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GERMANY. MAINZ. Silver Plated Tin Commemorative Medal, 1900. Birth of Johann Gutenberg Quincentenary.By Kissel of Mayer und Wilhelm (Stuttgart). Obv: ZUR ЄRINNERUNG DIE 500 JÄHRIGE JUBELFEIER JOHANNES GUTENBURG, Gutenburg standing facing, holding a copy of his eponymous Bible, pointing to the radiant clouds above; cityscape of Mainz behind, coats-of-arms of Mainz and Gutenburg flanking, banner inscribed ES WERDE LICHT! ES WARD' LICHT above. Rev: JOHANNES GUTENBERG NIMMT DIE HULDIGUNG DER SCHWESTERKÜNSTE UND DER GESCHICHTE ENTGEGEN, Gutenberg seated to right at writing box on table, facing the personifications of history, painting, wood cutting and type foundry standing to left; coats-of-arms above each figure, banner inscribed DA ENTFLOSS DEM BERÜHMTEN GUTENBERG GLEICH EINEM STROME DAS WORT! around. Near Extremely Fine.From the collection of the late Eduard Winkler..Reference: Jehne-117; Walther-902.Rarity: Rare.Diameter: 50 mm.Weight: 40.35 g.Composition: Silver Plated Tin.PLEASE NOTE: A 22.50% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Colorful urban art print featuring an image of a Miami cityscape with vivid graffiti elements and high-rise buildings, presented in a sleek silver toned frame. The reverse is signed in silver marker. The inscription reads Real Miami 2015, though the artist's signature is partially illegible. The bold street-style aesthetic and limited edition nature suggest a contemporary urban artist, possibly connected to the Miami art scene. A visually striking piece with strong pop and street art influences.Issued: 21st centuryDimensions: 5"L x 7"HCondition: Age related wear.
Archbishop Laud, Executed 1645, silver medal by John Roettiers, struck after the Restoration, bust right, wearing ecclesiastical gown and cap GVIL. LAVD. ARCHIEPISC. CANTVAR. X. IAN 1644, rev. putti hold crown and mitre over London cityscape, SANCTI CAROLI PRÆCVRSOR *, 58mm, 78.81g (Eimer 145; MI i 315/147; van Loon II, 273). Extremely fine and with only a hint of the usual die flaw.Provenance:Bought Sovereign Rarities Ltd. April 2023Ex Brian Harding Collection, Spink Auction 283, 18.10.2022, lot 731
A VIEW OF A CITY LAKESIDE INDIA, RAJASTHAN, JAIPUR, 19TH CENTURY gouache on paper, yellow and blue border with white and black rules, depicting the walls of a fortress and a pavilion to the left with steps leading down to a pond, a seated elderly gentleman in European dress being attended by his companion and a lady servant holding a bowl of fruit, two cats sitting at their feet, a few gentleman walking about in European clothes with their walking sticks, a whole cityscape beyond the fortress walls with minaret-style buildings, unframed 25.3cm x 35.2cm Formerly, the collection of Marie-Christine David (Paris, 1946-2021).Marie-Christine David was a recognised and leading specialist in Islamic and Indian Art in France.
Armand Jamar (1870-1946) Three paintings, a Cityscape with Bridge and two Seascapes (1908-1936) oil on canvas'Cityscape with Bridge' (1936)Oil on canvas.Signed and dated lower right.39.5 x 46.5 cm (47 x 53.5 cm)'Seascape' (1908)Oil on canvas.Signed and dated lower right.35.5 x 50 cm'Seascape'Oil on canvas.Not signed.35.5 x 50 cm (41.5 x 56 cm)(46.5 x 39.5 x 0 cm)Armand Jamar (1870-1946) Drei Gemälde, eine Stadtlandschaft mit Brücke und zwei Seelandschaften (1908-1936) Öl auf LeinwandStadtbild mit Brücke" (1936)Öl auf Leinwand.Signiert und datiert unten rechts.39,5 x 46,5 cm (47 x 53,5 cm)Seelandschaft" (1908)Öl auf Leinwand.Signiert und datiert unten rechts.35,5 x 50 cmSeestückÖl auf Leinwand.Nicht signiert.35,5 x 50 cm (41,5 x 56 cm)(46,5 x 39,5 x 0 cm)
Armand Jamar (1870-1946) Three paintings, a 'Cityscape in Bruges', a 'Self Portrait' and 'L'Eternité' (1941), oil on canvas.'Cityscape in Bruges'Oil on canvas.Not signed.76 x 56,5 cm (82,5 x 63 cm)'Self Portrait' (1941)Oil on canvas.Signed and dated lower right.45 x 35 cm'L'Eternité' (1941)Oil on canvas.Signed and dated lower right.Titled lower left.35,5 x 75,5 cm (48,5 x 87,5 cm)(56.5 x 76 x 0 cm)Armand Jamar (1870-1946) Drei Gemälde, eine "Stadtlandschaft in Brügge", ein "Selbstporträt" und "L'Eternité" (1941), Öl auf Leinwand.Stadtbild in Brügge".Öl auf Leinwand.Nicht signiert.76 x 56,5 cm (82,5 x 63 cm)Selbstbildnis" (1941)Öl auf Leinwand.Signiert und datiert unten rechts.45 x 35 cmL'Eternité" (1941)Öl auf Leinwand.Signiert und datiert unten rechts.Unten links betitelt.35,5 x 75,5 cm (48,5 x 87,5 cm)(56,5 x 76 x 0 cm)
