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Click here to subscribeBeautiful Lladro porcelain angel figurine designed as a tree topper. The angel wears a flowing white gown with embossed floral detailing and a baby blue cloak covered in delicate stars. She holds a scroll as her wings spread gracefully behind her. Lladro backstamp. This item has its original box. Box measures: 12.5"L x 7.5"W x 5.75"H.Artist: Francisco CatalaIssued: 1993Dimensions: 5"L x 3.5"W x 7.25"HCountry of Origin: SpainCondition: Age related wear.
Commanding in presence and classical in form, this large-scale Lladro porcelain figurine titled Lectora (The Reader) by Alfredo Ruiz, features a serene woman dressed in neoclassical attire, intently reading from a real paper scroll held in both hands. Rendered in Lladro's distinctive Gres finish, the piece showcases rich earthy tones and a textured surface that enhances its sculptural realism and depth. Issued between 1970 and 1985 and handcrafted in Spain, this polychrome porcelain work highlights Lladro's meticulous artistry, from the checkered green and rust detailing on the sleeves and hem to the flowing blue cloak enveloping her figure. The backstamp on the underside bears the classic blue Lladro mark, confirming its authenticity. An exceptional and rare example of Lladro's artistic mastery, ideal as a centerpiece for collectors of fine European porcelain and Gres finish sculptures.Artist: Alfredo RuizIssued: c. 1980Dimensions: Approximately 22"L x 18"W x 37"HCountry of Origin: SpainCondition: Age related wear.
SLEEPING BEAUTY (1959) - Maleficent Full-Figure Original Pan Production Pencil Drawing - An original pan production drawing of Maleficent from Walt Disney's 1959 animated film Sleeping Beauty.Maleficent was designed and animated by Marc Davis, one of Walt Disney's legendary Nine Old Men, whose refined draftsmanship and theatrical sense of movement helped define her as one of the most enduring characters in Disney history. Davis considered Maleficent his most challenging and rewarding assignment. This lot offers collectors a rare opportunity to own not just animation art but one of the most commanding renderings of perhaps Disney's most iconic villain ever created.This full-figure production drawing shows Maleficent's horned silhouette elegantly posed in her sweeping cloak and captures the villainess in all her iconic grandeur. It is rendered in graphite and coloured pencil on pan animation paper. Measuring an expansive 16-field width, this is a rare, large-scale image used in the making of Sleeping Beauty. The red pencil highlights on the inner cloak indicate cel painting cues, typical of the multi-stage ink and paint process. It is labelled with the sequence number "27", and the bottom edge of the paper displays its original peg hole configuration. Dimensions: 32 cm x 50.5 cm (12.5" x 20")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M
SLEEPING BEAUTY (1959) - Two Princess Aurora Original Production Pencil Drawings, One Signed by Marc Davis - A pair of original production drawings of Princess Aurora from Walt Disney's 1959 animated film Sleeping Beauty, each showcasing a different moment in the studio's most stylised animated feature.The clean linework and clarity of expression offer collectors a rare insight into Disney's meticulous animation process and two evocative images of Aurora that reflect technical artistry and timeless charm.The first drawing captures Aurora in her forest cloak, revealing her striking beauty. The drawing is signed by legendary animator Marc Davis, the supervising animator responsible for Aurora's design and performance. One of Walt Disney's "Nine Old Men", he brought an illustrative finesse and sculptural control to his work that defined Disney heroines and villains for generations. The second drawing depicts Aurora in front of the mirror in an astonishing and sophisticated feat of animation with both her back view and mirrored reflection.Both drawings are rendered in graphite and coloured pencil on 16-field 3-peg animation paper, numbered "20" and "57". The paper displays some creasing. Dimensions (each): 32 cm x 39.5 cm (12.5" x 15.5")Sold without copyright; see copyright notice in the Buyer's Guide.The autographs in this lot have been professionally authenticated by expert Garry King; see notice in the Buyer's Guide.VAT Status: M
‡ ANNE-LOUIS GIRODET-TRIOSON (FRENCH 1767-1824) STUDY FOR THE DEATH OF PYRRHUS Pencil, black crayon and ink 18 x 26.5cm (7 x 10¼ in.)Drawn circa 1790.Provenance: The Collection of L. J. A. Coutan, Paris (Lugt. L.464) The Collection of Pierre Olivier Dubaut, Paris (Lugt. L.2103b) Literature: T. Crow, Emulation: Making Artists for Revolutionary France, New Haven and London, 1995, pp.128-9; 320, no. 51, ill. fig. 95 Exhibited: New York, Shepherd Gallery, Ingres & Delacroix through Degas & Puvis de Chavannes: The Figure in French Art 1800 - 1870, 20 May - 28 June 1975, cat. no. 11, p.25, ill. p.26 New Haven, Yale University Art Gallery, Gesture and Expression: The Language of Art in the Age of Revolution, 28 February - 30 April 1989 (as Baron Gros) Paris, Louvre, Girodet 1767-1824, 22 September 2005 - 2 January 2006, cat. no.13 Chicago, The Art Institute of Chicago, Girodet: Romantic Rebel, 11 Feb - 30 April 2006, cat. no. 13 New York, The Metropolitan Museum of Art, Girodet: Romantic Rebel, 22 May - 27 August 2006, cat. no. 13 Montreal, The Montreal Museum of Fine Arts, Girodet: Romantic Rebel, 11 October - 11 January 2007, cat. no. 13 Angers, Musée D'Angers, La Dernière de Troie, 25 May - 2 September 2012, cat. no. 23, pp.106 This drawing and a related oil sketch (also previously in the collection of Richard L. Feigen, New York) were previously ascribed to Baron Gros, with the attribution to Girodet, first suggested by Philippe Bordes. In the present lot the pencil drawing shows some indecisiveness about Zopyrus' figure, with the arm first extended toward the fallen Pyrrhus and then withdrawn in a shielding gesture. In the oil sketch, the gesture becomes even more protective, as Zopyrus throws his cloak over his head to block his view of the older general. Condition Report: Some discolouration to the sheet, and very light staining to the framing edges. Very light spots of foxing scattered throughout. Undulation to the sheet under the glazed frame. Unexamined out of frame.Condition Report Disclaimer
Fine porcelain figurine depicting one of the Magi or Three Kings, elegantly attired in a regal blue and gold cloak with a striking orange turban. The figure presents a chalice like vessel, a symbol of the King's gift, while a curved dagger rests at his side, accentuating his noble bearing. Goebel backstamp. Issued: 1951Dimensions: 4.25"L x 5.5"W x 13.25"HCountry of Origin: GermanyCondition: Age related wear.
