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A Regency mahogany card table, c.1810, the foldover top with canted corners, and satinwood crossbanding, opening to reveal a baize-lined top, above an inlaid frieze, on ring turned column and outswept fluted quatreform supports, terminating in brass lion paw castors 91cm wideclosed, 45cm deep, open, 89.5cm deep72cm highCondition ReportWith later baize. Knocks and wear, commensurate with age and use.
A rosewood inlaid card table, early 19th century, the inlaid and banded top opening to reveal a baize playing surface, the canted rectangular hinged top above circular column, raised on ouswept legs, 91.5cm wide 45cm deep70cm highCondition ReportWax marks to the top surface. Knocks to the base. Some staining to the top and possible repair to some areas. open - 91.5cm wide, 89cm deep, and 68cm high
A George III mahogany, boxwood and harewood card table, third quarter 18th century, the recatangular crossbanded foldover top with canted corners, on square tapering supports, headed by foliate marquetry inlay descending onto spade feet,90cm wide43cm deep73.5cm highCondition ReportOne of the fly legs is loose.Evidence of historic woodworm.Knocks, scuffs and surface scratches throughout commensurate with age and use.
Early 20th century mahogany demi-lune card table, fold-over swivel top revealing baize lined interior, carved gadroon edge, on square tapering supports with spade feet and castorsDimensions: Height: 74cm Length/Width: 85cm Depth/Diameter: 42cmCondition Report:Visible glue on baize and slight crack
Émile Dominique Roux (French, 1822-1915) The Commercial Exchange on the Parade, Cape Town, with the Dutch Reformed Church and Table Mountain beyondsigned 'E Roux' lower right and with artist's stamp lower leftwatercolour, unframed20 x 29cmPaper laid down onto backing card. Light discolouration to the paper but overall colours are good. Two small areas of staining in the upper left and right hand corners, probably the result of old adhesive.
AN IRISH GEORGE II MAHOGANY CARD TABLE CIRCA 1750 The hinged top enclosing a baize inset, supported on one hinged leg 73cm high, 91cm wide, 46cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some splits, chips and some minor losses. The mahogany of very good figuring and pleasing colour. The underside with various glued blocks of timber to provide structure and stability. Of solid stable structure overall, with no obvious repairs. The carving of excellent quality with pleasing punched detailing throughout. The baize playing surface is a later replacement but is in good clean condition with some minor knicks and scuffs. Please see all additional images as visual reference to this report. Condition Report Disclaimer
A GEORGE II MAHOGANY CARD TABLE CIRCA 1750 The hinged top with baize inset and dished candle stands to the corners, supported on one hinged leg 71.5cm high, 88cm wide, 43.5cm deep Condition Report: Old marks, scratches and abrasions, some old chips and splits comensurate with age and use. Some minor old repairs. Very good colour and patina overall with some additional fading to the top as expected. Careful attention to colouring by a restorer could improve the top further simply. The interior baize lining has been replaced and is clean and tidy with some untidiness/ imperfections at the edges The handle and escutcheon is original. Some old splits to floor of drawer lining as often seen for an 18thc table.Please refer to all additional images for visual reference to condition. They are a vital part of the condition report. Condition Report Disclaimer
A FINE GEORGE II BURR WALNUT, WALNUT AND FEATHERBANDED BUREAU ON STAND CIRCA 1730 The interior fittings with parquetry, with olive wood drawer linings, all four legs with trefid feet 89cm high, 68cm wide, 43cm deepProvenance: Collection of a Distinguished British FamilyThis rare bureau dressing table is carved with shells and acanthus husks in the George II 'Roman' fashion, the hollow scrolled and lambrequin centred frieze corresponds to that on a dressing-mirror bearing the St. Paul's Churchyard label adopted by John Brown in the 1720's (see C.Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, Leeds, 1996, fig.157). This form of Roman shell badge also appears on an early 18th century walnut card table bearing the trade label of Benjamin Crook (op.cit, fig.265).A number of closely related bureaux were certainly executed in the same workshop and the use of exotic hardwood in the construction of some of them suggests that the maker had access to foreign timbers. This identifiable group includes the following examples: a virtually identical bureau was sold at Christie's 12 October 1996, lot 194 (illustrated in G.Beard and J.Goodison, eds., English Furniture 1500-1840, Oxford, 1987, p.51). Another of the same form is illustrated in R.W.Symonds, English Furniture from Charles Il to George Il, London, 1929, p.139, fig.85 and R.W.Symonds, 'Dressing Bureaux of the time of George I and George Il', Antique Collector, May-June 1950, pp.106,111. Another sold, the property of a Lady, Christie's London, 17th April 1997, lot 81 which features similar veneers (£187,200)An almost identical bureau, including the shape of the feet, from the exceptional collection formed under the direction of RW Symonds at Bassetsbury Manor, Sold Christie's 22nd April 1999, Lot 191, ($88,300). Condition Report: Condition Report Disclaimer
A PAIR OF GEORGE III SATINWOOD CARD TABLES CIRCA 1790 Each table with both back legs hinged to support the folding baize lined top 76cm high, 91.5cm wide, 44.5cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips and splits Some old veneer repairs The baize surface to both tables is replaced and is in good condition. The satinwood of pleasing colour and figuring. Overall in good, clean presentable order. Please see all additional images as a visual reference to condition.Condition Report Disclaimer
A WALNUT ROULETTE CENTRE TABLE ATTRIBUTED TO MASON & CO, FIRST HALF 20TH CENTURY The removable table top overlying two hinged leaves each with roulette markings embossed and painted to the baize insets, supported by two sliding sections with drawer recesses, flanking a recess with a roulette 'wheel' the underside of which has a paper label indistinctly printed 'MAISON MOTT ... F/E FARALDO & C ', a drawer recess supported on a leg to each end, together with a mahogany playing card dealer's shoe, and a case of primary coloured gaming counters some with a masted galleon mark 81cm high, 137.5cm long, 82.5cm wide Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Some old losses and minor repairs. Some replacement screws to hinges. Some lifting to veneers. The baize surfaces with some surface marks and wear in places Some painted lettering with some wear and fading. The roulette wheel operates as intended and runs smoothly on its bearings Some slight fading and colour variation overall. Solid and stable overall. The brass runners to add or remove the removable playing surfaces can catch and not run smoothly. The table comes with a roulette ball, a card dealing wedge, and a quantity of gambling chips and counters. Condition Report Disclaimer
A Regency rosewood and brass inlaid card table, the fold over top enclosing baize lined interior on a turned column and four outswept legs, 91cm wide, 45cm deep, 76cm highSotheby’s, 18th March 1977, Lot 102Light veneer splits to top. Brass inlay detached and damaged to one corner. Veneer losses to banding corners. Veneer iand brass nlay losses around edges. Baize a little faded and cockled. Later Regilding to column. Further brass inlay losses and damages to legs. Old crack to leg restored. Castors patinated.
Mixed lot of silver plate and metalware including an early 20th century four-piece tea service, the tea and coffee pot with ebony handles, a playing card box with white metal relief lid stamped '680', a silver plate table box with coin to lid, mahogany cased late 19th century set of twelve knives and forks with green agate-style handles and other items
Early 19th century mahogany and satinwood inlaid foldover card table, the rectangular hinged top with rounded corners, opening to a green baize playing surface, on ringed turned tapering legs, with later glass cover, 71cm high x 88cm long x 43cm deep and an early 20th century folding side table in the Jacobean manner, the circular top folding on a gateleg action, with single drawer, on barleytwist supports, 71cm high x 76cm diameter (2)
Vintage games & toys - A large collection of vintage games to include: 3 x Universal publications photo/picture puzzle games, pieces from a Bayko plastic building set, two sets of pieces & boards, with card playing pieces on wooden bases & blank backed community chest/chance cards. a Japanese wind up tin plate dog (with key but not working), Subbuteo Table Cricket, table tennis net brackets and others. Items unchecked for completeness. (this does not constitute a guarantee) [L]
An 18th Century Carved Mahogany Fold Over Card Table, with shaped top on carved legs and scroll feet, 91cm by 45cm by 75cmSingle gate action. Top faded with veneer repairs, watermarks and scratches. Hinges loose. Repaired front leg. Large pieces of veneer loose but present from the back of the table.
