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Click here to subscribeMANNER OF MEISSEN: TWO PORCELAIN FIGURES 19th century, depicting a boy and girl gathering flowers, marked with crossed swords to the base, 12cm high; together with two manner of Chelsea figures collecting fruit and flowers, on rococo scrolled bases, with a gilt anchor mark to the reverse, 15.5cm high (4)Provenance: A private East Dorset collection.
A rare early English white sculptural porcelain figure of a recumbent ram, probably Lowestoft circa 1770 or earlier, of small proportions, realistically modelled in relief, lying down with straight back leg, hollowed to the underside, 5.5cm wide, 4.8cm highSee: Godden, G. 1969, Illustrated Guide to Lowestoft Porcelain, London: Herbert Jenkins, figs.140 and 141, for an illustrated example of this form and a photograph of the hollow undersideNote: similar to the Derby Dry Edge period, Chelsea, Bow and Longton Hall figures of circa 1750, the ram and ewe were popular subjects for production in soft paste Blanc de Chine porcelain in the very early years of porcelain manufacture in England circa 1747-1755. The form of this model, with outstretched back leg and tilted head, is identical in composition to the Lowestoft models (circa 1780) held in the Norwich Castle Museum (E D Levine and City of Norwich Museums' Collections); the fine tooling and distinguished, rather than comical, modelling of the face and other features is more refined and crisply executed than on the later models, which implies a possibly earlier date. The combination of the features including the space between the body and the back leg, the curled front leg and the position and form of the tail, is also indicative of the Lowestoft examples; as well as the soft paste porcelain construction.
A collection of porcelain scent bottles, 18th-20th centuries, including a pair of flattened rectangular bottles, probably Vienna, painted with flowers, a small pair of Copenhagen bottles, three egg-shaped bottles, a Samson copy of a Chelsea bottle of lovers, a Meissen-style miniature ewer applied with flowers, an English porcelain double-flask with Oriental design, and several silver-mounted bottles, 10cm max. (15)
An early Chelsea white-glazed beaker, c.1747, the tall flared form of eight lobes, sprigged with spiralling tea plant sprays, and another Chelsea beaker applied with three sprays of flowering prunus, the first with a rim crack, restoration to the rim, 8cm max. (2) Provenance: the Barbara Horn Collectio.Cf. Malcolm Anderson, An Exhibition of Early St Cloud and Chelsea Porcelain, pl.XI and pl.XIII for other teaplant beakers.
A Chelsea dessert dish, c.1760, painted with panels of birds in flight within gilt trellis borders on a claret ground, gold anchor mark, and a Chinese porcelain saucer dish, painted in the London atelier of James Giles with a butterfly and caterpillar beside flower sprays, a filled rim chip, 26.7cm max. (2)Provenance: formerly in the Stephen Hanscombe Collection (the Giles dish).Exhibited: Stockspring Antiques, Early James Giles, No. 47.
A Bow blue and white chamberstick, c.1755-58, the drip pan formed as a leaf and painted with Oriental flowers, two Bow pickle leaf dishes painted with grapevine, a patty pan painted with Oriental flower sprays, a Bow fork, a Chelsea white-glazed fork, and a small St Cloud fork, some damages and repairs, 21.5cm max. (7)Provenance: the Barbara Horn Collection.Cf. Elizabeth Adams & David Redstone, Bow Porcelain, p.164 for a similar chamberstick.
A Collection of Worcester Porcelain, circa 1770s/80s, mainly teawares, printed in underglaze blue, including "Bat", "Cormorant Fisherman" and "Bell Toy" patterns, together with a low Chelsea ewer printed with the "Fence" pattern (one tray)Large teapot - crack to body and spout.Smaller teapot - crack to body, spout reglued.Ewer - in good condition.Both saucer dishes are broken and restuck.Bell Toy - teabowl cracked.Birds in branches - three chips to teabowl.Fruit sprays - both in good condition.Fisherman and cormerants - saucer with a filled rim chip.Cup - good.Two Worcester printed cups - badly broken.
