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A METAL-MOUNTED CHANTILLY KAKIEMON EWER AND HINGED COVER FRANCE, CIRCA 1740 of typical form with loop handle and sparrow beak, decorated in iron red, green, black yellow and blue enamels, with an insect among chrysanthemums, the shoulder and slightly domed cover with a band of flowers and foliage, iron-red hunting horn mark, silvered copper mounts, possibly Hubert Louvert (1732-38) 16 cm highProvenance: Christie's London, Important French Porcelain and Faience, 29th October 1973, Lot 140 Winifred Williams, acquired on 2nd July 1975 Henry Lawrence Collection (1925-2016) and thence by descentExhibited: Metropolitan Museum of Art (The MET), New York, International China Exhibition, Grand Gallery, 1974, no. 65 Winifred Williams, London, An Exhibition of 18th Century French Porcelain, Vincennes, Sèvres, St. Cloud, Chantilly & Mennecy', 3-20 July 1978, cat. no. 71 Pictured in The Times, 22nd July 1978, in an article by Geraldine Norman entitled, 'China's Fragile Secret.' Bristol Museum & Art Gallery, Bristol, England, 2002-2023 Condition Report: Some light fritting generally. Interior discoloured. Minor wear commensurate with age and use. No damage or restoration detected. Condition Report Disclaimer

A CHANTILLY PORCELAIN KAKIEMON JAR AND COVER CIRCA 1735 Painted in Kakiemon style with four children holding fans and other objects, two birds in flight and a dish with a stick and three stones, the slightly domed cover with three flower sprigs and a quatre-lobed knop .finial heightened in blue 8.3cm highProvenance: The Counts von der Asseburg, Hinneburg Castle, near Paderborn, Germany, sale Sotheby's, London, 21st November, 2000, Lot 71 Henry Lawrence Collection (1925-2016), and thence by descent Condition Report: Minute rim chip to pot.Condition Report Disclaimer

English Porcelain  - a Wedgwood coffee cup, with stylised foliage, c.1810;  a Minton coffee can, c.1810;   Herculaneun, c.1805;  Coalport;  Bloor Derby teacups;  a 19th century boat shaped teapot and stand, decorated with chantilly sprigs, c.1820;  a similar two handle sucrier;  etc

English Porcelain  - a Wedgwood coffee cup, with stylised foliage, c.1810;  a Minton coffee can, c.1810;   Herculaneun, c.1805;  Coalport;  Bloor Derby teacups;  a 19th century boat shaped teapot and stand, decorated with chantilly sprigs, c.1820;  a similar two handle sucrier;  etc

TWENTY-ONE CHINESE DISHESMOSTLY 18TH CENTURY30.5cm max. (21)WITHOUT RESERVE本拍品不設底價。From the Helen Espir Collection.Comprising: a rare Chinese later French-enamelled armorial plate, decorated with a floral design and the shield for the family of de Robien, with a paper label for Jorge Welsh; a Chinese famille rose and en grisaille pseudo-armorial dish, with a paper label for Geoffrey Waters, London; a Chinese blue and white dish; a pair of Chinese dishes imitating a Chantilly porcelain design with a paper label for Geoffrey Waters; and sixteen Chinese later-enamelled dishes, one with a further paper label for Geoffrey Waters and another for Drove House Antiques, twenty of the dishes with 'HMEC' or the 'Helen Espir Collection' labels.From the Helen Espir Collection, nos. 300, 310, 396, 458a & b, 545a & b, 609, 687, 694, 808, 898, 900, 915, 970, 975, 992, 1015, 1026 and 1035, no. 900, purchased from Jorge Welsh, December 2005.For comparables to the de Robien armorial dish see European Decoration on Oriental Porcelain, p.153, pl.3. Also Antoine Lebel, French and Swiss Armorials on Chinese Export Porcelain of the 18th Century, p.127 for a charger from the same service. By repute, the original order of an armorial service from China was lost at sea. So a standard famille rose service was bought to replace it and the armorial added by a French enameller.