* Kincaid (Eric, 1931-2023). 8 original illustrations, watercolour and gouache on artist's board, various original illustrations from various books including: The Brave Little Tailor, Time and Again Tales, Stories for Bedtime, etc., depicting: a colourful dragon, a cat and a hare racing through wheat, tourists gathered under a tree to look up at the birds, a boy sitting on a table sewing, etc., one with tracing paper overlay with text, 6 signed in black ink, 37 x 54.5 cm and smaller, 3 with card mounts, 2 framed and glazed (45 x 35 cm)QTY: (8)
* Hassall (John, 1868-1948). Wreath of Moonbeams, circa 1932, two pen and ink vignettes together on thick card, each signed to edge of image, top vignette showing two figures sitting at a long table with anthropomorphic animals, page - 127 in black ink to lower margin, the lower vignette showing two men armed with bladed weapons running away from an arrow, tailpiece 141 to lower margin, publisher's notes in blue including title to upper margin, 36.6 x 28.8 cm, mounted 45.5 x 38.5 cm, together with Leech (John, 1817-1864), Smelling a Pig, circa 1840, pencil on thick paper, titled in pencil to lower margin, published in The Comic Latin Grammar by Percival Leigh, inscription to verso in black ink 'This etching came from the collection of my father, Eugene Field. Eugene Field II Sept 11-1924', some overall toning, 18 x 13.6 cm, mounted (34 x 29.5 cm), and five other illustrations from circa 1930-1980, various artists including Helen Lamb, Mike Higgs, etc., various sizes, largest image size 30.5 x 23 cm, two mounted (36 x 30.5 cm)QTY: (8)
Mann (Sylvia). Alle Karten auf den Tisch, All Cards on the Table, 2 volumes, 1st edition, Marburg: Jonas Verlag, signed & inscribed by the author to the title page, monochrome illustrations, original uniform boards in slipcase, 4to, together with Sigmar Radau (Bearbeitet von & Georg Himmelheber), Spielkarten, 1st edition, Berlin: Deutscher Kunstverlag, 1991, colour & monochrome illustrations, original cloth in dust jacket & slipcase, covers lightly rubbed, oblong 4to, plus Reisinger (Klaus), Der oesterreichische Spielkarten-Steuerstempel und andre Mitteilungen, Wien, 1990, colour & monochrome illustrations, original cloth, 8vo, number 128 of an un-numbered limited edition, and other German playing card reference & related, 8vo/4to, and others related QTY: (approx. 38)
* Italian playing cards. Cuccu part-deck, Urbino: unknown maker, early 19th century, 9 (of 38) stencil coloured woodcut playing cards, each numbered, and with red, blue and yellow festoon at top, comprising 2 cards each of: Chvchv (cuckoo) XV; Hai pigliato Bragone XIIII; Salta XIII; Fermatevi Alquanto XI, and one card of Gnao XII, Gnao card with 'Urbino' at foot, some marks and stains, mainly to edges, one Cucco card more stained, versos woodblock pattern of dashes in black and dark green, each card 98 x 51 mm, with accompanying typewritten letter from Alberto Milano, together with: Italian War "Battaglie Italiane", Frankfurt: C.L. Wüst, circa 1861, a complete piquet deck of 32 stencil coloured lithographed playing cards (French suits), made for the Italian market, the aces depict battles from the Italian war of Liberation in 1859, double-ended courts, the kings and jacks portray relevant kings and commanders, dusty, some toning and light finger-soiling, QS with small corner loss, square corners, versos dotted black trellis with green dotted amorphous shapes, with dark green branching 'foliage', each card 92 x 61 mm, plus: Double-ended Florentine II pattern, Florence: Adami, 1888, 31 (of 32, without 7 of spades) stencil coloured lithographed playing cards (French suits), double-ended courts, ace of hearts with Italian tax stamp and with Florentine post-mark stamp dated 1888 (or possibly 1883), dusty, some soiling and staining, some cards spotted, square corners, versos blue & white crazy paving, each card 90 x 57 mm, with another three Italian decks: non-standard deck, by Guglielmo Murari of Bari, 1892, French suits, double-ended medieval Germanic style courts, ornate aces, 52/52; Venetian pattern, by Francesco Prezioso of Treviso, circa 1874, turn-over edges, double-ended courts, 45/52; Souvenir d'Italie deck, by Compagnia Carte Ricordo of Milan, circa 1890, photographic scenes or people, extra card with Italian coat of arms, original box (defective)QTY: (6)NOTE:Provenance: Collection of Dudley Ollis.First item: Berry, Playing-cards of the World, V 188 [33] (later version with additional lion cards); Hargrave page 244; Mann, All Cards on the Table, pages 45-46. The accompanying typewritten letter from Alberto Milano, dated April 1999, confirms the cards as early 19th century, possibly 1800-1810, and gives the four playing cards makers listed in Urbino at this time. According to this letter, playing cards from Urbino are not common, with few examples known.Second item: Shaw and Symonds, Playing Cards from the Factory C.L. Wüst, Set 31 (for a 52 card deck with the Wüst star present).Third item: previously from the collection of Sylvia Mann - colour illustrated in All Cards on the Table (#201). According to Mann this pack was probably designed for the game of Pichetto.