A Tray of British Porcelain, including a Royal Worcester jewelled demitasse cup and saucer, a floral plate by W. H. Austin. a lobed vase painted with violets, a Coalport box and cover painted with a bird, a similar pear-shaped vase with a landscape, a Royal Crown Derby imari hexagonal vase, trinket box and cover, urn shaped vase, pair of cups and saucers and a pair of continental porcelain figures after Chelsea (one tray)
A Collection of 18th Century English Porcelain, including a Worcester teabowl "Walk in the Garden" pattern, similar barrel shaped teapot "Gillyflower" pattern, Caughley "Temple" pattern saucer dish, Liverpool high-Chelsea ewer, Newhall teacup and saucer, similar saucer dish, together with three Cantonese porcelain cylindrical jars and covers etc (one tray)Walk in the garden teabowl - workman's mark, in good conditionTeapot - cover restoredTemple saucer dish - goodHigh-Chelsea ewer - rim slightly abraded and with some stainingNewhall cup and saucer - some pitting, no damage or repair. Newhall saucer dish - pitting, no damage or repair.Low-Chelsea ewer - crazed and staibned, short firing crack to the rimTwo fluted Liverpool cups - good conditionFence pattern coffee cup - crack to the upper handle terminalFluted Worcester saucer - good conditionLiverpool saucer - good conditionMinton can - good conditionThree Canton vessels - some chips, medium example with the cover re glued
A 19th century continental large porcelain figurine of a lady in traditional dress holding a wealth of flowers, pink floral jacket with black head dress, with Chelsea style gold anchor mark to rear, probably Paris Chelsea, 53cm tall, with seated lamb and tree stump to rear. Displays well from a distance, closer up, damages can be seen to flowers and the lambs ears etc with other small damages apparent.
λ SOPHIE COOK (BRITISH, B. 1974) A COLLECTION OF SIXTEEN SCULPTURAL VESSELS; EARLY 21ST CENTURY Porcelain, various muted matte glazes Each with the artist's 'SC' monogram Tallest: 40cm high Smallest: 7.5cm high Sophie Cook creates delicate porcelain vessels that marry the elements of colour and form. Graduating in 1997 from Camberwell School of Arts, her work can now be found in collections across the world, including The Museum of the Home (formally the Geffrye Museum) in London, the Montreal Museum of Fine Arts and and the Manchester City Galleries, and in 2002 she was awarded the Adrian Sassoon Award of the Kiln at Chelsea Crafts Fair. Condition Report: With 16 vessels in this lot - most are in good condition. However one has a repaired neck break. One has two long fracture lines to the body (with loss of stability). One with two base rim losses at the edge (approx 1cm and 1.5cm).Condition Report Disclaimer
Franklin Mint Victoria & Albert Porcelain Teapot Collection (12), including Meissen, Worcester, Bow, Venice and Kangxi in a display cabinet 52cm wide.All cups are Franklin Mint victorian Albert Museum - (in order from left to right starting top left) Chelsea Derby, FURSTENBERG, TOURNAY, MENNECY, Worcester, MEISSEN, Chinese, KYOTO, Venice, HOCHST, bow, KANGXI. All teapots to appear in good condition
A Continental porcelain figural scent bottle, mid-19th c, in the form of two musicians by a floral encrusted stump, with bird stopper, 12.5cm h, and a continental porcelain bust of a girl and cross-legged figure of a Chinese man, gilt Chelsea anchor mark (3) Scent bottle - Bird stopper broken and glued, chip to end of flute and to leaves Bust - Chip to end of neck tie and flowers Seated figure - In good condition
Early 19th century Newhall imari pattern saucer dish, printed and painted with chinoiserie figures in landscape (cracked and repaired), an 18th century English porcelain blue and white transfer-printed tea bowl, printed with chinoisierie pavilions and ships, possibly Newhall, two Newhall-type saucers decorated in the famille rose palette, a Chinese export blue and white tea bowl decorated with figures amongst pavilions and islands, a 19th century Staffordshire pottery oval butter dish and cover with cow finial, a Countrycraft two-handled French faience style loving cup, two Copeland Spode Spode's Goblin pattern vegetable tureens and covers (repaired) and a Chelsea pattern small circular two-handled sauce tureen and other items (1 box plus)
An English soft-paste porcelain figure of a nun, circa 1755-60, London decorated possibly Bow or Chelsea after Meissen, modelled in seated pose reading from a bible, dressed in a puce mantel over a floral robe, having two labels verso, for The Stephen Hanscombe Collection and Stockspring Antiques exhibition Early James Giles no. 77, h.12cm.Chip to thumb of left hand.
