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Jugendstil Werberahmen mit Sekt / Bier Etiketten um 1900, meist Österreich-UngarnWerbeträger von Wein, Sekt sowie Brauereien, Österreich/Ungarn um 1900, u.a. Törley Talisman Sec Budapest, Fiume Cognac Medicinal "Adriatica", Gottschlig Fele Braziliai Rum, Animo Sec, Brauerei St. Marx AD. JG. Mautner & Sohn Wien, Nussdorfer Bierbrauerei Wien, Monopole Sec. Heidseick Reims, Dietzl Sec Budafok, Brauhaus der Stadt Wien, BING EDE Bortermelö es Nagykereskedö ARAD, Ujvideki "Orient" Asvanyviz, Dr. Willibald Ludwig Champagmnerfabrik Nagy Maros, Törley Talisman Casino Reserve, Louis Francois & Co. Promontor, Andrenyi Sec. Kalman Utodai Arad, Taganyi Istvan Örökösei es Kisjolsvai Szabo Zoltan Bornagytelmelök Arad, Gräfl Franz Esterhazy'schege herrschaftliche Champagnerfabrik TOTIS (Tata) Generalvertretung Ruda & Blochmann Wien, Palugyay es fiai Bortermelök Udvari Szallitok Pozsony. Gerahmt unter Glaß. Ges. H. 65cm, B. 83cm
A group of JAMES BOND film posters comprising CASINO ROYALE (2006) double-crown, quad teaser and theatrical styles and QUANTUM OF SOLACE (2008) two different style teasers and a brown sky style one sheet together with a UK Quad teaser, machine gun style, folded (7)NB: This lot came from a cinema clearance and has signs of use, and wrinkling from storage
Multi signed Group Edition colour Military print Titled Breakthrough Casino. Signed by Robert Bailey (Artist) and 28 pilots Captain Robert Johnson 1st Lt. Ralph Giovanniello 2nd Lt. Charles Waddell 2nd Lt. Q.S. Kin Cannon 1st Lt. Leslie Traughber and many more. Limited 45 of 200. Measures 34x25 inch appx. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Vinyl - 14 recent release and Re-issue Indie / Alternative LP’s to include: The Smiths – Hatful Of Hollow (EU 2012) Sealed. Snow Patrol – A Hundred Million Suns (EU 2008 double), Snow Patrol – The Forest Is The Path (2024 double blue marbled vinyl) in open shrink, Snow Patrol – Wildness (EU 2018) Sealed. The Vaccines – What Did You Expect From The Vaccines? (UK / EU 2011) Sealed. Arctic Monkeys – Tranquility Base Hotel + Casino (UK / EU 2018) Sealed. Mumford & Sons – Wilder Mind (EU 2015) in open shrink, Mumford & Sons – Delta (EU 2018 double) Sealed. The Flaming Lips – With A Little Help From My Fwends (UK 2014 orange vinyl), Wet Leg – Wet Leg (EU 2022), Paul Heaton – The Mighty Several (EU 2024) in open shrink. The La's – The La’s (UK 2024, Coke Bottle Clear vinyl) Sealed. Stereophonics – Just Enough Education To Perform (EU 2024 green vinyl) Sealed. Blossoms – Gary (UK 2024, clear and black split vinyl) In open shrink. Condition EX+ overall
Vinyl - Northern Soul / Soul - 30 UK 1970’s and 1980’s re-release 7” singles including: Huey 'Piano' Smith & The Clowns / Mary Love / Danny Monday (Kent), Rita & The Tiaras – Gone With The Wind Is My Love, John Leach, E. J. Chandler, Carol Kay, James Coit, Chico Revill (all on Destiny Records), Dobie Gray (picture disc on Inferno Records), The Four Perfections – I'm Not Strong Enough (Destiny), J.J. Barnes, Allnight Band, Ron Grainer (all on Casino Classics), Jackie Wilson, Don Varner & The General Assembly (Demand), Derek & Ray / Greg Perry (A Wave Records), Eric & The Vikings / Willie Jones / Detroit Strings (Kool Kat, red vinyl), Ronnie Dyson / The Sisters (Soul Beat Records), Booker T. & The M.G.’s, Arthur Conley, Otis Redding, Edwin Starr, Ike & Tine Turner and others, also included Night Owl (The Wigan Casino Years) CD compilation sealed in a 7” packaging. Condition at least VG overall
Twenty-two mixed 18th and 19th century tokens, including a George IIII brass Satirical two pound token, brass three pound twelve shilling weight, two gaming tokens, 1814 one penny Birmingham Workhouse, 1830 God Save The King accommodation token, 1855 New Town Toll Gate token, 1789 Macclesfield halfpenny token, 1793 Manchester Promissory halfpenny (Payable At Inc. Fieldings Grocer and Tea Dealer), 1d refreshment St Paul's British Workmen (Pole Street, Preston), Royal Casino Manchester Promenade Concert Hall, three Queen Victoria Cumberland Jack gaming tokens, etc.