Fine Austrian solid silver vinaigrette box, hallmarked for Vienna, 1860, featuring exquisite niello decoration and a gilt interior. The hinged lid is engraved with a scenic cityscape, accented with niello inlay and framed by ornate scrollwork. The sides display a repeating guilloche-style geometric pattern, also inlaid with niello. The interior is lined with gold wash, typical of vinaigrettes designed to hold aromatic sponges or salts. Hallmarked with the helmet-shaped Austrian silver mark used between 1811 and 1866, containing the assay letter A for Vienna and the purity mark 13/1 (indicating 13 Loth, or 81.2% silver content), along with a separate date mark for 1860. A beautifully preserved example of Austro-Hungarian niello craftsmanship, combining refined engraving, contrasting black inlay, and functional elegance. Weight: 96g.Issued: 1860Dimensions: 3.5"LCondition: Age related wear.
Max Beckmann 1884 Leipzig - 1950 New York Grosse Brücke ('Eiserner Steg' in Frankfurt am Main). 1922. Kaltnadelradierung. Signiert. Aus einer Auflage von etwa 50 Exemplaren. Auf festem Velin. 42,8 x 25,9 cm (16,8 x 10,1 in). Papier: 53,3 x 37,3 cm (20,9 x 14,6 in). Herausgegeben von dem Kabinett Peter Zingler, Frankfurt, in Zusammenarbeit mit I.B. Neumann, Berlin. [AW]. Weitere Werke aus der Sammlung Karin & Rüdiger Volhard finden Sie in unserem Online Sale vom 15. Mai bis 15. Juni 2025. • Kompositorisches Meisterwerk einer Stadtansicht. • Unweit des hier dargestellten 'Eisernen Stegs', in seinem Atelier in der Schweizer Straße, installiert Beckmann seine eigene Presse. • In diesem seltenen Blatt verbindet sich Beckmanns technisches Können mit seinem typisch unterkühlten, sezierenden Blick auf die Wirklichkeit. PROVENIENZ: Sammlung Eva Ralis, geb. Fromm (1919-2007). Dr. Ewald Rathke Kunsthandel, Frankfurt a. Main. Sammlung Karin & Rüdiger Volhard, Bad Homburg (ca. 1975 vom Vorgenannten erworben). Seither in Familienbesitz. AUSSTELLUNG: Das Frankfurter Stadtbild im Wandel (1822-1997), Frankfurter Sparkasse, Frankfurt a. Main, 1.12.1997-9.1.1998. Spektakel des Lebens. Max Beckmann. Arbeiten auf Papier, Sinclair-Haus, Bad Homburg, 19.10.-9.12.2001; Museum Folkwang, Essen, 1.2.-7.4.2002; Ulmer Museum, Ulm, 27.4.-30.6.2002, Kat.-Nr. 87. Expressionismus im Rhein-Main Gebiet. Künstler - Händler - Sammler, Museum Giersch, Frankfurt a. Main, 3.4.-17.7.2011, Kat.-Nr. 57 (m. Abb.). Schießbude und Irrenhaus. Die Mappenwerke von Max Beckmann 1919-1922, August Macke Haus, Bonn, 6.2.-3.5.2015, Kat.-Nr. 48. LITERATUR: James Hofmaier, Max Beckmann. Catalogue raisonné of his prints, Bd. 2, Bern 1990, WVZ-Nr. 243 B (von B). Klaus Gallwitz, Max Beckmann. Die Druckgraphik, Karlsruhe 1962, WVZ-Nr. 213. Aufrufzeit: 07.06.2025 - ca. 14.53 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONMax Beckmann 1884 Leipzig - 1950 New York Grosse Brücke ('Eiserner Steg' in Frankfurt am Main). 1922. Drypoint. Signed. From an edition of 50 copies. On firm wove paper. 42.8 x 25.9 cm (16.8 x 10.1 in). Sheet: 53,3 x 37,3 cm (20,9 x 14,6 in). Published by Kabinett Peter Zingler, Frankfurt, in cooperation with I.B. Neumann, Berlin. [AW]. • A compositional masterpiece of a cityscape. • Beckmann set up his own printshop not far from the “Eiserner Steg” (Iron Bridge) depicted here. • This enabled him to produce particularly beautiful, grainy prints. • This rare print combines Beckmann's technical skill with his typically cool, dissecting view of reality. PROVENANCE: Eva Ralis Collection, née Fromm (1919–2007). Art trader Dr. Ewald Rathke, Frankfurt a. Main. Karin & Rüdiger Volhard Collection, Bad Homburg (acquired from the above around 1975). In family ownership ever since. EXHIBITION: Das Frankfurter Stadtbild im Wandel (1822-1997), Frankfurter Sparkasse, Frankfurt am Main, December 1, 1997-January 9, 1998. Spektakel