* Indian playing cards. Mogul Ganjifa, Rajasthan (type I), circa 1950?, 96 (complete) hand-painted lacquered circular playing cards, some use of gold, mirs sitting on a throne with a chatri, mir of surkh is a lion carrying a sun face, mir of ghulam rides an elephant in a howdah, wazirs mounted and carrying a suit symbol, 2 numeral cards with small edge chip, 3 numeral cards with small edge break (2 previously repaired, one with minimal surface loss), wazir of chang with horizontal crease (small surface losses to verso), versos red with white border line, diameter 44 mm, original painted and lacquered wooden box with sliding lid, each surface (including lid) with simple flowers within a trellis on yellow background, red outer borders, base with contemporary? ink manuscript label 'D 33', together with: Ramayana Ganjapa, Sonepur, Orissa, circa 1900, 45 only (of 144) hand-painted lacquered circular playing cards, comprising two complete suits (Rama, red; helper of Ravana, yellow), and two nearly complete suits (Hanuman, dark blue 10/12, without 2 & 5; helper of Ravana, violet 11/12, without 1), the two Rama suits have monkeys as suit signs, the two Ravana suits have demon warriors bearing the appropriate weapon, rajas are in chariots with attendants, Rama pradhans are heroes with attendants, Ravana pradhans are on horseback, all cards have simple decorative borders, few tiny edge chips, yellow helper of Ravana 1 with short crease near right edge (associated surface loss), versos plain red, diameter 41 mm, plus: Leather playing cards, possibly Mysore?, or Nepal?, circa 1900?, 34 circular leather playing cards, comprising 3 suits (white flowers, pomegranates, and pine cones?) 1-10, without 3 of pine cones and 9 of pomegranates, plus 2 court cards, the 3 mir cards each have a caption which possibly translates to 'king' plus the number 12 (probably), likewise the wazir cards ('minister' and 11), two mir cards show a head and shoulders image of a different ruler in military uniform, the 3rd depicts a sun face rising over a lake with a feeding swan, the wazirs are all mounted, two on horseback, one on a tiger, all cards crudely executed, most rubbed, a few creased, some extremely rubbed with losses to image/surface: 2 of pomegranates with black background almost completely lost (although the two fruits remain), and one mir with most of head lost, versos plain red, diameter approximately 87 mm, 10 cards mounted with fishing wire onto a display board and encapsulated in clear plastic (40 x 42 cm), the remainder in a plastic box, with another 6 Indian ganjifa decks: Dasamahavidya ganjifa, 20th century, 120 complete, 10 suits comprising cards numbered 1-10, K, Q, every card in a suit has the same picture of a goddess, each ace has a typed label on the verso giving the name of the goddess/suit (over an ink manuscript inscription of the same), original wooden painted and lacquered box with hinged lid, depicting avatars of Vishnu; a very unusual 24 suited Dashavatara ganjifa/ganjapa deck, probably Orissa, 288 cards (complete); Dashavatara ganjapa, probably Orissa, mid-late 20th C?, 120 cards (complete), in original box with sliding lid; Vishnupur (Bishnupur) Dashavatara Ganjifa, mid-late 20th century?, 120 cards (complete); Dasavatara ganjifa, Sawantwadi, probably a mixed deck of 120 cards, very worn in very worn box; Mogul ganjifa, Rajasthan (type II), 24 cards only (all court cards, plus a single numeral card for each suit), mounted (gently adhered - seemingly removable) onto a display board, encapsulated in clear plasticQTY: (8)NOTE:Provenance: Collection of Dudley Ollis.First item: Von Leyden [DSM] 1.Second item: Mann, All Cards on the Table, #238. An uncommon deck with monkeys and demons as suit signs. Usually the suit signs in Ramayana ganjapa decks are weapons, and the artwork is less sophisticated. Mann notes that, 'Dr. von Leyden said he had seen only one other pack in this particular form, which he greatly admired.' In his notes, Dudley Ollis describes this as a 'detailed pack of putlabandi cards'.Third item: The two mirs with figures possibly portray members of the Nepalise Rana dynasty.
A fine quality Regency rosewood fold-over Card Table, the top with brass inlay above a conforming frieze supported by double turned pillar ends united by shaped stretcher, on out splayed legs with ornate brass caps and castors, 92cms wide x 74cms high x 48cms deep (36" x 29" x 17 3/4"). (1)
A Regency rosewood brass inlaid fold-over Card Table, the top with single strap inlay above a frieze with central decorative inlay and moulded border supported by a turned and reeded pillar, on a circular platform base with four outsplayed legs with conforming brass inlay terminating in ornate brass caps with castors, approx. 92cms wide x 74cms high x 46cms deep (36" x 29" x 18"). (1)

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32498 item(s)/page