▲ Stanley McMurtry aka 'Mac' (b.1936) 'The Nerve of Them MP Guys. Some of the Schmuks Voted Against my Casino'an original cartoon for the 'Daily Mail', published 2 November 2004, pen and ink and watercolour heightened with whiteimage 33.5 x 51.5cmCondition ReportFramed: 54.5 x 69.5cmPresents well overall and ready to hang. Not viewed out of glazed frame.
Corgi, Marks & Spencer James Bond Related Vehicle Group, to include; (1) Corgi Spyguise USS00011 Special Edition Aston Martin DB5, from the movie "Thunderball", Limited Edition 418/1000, grey, gold front and rear bumpers, red interior with James Bond and Bandit figures, condition appears to be Near Mint to Mint, within Excellent box, with leaflet; (2) Corgi Toyota 2000GT, from the movie "You Only Live Twice", white body, black interior, red plastic aerial, wire wheels, with James Bond and Aki figures, includes 4x missiles and instruction sheet (sheet is torn and part missing), condition appears to be Good Plus; (3) Marks & Spencer Casino Royale 2-Piece Set, comprising of Aston Martin DB5 and Aston Martin DBS, conditions appear to be Near Mint to Mint, within Good Plus packaging. See photo.
Daniel Craig 007 James Bond signed colour photo montage. Mounted and framed, measures 25x24 inch appx. Frame glass intact. Daniel Wroughton Craig is an English actor. He gained international fame by playing the fictional secret agent James Bond in five instalments of the eponymous film series: Casino Royale, Quantum of Solace, Skyfall, Spectre, and No Time to Die. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
GE Fabbri Ltd, "James Bond" 007, a boxed magazine issue group (no magazines) to include Aston Martin DB.5 "Goldfinger", Daimler Limousine "Casino Royale" and others. Conditions generally appear Good in Fair to Good rigid Perspex cases with scuffing, cracking, old price stickers etc. See photos.
Fleming (Ian) Casino Royale, second impression, internally clean, original boards, dust-jacket, spine a little toned, light surface mark to upper panel, upper edge nicked and creased, extremities a little chipped, slight shelf-lean, light browning and discolouration to lower panel, 8vo, 1953.
Nice.- Monaco.- [Photograph album], 13 photographs mounted on 7 thick card leaves, 2 captured in the negative, others captioned by hand in pencil to mount, some very light spotting or toning, numerous blank leaves with pencil annotation at end, contemporary vellum, gilt, light soiling, photographs v.s. between c.193 x 295mm. & c.210 x 275mm., album oblong folio, [c.1875]. *** Views of Nice and Monte Carlo, including the promenade des anglais, lavandières du Paillon, casino Monte Carlo and others.
