SIR JOHN BENNETT LTD; a late 19th century French slate mantel clock (lacking top), height 26cm, width 39cm, an early 20th century desk fan, height approx 29cm, a three branch brass chandelier, height approx 33cm, an early 20th century paraffin burner lamp, height 55cm and two wrought iron ceiling hanging lanterns (6).
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An unusual group of eight Victorian ruby glass and gilt hanging window lustre ornaments - or Christmas decorations, comprising five of star form (three 13.8cm long, two 13.2cm long - one of each size with a chip) and three of shaped cartouche form (13.2cm long); together with a single green stained glass panel; and a small quantity of clear glass table lustre and chandelier drops.
A PAIR OF AQUAMARINE AND DIAMOND PENDENT EARRINGSOf chandelier scrolling design, set with square and tapered baguette-cut and brilliant-cut diamonds, suspending pear-shaped aquamarines, within millegrain setting, mounted in 18K gold, diamonds approximately 3.00cts total, length 7.2cm Condition Report: Aquamarine: of blue hue, medium to dark tone, good transparency, overall well matched in colourDiamonds: approx. 3.00cts total, bright and livelyWhite and yellow metal unmarked, tested by the jewellery department to be 18K goldFor pierced earsNormal signs of wear, overall in good conditionTotal gross weight approx. 15.1g
CHANEL: AN AGATE 'CAMÉLIA' DRESS RINGSet with a cacholong agate, carved as a camellia flowerhead to a mount of foliate design, mounted in 18K white gold, signed Chanel, numbered, with maker's mark 'Sté JCD' for Jean-Claude Duhem, French assay mark, with maker's case, ring size NJean-Claude Duhem, is a workshop in Paris, known to execute works for Bulgari, Chanel, amongst others.The camellia flower is synonymous with designs by famous French fashion designer Coco Chanel. The blossom motif has appeared almost everywhere in Chanel’s lines and can be traced back to Chanel’s personal adoration of the flower. Chanel saw the performance of La Dame Aux Camélias by Alexandre Dumas and instantly fell in love. In the performance the flower takes centre stage and is also shown on the original cover of the show’s advertisement. Chanel started to use the design in her silk garments and became more fascinated with the flower. It later developed into her chandelier at home in her apartment in Paris so she could witness its beauty everyday. It is now one of the most recognisable motifs in the house of Chanel. It has been reimagined in almost every single collection that the historic fashion house has displayed since the 1920’s.Condition Report:Minor signs of wear, overall in good conditionTotal gross weight approx. 14.9g

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