des Lebens. Max Beckmann. Arbeiten auf Papier, Sinclair-Haus, Bad Homburg, October 19–December 9, 2001; Museum Folkwang, Essen, February 1–April 7, 2002; Ulmer Museum, Ulm, April 27–June 30, 2002, cat. no. 87. Expressionismus im Rhein-Main Gebiet . Künstler –Händler – Sammle, Museum Giersch, Frankfurt am Main, April 3–July 17, 2011, cat. no. 57 (illustrated) Schießbude und Irrenhaus. Die Mappenwerke von Max Beckmann 1919-1922, August Macke Haus, Bonn, February 6-May 3, 2015, cat. no. 48. LITERATURE: James Hofmaier, Max Beckmann. Catalogue raisonné of his prints, vol. 2, Bern 1990, cat. no. 243 B (of B) Klaus Gallwitz, Max Beckmann. Die Druckgraphik, Karlsruhe 1962, cat. no. 213. Called up: June 7, 2025 - ca. 14.53 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.
* FRED YATES (BRITISH 1922 - 2008), THE LOCK GATES oil on boardframed image size 46cm x 90cm, overall size 60cm x 104cm Label verso: Fred Yates Archive Provenance: The artist's estate. Note: Fred Yates was a self-taught British artist, known for his plein-air paintings of the English landscape. Influenced by so-called naïve art and the work of L S Lowry, Yates' work incorporated bold colours, loose brushwork, and child-like abstractions. Often, he layered paint on top of the canvas to create a thick, textured surface, giving his paintings a sculptural quality. Born on July 25, 1922 in Urmston, England, Yates fought in the Second World War alongside his twin brother, who was killed at the Battle of Arnheim. After the war, he began painting the Manchester cityscape in his free time and became well known in the local art scene, working alongside painter Lowry. Yates moved to Cornwall in 1968, where he began painting rocky beach landscapes and scenes of village life. He gained national attention after presenting his work at the 1985 exhibition “St Ives 1939– 64” at the Tate Gallery in London. A decade later, the artist moved to Rancon, France, painting the local landscape for the remainder of his artistic career. Yates died on July 7, 2008 in England at the age of 85. His work is held in the collections of the Brighton and Hove Art Gallery, Liverpool University, and the University of Warwick.
* FRED YATES (BRITISH 1922 - 2008), THREE WISE MEN oil on boardframedimage size 39cm x 53cm, overall size 52cm x 67cm Provenance: The artist's estate, estate label verso. Note: Fred Yates was a self-taught British artist, known for his plein-air paintings of the English landscape. Influenced by so-called naïve art and the work of L S Lowry, Yates' work incorporated bold colours, loose brushwork, and child-like abstractions. Often, he layered paint on top of the canvas to create a thick, textured surface, giving his paintings a sculptural quality. Born on July 25, 1922 in Urmston, England, Yates fought in the Second World War alongside his twin brother, who was killed at the Battle of Arnheim. After the war, he began painting the Manchester cityscape in his free time and became well known in the local art scene, working alongside painter Lowry. Yates moved to Cornwall in 1968, where he began painting rocky beach landscapes and scenes of village life. He gained national attention after presenting his work at the 1985 exhibition “St Ives 1939– 64” at the Tate Gallery in London. A decade later, the artist moved to Rancon, France, painting the local landscape for the remainder of his artistic career. Yates died on July 7, 2008 in England at the age of 85. His work is held in the collections of the Brighton and Hove Art Gallery, Liverpool University, and the University of Warwick.
JAZZ - LP COLLECTION. Yet another fantastic collection of 40 x jazz LPs. Artists/ Titles include Roberto Miguel Miranda - The Creator's Musician, Miles Davis - Round About Midnight, Giorgio Azzolini - What's Happening?, Frank Lowe - Black Beings, Charles Tyler - Sixty Minute Man, Don Pullen - Solo Piano Album, Claus Ogerman - Cityscape, Chico Freeman - The Search, Alvin Batiste - Musique D'Afrique Nouvelle Orleans, The Compositions Of Tadd Dameron, Muhal Richard Abrams - Lifea Blinec, Astrud Gilberto, McCoy Tyner and Duke Pearson. The condition is generally VG to Ex+.