Guido Reni, 1575 Bologna – 1642 ebenda JOSEF MIT DEM CHRISTUSKINDÖl auf Leinwand. Doubliert.110 x 90,5 cm.Verso mit mehreren alten Etiketten.In repräsentativem Rahmen mit Lorbeerblattrelief.Beigegeben ein Gutachten von Massimo Pirondini, ohne Ort und Datum, in Kopie.Vor einem schroff felsigen Hintergrund mit spärlichem Laubbaumbewuchs ist die Hüftfigur des nach links gewandten, bärtigen Josef zu sehen, der das Christuskind hält, dessen Blick ihn trifft. Eine weitere Version des hier angebotenen Gemäldes, die rechts keinen harmonisierenden Felsaufbau zeigt, wird im Erzbistum Mailand aufbewahrt. Weitere Gemälde Renis, die das gleiche Thema jedoch anders komponiert zeigen, werden in einer Privatsammlung in Houston und in der Fondazione Cassa di Risparmio in Rimini verwahrt. Auch ein Josef mit dem Christuskind in der Hermitage in St. Petersburg, ebenfalls von Guido Renis, ist gut vergleichbar: im vorliegenden Werk hält Josef das Kind höher und neigt seinen Kopf tiefer, ein Waldstück hinterfängt die Gruppe während sich rechts eine hügelige Landschaft öffnet.Der im lombardischen Calvenzano geborene Künstler beeinflusste die Malerei seiner Epoche wie kaum ein anderer. Dies auch deshalb, weil er sich nach seinem Studium in Bologna bei Lodovico Carracci (1555-1619) und Denys Calvaert (1540-1613) ab 1600 in Rom sehr bald deutlich von allen Vorbildern zu unterscheiden suchte. Gegenüber den berühmten Meistern wie Caravaggio und Annibale Carracci vermochte er sich mit seiner völlig neuen Malweise sehr bald durchzusetzen. 1622 in Neapel, 1625 wieder in Rom, erhielt er bereits höchstrangige Aufträge, wie etwa von Kardinal Ludovisi für das Altarblatt der Kirche Santissima Tinitá die Pellegrini. Aber auch das Deckenbild im ehemaligen. Casino Borghese in Rom stärkte seinen Ruhm zusätzlich. Reni entwickelte eine weit geschmeidigere, hellerleuchtete Bildsprache und war wohl der Erste, der seinen Hauptfiguren den nach oben gerichteten Blick verlieh - ein Ausdruck einer ekstatisch zu verstehenden seelischen Verinnerlichung, die einer inneren Sicht für Heilige wie auch für antike Göttergestalten entsprach.Provenienz gemäß der Vorbesitzertradition:Johann Baptist von Hirscher (1788-1865), Freiburg im Breisgau als Guido Reni.Otto Wesendonck (1815-1896) und Mathilde Wesendonck (1828-1902), Bonn.Im Erbgang an deren Sohn Karl Wesendonck (1857-1934), Cureglia.1909 als Leihgabe im Provinzialmuseum Bonn, heutiges Rheinisches Landesmuseum Bonn als Sassoferrato.1925 durch die Stadt Bonn erworben.Auktion Lempertz, Köln, 27. November 1935, Lot 90 als Schule des Guido Reni.Privatsammlung, Deutschland.Privatsammlung Österreich, seit 2020.Literatur:Vgl. Stephen Pepper, Guido Reni, l‘opera completa, Novara 1988, S. 340-341, Abb. 35-36. (1430962) (2) (13)Guido Reni,1575 Bologna – 1642 ibid.JOSEPH AND THE CHRIST CHILD Oil on canvas. Relined. 110 x 90.5 cm.Several old labels on the back. Accompanied by an expert’s report by Massimo Pirondini, no location and n.d., in copy. Provenance according to the previous owner’s tradition:Johann Baptist von Hirscher (1788-1865), Freiburg im Breisgau as Guido Reni.Otto Wesendonck (1815-1896) and Mathilde Wesendonck (1828-1902), Bonn.Inherited by their son Karl Wesendonck (1857-1934), Cureglia.1909 on loan to the Provinzialmuseum Bonn, now the Rheinisches Landesmuseum Bonn as Sassoferrato.Acquired by the city of Bonn in 1925.Auction Lempertz, Cologne, November 27, 1935, lot 90, as School of Guido Reni.Private collection, Germany.Private collection, Austria, since 2020.Literature: cf. Stephen Pepper, Guido Reni, l’opera completa, Novara 1988, pp. 340 - 341, ill. 35-36..
