Lewis Baltz (American, 1945-2014), 'Candlestick Point',by Lewis Baltz, published by Aperture and Gallery Min, New York and Tokyo in 1989, housed in a card slipcase, signed, and'San Quentin Point',by Lewis Baltz, published by Aperture/Zwölftes Haus, Millerton/Berlin in 1986, signed (2)Condition Report'Candlestick Point' with wear to the card slipcase and a mark to the front cover commensurate with use. 'San Quentin Point' with wear to the dust jacket and outer clear dust jacket with losses to the top of the spine.
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A tall and finely cast Japanese bronze figural candlestick depicting a crane standing atop a turtle, holding a lotus-form candle holder delicately in its beak. Measuring an impressive 29 inches in height, this sculpture blends refined craftsmanship with powerful symbolism - cranes represent longevity and renewal, while turtles symbolize stability and endurance in Japanese tradition. This composition, popularized during the Meiji period and continuing into the mid-20th century for export, has become a highly collectible motif. The statue shows exceptional detailing in the feathers and carapace, and retains its original bronze finish with a soft natural patina. A paper label marked "Japan" is affixed to the underside, dating the piece to the mid-20th century. This sculpture stands as both a decorative centerpiece and a representation of enduring harmony in Japanese artistry.Issued: 20th centuryDimensions: 29"HCountry of Origin: JapanCondition: Age related wear.
Pair of elaborately carved tall candlestick holders featuring raised angel figures in a prayerful pose. The design showcases richly detailed Baroque-style embellishments including leaf scrolls, shell forms, and fluted columns, with each figure rendered in high relief beneath a tiered candle platform. The surfaces are finished in a distressed gold gilt with red underlay visible throughout, enhancing the antique character. Both pieces rest on four-footed circular bases with molded floral motifs and red painted undersides. Each stands approximately 24 inches tall and is crafted from a composite material with the appearance of aged carved wood.Issued: 20th centuryDimensions: 24"HCondition: Age related wear.
A silver gilt 'surprise egg', by David Rhys Mills, London 1996, the plain bodied egg opening to reveal a gilded interior with mouse, cheese, and candlestick on a silver gilt leafwork base, 8cm hightogether with a silver pill box,London 1997, decorated with a Daisy to the top, 2.5cm highand another Sterling silver pill box, Birmingham 1997, surmounted with a nymph,4cm hightotal weight 7.5ozt (3)Condition Reporttarnishing and scratches to surfaces
This Weller Pottery candlestick holder is a fine example of the Louwel line, featuring a rich brown glossy glaze with a hand-painted yellow and orange floral motif. The form includes a broad base that narrows into a turned, tiered candle holder, with an integrated side handle that enhances both form and function. The base is impressed with Louwel SA Weller and shape number 347, indicating its authenticity and dating it to circa 1905-1920. Weller's Louwel ware is celebrated for its deep glazes and detailed floral designs, and this piece is no exception, showcasing the artistry of early American art pottery.Issued: c. 1920Dimensions: 7.50"HCountry of Origin: United StatesCondition: Age related wear.
This elegant 4-piece set of crystal candlestick holders showcases refined geometric styling and multifaceted brilliance. Included are three candlesticks designed by Oleg Cassini, featuring his etched signature on the base"reflecting his legacy of luxury design. A striking decorative set for both formal dining and display. Tallest measures approximately 9.5"H.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
This elegant 3-piece set features two Waterford faceted candlestick holders with square bases and vertical fluting, paired with a round bowl. Known for its clarity and craftsmanship, Waterford has long been synonymous with premium lead crystal since its origins in Ireland. Pieces bear the Waterford acid-etched mark. Tallest item measures 8"H.Issued: 20th centuryDimensions: See DescriptionCountry of Origin: IrelandCondition: Age related wear.
Bob Crooks First Glass amber-colour ball candlestick on clear spiral stem, etched signature and First Glass to base, 25.5cm high, a Wedgwood duck paperweight with brown speckled inclusions, a pair of smoke tinted pan-topped candlesticks in the style Ronald Stennett-Wilson, a Murano perfume bottle and stopper, oviform with opaque blue rectangular stopper, a late 19th/early 20th century Bohemian amber tinted etched vase, with a hunting scene, two Murano-style ashtrays of petal form, one in ruby and amber tints, the other blue and aventurine, a tapering oviform etched paperweight, a late Victorian/Edwardian pink cased lobed globular vase on crimped feet and a cased pink, white and ochre marbled vase, oviform with cup shaped neck (11)
Poole Studio mid-century charger decorated in orange and green glazes with abstract flowerheads, banding and geometric ornament, on mottled green ground, printed Poole studio England and impressed marks, 33.8cm diameter and three Poole pottery wares including a cylindrical candlestick, a moulded and tapering oviform vase and a globular pot and cover with Carter Stabler Adams Limited moulded marks, various painters marks, each decorated in the Art Deco style with geometric and foliate ornament in purple, blue, green and yellow (4) Condition Report Poole charger - in good decorative order, would benefit from a gentle clean. Candlestick - minor faint hairline cracks to upper rim. Vase - two long hairline cracks from rim into mid body.Bowl and cover - in good order. Minor and typical glaze crazing overall.