Group of framed and glazed 20th Century cityscape etchings to include William Walcot (1874 - 1943) 'Marble Arch' and 'Euston Road at St Pancras' (both signed), H. P. Evans dock yard etching, W A Donald 'The Admiralty etching and another etching of an ecclesiastical building (signature indistinct). Largest measures 49.5 x 39cm.
Vibrant cityscape poster depicting a dense and detailed panorama of iconic London landmarks including St. Paul's Cathedral, Big Ben, Tower Bridge, and the Tower of London, with other recognizable architectural highlights and urban elements rendered in intricate color and line. This framed poster is accompanied by an original numbered map and two pages of corresponding landmark descriptions, identifying over 100 buildings and sites across the illustrated skyline. A visually rich and educational composition, the print is presented under glass in a gold-tone frame with cream matting and grey border with bold LONDON lettering. An ideal collector's piece for admirers of British architecture, urban planning, or stylized cartographic art.Issued: 21st centuryDimensions: 40.50"L x 31"HCountry of Origin: EnglandCondition: Age related wear.
A large Roman micro-mosaic plaque depicting the Roman Forum, 19th century, the rectangular plaque inset with oval cityscape scene with ruins, in original shaped ebonised frame, plaque 17cm x 37cm, overall 33cm x 54cm. Similar example - Christie's, 500 Years: Decorative Arts Europe Sale (2545), 19th April 2012, Lot 359 No damage or losses, there are several very faint hairline cracks between tesserae mainly above ruins and Arch of Constantine, several very small edge chips to ebonised frame
Vibrant serigraph on paper titled 21st Century Golf by American artist Michael Young. The composition transforms a cityscape into a whimsical, futuristic golf course, with fairways flowing like rivers through angular architecture and manicured landscapes. Executed in vivid turquoise, pink, and teal tones, the print showcases Young's signature style of playful geometry and urban fantasy. Hand-signed by the artist in pencil at the lower right and annotated "PP 4/6" at the lower left, indicating it is the fourth of six printer’s proofs outside the regular edition. Excellent, with bright color and no visible signs of wear.Artist: Michael Young (American, 20th c)Issued: 21st centuryDimensions: 31"L x 31"HCondition: Age related wear.
Hand-signed limited edition print by Mikulas Kravjansky, titled Jerusalem City of Gold. The richly detailed composition depicts an architectural cityscape with historic arches, domes, and towers rendered in subtle earth tones and accented by a golden dome. Includes intricate embossing and collage-style insets featuring figurative relief and classical architectural drawings. Numbered 185/190 and pencil signed by the artist in the lower right. Embossed with the Atelier Kravjansky Certified seal on the lower left. Presented in a metallic frame with double matting and deckled edges exposed.Artist: Mikulas Kravjansky (Czech, b. 1928)Issued: 1982Dimensions: 34"L x 42"HCondition: Age related wear.
Vibrant and expressive limited edition print by renowned American artist Wayne Ensrud, known for his lively and colorful compositions. This print captures a dynamic cityscape with architectural elements in a rich palette of warm and cool tones. Hand-signed by the artist in pencil and numbered 215/300. Ensrud’s works have been exhibited internationally, and he is recognized for his contributions to fine art, illustration, and design. Measures 27.25"L x 21"H.Artist: Wayne Ensrud (b. 1934)Dimensions: See DescriptionCondition: Age related wear.
Vividly executed in intricate layers of color and architectural fantasy, this lithograph titled Jerusalem by Israeli artist Shmuel Katz captures a stylized vision of the ancient city's skyline. The lithograph exhibits a densely packed cityscape, with abstracted domes, towers, arches, and organic forms that blend Middle Eastern architectural motifs with modernist sensibilities. Katz's hallmark linear details and whimsical rhythm echo a sense of poetic imagination fused with cultural memory. The pale mint and earth-toned palette further enhances the dreamlike quality of the scene, reflecting the artist's deep connection to Jerusalem and its layered histories. Katz, a celebrated Israeli illustrator, painter, and graphic artist, was known for his work depicting landscapes and cityscapes of Israel. His art often reflects both a journalistic and narrative style developed during his years as an illustrator and book artist. This artist's proof (A/P) edition is hand-signed by Katz in graphite on the lower right margin. Artist: Shmuel Katz (Hungarian-Israeli, 1926–2010)Issued: c. 1980Dimensions: 19.50"L x 26.25"HCountry of Origin: Hungary-IsraelCondition: Age related wear.