Cornelis Schut d. Ä., 1597 Antwerpen – 1655 ebendaDAS URTEIL DES MIDASÖl auf Leinwand. Doubliert.200 x 230 cm.Beigegeben eine schriftliche Kommunikation von Didier Bodart sowie Expertisen von Claudio Strinati, 2015, und Gianni Papi, 2019, jeweils in Kopie.Laut Didier Bodart ist das vorliegende Bild, das in einem Stil gehalten ist, der dem Geschmack Rubens‘ nahekommt, typisch für die Werke, die Schut in Italien malte. Die Konzeption des Werks, mit breiten Pinselstrichen, einer breiten Farbpalette und weichem Licht, kann mit den Fresken im Casino Pescatore in Frascati, sowie mit der Serie der „Vier Elemente“, die heute zwischen dem Palazzo Pitti in Florenz und dem Palazzo di Montecitorio in Rom aufgeteilt ist, in Verbindung gebracht werden. Die Modellierung der Figuren ist besonders manieristisch und geschickt, die Hände elegant und der Fluss des Gewands fließend und natürlich. Ein warmes, goldenes Licht fällt auf die zentrale Figur des Apollon, dessen Göttlichkeit zu strahlen scheint und das Bild erleuchtet. Im rechten Hintergrund ist der gekrönte Kopf des Midas mit seinen Eselsohren zu erblicken. Das Thema, das Urteil des Midas, stammt aus Ovids „Metamorphosen“ (XI,147-180) und war von der Antike bis in die Neuzeit ein populäres Thema, sowohl in Italien als auch im Nordeuropa. Der Legende nach hatte Athena, die die Flöte kreiert hatte, sie aus Ekel weggeworfen, weil sie das Gesicht verzerrte. Marsyas, ein Satyr, fand sie, erlernte ihre Spielkunst und forderte Apollo zu einem Wettstreit mit der Lyra heraus (die Legende des Wettstreits stammt möglicherweise aus Marsyas‘ Darstellung der Flöte als Gegensatz zur Lyra: erstere war das Begleitinstrument des Cybele-Kults, letztere des Apollo-Kults). Midas, der König von Phrygien und zum Richter ernannt, entschied sich zugunsten von Marsyas, und Apollo bestrafte Midas, indem er ihm die Ohren in die eines Esels verwandelte. Midas‘ Strafe wurde oft als Warnung vor der Wahl weltlicher Vergnügungen interpretiert, aber das Urteil des Midas wurde oft als Allegorie des uninformierten Kenners gesehen; es ist möglich, dass das vorliegende Werk mit diesem Hintergrund gemalt oder in Auftrag gegeben wurde.Cornelis Schut war ein flämischer Barock-Maler, Zeichner und Graveur, der in Italien und den Niederlanden tätig war. Geboren in Antwerpen, wurde er 1618 Mitglied der St.-Lukas-Gilde. Der Einfluss von Abraham Janssen (1567-1632) ist in seinen frühen Werken, wie der „Anbetung der Könige“ im Musée des Beaux Arts in Caen, deutlich erkennbar, doch ob Schut ein Schüler von Janssen war, ist fraglich. Von 1624 bis 1627 ging Schut nach Rom, wo er ein Gründungsmitglied der Schildersbent wurde, einer Gruppe niederländischer Künstler, die zu dieser Zeit in der Stadt tätig waren. Dort arbeitete er unter der Patronage des flämischen Kaufmanns Pieter de Vischere, dessen Landhaus in Frascati er mit mythologischen Szenen schmückte. Schut muss auch zum Kreis des großen Kunstmäzens Marchese Vincenzo Giustiniani gehört haben: Zwei seiner frühen Werke, die bereits erwähnte „Anbetung“ und das „Massaker der Unschuldigen“, die im selben Museum aufbewahrt werden, befanden sich in Giustinianis Sammlung. Während dieser Jahre malte der Künstler auch kleinere Werke, die allegorische und mythologische Themen darstellten, die möglicherweise für den freien Markt bestimmt waren. In Rom übernahm Schut - und behielt es während seiner gesamten Karriere bei - den neuen Hochbarock-Stil, der nach 1625 unter dem Einfluss von Künstlern wie Pietro da Cortona (1596-1669) und Guercino (1591-1666) in Italien entwickelt wurde. Er übernahm auch klassische Tendenzen, die von Domenichino (1581-1641) und Guido Reni (1575-1642) beeinflusst waren. 