Hockender Budai mit TeegeschirrWeißporzellan. Mit offenem Mund auf einer geschweiften profilierten und leicht erhöhten Sockelplatte sitzend, in der auf dem Knie liegenden Hand ein Koppchen mit Untertasse haltend. Vor sich eine Teekanne und eine Kumme. Offener Boden, ohne Marke. Restauriert über Brüchen, vor allem im unteren Körper- und Sockelbereich, ein Brandriss hinten im Sockel. H 10,8 cm.Meissen, um 1715 - 20.LiteraturVgl. Rückert, Meissener Porzellan 1710 - 1810, München 1966, Kat. Nr. 840 f., beide mit etwas anderer Sockelplatte, die Kanne links, das Koppchen rechts vor sich.Vgl. den Blaauwen, Meissen Porcelain in the Rijksmuseum, Amsterdam 2000, Kat. Nr. 307, eine Version ohne Sockelplatte und darauf stehende Gefäße.Vgl. Hanemann (Hg), Goldchinesen und indianische Blumen. Die Sammlung Ludwig in Bamberg. Fayencen und Porzellan, Petersberg 2010, Kat. Nr. 33, mit geschnittener Sockelplatte, zusätzlich bemalt in Eisenrot und mit Purpurlüster.Vgl. Deldicque (Hg), La fabrique de l’extravagance. Meissen and Chantilly Porcelain, Saint-Remy-en-l'Eau-Chantilly-München 2020, Kat. Nr. 46, ohne Bemalung und ebenfalls mit anderen Details.

Savill (Rosalind). The Wallace Collection, Catalogue of Sèvres Porcelain, 3 volumes, London: Trustees of the Wallace Collection, 1988, colour and monochrome illustrations, original uniform maroon cloth gilt in dustwrappers, with matching cloth slipcase, small 4to, together with Préaud (Tamara). The Sèvres Porcelain Manufactory, Alexandre Brongniart and The Triumph of Art and Industry 1800-1847, Yale University Press, 1997, numerous colour and monochrome illustrations, original orange-brown cloth in dustwrapper (spine sunned), large 4to, plus others on French porcelain including Sèvres Porcelain in the Collection of Her Majesty the Queen, The Louis XVI Service by Geoffrey de Bellaigue, Cambridge University Press, 1986 (with slipcase), Discovering Secrets of Soft-Paste Porcelain at the Saint-Cloud Manufactory ca. 1690-1766, edited by Bertrand Rondot, Yale University Press, 1999, Porcelaine Tendre de Chantilly au XVIIIe siècle, Paris: Hazan, 1996, Palissy Ware, Nineteenth-Century French Ceramists from Avisseau to Renoleau, by Marshall P. Katz and Robert Lehr, Athlone Press, etc., mostly original cloth in dustwrappers, but including some paperback editions, mainly 4to QTY: (approx. 35)

A German Kennerberg porcelain shaped circular cabinet plate, printed with summer flowers, picked out in gilt; a set of six Royal Adderley Floral pattern coffee cups and saucers; a Royal Worcester Marissa trinket dish; a Chantilly plate printed with ripe fruit (9)

A PAIR OF FRENCH BISQUE PORCELAIN FIGURAL CANDLESTICKS MID 19TH CENTURY Stamped 'CHANTILLY' to base31cm high, base 13cm diameter Provenance: Private Collection, Lancashire Estate  Condition Report: PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEWWith wear, marks, knocks and scratches as per age, handling, use, and cleaningThe lady is missing a finger, please see imagesADDITIONAL IMAGES: Please 'Ask a Question' to request additional images for this lot. Condition Report Disclaimer

