We found 592 price guide item(s) matching your search
There are 592 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
592 item(s)/page
Lot 94
Hand-painted ceramic figure depicts a flower seller standing on a square plinth base. She is dressed in a long white dress with a burgundy vest, blue skirt, and a cream-colored shawl featuring a brown foliate pattern and fringe detailing. The figure holds a bouquet in one hand and a rectangular crate of flowers in the other. Her head is adorned with a black hat with a blue feather. Mounted to a two-part square base with a wooden bottom plinth. This figure was part of Charles Vyse's series of London street characters created during the interwar period and produced at his Chelsea pottery studio.Artist: Charles VyseIssued: 1927Dimensions: 11.5"HCountry of Origin: EnglandCondition: Age related wear. As is.
Lot 96
Depicting a standing female vendor in period dress holding baskets overflowing with tulips. A young child rests in her left arm as she balances the floral arrangement across her arms. The figure wears a patterned skirt, green shawl, and purple hat. Base is marked with the Chelsea mark and dated 1921. Hand-painted and modeled in earthenware. Charles Vyse was known for creating figurines representing the street characters of London during the early 20th century. This model captures a flower seller as part of his series of London street figures.Artist: Charles VyseIssued: 1921Dimensions: 10.25"HCountry of Origin: EnglandCondition: Age related wear.
Lot 95
A finely crafted ceramic figurine by renowned British sculptor Charles Vyse, depicting the iconic The Daffodil Woman. This exquisite hand painted piece captures a charming flower seller in a vibrant striped dress with a flowing shawl, holding a bundle of yellow daffodils while standing beside a basket filled with an assortment of blossoms. Vyse, known for his masterful ceramic figures inspired by London street life, created this piece in the early 20th century, exemplifying his delicate attention to detail and rich use of color. The figurine showcases a lifelike glaze finish with intricate sculptural elements, making it a prized collectible for fans of British ceramics and Art Pottery. C.V. Chelsea mark.Artist: Charles VyseIssued: c. 1924Dimensions: 9.75"HCountry of Origin: EnglandCondition: Age related wear.
Lot 68
Fine bone china figurine is part of the Child Study series. The piece features a young child dressed in a long nightgown, standing on a square base. The figurine is finished in a high-gloss glaze, with delicate facial details and a simple yet elegant color palette. The underside is marked with the Royal Doulton backstamp.Artist: Charles VyseIssued: 1929 - 1959Dimensions: 7.75"HCountry of Origin: EnglandCondition: Age related wear.
Lot 253
Alternative title, Jacky and Mother. A finely crafted ceramic figurine by Charles Vyse. This exquisite piece showcases Vyse's mastery in capturing vibrant details and character, depicting a mother and child attending the fair, dressed in elaborate period attire. The intricacy of the patterns and the vivid hand-painted glazes reflect Vyse's celebrated artistry and attention to detail. Charles Vyse was a renowned British ceramicist, celebrated for his whimsical and evocative figurines that often depicted scenes of everyday life and folklore. C. Vyse Chelsea mark on the side.Artist: Charles VyseIssued: c. 1933Dimensions: 10.25"HCountry of Origin: EnglandCondition: Age related wear.
Lot 255
An exceptional ceramic figurine by acclaimed British sculptor Charles Vyse, depicting the Cinneraria Boy. This finely detailed piece captures a young London flower seller dressed in a checkered jacket, herringbone trousers, and a flat cap, standing beside a post while holding a bouquet of vibrant blue cineraria flowers wrapped in paper. Vyse, known for his masterful portrayals of early 20th century London street life, brings this charming figure to life with intricate hand painted details and a lustrous glaze finish. C.V. Chelsea mark.Artist: Charles VyseIssued: c. 1925Dimensions: 10.5"HCountry of Origin: EnglandCondition: Age related wear.