A Lowestoft porcelain Low Chelsea ewer cream boat, circa 1795, of wrythen moulded oval shape, polychrome painted with floral sprays, h.5.5cm, together with a Lowestoft porcelain tea bowl, circa 1780, decorated in the Mandarin Green Window pattern, dia.7.6cm. (2)Cream ewer with handling wear to the rim, teabowl worn to the interior with chip to rim and hairline crack.
A Collection of Worcester Porcelain, circa 1770s/80s, mainly teawares, printed in underglae blue, including "Bat", "Cormorant Fisherman" and "Bell Toy" patterns, together with a low Chelsea ewer printed with the "Fence" pattern (one tray)Large teapot - crack to body and spout.Smaller teapot - crack to body, spout reglued.Ewer - in good condition.Both saucer dishes are broken and restuck.Bell Toy - teabowl cracked.Birds in branches - three chips to teabowl.Fruit sprays - both in good condition.Fisherman and cormerants - saucer with a filled rim chip.Cup - good.Two Worcester printed cups - badly broken.
Pair of Samson porcelain figures of a poacher and his wife, decorated throughout with figures heightened with gilt, gold anchor marks, height 21cm; also a porcelain figure of Diana the Huntress after Chelsea, height 27.5cm (3) (Please note condition does not form part of the catalogue description. We strongly advise viewing to satisfy yourself as to condition. If you are unable to view and a condition report is not already available, please request one and it will be provided in writing).
FOUR CHELSEA PORCELAIN PLATES, comprising a gold anchor period plate with shaped gilt rim, painted with monochrome cartouches of exotic birds, interspersed with sprays of flowers, gold anchor mark verso, diameter 24cm, a red anchor period plate painted with sprays of flowers, with painted moulded rim, red anchor mark verso, a gold anchor period plate with shaped and moulded gilt rim, painted with fruit, flowers and insects, gold anchor mark verso, and a red anchor period plate with wavy rim, painted with sprays of flowers, tiny red anchor mark beside foot rim verso (4) (Condition Report: all appear well-used, the plate painted with birds is in slightly better condition, but all have scratches, wear and loss to pattern, some staining, occasional firing faults, the latter plate has shallow chips on the foot rim)
TWO PIECES OF CHELSEA PORCELAIN, comprising a Chelsea-Derby porcelain oval twin handled dish, with shaped gilt rim, painted with fruit and butterflies, with gilt D and anchor mark to base, produced c. 1769-1784 (has restoration below and around one handle, including tiny chip, partial hairlines/firing cracks on the reverse of the other handle), together with a tea bowl of octagonal form, painted with sprays of flowers, with raised anchor mark to base: raised anchor on a small oval raised pad, probably produced c. 1749-1752, height 6.5cm x diameter 7.5cm (has an old small shallow chip on the foot rim, part of raised pad missing, a little wear to rim) (2) (Condition Report: generally ok, specific obvious damage as stated in description, wear commensurate with age)
A Chelsea Porcelain Scent Bottle, circa 1755, as a bottle in a moulded wicker basket, the neck enamelled with prunus blossom, inscribed Eah de Senteur, the stopper moulded with a butterfly, in shagreen mounted case with velvet lining10cm high (3)The stopper possibly associated. Small chips to the rim of the bottle and staining to the body.
Lowestoft Porcelain 'Low Chelsea' Dolphin Ewer, Redgrave Pattern c.1768 For similar example see Simon Spero p.282 Height 5.5 cms, handle to spout 9.5 cms approx. Two small cracks from rim approx 3-4 mms in length and a further crack about 1.5 cms (see pictures) Provenance: Russell Sprake and thence a Private Owner Collection
Chelsea style porcelain vase, probably Samson of Paris, decorated with Asiatic pheasants, 23cm; Minton cabinet vase, retailed by Davis Collamore & Co Limited, New York, painted with flowers and signed F Walklett, 17.5cm; Sitzendorf group of Gardeners and other figurines.Condition report:Asiatic pheasants vases - one with loss of gilding near baseMinton vase - very good condition, with no obvious evidence of damage or repair. Group of gardeners - very good condition, with no obvious evidence of damage or repairWoman with chickens - head reattached, repairs and losses to both handsBoy with wheatsheaf - missing something on his handTwo tall figurines - one may be missing something from her handsPlease see additional uploaded images, including signature and base of Minton vase.