Garniture Louis XV comprenant une pendule en bronze doré, figure en porcelaine Meissen et fleurettes de Vincennes, et une paire de candélabres à trois bras de lumière et figures en porcelaine, milieu du XVIIIe siècle et époque postérieureA Louis XV ormolu-mounted Meissen porcelain, Vincennes flowers and tôle peinte clock garniture with matching pair of three branch figural candelabra, mid-18th century and laterThe porcelain mid-18th century, the ormolu probably mid-18th century and later, the circular enamelled dial signed 'DE SAINT JEAN A PARIS' within a circular case and foliate surround, mounted with figure of a singer flanked by a group with sheep, on a rocaille pierced stepped and balustrated base, issuing a naturalistic branch with tole leaves and polychrome flowers; the pair of candelabra with Meissen figures of gardeners watering flowers, the tôle branches mounted with Vincennes-style porcelain flowers and terminating in foliate drip-pans and conforming nozzles, the clock: 41cm high, 26cm wide, 17cm deep (16in high, 10 1/4in, 6 3/4in deep); the candelabra: 26cm high, 28cm wide, 14cm deep (10 1/4in high, 11in wide, 5 1/4in deep) (some restoration to book in her hand and sheep, overall in very good condition, some minor chips to extremities) (3)Footnotes:ProvenanceWith Röbbig, Munich, from where purchased by the present ownerThis garniture, as with the ormolu-mounted figures also offered in this sale (lot 53), was created around the middle of the 18th century to supply a craving for the latest fashion of a new clientèle of buyers in the luxury market. They were furnished in every whim and demand by a group of Marchands Merciers active in mainly Paris. They were importers and dealers, but also interior designers and decorators, with a reach that extended to imported Chinese porcelain, exotic fabrics and the rarest of materials. Paris offered perfect conditions for a booming business, not least through its proximity to the most fashionable court in Europe. The main source of income for many Marchands did not principally come through the Court and its entourage, but through those aspiring to follow the newest fashion introduced by the French King and his family. The Marchands Merciers played a key role in the promotion of French art and luxury far beyond the French borders. The prerequisite of their business was that the Marchands Merciers were not allowed to create objects, unlike other artisans that would have had to obtain a license to create works with Royal approval. Diderot famously said in his Encyclopédie that Marchand Merciers were 'sellers of everything, makers of nothing'. They acquired items, too, directly from porcelain manufacturers such as Sèvres and Meissen, whose objects they re-modelled and grouped together to the exact fashions of the period with the help of goldsmiths, bronziers and cabinetmakers. The success of these merchants is often attributed to their excellent self-promotion. The most successful Marchands Merciers were able to secure exclusive rights and monopolies in certain lucrative areas of the market, and, through the creation of business cards and advertisement, were able to build up a true brand identity. For further reading on Meissen porcelain mounted in France see: V. Bastien/S. Castelluccio/S. Vris et al., La Fabrique du Luxe, Les Marchands Merciers Parisiens au XVIIIe Siècle, exhibition catalogue (2018) and M. Deldique (ed.), La Fabrique de l'Extravagance, Porcelaines de Meissen et de Chantilly (2020). Orders at the Meissen factory by French Marchands Merciers in Paris are discussed in detail by J. Weber, Von Moskau bis Lissabon, von Dublin bis Konstantinopel. Der Handel mit Meissener Porzellan im 18. Jahrhundert (1719-1773), in Keramos 212 (2016), where the author discusses the orders placed at the factory, the French and other European dealers involved, and the lists of orders following the Arbeitsberichte.For further information on this lot please visit Bonhams.com

A Chantilly porcelain cup 18th century, of barrel form, painted with two `dancing` storks flanked by flowers, the handle with applied trailing flowers,and another, painted in the Kakeimon style, with a moulded handle, both with hunting horn marks to base, 8cm & 6cm high (2)Provenance: The David and Sarah Battie Collection.Condition Reportbarrel cup, section of trailing leaver above handle missingother Chantilly cup, small chip to rimVienna, hairline crack

English Porcelain - a Rockingham saucer, pattern 879, c.1835;   a Keeling and Co spirally fluted saucer, c.1800;   Salopian saucer, c.1790;   Granger Worcester;  A Mansfield decorated Derby fluted plate, with chantilly flowers and foliage, 20.5cmdiam,  puce arrow mark, c. 1795;  another;   a Davenport Imari dish;   a Chinese teabowl;  etc

A Chinese export porcelain handled knife, Qing Dynasty circa 1740, having a pistol grip haft with floral decoration and probably European steel blade, 28cm, together with a French porcelain handled knife, probably Chantilly, circa 1740, the wrythen haft with floral decoration, 24cm and Continental porcelain handled table fork, probably Meissen, 18th century, the moulded undulating handle polychrome painted with putti having gilt metal three-pronged mount, 18.5cm. (3)

English Porcelain - a 19th century boat shaped teapot and stand, decorated with chantilly sprigs, c.1820;  a similar two handle sucrier;  etc