Colorful midcentury modern style artwork on acrylic board, featuring stylized depictions of iconic Parisian landmarks including Notre Dame Cathedral, the Arc de Triomphe, and the Eiffel Tower. Rendered in a vibrant palette of blue, mustard yellow, black, and white, the cityscape is animated with layered patterns and textures, some incorporating newspaper collage elements. The imagery blends architectural detail with abstract expression, giving the piece a lively, graphic energy. Housed in a wood frame. Signature on lower right. Issued: c. 1960Dimensions: 20"L x 8.50"HCountry of Origin: FranceCondition: Age related wear.
Vibrant abstract cityscape color lithograph on paper titled Fantasyscape by artist Charlotte Klebanoff, presented as an Artist Proof (A/P). The work showcases a stylized skyline composed of intricately rendered architectural forms, blending modern and traditional elements in warm earth tones. This textures highlight Klebanoff's distinctive style, featuring embossed details that add depth and dimension. Hand-signed by the artist in pencil on the lower right and titled on the lower left. Custom framed for Genesis Interiors by Soicher-Marin, Inc. of Culver City, California. Professionally matted in brown with rust and cream accents.Artist: Charlotte Klebanoff (American, b. 1925)Issued: c. 1960Dimensions: 34.25"L x 36.25"HCountry of Origin: USACondition: Age related wear.
T.Miller (British 19th/20th century) oil on canvas 'Grunesend' possibly ment to be Gravesend, river scene with masted ship and boats, cityscape beyond, signed lower right, within a wooden surround, the reverse with coloured print of Grosvenor square. 53cm x 79cm overall. Some paint losses and small rip upper centre.
Striking red and white silk scarf by Chanel, featuring a dynamic cityscape motif with stylized architectural landmarks radiating from the iconic interlocking CC logo at the center. Made in Italy, this scarf showcases a bold and modern design with fine rolled edges and exceptional print detail. The pattern includes notable world monuments, suggesting a cosmopolitan theme ideal for collectors and fashion enthusiasts. Crafted from luxurious silk twill.Dimensions: Approx. 33"L when fully extendedCondition: Age related wear.
Group of three hand-painted German beer steins, each crafted in relief with colorful figural and scenic motifs. Designs include a Heidelberg cityscape, traditional tavern scene, and dancing couple. Each stein is fitted with a hinged pewter lid and decorative thumb lift. Undersides marked Made in Germany. Tallest item measures 6.5"H.Dimensions: See DescriptionIssued: 20th centuryCondition: Age related wear.
Original watercolor on paper by artist Paul D Shea, titled Boston Cityscape, 1988. This vibrant winter scene captures a snow-covered downtown Boston with the iconic Custom House Tower rising prominently against a lively urban backdrop. Executed with expressive brushwork and soft tonal washes, the piece combines architectural detail with atmospheric sky and city textures. Paul D Shea is known for his cityscapes and New England scenes, capturing regional character through watercolor with a focus on movement, architecture, and seasonal atmosphere. His work reflects a mid-to-late 20th-century American watercolor tradition.Signed and dated lower right. Professionally matted and housed in a vintage gold-tone frame with linen liner. Artist: Paul D Shea (American, 1925-2009)Issued: c. 1990Dimensions: 32.50"L x 42.50"HCountry of Origin: USACondition: Age related wear.
Peka, Lucia, formerly Lucija RudzÄ«tis (Latvian, 1912-1991); b. Umurga, moved between Sweden, France and Germany, 1934-9, then to Canada and the U.S.A. SWITZERLAND, Schweiz Landesausstellung, Zurich [Swiss National Exhibition], 1939, Aluminium Pavillon, an aluminium medal by Lucia Peka for P. Kramer, cityscape, rev. naked female standing on tip-toe at the entrance to the pavilion, 33mm, 4.15g (cf. Numisor e9, 689). Extremely fine £10-£20
Burkhard, Paul (Swiss, 1888-1964); b. Richterswil SWITZERLAND, Fertigstellung der Lorraine-Brücke, Berne [Completion of the Lorraine Bridge], 1930, a light bronze medal by P. Burkhard for Huguenin, naked female kneeling to left, her head turned to right, view of the bridge and cityscape behind, rev. arms above legend, 40mm, 27.05g (cf. Auctiones GmbH 81, 571-2; cf. Kölner Münzkabinett 111, 1123). Very fine £20-£30 --- Construction of the Lorraine Bridge, across the River Aare in Berne, began in February 1928 and the bridge opened on 17 May 1930
Witterwulghe, Joseph (Belgian, 1883-1967); b. Brussels, and Dupont, Louis-Henri (Belgian, 1896-1967); b. Waremme BELGIUM, Exposition Internationale de Liège, 1930, a bronze medal by J. Witterwulghe and L.-H. Dupont for Fisch, rear view of blacksmith seated to right on anvil, surveying cityscape, rev. bridge over the river Meuse, buildings in background, edge impressed fisch & cie, 70mm (cf. Münzen Gut-Lynt 7, 854; cf. Rauch e34, 594; cf. DNW M10, 1462). Some light scratches in obverse field, otherwise good very fine £20-£30 --- The Liège expo, commemorating the centenary of Belgian independence and focused on the development of industry and science over that period of time, was staged from 3 May to 3 November 1930. It attracted 6 million visitors
Framed panoramic architectural print titled Oxford: An Architect's View from Saint Mary's Tower by Paul Chapman, dated 1996. This detailed line drawing captures the Oxford cityscape as seen from St. Mary's Tower, with three-dimensional perspective and compass orientation. The view illustrates prominent university colleges and landmarks, each labeled with precision along the top and bottom borders. The accompanying placard notes the historical and artistic intent behind the work, emphasizing Oxford's architectural beauty and historical development from the center of the old walled city. A fine example of architectural illustration and historical interpretation.Artist: Paul ChapmanDimensions: 40.5"L x 8.75"HCountry of Origin: EnglandCondition: Age related wear.