This impressive hand-painted porcelain figurine by Goebel of West Germany portrays a humble shepherd in motion, carrying a satchel over one shoulder and clutching a wide-brimmed hat. Dressed in earthy green pants, a brown jacket, and a deep blue cloak, the figure conveys reverence and modesty, integral to traditional nativity scenes. The underside features the Goebel W. Germany mark and the model number 260 G. A substantial piece in both size and presence, it serves as a beautiful complement to a complete nativity display. Measures approximately 11.75"H.Dimensions: See DescriptionCountry of Origin: GermanyCondition: Age related wear.
Charming collection of four Cybis bisque porcelain figurines, each representing a classic literary or fairy tale character. The set includes: Alice in Wonderland, standing beside a tree stump with a curious gaze and dressed in her iconic blue and white attire; Goldilocks, seated with her legs crossed and a red apple in hand, wearing a white apron and large orange bow; Little Red Riding Hood, depicted standing in a white hooded cloak with red trim and holding a basket and Rapunzel, portrayed as a noble maiden with flowing braided hair adorned with delicate flowers, seated in an ornate gown with gold and peach accents. Each piece is sculpted in unglazed bisque porcelain with soft matte coloring and detailed hand-painted features. Undersides marked with Cybis and impressed model numbers or artist marks. A rare and beautifully styled ensemble from Cybis, ideal for collectors of storybook-themed porcelain art. Largest piece 8.5"H.Issued: c. 1971Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
Porcelain hand painted figurine depicting one of the Three Wise Men, standing in reverence while presenting a "gilded" offering. The figure is adorned in a regal red cloak with lifelike folds and texture, draped over a green tunic, and wears a vividly striped turban style crown embellished with golden painted spires. Displays meticulous attention to detail, from the Wise Man's solemn expression to the delicate modeling of his outstretched hands. Goebel backstamp. This item has its original box. Box measures: 16"L x 8.25"W x 7.25"H.Issued: 20th century Dimensions: 6.75"L x 4"W x 11.75"HCountry of Origin: GermanyCondition: Age related wear.
Crafted by Goebel of West Germany, this hand-painted porcelain figurine features a kneeling king in regal attire, crowned and robed in a green cloak, presenting an open treasure chest filled with colorful offerings. A part of a traditional nativity set, this piece is distinguished by its thoughtful detail and vivid glaze, exemplifying Goebel's mid-century craftsmanship. The underside is marked with the Goebel bee logo and W. Germany, along with the incised model number 260 P. A fine addition to seasonal displays or collectors of religious-themed porcelain art. Measures approximately 8.75"H.Dimensions: See DescriptionCountry of Origin: GermanyCondition: Age related wear.
This charming trio of Royal Doulton hand painted porcelain miniatures includes Town Crier HN3261 and Good King Wenceslas HN3262, both designed by Peggy Davies, and Guy Fawkes HN3271 designed by C.J. Noke. Each figure showcases vibrant glazing, expressive features, and detailed attire. The Town Crier is dressed in a tri corner hat with bright yellow breeches and a bell, Good King Wenceslas wears a regal robe with lantern and scroll, and Guy Fawkes stands shrouded in a flowing red cloak and plumed hat. All figures are marked on the underside with Royal Doulton backstamps and corresponding model numbers. Royal Doulton backstamp. Largest item measures: 2"L x 2"W x 4.25"H.Artist: Peggy Davies and Charles J. NokeIssued: 1989 - 1992Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
This elegant Lladro porcelain figurine, model 01001086, titled Pregonero, captures a street crier accompanied by a young drummer in a scene full of character and theatrical flair. Designed by acclaimed artist Juan Huerta, the figurine features delicate pastel glazes and fine sculptural detail that highlight Lladro's mastery of porcelain artistry. The elder figure reads aloud from a scroll, his expressive face framed by a sweeping cloak, while the youth by his side taps a drum in rhythm. The figurine bears the classic Lladro backstamp at the base and retains its original gold foil label. A charming and dynamic composition ideal for collectors of traditional Lladro scenes and lovers of historical figurative art. Artist: Juan HuertaIssued: 1969 - 1975Dimensions: 14.5"HCountry of Origin: SpainCondition: Age related wear.
Depicts a serene angel holding a music scroll. Rendered in a glossy finish, the figure is adorned with a flowing white gown featuring delicate floral patterns and a soft blue cloak that extends gracefully down the sides. The angel's wings are detailed, lending an ethereal touch to the piece. Lladro backstamp. This collectible figurine comes with its original box.Artist: Francisco CatalaIssued: 1990Dimensions: 5.25"L x 3.5"W x 6.75"HCountry of Origin: SpainCondition: Age related wear.
Issued in 1971 and sculpted by Julio Fernández, Little Town Mayor is a charming representation of Lladro's early porcelain artistry. This finely detailed figurine portrays a youthful mayor standing proudly with a walking stick, dressed in a richly textured cloak and traditional village attire. The expressive features and earthy palette emphasize the character's humble dignity. Finished in a high-gloss glaze and bearing the Lladro backstamp on the base, this piece is a classic example of the brand's craftsmanship from the 1970sIssued: 1971Dimensions: 12"HCountry of Origin: SpainCondition: Age related wear.
T*** Steven Jr., late 19th century Portrait of a 'Paikea', a Māori man, with Tā moko tattoo and a korowai cloaksigned 'T.Steven Jr / Ardlui / Helensburgh / 1884' to the reverse of artist's original hinged wooden frame with clamping actionmonochrome ink and watercolour46 x 31cmThe present study relates to a photograph by Foy Brothers, active in Thames, New Zealand, from 1872-1886 (see Auckland Art Gallery, no. L2016/9/5/2).
