Chinese embroidered silk and gold thread panel, late Qing Dynasty, embroidered with two figures before terracing, willow and rockwork on a cream ground, framed, 60cm x 16.5cm overall, a 20th century embroidered silk panel depicting a bird perched on a flowering branch within brocaded silk mount, framed and a late 19th century Chinese reverse painting on glass depicting a lady standing before open window, flowers and rockwork, framed (cracked), 31cm x 11.5cm overall (3)
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A group of four Chinese and Japanese scrolls, 19th/20th century, including:a handscroll depicting a river running through a gorge,44 x 68cm, a hanging scroll of a literati landscape,34 x 123cm, an ink and colour painting of a monk next to a pond, 41 x 49cm, anda portrait of a Japanese shogun,53 x 128cm (4)Provenance: Arthur Probsthain bookshop, London.Condition ReportMonk - unmounted, creasing marks. A small stain to upper left corner. Hanging scroll - hanging rod loose, in poor condition with tears, holes, creases and losses, a/f. Hand scroll - cockled and creased. Shogun - in poor condition, tears, losses, and creases, hanging rod and one roller knob missing, very fragile, a/f.
Chinese Art: Osvald Siren: collection, including: Les Peintures Chinoises Dans Les Collections Americaines, 3 vols. Planches 81-2000. Paris, 1928, Folio, slipcase; Ars Asiatica: vol. vii- Documents d'arts Chinois; Plus: Nott, S C: Chinese Jade Throughout the Ages. L, Batsford Ltd, 1936; Fenollosa, E F: Epochs of Chinese and Japanese Art, Vol.1, Heinemann, no date; Bushell, S: Chinese Art vol. 1, L, Board of Education, 1924; Roger Fry, Bernard Brackham et. Al: Chinese Art, An Introductory Handbook to Painting, Sculpture, Ceramics, Textiles, Bronzes & Minor Arts. L, Batsford, 1935 (qty.)Provenance: Arthur Probsthain bookshop, London.
A Chinese gouache painting, 19th-20th century, painted with Li Tieguai and He Xiangu, inscribed, ink and colour on paper, 92 x 25cm, framed and glazed十九至二十世纪 人物故事图 设色纸本 镜框Condition ReportCreasing marks and tears throughout. Colours faded, in poor condition, a/f.Did not examine outside of the frame.
A collection of Asian Art reference worksIncluding: HO, The Chinese Calligraphy Bible, 2007; SULLIVAN, Modern Chinese Artists, 2006; Chinese Paintings from the Shanghai Museum 1851-1911 (ex.cat.), 2000; GENG, Ancient China's Genre Painting Featuring Children, 2009; VAINKER, Chinese Paintings in the Ashmolean Museum Oxford, 2000; SHIJIA (ed.), Shen Shijia's Landscape, Bamboo and Rock Techniques, 1995; XIXIANG, Bamboo Manual of the Lofty Pine, 1962; FANG, Fang Zhaoling Painting and Calligraphy, (ex.cat.), 1981; RUSSELL and COHN, Wang Hui (Qing Dynasty), 2012; Selected Works of Cheng Cheng's Paintings, 2002; WANG, Oriental Brushwork, 1964; ZHANG, Zhang Daqian's Painting Album (2 vols. in slipcase), 2005; Yuan (ed.) Selection of Chinese Flowers and Bird Paintings from Past Dynasties, 1986; The Paintings of P'u Hsin-Yu (in slipcase), 1965; Ling-nian School Painting, 1986; Liu Zhijiu, 1965; Famous Paintings in Shanghai (ex.cat.); with four further volumes on Chinese painting and six Asian arts auction catalogues from Christie's, Sotheby's and Bonhams.
JAPAN -- SCHAAP, R. A brush with animals. Japanese paintings 1700-1950. (2007). 4°. Ocl. w. dust-j. -- (J. WIENINGER & A. MABUCHI, eds.). Japonisme in Vienna, 1870-1930. (1994). 4°. Ocl. w. dust-j. -- W. TUNG. Tales from the land of dragons: 1,000 years of Chinese painting. (1997). 4°. Owrps. w. dust-j. -- And 11 o. (14).