A vibrant lithograph poster advertising the Rathauskeller of the city of Bozen (Bolzano), South Tyrol, illustrated by Austrian-Italian artist Albert Stolz. The design features a child garlanded in grape leaves and a robed elder pressing grapes into a large glass, symbolizing the region's rich winemaking heritage. Rendered in a bold, Art Nouveau-influenced style with strong outlines and flat planes of color, the scene unfolds before a stylized cityscape and mountain backdrop. Published by Lorenz Franzl, Graphische Verlags-Anstalt Bozen. Framed in a warm wood-toned frame. A captivating piece of Tyrolean graphic art. Albert Stolz was a prominent Tyrolean artist known for his murals, religious frescoes, and vivid illustrations celebrating Alpine culture and Catholic tradition. This work exemplifies his playful yet dignified style and his focus on local folklore and identity.Artist: Albert Stolz (Austrian 1875-1947)Issued: c. 1920Dimensions: 34.25"L x 44"H Country of Origin: AustriaCondition: Age related wear.
This 1981 vintage pop-art poster by Stewart Moskowitz (1941-2017) features a whimsical and surreal depiction of a giant polka-dotted blue frog, with a reclining blonde woman seamlessly blending into its form. Set against a stylized urban cityscape, the illustration reflects Moskowitz's signature style, known for its playful, bold outlines and vibrant colors. Moskowitz was a celebrated American artist whose imaginative and humorous animal-themed artworks gained widespread popularity in the 1970s and 1980s, often featured in posters, advertising, and pop culture prints. The artwork is signed and dated "S. Moskowitz 81" in the lower left corner. It is mounted on cardboard, with minor wear along the edges and visible tape markings. A fantastic and rare collectible for enthusiasts of Stewart Moskowitz's art, retro pop art, and 1980s graphic design.Artist: Stewart Moskowitz (American 1941-2017)Issued: 1981Dimensions: 22"L x 32"HCountry of Origin: United StatesCondition: Age related wear.
Swarovski crystal figurine titled Violetta, released in 2008 as part of the limited "Gang of Dogs" collection. This charming purple poodle features precision-cut lavender crystal with faceted detailing, jet black crystal eyes, and a clear crystal tail. Etched on the base with the Swarovski swan logo and the year "2008." Comes with its original cylindrical box adorned with magenta cityscape graphics and the series title. Figurine measures 1.75"H. Box measures 4.75"H.Issued: 2008Dimensions: See DescriptionCountry of Origin: AustriaCondition: Age related wear.
Dunhill - A steel 'Cityscape' wristwatch, vintage unknown, model number 8003, circular black dial with white Arabic numerals, hands, centre sweep and date window at 6H, 7 jewel quartz ETA movement number 955412 calibre AC15 V8 with liveried crown, case, 34mm diameter, verso snap on, signed and numbered, to a (probably original) signed black strap with signed steel pin buckle
A spirited winter cityscape by Polish artist Wladyslaw T. Chmielinski, titled Town in Winter, rendered in oil on canvas. This work captures a vivid sleigh ride scene in a snow-blanketed Polish town square, with Chmielinski's hallmark precision in architectural detail and dynamic portrayal of figures and horses. The artist's style combines realism with nostalgic romanticism, often focusing on 19th-century street scenes and rural life. The painting features soft, atmospheric tones and careful use of light to convey the chill and charm of the setting. Chmielinski was a prominent Polish painter born in Warsaw in 1911. He studied at the Warsaw School of Fine Arts and became widely recognized for his cityscapes, rural scenes, and winter landscapes. His work frequently depicted 19th-century Warsaw, capturing the spirit of Polish urban and country life with a sense of warmth and historical appreciation. His works are held in numerous private collections and are appreciated for their detailed architectural renderings and atmospheric quality. Signed lower right and inscribed with title on the verso. Framed in an ornate gold-toned wooden frame with classical molding.Artist: Wladyslaw T. Chmielinski (Polish, 1911-1979)Issued: 20th centuryDimensions: 27.25"L x 21.25"HCountry of Origin: PolandCondition: Age related wear. Some gilding loss on the frame.