Lot 252
A beautifully crafted ceramic figurine by renowned British sculptor Charles Vyse, depicting Market Day in Boulogne. This exquisite hand painted piece portrays a seated market vendor, dressed in a patterned dress and headscarf, holding a fresh cabbage while surrounded by an abundant display of vegetables in woven baskets. The scene captures the charm and authenticity of European market life in the early 20th century, highlighting Vyse's exceptional ability to bring character and realism to his ceramic sculptures. With intricate detailing and a vibrant glaze finish, this figurine is a testament to the artist's craftsmanship. C. Vyse Chelsea mark.Artist: Charles VyseIssued: c. 1930Dimensions: 8.5"HCountry of Origin: EnglandCondition: Age related wear.
Lot 254
A remarkable ceramic figurine by esteemed British sculptor Charles Vyse, depicting the Picadilly Rose Woman. This beautifully hand painted piece portrays a London flower seller arranging a lush display of pink, yellow, and red roses in a woven basket. Dressed in a flowing purple shawl and a modest hat, the figure captures the essence of early 20th century street vendors with exquisite realism and charm. Vyse, celebrated for his lifelike ceramic figures inspired by the working-class individuals of London, masterfully conveys depth and movement through detailed sculpting and a rich glaze finish. C.V. Chelsea mark.Artist: Charles VyseIssued: c. 1922Dimensions: 8.5"HCountry of Origin: EnglandCondition: Age related wear. As is. Minor chipped flowers.
Lot 139
A whimsical ceramic figurine by esteemed British sculptor Charles Vyse, titled Leap Frog. This playful composition captures two young children engaged in a traditional game, with one child mid-jump over the other. The scene is set atop a textured base adorned with vibrant green foliage, mushrooms, and naturalistic elements, adding depth and charm to the piece. Vyse, known for his exceptional craftsmanship and ability to bring motion and character to his ceramic sculptures, masterfully conveys a sense of movement and childhood innocence through intricate detailing and expressive forms. Artist: Charles VyseDimensions: 8"HCountry of Origin: EnglandCondition: Age related wear.
Lot 140
This exquisite ceramic figurine by Charles Vyse portrays the Windmill Woman, a charming depiction of English countryside life. The figure is hand painted with intricate details, featuring a vibrant yellow dress, a tartan-patterned shawl, and a floral headdress. The woman holds a beautifully crafted wreath of multicolored windmill toys, emphasizing the meticulous craftsmanship characteristic of Vyse's works. Made in England, this collectible piece embodies the artist's signature style and offers a glimpse into rural traditions. It stands on a rectangular base with subtle design accents. A wonderful addition to any collection, this figure captures both artistic and cultural significance. C.V. Chelsea mark. Artist: Charles VyseDimensions: 8.75"HCountry of Origin: EnglandCondition: Age related wear.
Lot 143
This Royal Doulton figurine was designed by renowned artist Charles Vyse. This charming piece depicts a young child in a white gown, rendered with soft, delicate details and a serene expression. The figurine showcases Vyse's talent in capturing tender moments with understated elegance. The figure was named after Queen Mary picked it out during a visit to the Royal Doulton factory, exclaiming 'Isn't he a darling!'. Royal Doulton backstamp. Artist: Charles VyseDimensions: 7.5"HCountry of Origin: EnglandCondition: Age related wear.
Lot 47
Charles Vyse (1882-1971), 1921, a Chelsea Pottery figure of 'The Tulip Woman', painted marks, 26.5cm highCondition ReportNo restoration is visible when held under a UV light. Crazing throughout. Chips to the tulips. Small flat chip/crescent crack to the underside of the foot rim. Small chip to the rear of the sash. Please see the additional images.
Lot 45
▲ Charles Vyse (1882-1971), c.1926, a Chelsea Pottery figure of 'The Shawl', on an ebonised plinth,30cm highLiterature: Referenced in Terence Cartlidge, 'Charles and Nell Vyse: A Partnership', p.26.Condition ReportCrazing throughout. Chips to the hat. Minor losses to the petals. Very small nibble to the edge of the collar to the rear. Please see the additional images.
Lot 46
Charles Vyse (1882-1971), 1921, an earthenware figure of 'The Balloon Woman', painted marks,23cm highLiterature: Terence Cartlidge, 'Charles and Nell Vyse: A Partnership', p.17.Condition ReportRestoration to the base and the balloons. Crazing throughout. Losses to the glaze. Loose chip that rattles inside. Please see the additional images.