A mixed group of silver and costume jewellery including a large curb bracelet, with a heart padlock clasp, length 30cm, five brooches, including a marcasite double clip, French marcasite clip-on earrings, a marcasite necklace, a cloak pin, all in silver, a pink enamel buckle, hallmarked silver, Birmingham 1910, with makers marks D&F for Deakin & Francis, in a fitted case, together with a small selection of costume jewellery including a gilt metal Wedgwood brooch, three other brooches and a pendantCondition Report: Silver gross weight 164.6g
Royal Doulton bone china figurine titled The Regency Beau, model HN1972, depicting an 18th-century gentleman in a ruffled cravat, red waistcoat, and green-lined cloak, posed holding a tricorn hat. This piece was made in England and features the Royal Doulton backstamp. Measures 8.25"H. Issued: 20th century Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
Myfanwy Jones, also known as The Welsh Girl, is a distinctive Royal Doulton porcelain figurine designed by E W. Light and issued between 1914 and 1936. This early model, HN39, is hand painted in vivid hues of red, black, and purple, capturing a proud young Welsh woman in traditional national costume. She is depicted with hands on hips, wearing a hat, a red blouse beneath a black cloak, and a floral-patterned skirt with apron. This figure stands as an excellent representation of regional pride and Edwardian-era craftsmanship from Royal Doulton.Artist: E. W. LightIssued: 1914-1936Dimensions: 11.75"HCountry of Origin: EnglandCondition: Age related wear.
Modeled as Marietta, the heroine of the 19th century comic operetta, Die Fledermaus, dressed in a striking bat costume. The theatrical black and red ensemble, complete with a flowing cloak and pointed hat, captures the dramatic flair of the character. The glossy glaze enhances the rich contrast of colors, adding depth and vibrancy to the piece. Royal Doulton backstamp.Artist: Leslie HarradineIssued: 1929 - 1938Dimensions: 2.5"L x 4.5"W x 8.25"HCountry of Origin: EnglandCondition: Age related wear.
Glossy Art Deco figure of an exposed woman in a mint green hooded cloak, resting on a black floral rectangle pedestal. Glazed Art Deco figure of a seated woman painting a round plate. Artist original colorway 1/1 for Peggy Davies by Victoria Bourne.Artist: Victoria BourneIssued: 20th c. Dimensions: 5"L x 3.75"W x 8.75"HEdition Number: 1 of 1Country of Origin: EnglandCondition: Age related wear.
Royal Doulton bone china figurine titled The Moor, model HN2028, featuring a regal male figure in a vivid, multicolored cloak with arms crossed and a striking gaze. Sculpted by Leslie Harradine and issued in 1949, this figurine is celebrated for its bold palette, glossy flambe-style finish, and richly detailed robes. A prime example of Royal Doulton's mid-20th century artistry, the piece is marked on the base with the Royal Doulton backstamp. Measures 16.75"H. Artist: Charles J. NokeIssued: 1952 - 2009Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
This Royal Doulton Ships Figureheads porcelain figurine depicts Pocahontas, inspired by an 1800s ships figurehead carving and sculpted by William K. Harper. Richly hand painted in vibrant tones, the piece features Pocahontas in ceremonial dress with a multicolored feathered headdress and flowing red cloak, standing atop a molded base adorned with golden shell motifs. This limited edition release number 150 of only 950, is marked HN 2930 and bears the Royal Doulton backstamp. The figurine is accompanied by its original wooden display base, engraved with the name Pocahontas, as well as the original box. Royal Doulton backstamp. Marked 150 of 950. This item has its original box. Base measures: 5"L x 4.5"W x 1.75"H. Box measures: 10.5"L x 7.5"W x 12.75"H.Artist: S. KeenanIssued: 1982Dimensions: 5.25"L x 4"W x 9"HEdition Number: 150 of 950Country of Origin: EnglandCondition: Age related wear.
Dressing a Galaxy "The Costumes of Star Wars" by Trisha Biggar, complete in the original white ground and labelled box, with DVD, Chewbacca plaque, Section of Darth Vader Cloak and Certificate of Authenticity, rare exampleBacking card and bubble in excellent condition.Backing card is slightly bowed.Unpunched hanging loop.Overall excellent condition.
From the Harradine Classics series. Hand painted figure depicting the legendary Pied Piper wearing a flowing black and red cloak over a yellow tunic, playing a pipe while standing on a cobblestone base. Royal Doulton backstamp.Artist: Leslie HarradineIssued: 1953 - 1976Dimensions: 3.75"L x 3.25"W x 8.5"HCountry of Origin: EnglandCondition: Age related wear.
An 18th Century English porcelain figure depicting a lady holding flowers, set on a rococo scroll base, hand painted in colours with gilt highlighting, another similar with a billowing cloak and bocage and a tall chamberstick with applied frolicking sheep and encrusted flowers - various condition
Catalan School. Romanesque. Circa 1175."Christ in Majesty. Maiestas Domini""Carved and polychrome wooden sculpture.47 x 15 x 6 cm. This marvellous image would originally have formed part of the central mandorla of a Romanesque altar frontal of Catalan origin. It preserves its original polychromy.This sculpture depicts Christ enthroned and crowned, as celestial majesty, holding the open Book of Life on his left leg and raising his right hand in a gesture of blessing. This unique piece bears a clear resemblance to the Maiestas from the Romanesque altar frontal of Santa Maria de Taüll (inv. 003904-CJT), kept in the Museu Nacional d’Art de Catalunya, Barcelona.The Pantocrator we present is published in the Encyclopaedia of Spanish Romanesque Art, in the volume corresponding to A Coruña, in a study by Professor Gerardo Boto Varela, Chair of Art History at the University of Girona. In his analysis, the professor discusses the piece, its Pyrenean origins, and its comparison with the Taüll Maiestas, stating that both works “feature a central lock of hair on the forehead, prominent beard and moustache, a long tunic [...], a cloak barely covering the right shoulder and falling to the waist on the left [and] the same parallel and concentric folds on the legs of both pieces, though with a greater graphic density in the MNAC carving.” Boto also affirms that “the Pyrenean lineage of the piece can be asserted with confidence, and it would have originated within the diocese of Urgell.” Professor Boto notes that the position of all anatomical extremities is hieratic, the face frontal and expressionless—as is customary—and defined only by the remnants of paint and the cylindrical crown atop the head. The reverse of the piece is completely flat.Although it is a free-standing figure (de bulto redondo), the brevity of the base in relation to the vertical projection confirms that the sculpture was intended to be inserted against a flat surface along its back.In both typology and morphology, it corresponds to the "Christ in Majesty" figures that appear within a mandorla at the center of certain altar frontals from Catalonia, of Pyrenean origin, executed in the second half of the 12th century. Provenance: Private collection. A Coruña, Spain. Reference bibliography:- VV.AA. (2013). "Enciclopedia del Románico en Galicia". Tomo I. Pág. 393 y 394. Texto del Profesor Gerardo Boto Varela.