A study group of four French porcelain saucers and two English porcelain saucers, comprising: a St. Cloud porcelain blue and white saucer, c.1710-20, painted with a border of flowers on plinths and single flowers enclosing a gadrooned well, the centre with a foliate medallion, 13cm diameter; two Chantilly porcelain Kakiemon saucers, c.1735-45, the shaped octagonal saucer painted with the two quail pattern, 13.6cm wide; the trembleuse saucer painted with a red dragon and turquoise and yellow foliage and berries around a raised central gallery, 13.6cm diameter; a Samson porcelain Kakiemon saucer, late 19th century, iron-red swastika mark, in the Kakiemon-type palette with two herons and quail on a radiating petal-moulded well, 13.6cm diameter; a Bow porcelain chinoiserie saucer, c.1755, painted in the famille rose palette with flowering shrubs within a panelled green diaper border, 11.4cm diameter; a Worcester scalloped chinoiserie saucer, c.1770, blue seal mark, painted with the ‘Kylin’ or ‘Dragons in Compartments’ pattern, 12.1cm wide (6)Provenance: The Chantilly shaped octagonal saucer: Anonymous sale, Sotheby’s, London, 22 April 1975, lot 84 (part).  Lady Cynthia Postan collection, Cambridge, no. 87 (paper collection label attached to underside of saucer). E.&H. Manners, London, Lady Cynthia Postan Collection selling exhibition, 21-29 May 2015, no. 11. The Chantilly trembleuse saucer: Anonymous sale, Christie's, London, 3 July 1978, lot 176.                                The Samson saucer: Anonymous sale, Christie's, London, 3 March 1980, lot 65.Property of the Late Hugo Morley-Fletcher MA FSA (1940-2022).Note: For a St. Cloud cup and trembleuse saucer with very similar borders, see Aileen Dawson, French Porcelain, A Catalogue of the British Museum Collection, London, 1994, p. 10. For a Chantilly saucer of the same form as the first (two quail) saucer with the addition of stalks, see Simon Spero, The Bowles Collection of 18th-Century English and French Porcelain, San Francisco, 1995, p. 170, no. 178. The Samson saucer is a copy of a St. Cloud design; for a St. Cloud trembleuse saucer of c.1720-30, moulded with a similar design radiating from a raised central gallery, see E.&H. Manners, Early French Soft Paste Porcelain, exhibition catalogue, 2001, pp. 17-18, no. 04.Condition Report: Chantilly saucers: The shaped octagonal example appears to be in very good condition with only minute wear to the rim and one of the leaves – both are extremely minor. The trembleuse saucer has a rim chip and two chips to the gallery. In addition, there is some minute wear to the rim and a slight short hairline crack to the centre – these are minor.St. Cloud saucer: This has a dirt-filed hairline crack from the rim to the centre. In addition, there is a firing crack to the underside (this is not visible from the top side) and there is a minute firing fault to the edge of the well –these date from the time of manufacture.Samson saucer: This appears to be in good condition. There is some black speckled sanding to the surface – this dates from the time of manufacture.Bow saucer: There is a slight dirt-filled hairline crack from the rim at 2 o’clock. There is some wear to the rim and there is some slight sanding (black speckles) to the surface which date from the time of manufacture, and these are minor.Worcester saucer: There is some minute wear to the enamels, but it appears to otherwise be in good condition.

Quantity of assorted Royal Worcester porcelain 'Gold Chantilly' pattern tableware. Including tea pot, six tea cups, sauce boat and stand, etc. Max. H14cm

Derby porcelain sucrier and cover, circa 1795 of plain U-shape, the cover with a gilded ring finial, painted with a view 'Near Matlock, Derbyshire', probably by Thomas 'Jockey' Hill, within a gilded formal border, reserved on a white ground enamelled with Chantilly sprigs and gilt stars, 13.5cm high, crown, crossed batons, D mark, title and pattern number 401 in blue. Previously sold in Bonhams: Fine Glass and British ceramics, Knightsbridge, 20 Nov 2019. Provenance: R David Butti Collection, illustrated by John Twitchett, Derby Porcelain [1980] p.201, pl.246. (2)Condition is very good. There are no chips, cracks or damage to the motif. There is some very light wear to the gilding on the rim, under the lid (see additional photo).With Bonhams 2019 purchase receipt for £1,862.

The porcelain circa 1730-40, the gilt-bronze circa 1755In the Japanese taste, each chrysanthemum-form saucer dish enameled in the Kakiemon palette with a squirrel amongst vines and banded hedges, supported on three monopodia hoof feet, the trefoil base centering a petaled medallion beneath a pendant leafy vine, unmarked.Height overall 4 ½ inches (11.4 cm), diameter 4 ¾ inches (12 cm) For a similar Chantilly dish, see the Collection of Diana Edwards Murnaghan, Potomack Auctions, 5 December 2023, lot 3152.

Famille rose kopie Chinees porseleinen Franse vaas origineel in museum Chantilly H 30 cm ca. - Famille rose copy Chinese porcelain French vase original in museum Chantilly H 30 cm approx.

A collection of four late 20th-century porcelain figurines, by the makers: Royal Doulton, Lladro, and Coalport. Comprised of a 1977 Lladro cherub, a 1991 Coalport 'Chantilly Lace Charm' lady figure, a 1995 Coalport 'Ladies of Fashion Jacqueline' figure, and a 1993 Royal Doulton 'Gift of Love' figure. All are stamped with the maker mark on the underside. The largest measuring approx. 22cm tall.