Paul Maze (French, 1887-1979). A early 20th century painting of a pagoda in a landscape with cloudy grey sky, 30.5 x 50cm, mounted in a gilt frame. Note: Paul Lucien Maze was a French artist and one of the key figures of the early 20th century. He was a painter, printmaker, and lithographer, known for his work in Impressionism and Post-Impressionism. Maze's style was influenced by his training at the École des Beaux-Arts in Paris, where he befriended several prominent artists. His art was characterised by vibrant colour palettes and an emphasis on capturing light and atmosphere, particularly in landscape and cityscape scenes.Inscribed 'Christies stencilled reference code HZ 894' to verso
Vibrant color serigraph by Italian artist Giancarlo Impiglia titled The Grand Party, dated 1986. This artwork captures a lavish Art Deco-inspired social scene, featuring elegantly attired figures in geometric stylization, characteristic of Impiglia's distinctive approach. Set against a dramatic nighttime cityscape, the composition is framed by ornate arches adorned with classical motifs, reinforcing the opulent aesthetic. The figures, depicted in angular and fragmented forms, reflect Impiglia's signature fusion of Cubism and Futurism with a contemporary sensibility. Hand-signed and dated by the artist in pencil, lower right, with the edition marking H.C. 1/15, denoting it as a hors commerce proof outside the standard edition.Artist: Giancarlo Impiglia (Italian, b. 1940)Issued: 1986Dimensions: 42"L x 34"HCountry of Origin: ItalianCondition: Age related wear.
This slender ewer showcases a detailed scene of New York City's Central Park, featuring blooming magnolia flowers in the foreground. The floral elements are rendered in raised slip decoration with tonal glazes. Towering in the background is a stylized Manhattan cityscape, including architectural elements such as the Chrysler Building and the iconic Macy's department store, integrated into the skyline. The ewer is marked with the Moorcroft impressed stamp and painted initials. Created as part of a limited-edition of two commission, this piece merges botanical and urban themes within Moorcroft's traditional hand-decorated pottery techniques.Issued: 2008Dimensions: 12.5"HCountry of Origin: EnglandCondition: Age related wear.
After Wolfgang Hartmann (German-Swedish, c.1606-1663), "Then Konungslige Residens Och Hufvudstaden Stockholm", cityscape depicting The Royal Residence and Capital City of Stockholm, originally for Queen Christina's Coronation in 1650, hand coloured engraving, 39 x 60.5cm, in a glazed frame, 53.5 x 74.5cm
Scottish School, late 19thC to early 20thC, oil on board study, after or possibly by William McTaggart (Scottish, 1835-1910), unsigned, showing fishermen boading fishing boats in a harbour, with a cityscape with a large church (?) tower or municipal tower in the background, the weather dreich, frame 32.5cm wide, 23.5cm high.Condition: Largely in very good condition, noting a couple of very tiny losses. Intriguing. The back of the frame was opened to check the board for signatures. There is a partial label to the back of the board, covered with tape from the framing process, as photographed.Packing & Shipping Let us take the hassle of sorting out packing and shipping from you. Mark Hill Auctions is delighted to be able offer the buyer an in-house packing and shipping service for this lot. We use UPS for shipping and all packages are sent insured with a tracked service. We do not ship without insurance. We do not use any other service such as Royal Mail, FEDEX or DHL.Please see below for estimated packing and shipping prices: UK (Estimated): £16.51 USA (Estimated): £37.00 EU (Estimated): £22.00 R.O.W. (Estimated): £42.50In addition to these packing and shipping estimates, insurance will be charged as described below.INSURANCEWe only ship with insurance. Insurance costs 1.5% of the total of the hammer price plus buyer’s premium and any applicable VAT, so you can work this cost out yourself when you have won a lot and received your invoice. As such, the price for insurance will be added to the above estimates if you request your item(s) to be shipped.HOW TO REQUEST SHIPPINGTo request packing and shipping, please wait for your invoice to arrive by email and click on the ‘Request Postage’ button on your invoice, or contact us by email at admin@markhillauctions.com requesting packing and shipping for your lot(s). The actual packing, shipping and insurance cost will then be added to your invoice and your invoice will be resent to you for payment.VATAll above quoted packing, shipping and insurance prices will have VAT added at 20%. IMPORTANTWhen you request your lot(s) to be packed and shipped, you understand and agree that you are committing to pay for packing and shipping because, in order for us to give you an accurate cost, we need to pack the lot(s) to ascertain the final weight and size. By doing that, we have already incurred cost by spending