Brazilian School. Possibly Antônio Francisco Lisboa, "Aleijadinho" (Brazil, 1730/1738 - 1814)"James the Apostle" Carved boxwood sculpture with silver applications.Height without plinth: 23 x 14 x 8 cm.The pilgrim shells worn by the saint on his cloak are made of silver.Provenance: Private collection. Spain.
David Wilkie (1785-1841) (After) “The Blind Fiddler (1806),” a copy made c 1810, O.O.C., approx.. 61cms x 74cms (24” x 29”). (1) This oil on canvas is a superb copy of The Blind Fiddler, a genre painting by the Scottish artist David Wilkie. It was exhibited at the Royal Academy in 1806, to great acclaim, and is now in Tate Britain. Influenced by David Teniers, The Blind Fiddler is well composed and well crafted. In the large kitchen of a cottage, seated on a stool, a fiddler plays a tune in front of a group of women, children and men. While the location of the cottage is not specified, it is probably in Scotland. The audience looks to be an extended family group, ranging from the youngest child to the oldest man. The fiddler’s violin case is at his feet, alongside a travelling bag. Seated closest to him, a woman, wearing a brown cloak and with an infant in her arms, listens attentively. Two men stand in front of the fireplace, the older one regarding the fiddler with admiration, while beside him, a younger man snaps his fingers, attracting the attention of an infant. At the front of the group are two children, one trailing a toy wagon with a broken wheel. On the extreme right, a young lad mimics the fiddler, cheerfully playing a toy violin. In the foreground, beside a cooking pot and a watering can, is a wooden box with vegetables lying on the floor. A knife and a half-peeled potato suggests that the unexpected arrival of the travelling musician has brought everyday activity to a halt in the cottage, as the family gathers to hear him play. Such details are characteristic of Wilkie, a genre painter whose skill in rendering everyday scenes did not stand in the way of his understanding of his medium and its limitations. The man snapping his fingers to entertain the child cannot be heard by the viewer, nor can the music of the fiddler, nor the boy capering about behind the group. Such inferences, left to the imagination of the viewer, are a characteristic of Wilkie’s art. He had a keen eye for everyday details of interiors, including fireplaces, utensils, ornaments and furniture. In his painting Rent Day, a queue of people in a sparsely furnished room wait to pay their rent to the landlord’s agent sitting at a table, while in Reading the Will, the action also centres around a table in a large plain drawing room. Wilkie’s work was immensely popular and several of his paintings, including The Village Politicians, were engraved by Raimbach, and published as prints. The present work is an accurate copy of the original, and was likely painted in the early nineteenth century. Dr. Peter Murray 2025
A collection of Staffordshire portrait figures, mid-19th century, comprising a flatback Wedding Couple arbour group, 35cm high; Sir Colin Campbell on horseback, 24cm high; a Babes in the Wood spill vase group, 18.5cm high; Robbie Burns and Highland Mary clock group, 38cm high; 'Prodigal Son', 33cm high; a pair of 'Sand' and 'Beesums' donkey figures, a castle pocket watch stand, together with a later copy of a Highland Huntsman with stag and hunting hound, 24.5cm high and various others (13, a.f, repairs)Condition:Wedding Couple - Gilt wear, crazing throughout, small hairline to one rear shoulder of the male figureCampbell - Part of base restored, crack around one of the horse's legs. Head broken and restuck to both Campbell and horse.Babes in the Wood - Various old restorations including to spill vase and one bird's headRobbie Burns - Restoration to his neck and head and a portion of the baseProdigal Son - Wear to gilt and lustre decoration and patchiness to the red cloakHighland female figure has been broken at waist and re-gluedLater copy of Highland Huntsman - Loss of cold overglaze painting throughout, heavily crazed, large firing crack around waistOther items may have similar levels of damage and/or repairs, sold with all faults
This retired Swarovski crystal figurine features Disney's beloved Mickey Mouse dressed as the Sorcerer's Apprentice from Fantasia. Released as a limited edition in 2009, Mickey is crafted in clear crystal with Black Diamond crystal for the ears and head, a Jet crystal nose, and a glowing Topaz crystal bow accent at the waist. The figurine is elegantly engraved with the year 2009 on the cloak seam. Designed by the Swarovski team, this magical piece was introduced and retired in the same year, making it highly collectible. It bears the Swarovski swan backstamp.Artist: TeamIssued: 2009Dimensions: 2.5"HCountry of Origin: AustriaCondition: Age related wear.
Palitoy/Kenner Star Wars action figures, nine including Luke Skywalker, Ben Kenobi, Han Solo, Princess Leia, Darth Vader, Chewbacca, Jawa (x2), some with weaponsQty: 9Condition report:Ben Kenobi - missing lightsabre. Cloak torn over right armpit/ shoulder Vader- cloak with small tears to arm holes
A Minton biscuit porcelain figure of the Duke of Wellington, second quarter of the 19th century, modelled standing, with his hand on a pedestal and drawing his cloak around his left shoulder,11cm diameter28cm highModel no. 78, in the Minton shape list, see Richard Dennis, ‘The Parian Phenomenon’, p.58 and p.95, fig.185, for the line drawing from the shape book.Provenance: A private collection, Upper East Side, New York, and a London apartment.