Lot 337
Named in the United States. The Youthful Bacchus. Hand painted gilt and enamel colors of a boy, in yellow, on a leaping goat. Grapes and flowers decorates the base. Marked: C.V. Chelsea. Issued: 1920sDimensions: 8.5"L x 4.75"W x 11"HManufacturer: Charles Vyse Chelsea PotteryCountry of Origin: EnglandCondition: Age related wear.
Lot 336
Rare variation of an English pottery figure of a flower vendor with a bouquet and basket of mums. The skirt is in black and pink plaid pattern. The scarf is black with colored tassels and flowers. Incised mark on the side: Vyse, Chelsea. Artist: Charles VyseIssued: c. 1926Dimensions: 6.5"L x 4.5"W x 11.25"HManufacturer: Charles Vyse Chelsea PotteryCountry of Origin: EnglandCondition: Age related wear.
Lot 123
Titles includes, Charles Vyse: Figures And Stoneware Pottery. A paperback 1974 publication by Richard Dennis with the Fine Art Society. Other title includes, Charles & Nell Vyse: A Partnership. A hardcover 2004 Richard Dennis & Ed Pascoe publication by Terence Cartlidge. Approximate measurement of books combined: 8.5"L x 0.75"W x 8.25"H. Issued: 20th and 21st centuryDimensions: See DescriptionCondition: Age related wear.
Lot 318
† HONORAH MAIDA FRENCH; a lobed stoneware vase covered in grey glaze with kaki decoration, incised HF mark, height 24cm. Miss H M French was based in Peckham, London from 1945. She was assistant to Charles Vyse, at his Chelsea Pottery, before the war. Her work rarely appears for sale. Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Lot 35
§ Charles Vyse (1882-1971), The Falconer, a white glazed earthenware model of a youth on horseback and falcon on his shoulder, mounted to ebonised plinth base, incised signature and 1927 date to rear34.5 x 23 x 12cm exclusive of baseNot removed from plinth. In seemingly good condition, noting some all over fine crazing, heavier in places. No apparent damages or repairs, examined under UV light. Would benefit from a good clean. The spot on the rider's knee cleans off.
Lot 36
§ Charles Vyse (1882-1971), Leap Frog, a polychrome glazed earthenware Chelsea pottery figure group, modelled as a young boy leapfrogging over a Satyr, mounted to ebonised plinth base19cm high exclusive of baseA small number of minor chips and losses to hair of top figure, satyr's tail and base. Not removed from base and thus not examined from the underside.
Lot 34
§ Charles Vyse (1882-1971), The Daffodil Seller, 1924, a polychrome glazed earthenware Chelsea figure, the female figure modelled standing and holding a bunch of yellow daffodils, a basket of yellow and whites beside her along with some tulips, raised on integral plinth base, painted marks to underside25cm highA number of small chips and losses to flower heads in both the bouquet in her hand and the bunches in the basket. A hairline crack running approximately 2cm through the undersid eof the base, up the plinth edge and in to the back of the basket (not visible in basket). Some all over fine crazing.
Lot 477
Hand painted figure of a man in a gray suit with red and black highlights, and a green vest. He is holding a bouquet of blue flowers. Attached to a wooden base. Artist: C.V. ChelseaIssued: c. 1923Dimensions: 5.75"L x 4"W x 11.5"HManufacturer: Charles VyseCountry of Origin: EnglandCondition: Age related wear. As is. Loose base. Chipped flowers.
Lot 600
An early 20th century art pottery figure, in the Charles Vyse/Chelsea pottery manner. Modelled as a young girl astride a giant tortoise, height 10cm, together with a pottery baby in a crib, one rocker inscribed Howard, length 11cm (2).Girl and tortoise figure with small fritting and chip to base, the infant in a cradle with chips and glue repairs to extremities, images of affected areas online.