Chinese porcelain plate featuring a hand painted central scene executed in traditional Chinese brush style. The interior depicts a mountainous village landscape with architecture nestled among trees and cliffs, rendered in monochrome with selective color accents on the structures. The border is decorated with a continuous enamel floral motif in shades of pink, purple, red, and orange, with green foliage and gilt outlines. The plate combines overglaze enamel decoration and underglaze brush painting techniques. Chinese calligraphy and a red seal mark are located in the upper right quadrant of the central image.Issued: 20th centuryDimensions: 10.5"W x 0.75"HCountry of Origin: ChinaCondition: Age related wear.
Expressive oil on board painting by contemporary artist Ray Simonini, depicting a stylized cow portrait rendered with thick impasto brushstrokes. Simonini employs a bold, gestural technique, layering rich colors and textures to create a dynamic, almost abstract representation of the subject. The cow's white face emerges from a dramatic backdrop of black, red, and earthy green hues, with fluid and highly textured strokes emphasizing movement and depth. The composition is signed in the lower left corner and is housed in an elaborate, deep-set black and gold frame that enhances its visual impact. Simonini's work reflects a modern impressionistic approach, merging abstraction with recognizable subject matter, making this a compelling piece for collectors of contemporary animal portraiture.Artist: Ray Simonini (Chinese-American, b. 1981)Issued: c. 2010Dimensions: 15.25"L x 17.25"HCountry of Origin: China-United StatesCondition: Age related wear.
Complete traditional calligraphy set housed in a fan-shaped brocade case with floral medallion pattern and toggle closures. The interior is lined in bright red fabric and fitted with a range of tools for Chinese ink brush painting and calligraphy. Set includes four bamboo-handled calligraphy brushes, ink stick with embossed gilt dragon and Chinese characters, carved stone ink well, brush rest, red ink paste in porcelain jar with blue dragon motif, and a stone carved stamp. An original instructional card is also included, detailing proper use of each component. The porcelain elements bear blue underglaze marks, and the set appears unused and complete.Issued: 20th centuryDimensions: 8"W x 1.75"HCondition: Age related wear.
Four drawings and watercolours, Delhi or Lucknow, India, circa 1820, European or Possibly Chinese school, Comprising a carriage and driver, opaque pigments on paper, within salmon, grey and white borders, the verso plain, mounted with typed H.P. Kraus attribution and description; two hunting princes on horseback, opaque pigments on European paper, within a narrow black border, laid down on brown paper, the verso with English handwritten note in black ink; a wedding ceremony in pen and ink, the verso plain; a mountainous landscape, mounted on card, verso plainThe largest painting 20.5 x 14.5cm.; folio 20.5 x 26.5cm. (4)Provenance: Property from the Private Collection of Toby Falk (1942-1997); Carriage and Driver from the Collection of William Fraser (1784-1835), With H.P. Kraus Rare Books and Manuscripts, New York by 1988
Reverse painted snuff bottle featuring a vibrant scene of insects, including a bee and praying mantis, surrounded by red fruit clusters and foliage. The painting, executed from the inside of the glass bottle, demonstrates fine detail and traditional Chinese artistry. The bottle is topped with a domed stopper. Signed with Chinese characters on both sides. This item has its original box. Box measures: 2.75"L x 2"W x 1.25"H.Issued: c. 1950Dimensions: 1.25"W x 2.25"HCondition: Age related wear.
Six Chinese woodblock prints from the Ming Dynasty, framed as indicated by "明画二" (Ming Painting Two), depicting interior scenes with figures engaged in daily activities, the first print features characters reading "今河水上一片卧氷模," which translates to "The current river water above, a piece of supine ice pattern", 32cm x 71cm framed and glazed.Glass cracked
Chinese School ((19th century))Sage and boy, Farmer and ox, and two sages and attendantInk and colour on rice paper; three workseach with red artist’s seal38.5cm x 39.5cm, framed and glazed All with occasional small patch repairs and some discolouration and wear to the painting.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
ASIAN ART REFERENCE BOOKS - TIBETAN AND BUDDHIST PAINTING Comprising: Latter Days of the Law, Images of Chinese Buddhism 850-1850, 1994; Special Exhibition - Buddhist Images of East Asia, Nara National Museum 1996; Early Sino Tibetan Art, Heather Stoddard, Orchid Press, 2008; The Nepalese Legacy in Tibetan Painting, David P. Jackson, 2010; Painted Images of Enlightenment, Early Tibetan Thangkas 1050-1450, Steven Kossak 2010; Complete Imagery of the Deities of Chinese Buddhism in the Ming and Qing Dynasties, Pan Jianguo, 2006, Chinese text (6) This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale without disclosing the identity of the owner.