1628 war er in Florenz, wo er Teppiche für die Arazzeria Medicea entwarf. Nach Schuts Rückkehr nach Antwerpen 1635 trat er in das Atelier von Peter Paul Rubens ein, wo er die nötigen Fähigkeiten erlernte, um die Themen der Gegenreformation erfolgreich zu interpretieren. Dies führte dazu, dass Schut nach dem Tod von Rubens und Van Dyck in den frühen 1640er Jahren eine der führenden Künstlerpersönlichkeiten in Flandern wurde. Er erhielt wichtige Aufträge für Kirchen und Klöster, insbesondere in Antwerpen, Brüssel und Köln. Merkmale seines Stils sind ein starkes Gefühl von Bewegung und Pathos, bei dem Licht und Farbe eine zentrale Rolle spielen. Elemente des späten Manierismus sind ebenfalls erkennbar, und Schuts Stil, der durch kräftige Verkürzungen, scharfe Lichtkontraste und extreme Gesichtsausdrücke gekennzeichnet ist, zeigt gewisse Ähnlichkeiten mit dem Werk von Federico Barocci.Literatur:Claudio Strinati in: Lights and Shadows, Caravaggism in Europe, Ausstellungskatalog, Lampronti Gallery, London 29. Juni – 31. Juli 2015, Rom 2015, Kat. a. 29, S. 84/85.Marzia Moschetta, Tesori di pittura italiana del XVII e XVIII secolo, Galleria Cesare Lampronti, Rom 2008, S. 18-19.Vgl. Didier Bodart und Noelle de La Blanchardière, Pietro Pescatore e gli affreschi di Cornelis Schut e di Timan Craft al Casino Pescatore di Frascati, in: Arte illustrata, Nr. 58, 1974, S. 179-190.Vgl. Evelina Borea, I quattro Elementi di Cornelis Schut, in: Prospettiva, Nr. 3, 1975, S. 52-55.Vgl. Didier Bodart, Rubens e la pittura fiamminga del Seicento nelle collezioni pubbliche fiorentine, Florenz 1977, S. 250-253, Nr. 109-110. Vgl. Hans Vlieghe, Cornelis Schut in Italy, in: The Hoogstreder Mercury, Nr. 11, 1990, S. 28-41.Vgl. Gertrude Wilmers, Cornelis Schut (1597-1655): A Flemish Painter oft he High Baroque, Turnhout 1996, S. 62-70. (1430359) (13) (†)Cornelis Schut the Elder,1597 Antwerp – 1655 ibid.THE JUDGEMENT OF MIDAS Oil on canvas. Relined.200 x 230 cm.Accompanied by a written communication by Didier Bodart as well as report by Claudio Strinati, 2015 and by Gianni Papi, 2019, each in copy.According to him, the present painting, in a style close to Rubens’ taste, is typical of the works that Schut painted in Italy. The concept of the work, with broad brushstrokes, a wide colour palette and soft light, can be associated with the frescoes in the Casino Pescatore in Frascati, and with the series of the “Four Elements” which is now divided between the Palazzo Pitti in Florence and the Palazzo di Montecitorio in Rome.Literature:Claudio Strinatio, Lights and Shadows, Caravaggism in Europe, exhibition catalogue, Lampronti Gallery, London 29 June – 31 July 2015, Rome 2015, cat. a. 29, pp. 84-85.Marzia Moschetta, Tesori di pittura italiana del XVII e XVIII secolo, Galleria Cesare Lampronti, Rome 2008, pp. 18-19.cf. Didier Bodart and Noelle de La Blanchardière, Pietro Pescatore e gli affreschi di Cornelis Schut e di Timan Craft al Casino Pescatore di Frascati, in: Arte illustrata, no. 58, 1974, pp. 179-190.cf. Evelina Borea, I quattro Elementi di Cornelis Schut, in: Prospettiva, no. 3, 1975, pp. 52-55.cf. Didier Bodart, Rubens e la pittura fiamminga del Seicento nelle collezioni pubbliche fiorentine, Florence 1977, pp. 250-253, no. 109-110. cf. Hans Vlieghe, Cornelis Schut in Italy, in: The Hoogsteder Mercury, no. 11, 1990, pp. 28-41.cf. Gertrude Wilmers, Cornelis Schut (1597 – 1655): A Flemish Painter of the High Baroque, Turnhout 1996, pp. 62-70.
This Warner Bros. promotional poster features the 2001 heist film Ocean's Eleven starring George Clooney, Brad Pitt, Matt Damon, Andy Garcia, and Julia Roberts. The artwork displays the main cast set against a vibrant casino backdrop with the film title prominently placed. Measuring approximately 27"H x 40"W, the poster captures the stylish and sleek theme of the movie, emphasizing the film's focus on an elaborate Las Vegas casino heist. This original promotional piece was used for theatrical release marketing and embodies the charm and allure of the ensemble cast and iconic film.Dimensions: See DescriptionCondition: Age related wear.