Impressive Royal Doulton porcelain figurine titled Henry VIII, model HN3458. Designed by Pauline Parsons, this historical figure is rendered and hand-painted in rich detail, portraying the Tudor monarch in a regal stance with ornate attire, including a fur-lined cloak, jeweled collar, and ceremonial staff. Issued as part of the prestigious Kings and Queens of England series, this limited edition figurine is individually hand-numbered 1322 of 9500. The base features the Royal Doulton backstamp along with edition information. A distinguished piece celebrating one of England's most iconic rulers.Artist: Pauline ParsonsIssued: 1994Dimensions: 9.5"HCountry of Origin: EnglandCondition: Age related wear.
OBVERSE: Draped bust (right); REVERSE: Luna with cresent on head and cloak floating around her head, in biga (left); RIC 379c. Good metal, needle-sharp strike. Uncirculated; the term "F.D.C." (fleur-de-coin) squarely describes the coin.Stack's, Ancient and Foreign Coins of the World in Gold, Silver and Copper, Dec. 8th, 1993, Lot #2194.
A group of porcelain and ceramic items To include: [a] A Wedgwood caneware tureen with hunting motif, made to simulate game pie, Stamped bottom. [b] Vista Alegre, A gilt porcelain budgie table decoration [c] A porcelain table decoration, or vase, of a young boy sitting on a log [d] Meissen, An oil lamp with cherubs and floral decoration [e] A Victorian figure wearing a cloak and hat [f] T Goode, A vase with cherubic figure with vine leaves [g] A pair of biscuit figures [h] A Copeland bust of Ophelia, after W. O. Marshall's sculpture. Broken off base. [i] Italian glazed earthenware amphora To be sold without reserve
Striking ceramic figurine by British artist Michael Sutty, titled Iridescent Woman in White and Red. This sculptural piece features a stylized woman enveloped in flowing drapery, rendered in a pearlescent white glaze accented by a vivid red inner cloak. The figure's serene expression and fluid Art Nouveau-inspired lines highlight Sutty's signature hand-painted technique. Marked on the base with the artist's name and production stamp, this piece exemplifies the fine craftsmanship associated with Sutty's limited-edition studio works. Measures 12.25"H. Issued: 1980Dimensions: See DescriptionCondition: Age related wear.
† Kingdom of Macedon, Philip II (359-336 BC), silver Tetradrachm, Amphipolis, lifetime issue, struck 355-348 B.C., head of Zeus facing right, wearing a laurel-wreath, rev. ΦIΛIΠ - ΠOY, Philip, wearing a petasos and a cloak, on a horse pacing left, his right arm raised, M below horse's raised right foreleg, 14.49g, 3h (Le Rider, pl. 25, 50A (D27/R43A)). Of exemplary style, well-struck in high relief with the finer details of Zeus's laurel-wreath, Philip's cloak, and the horse's mane and saddle clearly visible, some traces of double-striking on reverse, extremely fine, graded by NGC as AU, Strike 4/5, Surface 4/5, Fine Style.NGC Certification 8221189-002Provenance:Ex Gorny & Mosch 159, 8 October 2007, lot 99.Ex Fritz Rudolf Künker GmbH & Co KG, Auction 304, 19 March 2018, lot 267.
This elegant Royal Doulton figurine, titled Isabella, Countess of Sefton, captures the aristocratic grace of a noblewoman in formal attire. Issued in 1989 this figure is hand-decorated and finely dressed in a soft yellow gown with vertical striping and complemented by a rich black cloak, Isabella reflects the refinement and poise of Georgian-era nobility. The base is marked with the Royal Doulton backstamp, model number HN3010, and bears the edition number 553. Approximately 9.75"H.Artist: Peter GeeDimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
Group of five vintage Mexican serape, sarape or jorongo blanket, shawl, or cloak textiles, early 20th century. All with vibrant strip motifs and delicate fringe along either side; two blankets with Zacateca figural motifs.Length ranges from 10 in to 46 1/2 in; width ranges from 7 1/2 in to 22 in. Condition: General wear throughout commensurate with age and use. General fading and discoloration. There is a small stain on the largest textile and one of the medium-sized textiles.
