/3.5-5.6 18-55mm lens, boxed.

An Asahi Pentax ME film camera with a Pentax-M f/1.7 50mm lens.