We found 25905 price guide item(s) matching your search
There are 25905 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
25905 item(s)/page
Lot 2
Italian sculptural group titled The Wrestlers. Powerful representation inspired by the ancient Greco Roman Lysippus, the renowned 4th century BCE sculptor of classical antiquity. Rendered with extraordinary anatomical realism and dynamic tension, the composition depicts two male athletes locked in an intense moment of physical struggle, showcasing a masterful study of musculature, motion, and human form. The original marble group is traditionally thought to reflect the stylistic influence of Lysippus, official sculptor to Alexander the Great and a transformative figure in Greek art who broke from the static proportions of Polykleitos, a well known sculptor before Lysippos, in favor of more slender, naturalistic forms. Lysippus introduced a new canon of bodily proportions and expressive movement, pioneering a dynamic aesthetic that profoundly influenced later Hellenistic and Roman sculpture. This contemporary cast, mounted on a textured naturalistic base and finished in a rich golden bronze patina. Weight: 64lbs. Dimensions: 20"W x 17.5"HCondition: Age related wear.
Lot 329
ALICE IN WONDERLAND (1951) - Mad Hatter and March Hare Tea Party Original Production Cel and Presentation Background -Few scenes in animation history are as instantly recognisable or as gleefully anarchic as the Mad Tea Party in Alice in Wonderland (1951). This is a wonderfully iconic production cel setup featuring the Mad Hatter and March Hare on acetate, numbered #30 bottom right corner, and placed on a richly detailed, hand-painted presentation background crafted to evoke one of the most unforgettable scenes in Disney history, the Mad Tea Party celebrating their "Un-Birthdays".This setup captures the chaos, charm, and surreal whimsy of the moment when Alice meets the Hatter and Hare at the nonsensical tea table. Though the scene lasts only a few minutes, it has become one of the most quoted, referenced, and instantly recognisable in the entire Disney canon. "Mad as a Hatter" is more than a turn of phrase here; it's a cultural landmark.The interaction captured in these cels is superb. Both characters are mid-gesture, energetic, and perfectly staged for display. Their expressions, timing, and silhouette all work harmoniously. Both figures are original hand-inked, hand-painted production cels, trimmed to the image and placed on a beautiful, meticulously hand-painted presentation background that reflects the tone and palette of the original film and perfectly anchors the scene.A vibrant, display-ready piece from one of Disney's most artistically adventurous films, combining classic animation flair with bold, surrealist design. Dimensions (mounted): 50.75 cm x 54.75 cm (20" x 21.5")Sold without copyright; see copyright notice in the Buyer's Guide.This item will ship from our LA facilityVAT Status: US
Lot 422
SWORD IN THE STONE, THE (1963) - Merlin Holding Wart Original Production Pencil Drawing - An original production drawing of Merlin and Wart from Walt Disney's 1963 animated film The Sword in the Stone. Directed by Wolfgang Reitherman, The Sword in the Stone was the final animated feature released during Walt Disney's lifetime. This is a rare opportunity to own a moment of genuine connection between mentor and protege in the Disney canon and from a film that often flies under the radar.This artwork is likely a working drawing used for precise positioning and character staging. This drawing features Merlin, the eccentric wizard, gently grasping the young Wart (Arthur) by the shoulders. The interaction between them is carefully composed, and both figures are expressive and well-posed within the camera framing lines.The characters are rendered in graphite and red pencil on 16-field 3-peg animation paper, with Wart drawn in red pencil. This was a common animation technique used to distinguish overlapping characters or to define placement in multi-character interactions. Wart's placement, partially unfinished in red, indicates he may have been finalised in a separate drawing for inking, while this composite would guide the animators and layout team. The registration peg holes remain intact, and a camera alignment line is visible across the top and bottom margins. There is a minor tear on the bottom edge of the paper. Dimensions: 32 cm x 39.5 cm (12.5" x 15.5")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M
Lot 383
ONE HUNDRED AND ONE DALMATIANS (1961) - Set of Three Cruella de Vil Car Production Colour Model Cels and Colour Key Study Drawing - A collection of three original hand-painted colour model cels, accompanied by a rare hand-drawn colour key study, all created during the production of One Hundred and One Dalmatians.These pieces showcase the evolution of Cruella de Vil's menacingly glamorous car, a visual extension of her chaotic, careening personality, through multiple palettes, highlights, and layout angles.One Hundred and One Dalmatians was a stylistic turning point for Disney. It was the first feature to embrace the Xerox process fully, transferring animators' pencil drawings directly onto cels rather than redrawing in ink, a revolutionary time-saving method. The film was renowned for its contemporary art direction and exquisite London setting. There were believed to be exactly 6,469,952 spots in the film, a technical feat that necessitated innovations like the Xerox process in the first place.These are not standard animation cels but model colour keys, tools used by the studio's paint and ink departments to establish and reference colour consistency throughout the film. The cels here offer three distinct colour approaches, each boldly different in tone and represent a test or approved version of the vehicle's design, reflecting the creative decisions that would inform final animation. The hand-drawn colour key drawing includes annotated pigment codes and notations, revealing the precise, collaborative process of determining how a character (or car!) would appear on screen.Studio-stamped with scene, sequence, and cel level notations, this grouping is not only a practical document of production but an expressive archive of design decision-making. Together, these pieces celebrate both the artistry and innovation that One Hundred And One Dalmatians brought to Disney's animated canon. The set displays some staple holes from previous use and minor marks. Dimensions (each cel): 31.75 cm x 40.75 cm (12.5" x 16"); (drawing): 31.75 cm x 41 cm (12.5" x 16")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M
Lot 112
Canon PowerShot ELPH 360 HS compact digital camera featuring 20.2MP resolution, 12x optical zoom, built-in Wi-Fi, and 1080p Full HD video recording. A reliable and lightweight point-and-shoot model ideal for travel and casual photography, it comes with the original box and a soft protective R3-branded carrying case. The camera offers easy sharing via wireless connection and includes intelligent image stabilization for sharp photos and smooth video. Box measures approx. 3"L x 4.5"H; case measures approx. 5"H.Dimensions: See DescriptionCountry of Origin: JapanCondition: Age related wear. Functionality not guaranteed.