Inscribed in English: "To fair dearest Henry all hearty Xmas & New Year blessings from Ella. 1908-1909."Princess Irene of Hesse and by Rhine (Irène Luise Marie Anne, 1866-1953), later Princess Henry of Prussia, was the third daughter of Princess Alice of the United Kingdom and Louis IV, Grand Duke of Hesse and by Rhine and the younger sister of Grand Duchess Elizabeth. Grand Duchess Elizabeth Feodorovna Grand Duchess Elizabeth Feodorovna of Russia, née Princess Elisabeth of Hesse and by Rhine (1864-1918), a princess of the House of Hesse-Darmstadt, was the second child of Ludwig IV, Grand Duke of Hesse and by Rhine, and Princess Alice, daughter of Queen Victoria, and the older sister of Empress Alexandra Feodorovna of Russia. She was chosen as the wife of Grand Duke Sergei Alexandrovich of Russia, the fifth son of Emperor Alexander II and Princess Marie of Hesse and by Rhine. Married in 1884 at the Winter Palace in St. Petersburg, the couple established themselves in Moscow in 1891 where the Grand Duke had been appointed Governor-General. It did not take long for the people of Moscow to appreciate the kindness and generosity of Grand Duchess Elizabeth. She paid frequent visits to hospitals, almshouses and orphanages and worked tirelessly to help the needy by distributing food and clothing, donating money and working to improve their living conditions. At the outbreak of the Russo-Japanese War, she led the initiative to aid soldiers on the front lines and opened an infirmary in Moscow for the wounded. Elizabeth also helped to coordinate the delivery of supplies, equipment, medicine and gifts for the soldiers and provided aid to war widows and orphans. Grand Duke Sergei, as a member of the Russian Imperial Family, increasingly was viewed as an obstacle by a growing revolutionary movement. As violence began to intensify in the aftermath of the Bloody Sunday massacre of January 22, 1905, Sergei was targeted for removal. On February 4, 1905, he fell victim to a terrorist bombing on the grounds of the Moscow Kremlin. Grand Duchess Elizabeth was leaving her palace at the time, and she arrived at the scene of the attack just as a soldier was spreading his cloak over the remains of her husband. Grand Duchess Elizabeth was so traumatized by her husband's assassination that she decided to devote herself to the church and to the service of the less fortunate. She gave away her collection of jewelry and sold her possessions. With the proceeds, Elizabeth founded the Convent of Saints Martha and Mary in Moscow, which opened in February 1909. She also purchased land and constructed a hospital, an orphanage for girls, and living quarters for the sisters. The abdication of Emperor Nicholas II in March of 1917 came as a tremendous shock to Grand Duchess Elizabeth. She believed Russia was on the precipice of disaster, but there was nothing she could do to prevent it. In April 1918, two days after Easter, the Bolsheviks came to arrest Elizabeth, accompanied by a novice from the convent, Sister Barbara. She was taken to Ekaterinburg to join the Imperial Family but was denied access them. At the end of May, Elizabeth was moved to nearby Alopaevsk with Grand Dukes Sergei, John, and Constantine and Count Vladimir Paley. On the night of July 5, they were all taken to a place outside Alopaevsk and executed. The Grand Duke Sergei was shot, but the others were thrown down a mineshaft and grenades were thrown after them. Elizabeth lived for several hours and could be heard singing hymns. On January 15, 1920, the bodies of Grand Duchess Elizabeth and Sister Barbara were brought to Jerusalem and laid to rest in the Church of St. Mary Magdalene on the Mount of Olives. In 1888, Emperor Alexander III appointed Grand Duke Sergei Alexandrovich, who was accompanied by Grand Duchess Elizabeth, to represent him at the consecration of this very church. Taken by the beauty of the church and the significance of the location, the Grand Duchess is said to have expressed her wish to be buried there, a wish that turned out to be prophetic. Elizabeth was glorified by the Russian Orthodox Church Outside of Russia in 1981 and by the Russian Orthodox Church as a whole in 1992 as New-Martyr Elizabeth. She is also one of ten twentieth-century martyrs memorialized above the Great West Door of Westminster Abbey in London.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Comprising a postcard photo of the Grand Duchess wearing a white habit; three postcards of the Grand Duchess wearing mourning dress; postcard of the Grand Duchess wearing a crown and veil; reproduction photo of the Grand Duchess in profile; stereoscopic photo and postcard of the Church of Mary Magdalene on the Mount of Olives, the resting place of the Grand Duchess.Largest 7 x 3 1/2 inches (17.8 x 8.9 cm).Grand Duchess Elizabeth Feodorovna Grand Duchess Elizabeth Feodorovna of Russia, née Princess Elisabeth of Hesse and by Rhine (1864-1918), a princess of the House of Hesse-Darmstadt, was the second child of Ludwig IV, Grand Duke of Hesse and by Rhine, and Princess Alice, daughter of Queen Victoria, and the older sister of Empress Alexandra Feodorovna of Russia. She was chosen as the wife of Grand Duke Sergei Alexandrovich of Russia, the fifth son of Emperor Alexander II and Princess Marie of Hesse and by Rhine. Married in 1884 at the Winter Palace in St. Petersburg, the couple established themselves in Moscow in 1891 where the Grand Duke had been appointed Governor-General. It did not take long for the people of Moscow to appreciate the kindness and generosity of Grand Duchess Elizabeth. She paid frequent visits to hospitals, almshouses and orphanages and worked tirelessly to help the needy by distributing food and clothing, donating money and working to improve their living conditions. At the outbreak of the Russo-Japanese War, she led the initiative to aid soldiers on the front lines and opened an infirmary in Moscow for the wounded. Elizabeth also helped to coordinate the delivery of supplies, equipment, medicine and gifts for the soldiers and provided aid to war widows and orphans. Grand Duke Sergei, as a member of the Russian Imperial Family, increasingly was viewed as an obstacle by a growing revolutionary movement. As violence began to intensify in the aftermath of the Bloody Sunday massacre of January 22, 1905, Sergei was targeted for removal. On February 4, 1905, he fell victim to a terrorist bombing on the grounds of the Moscow Kremlin. Grand Duchess Elizabeth was leaving her palace at the time, and she arrived at the scene of the attack just as a soldier was spreading his cloak over the remains of her husband. Grand Duchess Elizabeth was so traumatized by her husband's assassination that she decided to devote herself to the church and to the service of the less fortunate. She gave away her collection of jewelry and sold her possessions. With the proceeds, Elizabeth founded the Convent of Saints Martha and Mary in Moscow, which opened in February 1909. She also purchased land and