![[WATERLOO BATTLE OF]: [HALKETT HUGH]: (1783-1863) British General who served in the Napoleonic Wars and fought at the Battle](https://cdn.globalauctionplatform.com/53248784-640f-4c02-a73f-b1df01294acb/852bf403-65dc-4cdb-abbd-b1e000aa8c95/468x382.jpg)
Lot 1088
[WATERLOO BATTLE OF]: [HALKETT HUGH]: (1783-1863) British General who served in the Napoleonic Wars and fought at the Battle of Waterloo, commanding four battalions of Hanoverian militia. Halkett is remembered for having captured General Cambronne at Waterloo. An excellent, lengthy A.L.S., J Halkett, by Colonel James Halkett, son of Hugh Halkett, twenty-eight pages (comprising seven bifolia), 8vo, Farrance´s Hotel, near Eaton Square (London), 29th October 1862, to William Maynard Gomm (´My dear Sir William´). James Halkett states that his father is no longer able to read or write and that he is therefore replying on his behalf ´as I got him to tell me the story of his life the winter I spent in Hanover, & I then wrote down what he told me & can therefore repeat the story you ask about almost word for word as he gave it to me´, continuing to provide Gomm with ´a short sketch of my father´s proceedings & share in the glorious 18th June´ (the Battle of Waterloo), writing, in part, ´His brigade, composed of Hanoverian Landwehr, all untried troops, but partly officered & non-commissioned officered by the old King´s German Legion, formed part of General Clinton´s Division. After marching all night the bivouacked on the field of Waterloo. The Division.....was soon brought into the alignment with its right resting on Hougoumont. Whilst effecting this change the French cavalry attacked my father´s Brigade but they drew off on his forming en masse. At the time his first horse was killed, having both his hind legs shot away, the ball afterwards mowing down 8 men. His A.D.C. immediately dismounted & was shifting my father´s saddle on his horse when a shell fell near, wounded the man holding the horse & the horse scampered away. Colonel Dickson.....then caught a splendid English horse with new equipment & brought it to my father. At between 3 & 4 o/c in the afternoon General Clinton sent for my father & gave him the Duke´s orders to take whatever troops he liked & defend the garden & enclosures of Hougoumont......He immediately ordered the Salzgitter Battalion to attack the French who were in the wood, the Battalion did so, behaved very well, drove them out, & at the same time the skirmishers of the Brigade, who were excellent marksmen, formed together &.......drove back, with much spirit, the French skirmishers from the different enclosures, & my father then reported the place as secured. When, after 6 o´clock, the Duke gave orders for a general move in advance, my father placed himself at the head of the Osnabruck Battalion........He sent his Brigade Major to bring up the Battalion.....but the order was never received for Capt. Saffe was killed whilst carrying the order......Soon after the advance he fell in with old Garde Imperiale &......after driving them back he discovered the enemy´s artillery coming up out of a hollow way on his left, he ordered the skirmishers, supported by a company, to attack them.......About this time General Chasse (who afterwards defended Antwerp) galloped up to the front to see how matters were going on, & was full of admiration at the conduct of the troops.......Shortly after this an officer of the Duke´s staff galloped up & called out: "well done, Colonel Halkett, by God this is splendid". After a short pause he again advanced & under the heavy fire of the enemy´s artillery which had driven up on the left of the Imperial Guard, he attacked & took the guns.......Whilst following the French guards he saw their General, accompanied by two officers, come to the front to try & bring them to a stand. My father immediately threw forward his skirmishers & dashing full gallop at the General threatened to cut him down. He surrendered & declared himself to be General Cambronne......On leading his prisoner back, his horse, already wounded, received another shot & fell. With much difficulty he succeeded in getting him on his legs again when he discovered General Cambronne running back to the French Guards, he followed & caught him again, & seizing him by the aiguilette brought him back a prisoner & gave him over