ASIAN ART REFERENCE BOOKS - CHINESE PAINTING AND CALLIGRAPHY A large selection of works relating to Chinese painting and calligraphy, including exhibition catalogues and reference works, to include: Seals of Chinese Painters and Collectors, Victoria Contag and Wang Chi-Ch'ien, Second Impression 1982 (poor condition); Chinese Calligraphy, Ouyang Zhongshi, Wen C. Fond, translated by Wang Youfen, 2008; Chinese Calligraphers and Painters Seals and Inscriptions, Cultural Relics Publishing House, 2007, 2 Vol., Chinese text; Li Ti, Richard Edwards, Freer Gallery of Art, 1967; The Calligraphy and Paintings of Zheng Banqiao, 2 Vol., 2007; (Approx 40) For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale without disclosing the identity of the owner.
ASIAN ART REFERENCE BOOKS - CHINESE PAINTING Comprising: Studies in Connoisseurship, Chinese Paintings from the Arthur M. Sackler Collections, 1987; Chinese Painting Leading Masters Principles, Osvald Siren, Vol I and II, Hacker Books, 1973; Eight Dynasties of Chinese Painting, Cleveland Museum of Art, 1980; Three Thousand Years of Chinese Painting, 1997; Along The Riverbank, Chinese Paintings from the C. C. Wang Family Collection, Metropolitan Museum of Art, 1999; Landscapes Clear and Radiant, The Art of Wang Hui (1632-1717, Metropolitan Museum of Art, 2008; The World of Khubilai Khan, Chinese Art in the Yuan Dynasty, Metropolitan Museum of Art, 2010; Li Kung-Lin's Classic of Filial Piety, Metropolitan Museum of Art, 1993; Mandate of Heaven, Emperors and Artists in China - Chinese Painting and Calligraphy from The Metropolitan Museum of Art, New York - Museum Rietberg Zurich 1996; Along The Border of Heaven, Sung and Yuan Paintings from the C. C. Wang Family Collection, Metropolitan Museum of Art, 1983 (11) This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale without disclosing the identity of the owner.
A pair of Chinese ‘Landscape’ Ink Paintings by Chen Xiaoshou, 20th century, depicting mountainous landscapes with waterfalls, trees, and traditional dwellings. Inscribed with calligraphy and bearing the artist’s seal. Scroll sizes: 80cm x 225cm and 80cm x 235cm. Painting sizes: 67cm x 130cm and 69cm x 137cm.20世紀 陳孝壽設色山水立軸兩幅 Preserved in desirable condition, with a couple of creases and stains, no damage.保存狀態較好,有少許折痕與污漬,無破損。
A large Chinese famille rose ‘figural’ vase, circa 1900, of baluster form with flaring rim and gilt handles, finely painted with a continuous scene of five immortals appreciating a painting beneath pine trees, the reverse with flowering branches and butterflies. Height: 58cm約1900年 粉彩“五老觀畫”描金雙耳瓶,高58厘米。 A chip on the rim with a 3cm impact line.口沿有磕缺並伴有3厘米衝線。
A modern Chinese watercolour painting of a lady on silk, depicting an elegantly dressed lady in traditional attire holding a fan, set against a background of peonies, executed in fine brushwork with delicate shading, framed. Dimensions of the frame: 64cm x 112cmThe painting is in good condition. 畫作品相良好。
A Collection of Asian Art, mainly Chinese, including: three Qianlong Porcelain Famille Rose plates, similar tea bowl and saucer, a further bowl painted with phoenix under a band of bajixiang, mid-19th century pith painting portrait of a maiden, and a pair of carved soapstone buffalo groups, etc (two trays)Octagonal plate cracked and with a large flat chip.One circular plate with a stapled repair. The other circular plate free from cracks and repair, som fritting.Bowl and saucer - bowl cracked, saucer with a section re glued. Small imari saucers, one badly broken and re stuck, the other with some small chips.Famille rose bowl and stand with some edge chips. Painting with some discolouration, staining and fading. Soapstone carvings, one broken in two and re stuck, both with losses.