A Chelsea porcelain Kakiemon plate and a Chelsea porcelain Kakiemon soup plate, c.1755, red anchor mark to soup-plate, each plate after Meissen originals, moulded with cruciform Gotzkowsky Erhabene Blumen and painted in the Kakiemon palette, the centre of one painted with a circling phoenix, the border painted with two lotus flowerheads alternating with shells, 24.3cm wide; the other with a central crane, the border with two birds in flight alternating with flowering shrubs and fences, each enriched in gilding, brown line rims, 23.6cm wide (2)Provenance: Property of the late Hugo Morley-Fletcher MA FSA (1940-2022).Note: For a similarly-moulded Meissen-style plate decorated with the Kakiemon ‘two quail’ pattern at the centre, see Elizabeth Adams, Chelsea Porcelain, London, 1987, p. 102.
A pair of porcelain ‘frill-vases’, probably Samson, probably late 19th century, gold anchor marks, in the Chelsea porcelain style, each of flared form with pierced basketwork upper parts, the bodies with female masks surrounded by applied flowers, divided by flowering branches issuing from a foliate border below, the lower parts and basketwork intersections with turquoise flowerheads, the lobed upper rims with gilt line borders, 18cm high, (2)Note: a similar pair (catalogued as Chelsea porcelain and c.1770) was offered at Christie's New York - The Collection of Mrs Henry Ford II: Palm Beach, 30th March 2021, lot 232 ($1500). Condition Report: Overall, these vases are in good condition, with only slight chipping to a small number of petals and some very slight minute areas of flaking to the turquoise enamel. These small faults are all minor. One vase has a very small short firing crack to the foot – this is also very minor, and dates form the time of manufacture.
A Meissen porcelain cloche (Wärmeglocke) from a service reputedly made for King Frederick the Great, c.1750-65, painted with two landscape vignettes, one with a dog, the other with a monkey, each partially enclosed by ribbon-tied garlands of deutsche Blumen below and at the sides, a lemon finial above, within a waved brown line rim, 32.5cm wideProvenance: King Frederick the Great, Berlin (by repute). Part of the service presented by the German National Socialist Government to William Randolph Hearst, sold as part of the dispersal of the Hearst Collection by Gimbels, New York, 1941. Paula de Koenigsberg Collection, Buenos Aires. Anonymous sale, Christie’s, London, 28 November 1977, lot 96. Property of the late Hugo Morley-Fletcher MA FSA (1940-2022).Exhibited: Possibly part of the service pieces exhibited in Buenos Aires, Museo Nacional de Bellas Artes, (lent by de Koenigsberg), 1945. Possibly part of the service pieces exhibited in Buenos Aires, Museo Municipal de Arte Hispano Americano, (lent by de Koenigsberg), 1947.Note: When the service was dispersed at Christie’s in 1977 the introductory text for the service in the sale catalogue stated that it was made for Frederick the Great. The true origin of the service, and whether it was made for the Prussian king is still unclear. In November 1762, Frederick the Great is known to have ordered another service with animals from Meissen during his occupation of Dresden (see Rainer Rückert, Meissner Porzellan, Munich, 1966, no. 472, pl. 117), but this 'Japanese Service' is very different. The present lot was one of fifty-eight pieces sold by Christie’s on 28th November 1977, lots 88-119. A pair of plates from the same service, which were not a part of the 1977 sale group, were sold at Christie’s on 5th July 2004, lot 69, and a large dish, also not part of the 1977 group, was sold at Christie’s on 13th November 2018, lot 321. A service with closely related decoration was given by King Augustus III to Sir Charles Hanbury Williams, the British Envoy to the Saxon Court, in 1747. Many pieces from the service, along with a variety of engraved sources, are illustrated by T.H. Clarke in two articles, 'Das Northumberland-service aus Meissener Porzellan', in Keramos, October 1975, no. 70, pp. 9-91, and 'Sir Charles Hanbury Williams and the Chelsea Factory' in English Ceramic Circle Transactions, 1988, Vol. 13, part 2, pp. 110-120, where Clarke mounted a convincing argument that what has come to be known as the ‘Northumberland Service’, now in the possession of the Dukes of Northumberland at Alnwick Castle, is in fact the majority of the service given to Sir Charles Hanbury Williams by Augustus III. The ‘Northumberland Service’ included 20 cloches, or Wärmeglocke, round and oval (T.H. Clarke, ibid., 1975, p. 78 and p. 82.), which were designed to keep food warm on dishes under them, and these dishes may have