to a Sergeant......with orders to conduit him to the Duke of Wellington......Shortly after he had taken General Cambronne his horse was again hit & had his fore legs shot off.......He was soon remounted on a French Artillery horse which his men caught, but shortly after this third horse was shot under him. His men then shot a Frenchman who was mounted on a fine English, grey, Hussar horse, & brought him to my father who got a wet seat in the sheep´s skin which was satturated (sic) with the poor Frenchman´s blood.......After the French Guard had gone back, an officer belonging to them & who had been taken Prisoner, informed my father that Napoleon was amongst a large group of French officers & some French Cavalry who were hovering about his Brigade. He advanced his sharpshooters & these throwing some shot amongst them made them retire a short distance......My father then advanced on to the high road to Genappe & there fell in with the advanced Corps of the Prussians & shook hands with General Muffling. Not seeing any red coats near him, he halted & remained for the night in some straggling houses.....When returning next morning to re-join his Division he passed the guns which had been thrown into confusion.........With regard to Cambronne´s "mot sublime" the only one my father heard was the one giving my father to understand that he surrendered, & it was pronounced in very good French! If anything ever was said about the Guard dieing etc., it certainly was at a later hour when Cambronne was safely lodged in our lines. My father was thrown together with the Comte d´Artois in Heligoland & when in Paris went to call on him. The future Charles X....did not think his countrymen fought well at Waterloo´. Halkett concludes his letter by writing of more social matters, but also makes a reference to the 50th Anniversary of the Battle of Venta del Pozo which had been fought on 23rd October 1812 during the Peninsular War. A letter of wonderful content for its account of General Halkett´s involvement in the Battle of Waterloo, and not least in connection with the often disputed circumstances of the surrender of Cambronne to the British. Together with a slim oblong 12mo envelope wrapper annotated to the front panel in the hand of one of William Maynard Gomm´s relatives, ´Grass taken from the field of Waterloo, when I went over it with Uncle Gomm, Aunt Har[riet] & Miss Howard Vyse, July 23rd 1868´. With three small black seals to the verso, two of which remain intact. The contents of the envelope have not been examined, although dried grass can be seen through an opening at one end where the third seal is broken. Also including two other miscellaneous manuscript documents, one being a Report upon the proposed Sale of Land by Sir William Gomm to the Parish of Rotherhithe (1850) and the other an extracted copy of the last Will and Testament of Major General William Henry Cornwall (1799-1855) of Cadogan Place, Chelsea. Some light age wear and minor creasing, and Halkett´s letter with small spindle holes to the upper left corner of each page. G to generally VG, 4OWING TO LIMITATIONS IMPOSED BY THE SALEROOM THE FULL DESCRIPTION FOR THIS LOT CAN NOT BE DISPLAYED. PLEASE CONTACT IAA EUROPE FOR FURTHER DETAILS.
Lot 135
Highly detailed glaze earthenware figure modeled as a young boy and mother at the fair. This piece is also known as Jacky and Mother. C. Vyse Chelsea impressed to lower right side of base. Issued: 1933Dimensions: 5.25"L x 3.75"W x 10"HManufacturer: Charles Vyse PotteryCountry of Origin: EnglandCondition: Age related wear.
Lot 132
Glaze finish earthenware allegorical group modeled as a dark-haired elfin boy, leaping over the shoulders of a crouching satyr holding a lamb. Piece attached to a wooden base. Hand painted Charles Vyse Chelsea marked to the side. Issued: 1927Dimensions: 8"L x 5.25"W x 13.5"HManufacturer: Charles Vyse PotteryCountry of Origin: EnglandCondition: Age related wear. As is. Figure loose on base. Minor chipped flowers.
Lot 133
Rare glaze finish earthenware figure modeled as a flower girl seated, wearing a plaid shawl selling colorful flowers. C. Vyse Chelsea impressed to right side of base. Issued: 1928Dimensions: 5.5"L x 3.75"W x 8.5"HManufacturer: Charles Vyse PotteryCountry of Origin: EnglandProvenance: Collection of Edward Flower Condition: Age related wear.