constructed a hospital, an orphanage for girls, and living quarters for the sisters. The abdication of Emperor Nicholas II in March of 1917 came as a tremendous shock to Grand Duchess Elizabeth. She believed Russia was on the precipice of disaster, but there was nothing she could do to prevent it. In April 1918, two days after Easter, the Bolsheviks came to arrest Elizabeth, accompanied by a novice from the convent, Sister Barbara. She was taken to Ekaterinburg to join the Imperial Family but was denied access them. At the end of May, Elizabeth was moved to nearby Alopaevsk with Grand Dukes Sergei, John, and Constantine and Count Vladimir Paley. On the night of July 5, they were all taken to a place outside Alopaevsk and executed. The Grand Duke Sergei was shot, but the others were thrown down a mineshaft and grenades were thrown after them. Elizabeth lived for several hours and could be heard singing hymns. On January 15, 1920, the bodies of Grand Duchess Elizabeth and Sister Barbara were brought to Jerusalem and laid to rest in the Church of St. Mary Magdalene on the Mount of Olives. In 1888, Emperor Alexander III appointed Grand Duke Sergei Alexandrovich, who was accompanied by Grand Duchess Elizabeth, to represent him at the consecration of this very church. Taken by the beauty of the church and the significance of the location, the Grand Duchess is said to have expressed her wish to be buried there, a wish that turned out to be prophetic. Elizabeth was glorified by the Russian Orthodox Church Outside of Russia in 1981 and by the Russian Orthodox Church as a whole in 1992 as New-Martyr Elizabeth. She is also one of ten twentieth-century martyrs memorialized above the Great West Door of Westminster Abbey in London.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Auotgraph letter, three sides, Darmstadt, dated March 8, 1884, signed "Ella of Hesse," to Mrs. Tylor, saying: "Your charming Present gave me great pleasure but I was especially touched by your good wishes and kind remembrance of me" and [sending] "the enclosed photo [no longer present] of us both ... not as good as I would have wished ... but the only one ready at hand ..." The head with Elizabeth in a crowned monogram. Isabella Tylor (née Harris, c. 1823-1906), was the wife of Alfred Tylor (1824-1884), F.G.S., geologist brass founder of Shepley House, Carshalton. Mrs. Tylor was a friend of the British Royal Family.Grand Duchess Elizabeth Feodorovna Grand Duchess Elizabeth Feodorovna of Russia, née Princess Elisabeth of Hesse and by Rhine (1864-1918), a princess of the House of Hesse-Darmstadt, was the second child of Ludwig IV, Grand Duke of Hesse and by Rhine, and Princess Alice, daughter of Queen Victoria, and the older sister of Empress Alexandra Feodorovna of Russia. She was chosen as the wife of Grand Duke Sergei Alexandrovich of Russia, the fifth son of Emperor Alexander II and Princess Marie of Hesse and by Rhine. Married in 1884 at the Winter Palace in St. Petersburg, the couple established themselves in Moscow in 1891 where the Grand Duke had been appointed Governor-General. It did not take long for the people of Moscow to appreciate the kindness and generosity of Grand Duchess Elizabeth. She paid frequent visits to hospitals, almshouses and orphanages and worked tirelessly to help the needy by distributing food and clothing, donating money and working to improve their living conditions. At the outbreak of the Russo-Japanese War, she led the initiative to aid soldiers on the front lines and opened an infirmary in Moscow for the wounded. Elizabeth also helped to coordinate the delivery of supplies, equipment, medicine and gifts for the soldiers and provided aid to war widows and orphans. Grand Duke Sergei, as a member of the Russian Imperial Family, increasingly was viewed as an obstacle by a growing revolutionary movement. As violence began to intensify in the aftermath of the Bloody Sunday massacre of January 22, 1905, Sergei was targeted for removal. On February 4, 1905, he fell victim to a terrorist bombing on the grounds of the Moscow Kremlin. Grand Duchess Elizabeth was leaving her palace at the time, and she arrived at the scene of the attack just as a soldier was spreading his cloak over the remains of her husband. Grand Duchess Elizabeth was so traumatized by her husband's assassination that she decided to devote herself to the church and to the service of the less fortunate. She gave away her collection of jewelry and sold her possessions. With the proceeds, Elizabeth founded the Convent of Saints Martha and Mary in Moscow, which opened in February 1909. She also purchased land and constructed a hospital, an orphanage for girls, and living quarters for the sisters. The abdication of Emperor Nicholas II in March of 1917 came as a tremendous shock to Grand Duchess Elizabeth. She believed Russia was on the precipice of disaster, but there was nothing she could do to prevent it. In April 1918, two days after Easter, the Bolsheviks came to arrest Elizabeth, accompanied by a novice from the convent, Sister Barbara. She was taken to Ekaterinburg to join the Imperial Family but was denied access them. At the end of May, Elizabeth was moved to nearby Alopaevsk with Grand Dukes Sergei, John, and Constantine and Count Vladimir Paley. On the night of July 5, they were all taken to a place outside Alopaevsk and executed. The Grand Duke Sergei was shot, but the others were thrown down a mineshaft and grenades were thrown after them. Elizabeth lived for several hours and could be heard singing hymns. On January 15, 1920, the bodies of Grand Duchess Elizabeth and Sister Barbara were brought to Jerusalem and laid to rest in the Church of St. Mary Magdalene on the Mount of Olives. In 1888, Emperor Alexander III appointed Grand Duke Sergei Alexandrovich, who was accompanied by Grand Duchess Elizabeth, to represent him at the consecration of this very church. Taken by the beauty of the church and the significance of the location, the Grand Duchess is said to have expressed her wish to be buried there, a wish that turned out to be prophetic. Elizabeth was glorified by the Russian Orthodox Church Outside of Russia in 1981 and by the Russian Orthodox Church as a whole in 1992 as New-Martyr Elizabeth. She is also one of ten twentieth-century martyrs memorialized above the Great West Door of Westminster Abbey in London.