A CANTEEN AND A BROKEN SILVER CANDLESTICK WITH A CASED SET OF CUTLERY, the canteen filled with a mixture of EPNS cutlery pieces, together with an AF silver candlestick, broken from the round weighted base, hallmarked 'J B Chatterley & Sons Ltd' Birmingham, and a cased travel set of cutlery, fitted with silver Kings pattern handles and stainless steel parts, hallmarked Sheffield
A GROUP OF CERAMICS, to include a Coalport bust of Robert Baden-Powell, limited edition 365/1500, height 15cm, ten pieces of Wedgwood Jasperware, an Aynsley candlestick with modelled flowers, and assorted giftware including Wedgwood and Aynsley (20) (Condition Report: most pieces appear ok, sd)
A LARGE COLLECTION OF WEDGWOOD GIFTWARE ITEMS to include a large quantity of 'Wild Strawberry' items to include four lidded trinket pots of various form, three lidded pots, four trinket dishes, a salt and a pepper shaker, a candlestick, five vases of assorted form, a group of 'Chinese Legend' items to include a ginger jar, two lidded trinket pots, three vases, and a leaf shaped trinket dish, and various assorted individual pieces, height of tallest vase 20cm (qty + 3) (Condition Report: items could benefit from a through clean, some adhesive remains in places)
FIFTY EIGHT PIECES OF ROYAL ALBERT 'OLD COUNTRY ROSES' TEA AND GIFT WARES, comprising teapots in two different sizes (smallest has a cracked cover, larger has a chipped cover), two sugar bowls, two cream jugs, a cake plate, twelve side plates, eleven teacups, twelve saucers, a table lighter, a 'Celebration of the Old Country Roses Garden' plate, two small vases, height 10.5cm, a bell, two trinket dishes, two ashtrays (one chipped, both missing most of their gilding), three modelled flower ornaments (some chips and losses), a candlestick with modelled flowers (petals chipped), three novelty vases in the forms of a swan, a wheelbarrow and a shoe, together with a covered vase in Harvest Rose pattern (59) (Condition Report: most pieces appear ok, obvious specific damage as stated, all appear first quality, some gilding wear/loss, signs of light use)
A COLLECTION OF MAINLY WEDGWOOD GLASSWARE, comprising clear glass paperweights depicting an eagle, a heron, a duck, a swan, an owl, a woodpecker and various birds, a mottled brown and clear glass paperweight in the form of a duck, and a topaz glass Sandringham candlestick, together with a Mats Jonasson seal paperweight, and a similar Dartington Crystal Yorkshire Terrier paperweight (15) (Condition Report: the Wedgwood clear glass paperweights are quite chipped, some with larger chips, mainly around bases, the other pieces appear ok)
Pair of Moorcroft pottery candlestick holders featuring a hand-decorated pomegranate and berries design. The cylindrical stems are decorated in deep cobalt blue glaze with panels depicting stylized pomegranate fruit and berry clusters in red, orange, and purple tones, surrounded by foliage. Moorcroft marked.Artist: William MoorcroftIssued: 20th centuryDimensions: 5.25"W x 9"HCountry of Origin: EnglandCondition: Age related wear.
Matching pair of silver candlesticks with fluted urn shaped sconces. Features a tapering stem with a fluted and reeded base. Fully hallmarked Sheffield mark, Atkin Brothers. Total weight of both candlesticks is approximately 1417g.Dimensions: Tallest candlestick measures 9.5"HCondition: Age related wear. One of the candlesticks is slightly bent.
A collection of cast brass candlestick holders comprising, a tall Georgian example of classical form with beaded border and detachable drip pan (h. 28cm), together with three similar examples of varying sizes, each of classical form with fixed drip pans over tapered columns to square dished bases (smallest h. 15cm) (4)
A MAMLUK GOLD AND SILVER-INLAID BRASS CANDLESTICK BASE Possibly Syria or the Levant, 14th centuryOf characteristic splayed truncated conical shape, the brass exterior inlaid with intricate silver and gold decoration, the widest band ornamented with interlocking rosette medallions and oval thuluth calligraphic cartouches with honorific titles, set against a recessed ground with black inlay, possibly a form of bitumen, designed with scrolling vegetal meanders, encased within two friezes of foliate chevrons, the fine gold and silver inlay demonstrating the characteristic brilliance and meticulous attention to detail of the Mamluk workshops.11.5cm x 19cm The Mamluk Sultanate (1250 - 1517) was a period celebrated for its sophisticated metalwork, which combined artistic virtuosity and refined technical skill. Metal objects from this era, particularly those inlaid with precious metals, were highly prized items of courtly luxury and symbols of status and prestige, often bearing the honorific titles and names of the courtiers or sultans they were made for. Comparable examples include those preserved in prominent museum collections, notably the British Museum (inventory no. 1878,1230.715), and examples from the Metropolitan Museum of Art, New York (Accession Number 91.1.585), illustrating similar intricate gold and silver inlays. Auction comparables include Sotheby’s London, 25 April 2018, lot 161, and Christie’s London, 26 April 2012, lot 125. 11.5cm x 19cm Qty: 1

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