Museum, State & Private Collection Catalogues Molinier, Emile The Wallace Collection at Hertford House (Oblets D'Art), 2 Volumes, Folio, Limited Edition, No. 67 of 200, 1903. Temle, A G The Wallace Collection at Hertford House, (Paintings), Folio, Limited Edition, No. 167 of 250,902. Tatlock, R R, Fry, Roger, Hobson, R L & Macquoid, Percy Record of Collection in Lady Lever Art Gallery, Port Sunlight formed by the First Viscount Leverhulme: 1) English Painting XVIII-XX C Spanish, French & Dutch Schools (2) Chinese Porcelain & Wedgwood Pottery (3) English Furniture, Tapestry XVI-XIX C with Examples of Other Styles. Limited edition of 200 copies in GB & 150 in USA, 3 Volumes, 1928. Guibal, Jean & Bosso, Annie One Day in The Alps, from the Collections of the Musee Dauphinois at Grenoble, in slipcase, 1990. Salles, Georges & Lion-Goldschmidt, Daisy, Collection Adolphe Stoclet (Premiere Partie), 1956. German National Museum, Nurnberg Ludwigs Lust. Die Sammlung Irene und Peter Ludwig. Germanisches Nationalmuseum, Nurnberg 19. Juni bis 10. Oktober 1993, 1993. Muzeum w Wilanowie Artystyczne Zbiory Wilanowa, 1979. Perdigao, Jose De Azeredo; translated by Ana Lowndes Marques Calouste Gulbenkian Collector, 1969. Landowski, Marcel, Messmer, Pierre & Favier, Jean Les collections de l'Institut : Bicentenaire de l'Institut de France,1995. Henker, Michael Ein Herzogtum und viele Kronen, Coburg in Bayren und Europa [One Duchy and many Crowns. Coburg in Bavaria and Europe A duchy and many crowns. Coburg in Bavaria and Europe Parts: Nr. 35 & 36 Catalogues of the State Exhibition 1997], 1997. Roberts, Jane (edit) Royal Treasures: A Golden Jubilee Celebration, 2001. Sullivan, Edwars J The Taft Museum, Its History and Collections, Boxed Set, 2 Volumes (Collection includes Chinese Ceramics & Works of Art), 1995. Edited by Otto von Falke, Robert Schmidt and G. Swarzenski The Guelph Treasure. The Sacred Relics of Brunswick Cathedral formerly in the Possession of the Ducal House of Brunswick-Luneburg,1930. Warren, David B, et al American Decorative Arts and Paintings in the Bayou Bend Collection,1998. Baer I., Baer W., et al Kaiserlicher Kunstbesitz - Aus dem Hollandischen Exil Haus Doorn [Imperial Art Collection from the Dutch Exile Haus Doorn],1991. The Metropolitan Museum of Art The Vatican Collections - The Papacy and Art, 1983. Newton, Douglas Masterpieces of Primitive Art (The Nelson A. Rockefeller collection),1978. Szablowski, Jerzy Kunstschatze des Konigsschlosses Wawel [Art treasures of the Wawel Royal Castle], 1990. Roberts, Jane, editor George III & Queen Charlotte : Patronage, Collecting and Court Taste, 2004. Medlam, Sarah The Bettine, Lady Abingdon Collection. The Bequest of Mrs. T.R.P. Hole. A Handbook (V&A, 1996. Clifton, Gloria [editor]; Riby, Nigel [editor] Treasures of the National Maritime Museu, 2004. Viscount Lee of Fareham (Introduction) A Catalogue Of The Principal Works Of Art At Chequers, 1923. Staff of Nottingham Public Libraries The Roe-Byron Collection Newstead Abbey, 1937 Hojer, Gerhard (Hg.) Koenig Ludwig II.