Große prachtvolle Pendule mit Meissen Figur als Minerva3-tlg.; Hoher rocailleförmig durchbrochen gearbeiteter, vergoldeter Bronzesockel mit seitlich eingelassener Bodenplatte. Darin stehende Minerva, die römische Göttin der Weisheit und klugen Kriegsführung in selbstbewusster Pose, gekleidet in einen Brustpanzer über langem, von Goldblüten gemustertem Gewand sowie weißem Mantel und Helm mit Federbusch. Mit ihrer rechten Hand einen langen Speer tragend, mit den Fingerspitzen der linken Hand nach dem Medusenschild greifend. Polychrome Malerei mit Goldstaffage. Entw. Johann Joachim Kaendler, 1747. Rücks. aufsteigende Blütenzweige mit farbig staffierten, sog. Vincennes-Blüten. Hoher, verästelter Bronzestamm als Träger für das kartuschenartig gerahmte, runde Uhrengehäuse. Verglastes Emailzifferblatt mit schwarzen arabischen Zahlen. Speer passend erg.; Blüten teilw. unw. best.; Figuren-H. 37 cm. Gesamt-H. 48 cm x 35 cm.Die Porzellanmanufaktur Meissen gab der Manufaktur Vincennes-Sèvres in Paris den Auftrag, derartige Blütenzweige zu fertigen. Luxuriöse Arrangements aus wertvollen Porzellanfiguren in Verbindung mit feuervergoldeten Bronzemontierungen waren eine Spezialität der "Marchands merciers". Diese in Paris ansässigen Händler für Luxusgüter hatten die Privilegien, die importierten Waren zu "kombinieren und durch die Transformation zu materialübergreifenden Ensembles noch aufzuwerten". Diese Stücke fanden Aufnahme in höfischen Sammlungen und gelangten auch als Kabinettstücke in den Besitz reicher Finanziers, um bei Festveranstaltungen die Räume zu schmücken. Die Figur der Minerva schuf Kaendler ursprünglich für eine Cascade bzw. Wassergrotte mit dem Urteil des Paris.Vgl. Andres-Acevedo, Die autonomen figürlichen Plastiken, Bd. 2, Nr. 693 (Figur).; Deldicque, Meissen and Chantilly Porcelain, Fig. 81 (Pendule mit Blüten).A large splendid Parisian gilt-bronze mounted Rococo clock arranged with a Meissen porcelain figure of Minerva and Vincennes flowers. Lance added. Flowers partly insignificantly chipped.Meissen/Paris. Um 1750.

Pair of Chantilly porcelain barrel form cups, circa 1740-60, decorated with polychrome floral sprays, iron red mark, height 7cm (Please note condition does not form part of the catalogue description. We strongly advise viewing to satsify yourself as to condition. If you are unable to view and a condition report is not already available, please ask for one and it will be provided in writing).

Hockender Budai mit TeegeschirrPorzellan, vergoldet. Mit offenem Mund auf einer geschweiften profilierten Sockelplatte sitzend, in der auf dem Knie liegenden Hand ein Koppchen mit Unterteller haltend. Vor sich eine Teekanne und ein Becken. Das Gewand dekoriert mit alchemistischen Zeichen, um den Hals zwei Ketten. Offener Boden, ohne Marke. Brandrisse, Henkel der Teekanne abgebrochen, Gold in wenigen Stellen leicht berieben. H 8 cm.Meissen, um 1720 - 25.ProvenienzDie Sammlung Heinrich.LiteraturVgl. Rückert, Meissener Porzellan 1710 - 1810, München 1966, Kat. Nr. 840 f., beide mit etwas anderer Sockelplatte, die Kanne links, das Koppchen rechts vor sich.Vgl. den Blaauwen, Meissen Porcelain in the Rijksmuseum, Amsterdam 2000, Kat. Nr. 307, eine Version ohne Sockelplatte und darauf stehende Gefäße.Vgl. Hanemann (Hg), Goldchinesen und indianische Blumen. Die Sammlung Ludwig in Bamberg. Fayencen und Porzellan, Petersberg 2010, Kat. Nr. 33, auch mit geschnittener Sockelplatte, zusätzlich bemalt in Eisenrot und mit Purpurlüster.Vgl. Deldicque (Hg), La fabrique de l’extravagance. Meissen and Chantilly Porcelain, Saint-Remy-en-l'Eau-Chantilly-München 2020, Kat. Nr. 46, ohne Bemalung und ebenfalls mit anderen Details.