Lot 141
Several Letters written by a Noble Lord to a young man at the University. 1732. Disbound, 32pp. Bound with A letter concerning the Art, or Science of Design written from Italy. On the occasion of the Judgment of Hercules. Undated [but early 18th], pagination; 395-410. With A Sermon preached before the Incorporated Society for the Propagation of the Gospel in Foreign Parts; at their Anniversary Meeting in the Parish Church of St Mary-Le-bow Friday 1791. London. S Brooke. Marbled paper wraps. Small 4to, 70pp. With one other, The Tutors Guide, being a complete system of Arithmetic. Charles Vyse. 1799. London S Hamilton.,modern Buckram, occasional woodcuts to text. Some page repairs., [3]
Lot 12
Staffordshire earthenware figure, S K Cope, Burslem, in the style of Charles Vyse, modelled as a World's End street vendor, 26cm.Catalogue amendment: this figure is not restored - please see condition notes Condition report:The figure is not restored, it was just incredibly dirty. A gentle wash and there just appears to be some very minor chips to the rim of the hat, some of the brush heads in the figure's left arm, and some very shallow chips around the base line. The hands retain a bit of discolouration which isn't washing off as easily, and in the nooks and crannys there remains some surface dirt/ discolouration which may be ingrained. FIne crazing to the glaze throughout. The plinth is incised No. 1, S K Cope, dated 1928, and then there is the incised signature mark to the underside.
Lot 134
Charles Vyse (1882-1971) for Chelsea Pottery - The Piccadilly Rose Woman - An early 20th century 1922 hand painted fine bone china figurine of woman with flowers. Polychrome flowers, lady dressed in striped shirt with purple cloak. Stamped in blue to base. Stress firing crack to base, some damage to some flowers. Measures approx. 22cm x 20cm x 15cm.
![[WATERLOO BATTLE OF]: [HALKETT HUGH]: (1783-1863) British General who served in the Napoleonic Wars and fought at the Battle](https://cdn.globalauctionplatform.com/51480646-28ed-4e59-a8f8-b18400c0cb5f/1c2f27bc-2031-4f2d-8019-b18601106da5/468x382.jpg)
Lot 1546
[WATERLOO BATTLE OF]: [HALKETT HUGH]: (1783-1863) British General who served in the Napoleonic Wars and fought at the Battle of Waterloo, commanding four battalions of Hanoverian militia. Halkett is remembered for having captured General Cambronne at Waterloo. An excellent, lengthy A.L.S., J Halkett, by Colonel James Halkett, son of Hugh Halkett, twenty-eight pages (comprising seven bifolia), 8vo, Farrance´s Hotel, near Eaton Square (London), 29th October 1862, to William Maynard Gomm (´My dear Sir William´). James Halkett states that his father is no longer able to read or write and that he is therefore replying on his behalf ´as I got him to tell me the story of his life the winter I spent in Hanover, & I then wrote down what he told me & can therefore repeat the story you ask about almost word for word as he gave it to me´, continuing to provide Gomm with ´a short sketch of my father´s proceedings & share in the glorious 18th June´ (the Battle of Waterloo), writing, in part, ´His brigade, composed of Hanoverian Landwehr, all untried troops, but partly officered & non-commissioned officered by the old King´s German Legion, formed part of General Clinton´s Division. After marching all night the bivouacked on the field of Waterloo. The Division.....was soon brought into the alignment with its right resting on Hougoumont. Whilst effecting this change the French cavalry attacked my father´s Brigade but they drew off on his forming en masse. At the time his first horse was killed, having both his hind legs shot away, the ball afterwards mowing down 8 men. His A.D.C. immediately dismounted & was shifting my father´s saddle on his horse when a shell fell near, wounded the man holding the horse & the horse scampered away. Colonel Dickson.....then caught a splendid English horse with new equipment & brought it to my father. At between 3 & 4 o/c in the afternoon General Clinton sent for my father & gave him the Duke´s orders to take whatever troops he liked & defend the garden & enclosures of Hougoumont......He immediately ordered the Salzgitter Battalion to attack the French who were in the wood, the Battalion did so, behaved very well, drove them out, & at the same time the skirmishers of the Brigade, who were excellent marksmen, formed together &.......drove back, with much spirit, the French skirmishers from the different enclosures, & my father then reported the place as secured. When, after 6 o´clock, the Duke gave orders for a general move in advance, my father placed himself at the head of the Osnabruck Battalion........He sent his Brigade Major to bring up the Battalion.....but the order was never received for Capt. Saffe was killed whilst carrying the order......Soon after the advance he fell in with old Garde Imperiale &......after driving them back he discovered the enemy´s