been pewter, rather than porcelain (T.H. Clarke, ibid., 1975, p. 81.). On the ‘Northumberland Service’ the finials are formed as birds, whereas the two cloches from this service in the 1977 sale group both have fruit finials. The specimen birds decorating the ‘Northumberland Service’ were taken from engraved illustrations in the first volume of Eleazar Albin's Natural History of Birds, published in three volumes from 1731 to 1738 (and acquired by Meissen in 1745), whereas the graphic source for the birds on the 1977 sale group is currently unknown. In the 1977 sale catalogue, components of the service were dated variously between 1745 and 1765, and some pieces bore the crossed swords and dot marks, suggesting a date after 1763. The flower decoration is of a slightly later type than the ‘Northumberland Service’. Stylistically, it seems probable that the service dates to the 1750s, and if this was the case, the pieces with crossed swords and dot marks were later supplements. Alternatively, the entire service may have been decorated in about 1765, using some earlier pieces which hadn’t yet been decorated.Condition Report: Broken through and re-stuck.
A Chelsea porcelain Kakiemon tea bowl and a saucer, c.1750-52, four panels of the tea bowl painted with precious objects alternating with iron-red panels reserved with white scrolls centred by gilt flowerheads, the tea bowl - 5.8cm high; the saucer - 3.7cm wide (2)Provenance: With Albert Amor, Bury Street, St. James’s, London. Property of the late Hugo Morley-Fletcher MA FSA (1940-2022).Note: The design of this tea bowl and saucer was either copied from a Japanese original, or from a Meissen copy of the Japanese original. Lot 68 in the second day of the Chelsea factory’s 1755 sale was comprised of ‘Twelve octagon tea-cups and saucers, a tea-pot, a slop-bason [sic], a sugar-bason [sic], and a cream ewer, of the fine red pannel [sic] pattern’, which may have included this tea bowl or saucer. A small part of a Meissen service with this design (which is rare in Meissen) was sold by Christie’s on 24th March 1969, lots 9-12 (a teapot and cover, a tea caddy and cover and two pairs of two-handled cups and saucers), and the provenance published in the catalogue suggests that the service was in England during George II’s lifetime. The catalogue noted that the lots were the property of Mrs G.M. Boyd, to whom the lots had ‘descended from Peter Murdoch of Parkhouse’. It also noted ‘a letter of Murdoch’s dated July 22nd 1815 traces the earliest provenance of the service which was given by the Queen of Prussia to Caroline, wife of George II who in turn gave it to the Countess Cathcart. She gave it to Mrs Cochrane (née Murdoch) who bequeathed it to her nephew, the writer of the letter’. A Chelsea tea bowl and saucer of this design is illustrated by John C. Austin, Chelsea Porcelain at Williamsburg, 1977, pp. 62-63, no. 44. A teapot of similar design is illustrated by Severne Mackenna, Chelsea Porcelain, The Triangle and Raised Anchor Wares, London, 1969, pl. 17 (at the time in the author’s collection, and subsequently sold by the Kensington Church Street dealer E. & H. Manners).
Two Chelsea porcelain Imari lobed plates, c.1755, underglaze blue anchor marks, painted in underglaze blue and coloured enamels with radiating panels of flowers, lozenge ornament and diaper pattern around a central lobed panel with flowers, within gilt line scalloped rims, 24cm wide (2) Provenance: Property of the late Hugo Morley-Fletcher MA FSA (1940-2022). Note: In the seventh day of the Chelsea porcelain factory sale in 1756 lot 23 comprised plates, dishes and compotiers of “rare old Japan pattern blue and gold…scollop’d”, which is thought to correspond to plates of this rare type. The design was in fact not so old, as it was taken from Japanese Imari porcelain of some decades earlier, 1 although it is very possible that the design was taken from a Meissen copy of a Japanese original, as a collection of Meissen porcelain was sent to the Chelsea factory to work from in 1751. For a rare plate of this type in Colonial Williamsburg, also marked with an underglaze blue anchor, see John C. Austin, Chelsea Porcelain at Williamsburg, 1977, pp. 68-69, no. 50 and Elizabeth Adams, Chelsea Porcelain, London, 1987, p. 92. For an (unmarked) plate see Simon Spero, The Bowles Collection of 18th-Century English and French Porcelain, San Francisco, 1995, pp. 20-21, no. 12. Japanese dishes of comparable design are illustrated by Ayres, Impey and Mallet, Porcelain for Palaces, 1990, nos. 237 and 238, and a slightly later gold anchor period Chelsea fluted dish of this type is illustrated no. 345.