A gift from Robert and Susan Sangster to jockey Pat Eddery in 1982,in the form of a privately commissioned porcelain ashtray by Hermes, Paris, commemorating the achievements of the racehorses Golden Fleece and Assert, decorated with a green spotted white jockey cap and a turquoise border, detailed and inscribed in gilt GOLDEN FLEECE, NIJINSKY - EXOTIC TREAT, THE DERBY STAKES, EPSOM; ASSERT, BE MY GUEST - IRISH BIRD, PRIX DU JOCKEY CLUB, CHANTILLY, green suede covered base, 16 by 19cm., fine, original condition, inscribed PAT EDDERY and with the Irish flag, signed by four jockeys including Chris McCarron, John Reid, Kevin Moses and one other; and a Fly Emirates baseball cap also multi-signed by jockeys, (2).Provenance: From the Pat Eddery Collection (lots 179 to 195)

Royal Worcester - Gold Chantilly - An extensive collection of Royal Worcester Gold Chantilly pattern porcelain table ware. The tea / dinner service to include a selection of plates, tea cups, saucers, and bowls, amongst other examples. Each piece having white ground, with scrolled gilt details and edging.

A Vienna porcelain covered jug, stand, teacup and saucer, circa 1778, painted with Chantilly sprig design, underglazed blue and gild bands, 12cm high (4)

AN EDME SAMSON WHITE PORCELAIN MODEL OF AN ELEPHANT IN THE CHANTILLY STYLE, LATE 19TH CENTURY Modelled standing with trunk raised, wearing a saddle cloth decorated in the kakiemon manner, iron- red hunting horn mark to underside 32cm highProvenance: Japanese Works of Art sale, Christie's, March 1990, Lot 120(This lot is offered without reserve)Please note: the description of this lot has been updated to read 'LATE 19TH CENTURY' and not as previously catalogued. Condition Report: Trunk off, glued and with discoloured spray. See additional images available upon request.Condition Report Disclaimer

A French Samson porcelain Chantilly style jar and cover with Kakiemon design, Paris, 19th C.H 16 cm

A Royal Worcester Silver Chantilly pattern porcelain cake plate and matching knife.

A pair of gilt-brass mounted Continental porcelain Kakiemon bottle-flasks and covers, 19th century, pseudo red hunting horn marks for Chantilly, probably Samson, each painted with the ‘flying squirrel’ pattern, with a yellow squirrel eating berries above bound bullrush fences issuing meandering branches and flowers, on square plinth bases with canted corners and circular garlands, the covers with down-turned stiff leaves below the finials and attached with chains to the neck mount, 21cm high overall (2)Provenance: The George Farrow Collection.

A chantilly style porcelain urn and cover, of shouldered ribbed form, decorated with birds amongst flowers, h.39cm

TWO FRENCH WHITE-TIN GLAZED PORCELAIN SAUCE TUREENS AND COVERS CHANTILLY, MID 18TH CENTURY Each naturalistically modelled as a partridge with a chick-shaped cover finial 19cm wideProvenance: Property of a Lady of TitleCf. Genevieve le Duc, Porcelaine Tendre de Chantilly au 18iem siecle, page 294. Please note, these are two of the same model rather than a left and right facing pair. The online description has been revised and this differs from the printed catalogue. Condition Report: Both with chips and losses, both with glued finials. Please see additional images available upon request from the Dept.Condition Report Disclaimer

Villeroy & Boch porcelain blue and white Vieux Luxembourg pattern part dinner and breakfast service, decorated with blue Chantilly sprigs within a spirally-moulded border, comprising: a salad bowl, a water-jug, a coffee and teapot and covers, an oval serving dish, 10 soup-plates, 13 dinner-plates, 13 small-plates, eight cups and saucers, a sugar bowl and cover, a smaller cover, a slop-bowl, two milk-jugsCondition ReportGood condition overall. Small chip to foot of large jug, tiny chip to edge of one dinner plate, teapot with crack and staining. General wear and tear.

A Samson Chantilly-style snuff box or bonbonniere, late 19th century, modelled as a woman sitting on a chamberpot and lifting her skirt behind, and a Continental porcelain bonbonniere of a woman's head wearing a black eye mask, set with blue glass eyes, with gilt metal mounts, 7.8cm max. (2)

A pair of Chantilly glass coolers, c.1750, painted with flower sprays in blue monochrome, a pair of Continental porcelain custard cups or pots à jus and covers, and a Meissen coffee cup painted with puce flowers, one cooler broken and restuck, 10cm max. (7)Provenance: Rod Jellicoe.

A French Porcelain Sampson Chantilly Style Vase of Bottle form Decorated in Polychrome Enamels in the Chinoiserie Taste, Red Horn Mark to Base, 20cm high

A part dinner service comprised of 29 items of Royal Worcester Gold Chantilly porcelain.

A late 18thC Caughley porcelain coffee cup and saucer, of bucket form, decorated in the Chantilly Sprigs pattern, blue Salopian mark.