time and using materials to pack your lot(s). Therefore this charge must be paid, even if you later decide to collect your lot. Please note that this packing and shipping service is undertaken entirely at the buyer’s risk. Whilst we are careful and experienced and take the utmost care to pack items as well as we can, we cannot be held responsible for any damage to, or loss of, items packed and sent to you. By paying for our in-house packing and shipping service, the buyer agrees that any items are sent entirely at their own risk and that no compensation can be offered by us for any loss or damage. Lots must be paid for in full before they will be packed and released. MULTIPLE PURCHASESThe estimates above are for this lot only. If you buy multiple lots from this auction, they can be combined where possible into one or more packages - size, shape and weight permitting. For these packages containing multiple lots, you will receive a discount of 17.5% of the total of the applicable quotes listed for those lots.IMPORT DUTIESWhen your item(s) arrive in your country, import duties & taxes and other service charges may be payable before goods are released to you. These duties, taxes and charges vary for each country and are entirely your responsibility and must be paid by you. Please note that we have no way of knowing what they will be. If you do not pay these charges, your item(s) will be returned to us.
Trevor Grimshaw (British 1947-2001) Northern cityscape Signed, graphite.14.5 x 20.5cm (framed 31.5 x 37cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The drawing is in very good, original condition. There are one or two very minor surface marks found across the paper. The drawing is framed and glazed.
SELECTION OF PRINTS AND OTHER PICTURESincluding an impressionist cityscape, glazed and in contemporary silver frame, 66cm x 81cm; an Ansel Adams "Moon and Half Dome" Yosemite print, glazed and in black frame 94cm x 67cm; a printing plate depicting a stylised farm map, 34cm x 51cm; and a folk art embroidered depiction of a person transporting water, possibly Tibetan, 70cm x 47cm (4)
* FRED YATES (BRITISH 1922 - 2008), THE PAVILLION oil on canvas, signed versoframed image size 41cm x 51cm, overall size 46cm x 55cm Provenance: The artist's estate, estate label verso. Note: Fred Yates was a self-taught British artist, known for his plein-air paintings of the English landscape. Influenced by so-called naïve art and the work of L S Lowry, Yates' work incorporated bold colours, loose brushwork, and child-like abstractions. Often, he layered paint on top of the canvas to create a thick, textured surface, giving his paintings a sculptural quality. Born on July 25, 1922 in Urmston, England, Yates fought in the Second World War alongside his twin brother, who was killed at the Battle of Arnheim. After the war, he began painting the Manchester cityscape in his free time and became well known in the local art scene, working alongside painter Lowry. Yates moved to Cornwall in 1968, where he began painting rocky beach landscapes and scenes of village life. He gained national attention after presenting his work at the 1985 exhibition “St Ives 1939– 64” at the Tate Gallery in London. A decade later, the artist moved to Rancon, France, painting the local landscape for the remainder of his artistic career. Yates died on July 7, 2008 in England at the age of 85. His work is held in the collections of the Brighton and Hove Art Gallery, Liverpool University, and the University of Warwick.
* FRED YATES (BRITISH 1922 - 2008), THREE WISE MEN oil on boardframedimage size 39cm x 53cm, overall size 52cm x 67cm Provenance: The artist's estate, estate label verso. Note: Fred Yates was a self-taught British artist, known for his plein-air paintings of the English landscape. Influenced by so-called naïve art and the work of L S Lowry, Yates' work incorporated bold colours, loose brushwork, and child-like abstractions. Often, he layered paint on top of the canvas to create a thick, textured surface, giving his paintings a sculptural quality. Born on July 25, 1922 in Urmston, England, Yates fought in the Second World War alongside his twin brother, who was killed at the Battle of Arnheim. After the war, he began painting the Manchester cityscape in his free time and became well known in the local art scene, working alongside painter Lowry. Yates moved to Cornwall in 1968, where he began painting rocky beach landscapes and scenes of village life. He gained national attention after presenting his work at the 1985 exhibition “St Ives 1939– 64” at the Tate Gallery in London. A decade later, the artist moved to Rancon, France, painting the local landscape for the remainder of his artistic career. Yates died on July 7, 2008 in England at the age of 85. His work is held in the collections of the Brighton and Hove Art Gallery, Liverpool University, and the University of Warwick.

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