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Click here to subscribeProduced by Coalport as part of the London Heritage series, this porcelain figurine depicts a Chelsea Pensioner seated on a stone-style base, wearing the traditional red uniform and black cap marked "RH." The figure is detailed with medal decorations and features a hand-painted finish. Coalport backstamp.Dimensions: 6.5"HCountry of Origin: EnglandCondition: Age related wear.
A pair of 19th Century English porcelain Figures, Chelsea, of Poseidon and Aphrodite, each of colourful decoration, and mark, each approx. 33cms (13") high (some damage.) (2) Provenance: Purchased by the family of the present owner at Carton House Dispersal Sale on behalf of the Dukes of Leinster in the late 1940's.
A Chelsea porcelain 'silver-shaped' dish, c.1750s, of rococo shell shape, decorated with a floral spray, sprigs and gilt scrolls, the underside with a gilt anchor mark,25cm longProvenance: A private collection, Upper East Side, New York, and a London apartment.Condition ReportOverall the dish is in good condition with only minor traces of age and wear. Very slight rubbing to some of the decoration. Some light surface scratches. Hairline glaze crack to rim.
A GROUP OF TEN PORCELAIN DOLLS, comprising from The Hamilton Collection, 'Chelsea', sculpted by Connie Walser Derek, No. 4420F, (marks on clothes and face, one shoe has material coming away), 'Amy' sculpted by Jane Zidjunas, together with a wooden rocking horse, tag on the wrist (rocking horse head is loose, discoloration on the face, no certificate), 'Kimberly' by Jane Zidjunas, No. 0168, (visible marks to the clothes), 'Jennifer', sculpted by Jane Zidjunas, No. 2166, (visible marks to the face and clothes), 'Christina', tag on her wrist, sculpted by Laura Cobabe, (slight marks to sleeves no certificate), from The Ashton-Drake Galleries 'Wrapped up in Christmas' No RX-7881-A, (dogs leg is missing), 'Little Bo Peep', with her sheep, by Wendy Lawton, No. 9040FF, (sheep would benefit from a clean, visible marks to hat and apron), 'My little Ballerina' by Kathy Barry-Hippensteel, No. 3484-C, 'Mary, Mary, Quite Contrary', with wheelbarrow, by Wendy Lawton, No. 8692FB, by Edwin Knowles, 'Lisa', No. 5568A, all have boxes and certificates unless otherwise stated, (10), (Condition Report: see main description for detailed damage etc., all would benefit a clean, some boxes and certificates are a little worn, but overall ok condition)
A collection of Staffordshire figures, to include The Dandies, height 17cm, Dick Turpin, and Tom King, together with a Sitzendorf porcelain figure of a boy and girl exchanging flowers, on naturalistic base, blue underglaze mark to the underside, height 12.5cm, with a porcelain figural candlestick, bearing a spurious Chelsea mark to the underside (9)Tom King – repair to head, mane has been off at some point.Dick Turpin – star shaped crack to back, heavily crazed.
19th century Chinese famille verte jardinière/planter, Qing Dynasty, having four porcelain panels two panels painted with deer and stork and two painted with Chinese domestic items (fans and censers and pillows), the panels sit in a gilt bronze frame, French in style, approx 15 x 12.5 x 15 cms. (af) Provenance: Private family formerly based in Chelsea, London. Please contact BBA for further historical background. Additional images via WeTransfer: https://we.tl/t-BqjKSXT291Condition ReportTwo panels have been subject to staple repair.
19th century Chinese famille verte jardinière / planter, Qing Dynasty, having four porcelain panels each painted with Chinese noble domestic scenes, removable brass liner with two brass rings, remnants of gilt to the brass foliate frame, approx 28 x 28 x 28 cms. Provenance: Private family formerly based in Chelsea, London. Please contact BBA for further historical background. Additional images via WeTransfer: https://we.tl/t-s0aMMs1x0jCondition ReportOne of the Chinese panels has a crack across the lower left corner (see image I online).
THREE CHELSEA WHITE PORCELAIN LEAF-SHAPED DISHES WITH CRABSTOCK HANDLES CIRCA 1756 Moulded in relief with leaves and peonies, un-marked, 23cm in length; Together with another Chelsea dish, circa 1756, un-marked, 27.5cm in length Condition Report: One with rivetted repairCondition Report Disclaimer
Luigi Fabris - a 20th century porcelain Regency style gilt scene of a horse drawn carriage after Chelsea Porcelain. The figural scene depicting two rearing white horses pulling a hand painted white carriage with rider, lady in ball gown sat within carriage. Signed with iron red anchor L. Fabris & 768 to underside.Measures approx. 10cm tall, 24cm long.