artillery coming up out of a hollow way on his left, he ordered the skirmishers, supported by a company, to attack them.......About this time General Chasse (who afterwards defended Antwerp) galloped up to the front to see how matters were going on, & was full of admiration at the conduct of the troops.......Shortly after this an officer of the Duke´s staff galloped up & called out: "well done, Colonel Halkett, by God this is splendid". After a short pause he again advanced & under the heavy fire of the enemy´s artillery which had driven up on the left of the Imperial Guard, he attacked & took the guns.......Whilst following the French guards he saw their General, accompanied by two officers, come to the front to try & bring them to a stand. My father immediately threw forward his skirmishers & dashing full gallop at the General threatened to cut him down. He surrendered & declared himself to be General Cambronne......On leading his prisoner back, his horse, already wounded, received another shot & fell. With much difficulty he succeeded in getting him on his legs again when he discovered General Cambronne running back to the French Guards, he followed & caught him again, & seizing him by the aiguilette brought him back a prisoner & gave him over to a Sergeant......with orders to conduit him to the Duke of Wellington......Shortly after he had taken General Cambronne his horse was again hit & had his fore legs shot off.......He was soon remounted on a French Artillery horse which his men caught, but shortly after this third horse was shot under him. His men then shot a Frenchman who was mounted on a fine English, grey, Hussar horse, & brought him to my father who got a wet seat in the sheep´s skin which was satturated (sic) with the poor Frenchman´s blood.......After the French Guard had gone back, an officer belonging to them & who had been taken Prisoner, informed my father that Napoleon was amongst a large group of French officers & some French Cavalry who were hovering about his Brigade. He advanced his sharpshooters & these throwing some shot amongst them made them retire a short distance......My father then advanced on to the high road to Genappe & there fell in with the advanced Corps of the Prussians & shook hands with General Muffling. Not seeing any red coats near him, he halted & remained for the night in some straggling houses.....When returning next morning to re-join his Division he passed the guns which had been thrown into confusion......The Brigade when marching to Nivelle that morning was met by Lord Hill who highly complimented my father on its behaviour & marched at its head......When my father mentioned the gallant behaviour of the Brigade to Sir Henry Clinton, the General asked why this had not been mentioned the night before in order that he might have reported it to the Duke.....With regard to Cambronne´s "mot sublime" the only one my father heard was the one giving my father to understand that he surrendered, & it was pronounced in very good French! If anything ever was said about the Guard dieing etc., it certainly was at a later hour when Cambronne was safely lodged in our lines. My father was thrown together with the Comte d´Artois in Heligoland & when in Paris went to call on him. The future Charles X....did not think his countrymen fought well at Waterloo´. Halkett concludes his letter by writing of more social matters, but also makes a reference to the 50th Anniversary of the Battle of Venta del Pozo which had been fought on 23rd October 1812 during the Peninsular War. A letter of wonderful content for its account of General Halkett´s involvement in the Battle of Waterloo, and not least in connection with the often disputed circumstances of the surrender of Cambronne to the British. Together with a slim oblong 12mo envelope wrapper annotated to the front panel in the hand of one of William Maynard Gomm´s relatives, ´Grass taken from the field of Waterloo, when I went over it with Uncle Gomm, Aunt Har[riet] & Miss Howard Vyse, July 23rd 1868´. With three small black seals to the verso, two of which remain intact. The contents of the envelope have not been examined, although dried grass can be seen through an opening at one end where the third seal is broken. Also including two other miscellaneous manuscript documents, one being a Report upon the proposed Sale of Land by Sir William Gomm to the Parish of Rotherhithe (1850). G to generally VG, 4OWING TO LIMITATIONS IMPOSED BY THE SALEROOM, THE COMPLETE DESCRIPTION FOR THIS LOT CAN NOT DE DISPLAYED. PLEASE REFER TO IAA EUROPE DIRECTLY FOR FURTHER INFORMATION.
Lot 1489
A Charles Vyse glazed model the balloon lady, dated 1921, 22cm high (a.f.) Some re-painting to two of the balloons she holds; very small chip to the index finger of her right hand; chip to the bottom edge of the footrim; two firther shallow chips to the underside of footrim; acceptable crazing to her apron.
Loading...-
592 item(s)/page