A Meissen porcelain Kakiemon baluster small coffee-pot or hot-water jug and cover, c.1735, blue crossed swords mark, Dreher’s incised cross and impressed four dots mark, of quatrefoil section, the triple-scroll lozenge-section handle with a projecting scroll thumbpiece, two panels of the body painted with flowering shrubs enriched in gilding, alternating with iron-red panels reserved with white scrolls centred by gilt flowerheads, on a short stepped quatrefoil foot, the domed quatrefoil cover similarly decorated, 19cm highProvenance: Dr Marcel and Frau Nyffeler Collection sale; Christie’s, London, 9 June 1986, lot 148. Property of the late Hugo Morley-Fletcher MA FSA (1940-2022).Note: This unusual design is a variant of a slightly earlier design of a few years earlier, referred to in the footnote to the Chelsea tea bowl and saucer decorated with a related design.
Nine 19th and 20th century porcelain miniatures including - Paris Porcelain gilt metal mounted floral vase, Royal Crown Derby figure of Joy, lace ballerina, small bird models by Limoges France, Sitzendorf, Shelley and one with Chelsea type gold anchor mark together with Artone figure of a woman and an unmarked figure of a vagabond. (9)
Early 19th Century porcelain muffin dish with cover, possibly Spode, painted with floral sprays, butterflies, moths, and ladybirds, Dia.22cm overall; French porcelain Chelsea style dessert plate painted with exotic birds and floral sprays within a scalloped rim, gold anchor mark, Dia.21.5cm; Coalport "Rose Pompadour" ground plate with gilt and painted floral decoration, c.1855, blue "CBD" mark, Dia.24.5cm; Ridgway gilt and floral plate, pattern number 2/131; 3 other floral plates, 2 dishes, W.33.5cm the widest, slop bowl, and a Minton sucrier, without cover, H.9.7cm. (11) Slop bowl: surface scratches to exterior, interior decoration and gilding in good order, no chips, cracks or restoration.Peach serving dish: hairline crack running half the circumference (see image).Cobalt plate with flowers and heavily gilded decoration: overall condition good, surface scratches, the gilding slightly rubbed, a couple of 1mm nibbles to the underside rim.Muffin dish and cover: in good order with no chips or restoration. The cover has a shallow split to the rim approx 1cm which would have been created in the making (see image).Hexagonal plate: overall condition good, some rubbing to the gilt on corners.Sucrier: a few firing imperfections as splits at the rim and one thumbnail size internally (see image).Blue serving dish, scalloped birds plate, and all other plates not mentioned above: in good condition with no chips, cracks or restoration, possibly some very light scratches.
A collection of 18th and 19th century porcelain including a Bow blue and white Chinese style sauce boat, circa 1770 (heavily repaired); a Bloor Derby two-handled chocolate cup and saucer c.1820; a Chelsea Derby custard cup and cover c.1780; a Chamberlain’s Royal Improved porcelain bisque china crouching poodle c.1830-40; a Pinkton coffee cup and saucer c.1790; a Rockingham green and white tea cup and saucer c.1830; and a Newhall tea cup and saucer. (7)
helsea, a rare Chelsea porcelain dish, circa 1752 with internal butterfly and floral decoration, floral pattern band to internal upper. Diameter 21.5cm, height 3cm.Condition: there is some pitting to the surface of the plate. Otherwise it is in very good condition with no chips, cracks or damage. Presented with copy of Bonhams receipt.
Chelsea, a pierced 18th Century Chelsea porcelain basket with internal flower bouquet decoration and rope twist handles. External floral decoration. Height 7.5cm, width 12.5cm.The overall condition is excellent. There is a small mark to one handle (see photo), otherwise there are no chips, cracks or other damage.
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