Michael Godard (American, 20th/21st c). Giclee on canvas titled "Shooter" depicting the artist's signature anthropomorphized fruits rolling flaming hot dice in a casino, 2012. Signed along the lower right and numbered A.P. 31/75. Inscribed "This is how we roll!" along the verso.Height: 28 in x width: 35 in x depth: 1 1/4 in.Condition: The colors are bold and bright. The surface is stable. There are no major tears or losses. The work is not framed.
Gents and Unisex fashion and sports watches to include an Adidas black rubber watch ADH3101, a 2015 Red Bull black diver style watch with rubber strap GOOIX, a black Swatch watch with casino roulette wheel design, a Nike 624 watch in brushed steel and black leather strap and an Animal watch with fabric strap. Location:BWRCondition:We are unable to test the watches due to batteries required and some require replacement straps.
James Bond - Ursula Andress - a signed 10x8 inch photo as Vesper Lynd in Casino Royale (1967). Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Property of Regimental Sgt Major Harry Skilton - an original WWII Second World War IWC ( International Watch Company ) ' Dirty Dozen ' military issue wristwatch. Stainless steel cased mechanical watch with black face with broad arrow below the IWC, luminous Arabic numerals, subsidiary seconds dial at 6 and stamped on the back WWW for 'Watch Wrist Waterproof'. 33mm case, with original period strap. Ticking at time of cataloguing but sold without guarantee. Provenance: the property of one Regimental Sgt Major Harry Skilton of the East Surrey Regiment. Skilton served in North Africa, Sicily and Monte Casino. He was known to have taken part in Operation Torch in October 1942, the 1st Battalion East Surreys had a complement of 796, but by May 1945 only eighteen men remained - most had been killed or wounded. He joined the army at just fourteen by lying about his age in 1934. Consigned from the family. Photograph shows him on his wedding day in 1943 - his bride's dress being made from an RAF parachute.
A Cartier 'Roulette' pocket or fob watch, in the form of a casino roulette wheel, the silvered dial signed 'Cartier', with Arabic numerals, the outer rotating bezel with black and red coloured numbers from 0-36 and black and red numbers 1-9 to the reverse, engraved inscription to rim 'Molly 31 Jan 38', numbered 5945 to inside back, the movement stamped AFRS, 4cm wide
A large collection of film production notes to include Heaven's Gate, The Passion Of The Christ, The Gambler, Monster's Ball, Dance With A Stranger, The Lat Dragon, Black Beauty, Hot Shots! Part Deux, Grease (20th Anniversary), Face, Cousins, Casino, The Scarlet Letter, The Indian In The Cupboard, The Chain, The Dressmaker, Deadly Pursuit, Shag, Coming To America, A Summer Story and The Lonely Passion Of Judith Hearne etc. (4 A4 boxes approx 200)
Three printed props with Walt Disney Parks and Resorts LOAs, as sold in Sid Cahuengas at WDW Hollywood Studios (formerly Disney MGM Studios), to include Tomahawk Casino prop pamphlet (23cm x 10cm) from Reindeer Games, Card with Presidential seal prop from Air Force One (8cm x 5cm) and card Tabletop campaign display used in Nick of Time. Provenance: from the collection of Tony King, an avid movie prop collector, many items purchased at auction and collected over the past 30 years
James Bond. Casino Royale (2006) - 3 model pieces (white) from Venice model (including sinking building climactic scenes), sed in production. Constructed of fibreboard. Largest being 19 x 14 x 8cm Provenance: from the collection of Tony King, an avid movie prop collector, many items purchased at auction and collected over the past 30 years
Scalextric (and Similar), a group of Slot Racing Sets to include Scalextric C579 300 Model Racing; Marks & Spencer - The Italian Job; Carrera Casino Royale; Novo Raceways - GT Racing - Made in the USSR. All sets have been previously used and include 2 x slot cars, 2 x hand-held controllers, power supply, track and accessories - Except the Novo GT Racing - power unit is not included, also includes Scalextric Le Mans-24 Hour (no cars) and C653 Grand Prix (incorrect cars), not tested and not checked for completeness - generally Fair to Good (some corrosion on the track) within Fair to Poor original boxes - see photo. (6)