A collection of continental ceramics, comprising: a pair of early 20th Century continental porcelain figural vases, modelled as a couple ploughing, 30cms long; a Meissen style ‘Broken Bridge’ figure group; a Sitzendorf style figure group of a mother and child; together with a pair of Chelsea style seated cats, 6cms high. (6)
A Collection of 19th Century and Later Continental Porcelain, including a Paris vase, with parian mask handles, blue ground and with a band of roses, similar Empire shaped breakfast cup, Dresden coffee wares painted with Duetsche Blumen, similar pedestal specimen vase, tea canister and cover, Paris plate decorated with a portrait of a noble Lady, Sèvres style cache pot with gilt metal mounts, Italian cherub mounted inkwell, Limoges dish painted with cherubs signed Boucher, Sitzendorf putti posy bowl, spill vase painted with a landscape , Victoria & Albert collection "Mennecy" miniature teapot and cover etc. (qty)Paris vase - heavy gilt lossDresden Meissen style hot water jug, sucrier and jug - slight chips to the knops onlyCobalt ground jug - some slight gilt wearMetal mounted cache pot - no damage, needs a cleanSevres style coffee can - handle missingDresden trumpet vase - good conditionParis breakfast cup - some slight gilt lossSquare pink sucrier, cover and stand - good conditionDresden tea caniser - good conditionSamson Chelsea plate - good conditionLimoges "Boucher" cherub plate - good conditionParis Antoinette plate - good condition"Mennecy" teapot - good conditionItalian inkwell - good condiitonDesden pot and cover - good conditionSmall Dresden vase - slight gilt wearDresden pepperette - loss to knopSpill vase with beasded rim - heavy gilt loss, heavy chipping to the footGilt mounted small lozenge dish - good conditionAR mark quatrefoil saucer - good condition
A Collection of Continental Porcelain Figures, mainly 19th century, including a white glazed group depicting rustic lovers after Sèvres, a pair of Samson figures modelled collecting game, a Dresden figure of a boy representing Autumn, a Samson Chelsea figure allegorical of sound, Samson Derby figure of a girl gathering fruit, pair of groups depicting children on ovoid bases etc. (qty)
A Collection of British and European Porcelain, late 19th / 20th century, including a set of ten New Chelsea dessert plates, a Samson Chelsea gold anchor style potpourri base, a set of four menu holders, a devotional plaque with a portrait of the Madonna, a trencher salt, two pieces of door furniture and a wall bracket formed as a tasselled knot (qty)
MANNER OF MEISSEN: TWO PORCELAIN FIGURES 19th century, depicting a boy and girl gathering flowers, marked with crossed swords to the base, 12cm high; together with two manner of Chelsea figures collecting fruit and flowers, on rococo scrolled bases, with a gilt anchor mark to the reverse, 15.5cm high (4)Provenance: A private East Dorset collection.
A rare early English white sculptural porcelain figure of a recumbent ram, probably Lowestoft circa 1770 or earlier, of small proportions, realistically modelled in relief, lying down with straight back leg, hollowed to the underside, 5.5cm wide, 4.8cm highSee: Godden, G. 1969, Illustrated Guide to Lowestoft Porcelain, London: Herbert Jenkins, figs.140 and 141, for an illustrated example of this form and a photograph of the hollow undersideNote: similar to the Derby Dry Edge period, Chelsea, Bow and Longton Hall figures of circa 1750, the ram and ewe were popular subjects for production in soft paste Blanc de Chine porcelain in the very early years of porcelain manufacture in England circa 1747-1755. The form of this model, with outstretched back leg and tilted head, is identical in composition to the Lowestoft models (circa 1780) held in the Norwich Castle Museum (E D Levine and City of Norwich Museums' Collections); the fine tooling and distinguished, rather than comical, modelling of the face and other features is more refined and crisply executed than on the later models, which implies a possibly earlier date. The combination of the features including the space between the body and the back leg, the curled front leg and the position and form of the tail, is also indicative of the Lowestoft examples; as well as the soft paste porcelain construction.