-Museum Herrenchiemsee. Katalog, 1986. Grandjean, Serge Les Tabatieres Du Musee Du Louvre Serge Grandjean,1981. Kelleher, Bradford D The Jack and Belle Linsky Collection in the Metropolitan Museum of Art. 1984. Newbery, Timothy The Robert Lehman Collection at The Metropolitan Museum of Art, Volume XIII: Frames, 2007. Winkler, Hubert Chryspolitus Ehemalige Hofsilber- und Tafelkammer Silber Bronzen Porzellan Glas Sammlungskatalog Band 1 [Former Court Silver and Table Chamber Silver Bronzes Porcelain Glass Collection Catalogue Volume 1], 1996. Pope-Henessy, ,John & Taylor, Lisa An American Museum of Decorative Art and Design: Designs from the Cooper-Hewitt Collection, New York. Catalogue of an exhibition mounted by the Arts Victoria and Albert Museum, June-August 1973. Bibliotheque Nationale Collections De Louis XIV, Dessins, Albums, Manuscrits. Exhibition Catalogue, 1977. Konerding, Volker The Manor House Of Steinhorst And The Schwarzkopf Collection 1985. Glaser, Hubert Krone und Verfassung Konig Max I. Joseph und der neue Staat Beitrage zur Bayerischen Geschichte und Kunst 1799 - 1825, Katalog der Ausstellung Munchen 1980 Band 2, 1980. Sotheby's Childhood - A loan exhibition of work of art in aid of The Save the Children Fund, 1988. Impey, Oliver The Cecil Family Collects: Four Centuries of Decorative Arts from Burghley House, 1998. Wolf, Deborah (editor) Een collectie / A collection. Een keuze uit de verzameling van de ABN AMRO Bank/Selected works from the collection of the ABN AMRO Bank,1995. Mallett Mallett The Nineteenth Century, 1996. (41) Lot UpdatesAll lots are subject to 25% Buyer's Premium plus VAT
CHINA. Six volumes. Ceramique de la China.. Hotel Drouot 1926. Exhibition pamphlet, original wrasp. With monochrome plates. CHINA PAINTING By Florence Lewis 1883.. Col plates. Small oblong binding. Scraps from a collectors Note book being notes on Some Chinese Painters of the Present Dynasty. By Friedrich Hirth. 1905 and three others China. [6]
Five Chinese snuffbottles. Four of glass including one of amber colour with inside painting of figures, one of white snow glass with carp in blue overlay, etc, together with one of lacque burgauté decorated with pomegranate and a flowering tree, this with similar stopper H7.8cm. Condition Report: Stoppers not necessarily matching and not all with spoons. lacque burgauté - Two short cracks in black lacquer. Red - chip to foot rim. Inside painted - chips to liprim, condition of painting not visible. yellow - burst bubble in white around the foot rim.
Finely executed Chinese ancestral portrait painting on paper, possibly depicting Empress Dowager Cixi, one of the most influential figures of the late Qing dynasty. The sitter is portrayed in a regal frontal pose, seated on an ornate wooden chair, wearing an opulent red robe richly adorned with five-clawed imperial dragons, stylized clouds, and auspicious Buddhist symbols. The robe's elaborate embroidery in gold, blue, and green pigments signifies high status, as such motifs were reserved for members of the imperial court. She wears an elaborate headdress featuring phoenix motifs, pearls, and floral embellishments, further reinforcing her noble standing. Ancestral portraits of this nature were traditionally commissioned for veneration and held deep significance in Confucian practices, serving as a means to honor lineage and preserve historical memory. Red seal on lower right. Framed in a simple yet elegant gilt frame.Issued: Late Qing Dynasty. 19th centuryDimensions: 21.50"L x 39.25"HCountry of Origin: ChinaCondition: Age related wear.