Selection of late 18th / early 19th century and later hand-painted Derby porcelain including Chantilly Sprig type patterns, Imari pattern 2451 cup and saucer, and Aynsley Orchard Gold dish

Pair of Continental porcelain large chargers decorated with floral sprays in Chantilly style, 34cm diam

Chantilly (attr.) porcelain scallop-edge dish, circa 1735-40, painted to the well in overglaze Kakiemon enamels with the so-called `Flying Fox` pattern within brown line rim, 20cm diameter Ex J. Drew CollectionPurchased R & G McPherson Antiques, London

Two French Chantilly porcelain plates, c.1750, decorated in cobalt blue with design of carnations, insects, and floral sprays, the border moulded in basket weave pattern (some losses, both marked verso, largest w- 24cm) (2)

A 19th century Vienna porcelain Chantilly Sprig decorated pot and another similar Both with lids, one with a side handle on cabriole legs and marked, 12cm high and 25cm wide respectively. (2)

A Paragon porcelain Athena pattern part dinner service, comprising gravy boat on stand, ten dinner and dessert plates, eight side plates, together with a Royal Worcester porcelain Padua pattern dinner plate, and a gold Chantilly pattern cake stand. (qty)

A PAIR OF EUROPEAN-ORMOLU-MOUNTED CANDLEHOLDERS WITH CHINESE PORCELAIN 'BOYS'The Chinese porcelain circa 1750Each with three seated boys with jovial expressions clad in a blue-glazed dudou holding lotus sprays and precious objects on ormolu mounts in the form of a tree supporting a Kakiemon-style drip pan and fluted candle holder of soft-paste French porcelain, most likely Chantilly. 15cm (5 3/4in) high. (2).Footnotes:中國瓷器部分約1750 青花童子配歐洲製鎏金銅飾燭臺一對Provenance: Gerald Kerin Ltd., London, 14 June 1965 (invoice; the invoice dates the ormolu mounts as Louis XVI)John E. Bodie OBE (1930-2023), London, collection no.105來源：倫敦古董商Gerald Kerin Ltd.，1965年6月14日（據收據；收據標註鎏金銅飾為路易十六時期）大英帝國官佐勳章獲勳人John E. Bodie(1930-2023)，倫敦，藏品編號105Compare with a pair of very similar seated boys in blue-glazed tunics, circa 1750, illustrated by D.Howard, The Choice of the Private Trader: The Private Market in Chinese Export Porcelain illustrated from the Hodroff Collection, London, 1994, p.254, no.301; and Colin Sheaf and Richard Kilburn, The Hatcher Porcelain Cargoes: The Complete Record, Oxford, 1988, pp.156-7, pl.207, illustrating a number of similar boys which have been salvaged from the Geldermalsen (1752).See a related ormolu-mounted Chinese biscuit figure of a boy, Kangxi, which was sold at Sotheby's London, 7 March 2007, lot 111For further information on this lot please visit Bonhams.com

A quantity of ceramics including a set of six French porcelain ramekins decorated in the Chantilly Sprig pattern, a Carlton Ware Cambridge college armorial tobacco jar and match striker, etc.

A CHANTILLY PORCELAIN BEAKER mid 18th century, of lobed design painted with kakiemon style flower sprigs, 8cm diameterProvenance: Simon Spero, 109 Kensington Church Street, 19th June 1995.

A French porcelain dish, painted with flowers, bird and insects, Chantilly mark, together with a Chamberlain's saucer, circa late 18th century, painted with a pheasant (2)

A porcelain Kakiemon-style plate, France, Chantilly, 18th C. Dia.: 24 cm

Limoges. L. Bernardaud & Cie. Beautiful dinner set in Limoges porcelain. Model Chevreuse. 84 - parts. Inspired by an 18th century Chantilly décor. 1 coffee cup with minor damage.

Plat oval de Chantilly, circa 1760A Chantilly oval dish, circa 1760Decorated with a blue trellis ground embellished with gilt dots, reserved in the centre with an oval panel painted with a flower spray within a gilt foliate and floral border, and six quatrelobe panels around the rim painted with flower sprigs within gilt scrollwork borders, gilt dentil border to rim, 29.7cm across, horn mark and R in blue, incised B (gilt border to rim worn)Footnotes:An oval dish decorated with the same pattern in the British Museum, inv. 1994.4-6.1, is illustrated by Geneviève Le Duc, Porcelaine tendre de Chantilly (1996), p.239. A further example is in the Rijksmuseum, Amsterdam, inv. no. BK-1966-108. A plate of the same pattern is illustrated by Aileen Dawson, French Porcelain (1994), p.42, item 45, col. pl.5.For further information on this lot please visit Bonhams.com

A Swansea porcelain cabinet cup and stand, in Empire style painted with bands of flowers; an English porcelain garniture painted with fruit and a pair of Derby two-handled chocolate cups, covers and stands, decorated with chantilly sprigsHandle has been broken and restored, broken in three places. Star crack to side. Wear on gilding to the base of the cup. See further images for condition.