Spero (Simon). Lund's Bristol and Early Worcester Porcelain 1750-58, The A. J. Smith Collection, 2006, numerous colour illustrations, original blue cloth gilt in dustwrapper, 4to, together with Stoner (Frank). Chelsea Bow & Derby Figures, their distinguishing characteristics, 1st edition, Newport: Ceramic Book Company, 1955, moncochrome plates, top edge gilt, original plum cloth gilt, a little faded to edges, 4to, and others on English porcelain, including Nicholas Panes, British Porcelain Sauceboats of the 18th Century, 2009 (signed), Cyril Cook, The Life and Work of Robert Hancock, 1948, The F. S. Mackenna Collection of English Porcelain, 3 volumes, Leigh-on-Sea: F. Lewis, 1972-75, Robin Emmerson, British Teapots & Tea Drinking, 1992, Frank Britton, English Delft Ware in the Bristol Collection, 1982, etc.QTY: (20)
20th Century Decorative Porcelain, comprising a Herend butterfly and flower painted box and cover, a Spode 'Chelsea Bird' handled dish, a Meissen floral painted leaf form dish, a Miessen blue and white pierced basket, a Spode chamber stick and a pair of Minton butterfly handled candle snuffers on matching tray (one tray)All pieces in very good condition
A Chelsea-Derby porcelain bowl, painted with 'peacock scales' in turquoise, pink, puce and gilt beneath exotic birds and Fruits, gilt dentil rim, anchor mark in gold, 19cm diameter, c.1770; a similar period cup and saucer, painted with butterflies and flowers, labelled R Diane, Cardiff, imitation Meissen marks, probably Chelsea, 13cm diameter etc; hand painted sugar bowl, pattern 698, possibly Newhall; a Derby Porcelain tea bowl, leafy moulded and fluted body, painted with roses and spring flowers, gilt collar and lip, painted marks in puce, numbered 3967, 4cm diameter (5)
A 19th century Continental porcelain inkwell and pen holder, modelled as a kneeling cherub praying at a lectern, the lectern decorated in a turquoise ground with gilt highlights, with an open book inscribed with script lifting up to reveal the inkwell, with two cylindrical pen holders with gilt foliate patterns, the base with two stylized shell dishes, edged in gilt, with further floral garland decoration around the lower rim, with a Chelsea anchor mark to the underside, 10.5cm high x 7.5cm wideIf there is no condition report shown, please request
A collection of porcelain scent bottles, 18th-20th centuries, including a pair of flattened rectangular bottles, probably Vienna, painted with flowers, a small pair of Copenhagen bottles, three egg-shaped bottles, a Samson copy of a Chelsea bottle of lovers, a Meissen-style miniature ewer applied with flowers, an English porcelain double-flask with Oriental design, and several silver-mounted bottles, 10cm max. (15)
An early Chelsea white-glazed beaker, c.1747, the tall flared form of eight lobes, sprigged with spiralling tea plant sprays, and another Chelsea beaker applied with three sprays of flowering prunus, the first with a rim crack, restoration to the rim, 8cm max. (2) Provenance: the Barbara Horn Collectio.Cf. Malcolm Anderson, An Exhibition of Early St Cloud and Chelsea Porcelain, pl.XI and pl.XIII for other teaplant beakers.
A Chelsea dessert dish, c.1760, painted with panels of birds in flight within gilt trellis borders on a claret ground, gold anchor mark, and a Chinese porcelain saucer dish, painted in the London atelier of James Giles with a butterfly and caterpillar beside flower sprays, a filled rim chip, 26.7cm max. (2)Provenance: formerly in the Stephen Hanscombe Collection (the Giles dish).Exhibited: Stockspring Antiques, Early James Giles, No. 47.
A Bow blue and white chamberstick, c.1755-58, the drip pan formed as a leaf and painted with Oriental flowers, two Bow pickle leaf dishes painted with grapevine, a patty pan painted with Oriental flower sprays, a Bow fork, a Chelsea white-glazed fork, and a small St Cloud fork, some damages and repairs, 21.5cm max. (7)Provenance: the Barbara Horn Collection.Cf. Elizabeth Adams & David Redstone, Bow Porcelain, p.164 for a similar chamberstick.
A Collection of Worcester Porcelain, circa 1770s/80s, mainly teawares, printed in underglaze blue, including "Bat", "Cormorant Fisherman" and "Bell Toy" patterns, together with a low Chelsea ewer printed with the "Fence" pattern (one tray)Large teapot - crack to body and spout.Smaller teapot - crack to body, spout reglued.Ewer - in good condition.Both saucer dishes are broken and restuck.Bell Toy - teabowl cracked.Birds in branches - three chips to teabowl.Fruit sprays - both in good condition.Fisherman and cormerants - saucer with a filled rim chip.Cup - good.Two Worcester printed cups - badly broken.