CHINESE SCHOOL (LATE XX) - INK PAINTING, 240 x 95cm 20th century, ink and colour on paper 240 x 95cm Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
CHINESE SCHOOL (LATE XX) - INK PAINTING, 180 x 96cm 20th century, ink and colour on paper 180 x 96cm Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
CHINESE SCHOOL (LATE XX) - INK PAINTING, 180 x 96cm 20th century, ink and colour on paper 180 x 96cm Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
CHINESE SCHOOL (LATE XX) - INK PAINTING, 246 x 100cm 20th century, ink and colour on paper 246 x 100cm Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
CHINESE SCHOOL (LATE XX) - INK PAINTING, 180 x 95cm 20th century, ink and colour on paper , 180 x 95cm Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
CHINESE SCHOOL (LATE XX) - INK PAINTING, 185 x 95cm 20th century, ink and colour on paper 185 x 95cm Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
CHINESE SCHOOL (LATE XX) - INK PAINTING, 179 x 95cm 20th century, ink and colour on paper 179 x 95cm Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
CHINESE SCHOOL (LATE XX) - INK PAINTING, 179 x 95cm 20th century, ink and colour on paper 179 x 95cm Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
CHINESE SCHOOL (LATE XX) - INK PAINTING, 247 X 96cm 20th century, ink and colour on paper 247 x 96cm Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
LANSDOWNE, J. FENWICKRare Birds of China. London: Kennedy Fine Arts, (1992). Copy 70 of 100, with each plate signed in pencil and thus numbered, and the same numeration in the companion text volume. Loose sheets in the elephant folio blue fabric case of publication, the text in a companion volume in wrappers laid-in, the prospectus included; the whole protected in the canvas sleeve of issue. 32 x 25 inches (81 x 63 cm); 32 superb color collotypes after the original watercolor paintings, printed on Fabriano paper; each plate is laid into a special printed Japanese paper sleeve with the plate name. Fine; Offered with the original watercolor for the plate of the Fukien Slaty Bunting (Emberiza siemsseni), plate 29 in the set. Watercolor over pencil outline on paper, approximately 28 x 19 5/8 inches (71.5 x 50 cm) sight, signed J. F. Lansdowne (l.l.) and dated 1991; framed. In immaculate condition.The watercolors by J. Fenwick Lansdowne for this work are among the highest achievements of ornithological art. The Fukien Slaty Bunting, depicted here, is represented by a male specimen, distinguishable by its dark slaty-blue plumage, seen in its natural snowy habitat.This elephant-folio-sized set of ornithological plates, a triumph in their artistry, follows in the tradition of the great illustrated natural history monographs of the past centuries, such as Audubon's masterpiece, The Birds of America. The artist, Frederick Lansdowne, was born in 1937 in Hong Kong to British parents and grew up in British Columbia, Canada. Stricken with polio as a baby, he developed both his love of birds and his talent as a painter from a young age, holding his first museum exhibition in 1952 at the Royal British Columbia Museum when he was just fourteen years old. As one of the world's foremost wildlife painters, often referred to as Audubon's successor, he is the artist who best maintained the tradition of bird painting and publishing into the late 20th century. Similar to Audubon, he would both study his subjects in the field and use museum collections of preserved specimens to paint his highly detailed and accurate watercolors. He died in Canada in 2008.The magnificent collotype plates include the following birds: Impeyan Monal Lophophorus impejanus; Temminck's Tragopan Tragopan temminckii; Satyr Tragopan Tragopan satyra; Swinhoe's Pheasant Lophura swinhoei; Elliot's Pheasant Syrmaticus ellioti; Mikado Pheasant Syrmaticus mikado; Blood Pheasant Ithaginis cruentus; Brown Eared Pheasant Crossoptilon mantchuricum; Himalayan Snowcock Tetraogallus himalayensis; Taiwan Magpie Urocissa caerulea; Chinese Parrotbill Paradoxornis heudei; Siberian Crane Grus leucogeranus; Rufous-necked Hornbill Aceros nipalensis; White Stork Iconia ciconia; Crested Ibis Nipponia nippon; White Eared Pheasant Crossoptilon crossoptilon; Japanese Crane Grus japonensis; Cabot's Tragopan Tragopan caboti; Mrs. Hume's Pheasant Syrmaticus humiae; Steller's Sea Eagle Haliarrtus pelagicus; Oriental Hobby Falco severus; Chinese Monal Lophophorus ihuysii; Omei Shan liocichla Liocichla omeiensis; Silver Oriole Oriolus mellianus; Blyth's Tragopan Tragopan blythii; Firethroat Erithacus pectardens; Scaly-sided Merganser Mergus squamatus; White-necked Crane Grus vipio; Fulien Slaty Bunting Latoucheornis siemsseni; Sclater's Monal Lophophorus sclateri; Black-necked Crane Grus nigricollis; Brown Wood Owl Strix leptogrammica.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

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