A small group of Derby porcelain, 18th-century and early 19th centurycomprising a dolphin butter or cream boat, painted in blue, 8.5cm high (restored); a pair of plates, painted with roses and sprigs, red batons mark, 24.5cm diameter; two saucer dishes, painted with Chantilly Sprigs, 19.5cm and 21.5cm diameter; two coffee cups, and a navette-shaped dish, decorated with flowers, ozier moulded border, 30.5cm wide and two Chantilly Sprigs teacups and five saucers; sold together with a Coalport teapot and cover (finial re-glued), New Hall coffee cup and a pink lustre teacup and saucer (19) (minor damages)

A pair of Chantilly French bisque porcelain figurines, musicians, the man with bagpipes, the lady with tambourine, dressed in 18th century costume, he is impressed "Chantilly" to the reverse of the base, 37cm high Condition: Him -chip off flowing corner of his coat, and a bit of restoration to tip of collar of his pink cape, possible restoration to mouthpiece of bagpipe. Her - stress crack in neck, restoration to little finger of left hand.

A Chinese Nanking warrior vase, an Imari vase, a cloisonne bowl, three glazed bowls, a Chantilly porcelain dish (7)  Condition Report:Available upon request

A LARGE PAIR OF FRENCH PORCELAIN FIGURES OF TURKSPOSSIBLY MICHEL-ISAAC AARON, CHANTILLY, MID-19TH CENTURYone modelled with a goat, the other wearing an elaborate costume, raised on square gilded bases, with blue 'MA' marks, some damages (2)39cm high (max)

Group of late 18th and 19th century porcelain, including Chantilly Sprig pattern dish, D24cm, Dresden floral painted cake stand, H9cm, Berlin dish painted with peacocks within a yellow border, second quality pierced Meissen dish, Meissen cabinet cup and saucer, etcCondition Report:Light surface scratching to most surfaces, mainly noted to the Chantilly plate, consummate with age and use. No restoration noted.

An 18th century Chantilly porcelain cache-pot with polychrome enamel floral decoration in the Kakiemon manner, 6.5 cm high

A very rare Crépy-en-Valois tobacco jar and cover in the form of a wild boar, circa 1762-70Of cylindrical form with the fur, dorsal line, legs and tail, as well as a leady branch on the underside moulded in relief, the head also naturalistically modelled to form the cover, 22.3cm high, incised 'DCO' (small restored chips to rim of cover and small repair to cover flange) (2)Footnotes:Provenance:Mr. and Mrs. William Brown Meloney, New York;With The Antique Porcelain Company, New York;Acquired from the above in 1981Literature:The Connoisseur, Vol. CXLIII, no. 577, April 1959, p. 140, no. 12;D. Gage/M. Marsh, Tobacco Containers & Accessories (1988), no. 13Exhibited:Zurich, Credit Suisse, Meisterwerke des Europäischen Porzellans 1710-1820, 17 September 1985-17 January 1986, cat. no. 188;London, The International Ceramics Fair and Seminar, The Dorchester Hotel, Special Loan Exhibition, The British-American Tobacco Company Collection of Tobacco Containers & Accessories, 10-13 June 1988The only other recorded examples of this form are the two in a fitted leather case in the British Museum, Sir A.W. Franks Collection (inv. Franks 359); published by A. Dawson, French Porcelain A Catalogue of the British Museum (1994), no. 201 (where other examples of Crépy-en-Valois porcelain are recorded), and by G. Le Duc, Porcelaine tendre de Chantilly (1996), p. 326.The short-lived porcelain factory in Crépy-en-Valois was apparently founded in October 1762 by Louis-François Gaignepain - a former worker at the Mennecy factory - together with a Paris marchand-mercier, Pierre Bourgeois. The new factory experienced financial difficulties in 1767 and is thought to have closed after the death of Gaignepain in 1770. The attribution of these wild boar jars and covers to Crépy is based on the Livres Journal de Vente pur la manufacture de Crépy, in which sales of 'pot a tabac blanc En hure de Sanglier et de Chien are recorded on three occasions in 1765 and 1766 (quoted by A. Dawson, op. cit., p.253 (no corresponding jars in the forms of a dog are recorded).For further information on this lot please visit Bonhams.com

English Porcelain - a pair of Derby quatrefoil dishes, painted with Chantilly sprigs, 25.5cm wide, c.1820; a Derby two handled tureen; Staffordshire figures; Copeland & Garrett dessert dishes; other 19th century English porcelain, etc, qty