A Tray of British Porcelain, including a Royal Worcester jewelled demitasse cup and saucer, a floral plate by W. H. Austin. a lobed vase painted with violets, a Coalport box and cover painted with a bird, a similar pear-shaped vase with a landscape, a Royal Crown Derby imari hexagonal vase, trinket box and cover, urn shaped vase, pair of cups and saucers and a pair of continental porcelain figures after Chelsea (one tray)
A Collection of 18th Century English Porcelain, including a Worcester teabowl "Walk in the Garden" pattern, similar barrel shaped teapot "Gillyflower" pattern, Caughley "Temple" pattern saucer dish, Liverpool high-Chelsea ewer, Newhall teacup and saucer, similar saucer dish, together with three Cantonese porcelain cylindrical jars and covers etc (one tray)Walk in the garden teabowl - workman's mark, in good conditionTeapot - cover restoredTemple saucer dish - goodHigh-Chelsea ewer - rim slightly abraded and with some stainingNewhall cup and saucer - some pitting, no damage or repair. Newhall saucer dish - pitting, no damage or repair.Low-Chelsea ewer - crazed and staibned, short firing crack to the rimTwo fluted Liverpool cups - good conditionFence pattern coffee cup - crack to the upper handle terminalFluted Worcester saucer - good conditionLiverpool saucer - good conditionMinton can - good conditionThree Canton vessels - some chips, medium example with the cover re glued
A 19th century continental large porcelain figurine of a lady in traditional dress holding a wealth of flowers, pink floral jacket with black head dress, with Chelsea style gold anchor mark to rear, probably Paris Chelsea, 53cm tall, with seated lamb and tree stump to rear. Displays well from a distance, closer up, damages can be seen to flowers and the lambs ears etc with other small damages apparent.
λ SOPHIE COOK (BRITISH, B. 1974) A COLLECTION OF SIXTEEN SCULPTURAL VESSELS; EARLY 21ST CENTURY Porcelain, various muted matte glazes Each with the artist's 'SC' monogram Tallest: 40cm high Smallest: 7.5cm high Sophie Cook creates delicate porcelain vessels that marry the elements of colour and form. Graduating in 1997 from Camberwell School of Arts, her work can now be found in collections across the world, including The Museum of the Home (formally the Geffrye Museum) in London, the Montreal Museum of Fine Arts and and the Manchester City Galleries, and in 2002 she was awarded the Adrian Sassoon Award of the Kiln at Chelsea Crafts Fair. Condition Report: With 16 vessels in this lot - most are in good condition. However one has a repaired neck break. One has two long fracture lines to the body (with loss of stability). One with two base rim losses at the edge (approx 1cm and 1.5cm).Condition Report Disclaimer
Franklin Mint Victoria & Albert Porcelain Teapot Collection (12), including Meissen, Worcester, Bow, Venice and Kangxi in a display cabinet 52cm wide.All cups are Franklin Mint victorian Albert Museum - (in order from left to right starting top left) Chelsea Derby, FURSTENBERG, TOURNAY, MENNECY, Worcester, MEISSEN, Chinese, KYOTO, Venice, HOCHST, bow, KANGXI. All teapots to appear in good condition
A Continental porcelain figural scent bottle, mid-19th c, in the form of two musicians by a floral encrusted stump, with bird stopper, 12.5cm h, and a continental porcelain bust of a girl and cross-legged figure of a Chinese man, gilt Chelsea anchor mark (3) Scent bottle - Bird stopper broken and glued, chip to end of flute and to leaves Bust - Chip to end of neck tie and flowers Seated figure - In good condition
Early 19th century Newhall imari pattern saucer dish, printed and painted with chinoiserie figures in landscape (cracked and repaired), an 18th century English porcelain blue and white transfer-printed tea bowl, printed with chinoisierie pavilions and ships, possibly Newhall, two Newhall-type saucers decorated in the famille rose palette, a Chinese export blue and white tea bowl decorated with figures amongst pavilions and islands, a 19th century Staffordshire pottery oval butter dish and cover with cow finial, a Countrycraft two-handled French faience style loving cup, two Copeland Spode Spode's Goblin pattern vegetable tureens and covers (repaired) and a Chelsea pattern small circular two-handled sauce tureen and other items (1 box plus)
An English soft-paste porcelain figure of a nun, circa 1755-60, London decorated possibly Bow or Chelsea after Meissen, modelled in seated pose reading from a bible, dressed in a puce mantel over a floral robe, having two labels verso, for The Stephen Hanscombe Collection and Stockspring Antiques exhibition Early James Giles no. 77, h.12cm.Chip to thumb of left hand.
A Lowestoft porcelain Low Chelsea ewer cream boat, circa 1795, of wrythen moulded oval shape, polychrome painted with floral sprays, h.5.5cm, together with a Lowestoft porcelain tea bowl, circa 1780, decorated in the Mandarin Green Window pattern, dia.7.6cm. (2)Cream ewer with handling wear to the rim, teabowl worn to the interior with chip to rim and hairline crack.
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