Scalextric James Bond - 007 Slot Car group to include (1) C3091A Goldfinger - Aston Martin DB5, No. 4031 of 6500; (2) C3162A Casino Royale - Aston Martin DB5, No. 1866 of 5000; (3) C3163A Goldeneye - Aston Martin DB5, No. 2579 of 3500, all appear to be Near Mint to Mint (small scuff on the bonnet of C3163A), but have not been tested or checked for completeness, within Excellent presentation boxes (some minor scuffs on the boxes) - see photos. (3)
Scalextric, a group of Slot Racing Sets to include C899 Team Calibra; C1194 Inner City Speed; James Bond 007 - Skyfall; James Bond 007 Goldfinger/Casino Royale, plus others. All sets have been previously used and include 2 x slot vehicles, 2 x hand-held controllers, power supply, track and accessories, not tested and not checked for completeness - generally Fair to Good (some corrosion on the track) within Fair original boxes - see photo. (6)
The Windmill Revudeville Programmes, twenty-two small Revudeville Programmes dating from 1932 to 1947 together with some larger souvenir programmes 12th, 13th, 14th, 16th, 17th, 19th, 1947, 1949, 1953, 1956 x 2, 1957, 17th & 19th edition, Glowgramme No 94 plus 3 Casino de Paris generally good order with some loose covers
Royal Film Performance Programmes, approximately thirty Royal Film performance programmes, mainly from the 1960s to 1990s with films including Die Another Day, Star Wars - The Phantom Menace, Casino Royale, Chariots Of Fire, The Prime of Miss Jean Brodie, Love Story, The Four Musketeers, The Slipper and the Rose, California Suite, Lost Horizon, Mary Queen of Scots, The Facts Of Life, Romeo and Juliet, The Grinch, Chaplin, The Taming of The Shrew, Move Over Darling, Titanic, Superman IV, The Lion The Witch and the Wardrobe, Miracle on 34th Street, True Blue, Sammy Going South and more - mainly all in very good condition
007 James Bond movie Diamonds are Forever 8x10 colour casino scene photo signed by actress Lana Wood as Plenty O'Toole. Good condition . All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
WINSLET KATE: (1975- ) English actress, Academy Award winner. Signed colour 8 x 10 photograph of Winslet in an appealing head and shoulders pose. Signed in blue ink to a light area of the image. A pencil note in the hand of a collector to the verso indicates that the signature was obtained in person at the Palazzo del Casino during the Venice Film Festival, 2011. EX
HILL HENRY: (1943-2012) American mobster whose life was immortalised in Martin Scorsese's 1990 gangster film Goodfellas in which Hill was portrayed by Ray Liotta. A King of Spades playing card issued by the Palace Station hotel and casino, signed by Hill in bold black ink with his name alone to the white border. Together with a typed quotation signed, Henry Hill, one page, oblong 4to, n.p., August 2009, in full, ´As far back as I can remember I´ve always wanted to be a gangster´, being Liotta´s opening line of dialogue in Goodfellas, the page also apparently incorporating a certificate of authenticity for a Las Vegas gambling chip (no longer present). Some light creasing to the page bearing the quotation, G to VG, 2
CASINO ROYALE: Selection of signed colour 8 x 10 photographs, and a few slightly smaller, by various actors and actresses who appeared in the James Bond spy film Casino Royale (2006) comprising Eva Green & Richard Sammel (Vesper Lynd & Adolph Gettler), Mads Mikkelsen (2; Le Chiffre, one also signed by Jesper Christensen), Judi Dench (´M´), Jesper Christensen (Mr. White), Ivana Miličević (Valenka), and Clemens Schick (Kratt). All are boldly signed to the images, a few actors also adding their character names beneath their signatures. None are inscribed. VG to EX, 7
PRESLEY PRISCILLA: (1945- ) American actress, the wife of Elvis Presley from 1967-73 and the subject of the American biographical drama film Priscilla (2023). Signed 8 x 10 photograph of Presley standing outdoors in a half-length pose and holding some leaves in her hands. Signed in black ink with her name alone to the centre of the image. A pencil annotation in the hand of a collector to the verso indicates that the signature was obtained in person at the Palazzo del Casino during the Venice Film Festival, 2023. EX

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3963 item(s)/page