Lot 393
1 bt Ch. Malescot St. Exupéry 1975 Margaux lms, ntl, re-attached label 1 bt Ch. Brane-Cantenac 1976 Margaux Grand Cru Classé lms 1 bt Léoville Las Cases 1977 St-Julien ms, sl stl 1 bt Ch. Léoville Poyferré 1977 St-Julien ls, vsl ntl, vsl crusted foil 1 bt Ch. Canon 1977 St-Émilion 1er Grand Cru Classé ts, sl stl, torn label 1 bt Ch. D'Auros 1979 Bordeaux us, ntl, sl stl Above 6 bottles
Lot 459
1 bt Ch. Les Ormes de Pez 1975 St-Estephe vts, bs, sl torn label 1 bt Ch. Les Ormes de Pez believed 1975 St-Estephe, i.n, bs, missing label 2 bts Ch. La Lagune 1978 Haut-Médoc Grand Cru Classé i.n, vts, bs, torn labels 1 bt Roc de Lussac 1978 Lussac-St-Émilion lms, dstl 1 bt La Tour Canon 197? Bordeaux Superieur lms, bs, sl torn label 1 magnum Ch. Latour 1976 Bordeaux Superieur ts, vsl cdl 1 bt Ch. Bel Air 1989 Bordeaux ts 1 magnum Ch. Lafon Rochet Vintage Unknown St-Estephe ts, missing label 1 bt Unknown Red Bordeaux Vintage Unknown Bordeaux, i.n, bs, cdl, dis Above 2 magnums and 8 bottles
Lot 125
Mathematics.- Pitiscus (Bartholomaeus) Trigonometry: or, the Doctrine of Triangles, third edition in English, Printed by T.F. for G. Hurlock, 1642; bound with A Canon of Triangles, printed for John Tap, 1630, together 2 works in 1, first title within decorative woodcut border, woodcut diagrams, second title with woodcut decorations, some foxing, embossed stamp to first 3 ff., small burn-hole to A2 with slight loss of text, 18th century sprinkled calf, spine gilt with red morocco label, joints repaired, [STC 19966 and 19968a], 4to*** Very good copy (from the Macclesfield library) of the third English edition, following the original Latin text published in Heidelberg in 1595 and English editions of 1614 and 1630. Pitiscus coined the term "trigonometry" - "Although [he] worked much in the theological field, his proper abilities concerned mathematics, and particularly trigonometry. His achievements in this field are important in two respects: he revised the tables of Rheticus to make them more exact, and he wrote an excellent systematic textbook on trigonometry, in which he used all six of the trigonometric functions" (DSB). The translator, Ralph Handson, also adds in a section on the uses of trigonometry in solving navigational problems.
Lot 97
A QAJAR-REVIVAL COFFEE-HOUSE STYLE PORTRAIT OF A COURTLY MAIDEN Iran, first half 20th centuryOil on canvas, depicting a large-sized portrait of a Qajar maiden, possibly a princess, dressed in a bejewelled courtly garb, wearing a feathered headdress, holding a delicate glass decanter in her left hand and a gold drinking cup or goblet in her right, her dress and headpiece meticulously embellished with rows of painted pearls and turquoise, the figure framed by curtains and set against a stylised interior with a balustrade, following the canon of Qajar interior scenes, signed on the lower left Sazkari (?), a form to state the painting was 'handmade', possibly a retailer's mark, the overall composition evocative of the elegant Qajar court portraiture style but echoing it from a melancholic distance, attributing the painting to a later period, possibly part of the coffee-house painting cycle.78.5cm x 125cm 78.5cm x 125cm Qty: 1
Lot 150
THREE HEXAGONAL TURQUOISE MONOCHROME-GLAZED POTTERY TILES Kashan, Iran, 11th - 12th centuryComprising three pottery tiles of hexagonal shape, monochrome glazed in turquoise, following the standard canon of Medieval Iranian tiles, professionally mounted on hessian-lined boards fitted in a wooden frame.Each tile 25cm at its widest point, 76cm x 34cm including the frame Provenance: Chiswick Auctions, London, 16th July 2021, lot 278. Each tile 25cm at its widest point, 76cm x 34cm including the frame Qty: 3
Lot 118
Canon - AE-1 SLR Film Camera with FD 50mm F/1.8 Lens.The camera winds and fires as should, all shutter speeds and apertures are accurate. The light meter is fully functional, and all modes are operational. The lens and viewfinder may require a clean as there is visible dust. There is also minor wear to the camera body. In working condition but has not been tested with film.
Lot 119
Canon - F-1 SLR Film Camera with FD 50mm F/1.8 Lens and Original Manuals.The camera winds and fires as should, all shutter speeds and apertures are accurate. The light meter is not working so the camera only functions in manual mode. The lens and viewfinder will require a clean as there is visible dust. There is also minor wear to the camera body. In mechanically working condition.
Loading...-
25905 item(s)/page