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Imperial Porcelain Manufactory, St. Petersburg, circa 1914-1916Ovoid, the front centering the monogram of Grand Duchess Elizabeth Feodorovna within a gilt laurel wreath surmounted by a gilt Russian Imperial crown.Height 3 1/8 inches (8 cm).Grand Duchess Elizabeth Feodorovna Grand Duchess Elizabeth Feodorovna of Russia, née Princess Elisabeth of Hesse and by Rhine (1864-1918), a princess of the House of Hesse-Darmstadt, was the second child of Ludwig IV, Grand Duke of Hesse and by Rhine, and Princess Alice, daughter of Queen Victoria, and the older sister of Empress Alexandra Feodorovna of Russia. She was chosen as the wife of Grand Duke Sergei Alexandrovich of Russia, the fifth son of Emperor Alexander II and Princess Marie of Hesse and by Rhine. Married in 1884 at the Winter Palace in St. Petersburg, the couple established themselves in Moscow in 1891 where the Grand Duke had been appointed Governor-General. It did not take long for the people of Moscow to appreciate the kindness and generosity of Grand Duchess Elizabeth. She paid frequent visits to hospitals, almshouses and orphanages and worked tirelessly to help the needy by distributing food and clothing, donating money and working to improve their living conditions. At the outbreak of the Russo-Japanese War, she led the initiative to aid soldiers on the front lines and opened an infirmary in Moscow for the wounded. Elizabeth also helped to coordinate the delivery of supplies, equipment, medicine and gifts for the soldiers and provided aid to war widows and orphans. Grand Duke Sergei, as a member of the Russian Imperial Family, increasingly was viewed as an obstacle by a growing revolutionary movement. As violence began to intensify in the aftermath of the Bloody Sunday massacre of January 22, 1905, Sergei was targeted for removal. On February 4, 1905, he fell victim to a terrorist bombing on the grounds of the Moscow Kremlin. Grand Duchess Elizabeth was leaving her palace at the time, and she arrived at the scene of the attack just as a soldier was spreading his cloak over the remains of her husband. Grand Duchess Elizabeth was so traumatized by her husband's assassination that she decided to devote herself to the church and to the service of the less fortunate. She gave away her collection of jewelry and sold her possessions. With the proceeds, Elizabeth founded the Convent of Saints Martha and Mary in Moscow, which opened in February 1909. She also purchased land and constructed a hospital, an orphanage for girls, and living quarters for the sisters. The abdication of Emperor Nicholas II in March of 1917 came as a tremendous shock to Grand Duchess Elizabeth. She believed Russia was on the precipice of disaster, but there was nothing she could do to prevent it. In April 1918, two days after Easter, the Bolsheviks came to arrest Elizabeth, accompanied by a novice from the convent, Sister Barbara. She was taken to Ekaterinburg to join the Imperial Family but was denied access them. At the end of May, Elizabeth was moved to nearby Alopaevsk with Grand Dukes Sergei, John, and Constantine and Count Vladimir Paley. On the night of July 5, they were all taken to a place outside Alopaevsk and executed. The Grand Duke Sergei was shot, but the others were thrown down a mineshaft and grenades were thrown after them. Elizabeth lived for several hours and could be heard singing hymns. On January 15, 1920, the bodies of Grand Duchess Elizabeth and Sister Barbara were brought to Jerusalem and laid to rest in the Church of St. Mary Magdalene on the Mount of Olives. In 1888, Emperor Alexander III appointed Grand Duke Sergei Alexandrovich, who was accompanied by Grand Duchess Elizabeth, to represent him at the consecration of this very church. Taken by the beauty of the church and the significance of the location, the Grand Duchess is said to have expressed her wish to be buried there, a wish that turned out to be prophetic. Elizabeth was glorified by the Russian Orthodox Church Outside of Russia in 1981 and by the Russian Orthodox Church as a whole in 1992 as New-Martyr Elizabeth. She is also one of ten twentieth-century martyrs memorialized above the Great West Door of Westminster Abbey in London.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Printed in German: "Best Wishes for the New Year!" Further inscribed in German: "Thousand loving thoughts from Ella." Postmarked December 28 and 29, 1901. Duchess Helene of Mecklenburg-Strelitz (1857-1936), the daughter of Duke Georg August of Mecklenburg-Strelitz and Grand Duchess Catherine Mikhailovna of Russia, was the second wife of Prince Albert of Saxe-Altenburg.Grand Duchess Elizabeth Feodorovna Grand Duchess Elizabeth Feodorovna of Russia, née Princess Elisabeth of Hesse and by Rhine (1864-1918), a princess of the House of Hesse-Darmstadt, was the second child of Ludwig IV, Grand Duke of Hesse and by Rhine, and Princess Alice, daughter of Queen Victoria, and the older sister of Empress Alexandra Feodorovna of Russia. She was chosen as the wife of Grand Duke Sergei Alexandrovich of Russia, the fifth son of Emperor Alexander II and Princess Marie of Hesse and by Rhine. Married in 1884 at the Winter Palace in St. Petersburg, the couple established themselves in Moscow in 1891 where the Grand Duke had been appointed Governor-General. It did not take long for the people of Moscow to appreciate the kindness and generosity of Grand Duchess Elizabeth. She paid frequent visits to hospitals, almshouses and orphanages and worked tirelessly to help the needy by distributing food and clothing, donating money and working to improve their living conditions. At the outbreak of the Russo-Japanese War, she led the initiative to aid soldiers on the front lines and opened an infirmary in Moscow for the wounded. Elizabeth also helped to coordinate the delivery of supplies, equipment, medicine and gifts for the soldiers and provided aid to war widows and orphans. Grand Duke Sergei, as a member of the Russian Imperial Family, increasingly was viewed as an obstacle by a growing revolutionary movement. As violence began to intensify in the aftermath of the Bloody Sunday massacre of January 22, 1905, Sergei was targeted for removal. On February 4, 1905, he fell victim to a terrorist bombing on the grounds of the Moscow Kremlin. Grand Duchess Elizabeth was leaving her palace at the time, and she arrived at the scene of the attack just as a soldier was spreading his cloak over the remains of her husband. Grand Duchess Elizabeth was so traumatized by her husband's assassination that she decided to devote herself to the church and to the service of the less fortunate. She gave away her collection of jewelry and sold her possessions. With the proceeds, Elizabeth founded the Convent of Saints Martha and Mary in Moscow, which opened in February 1909. She also purchased land and constructed a hospital, an orphanage for girls, and living quarters for the sisters. The abdication of Emperor Nicholas II in March of 1917 came as a tremendous shock to Grand Duchess Elizabeth. She believed Russia was on the precipice of disaster, but there was nothing she could do to prevent it. In April 1918, two days after Easter, the Bolsheviks came to arrest Elizabeth, accompanied by a novice from the convent, Sister Barbara. She was taken to Ekaterinburg to join the Imperial Family but was denied access them. At the end of May, Elizabeth was moved to nearby Alopaevsk with Grand Dukes Sergei, John, and Constantine and Count Vladimir Paley. On the night of July 5, they were all taken to a place outside Alopaevsk and executed. The Grand Duke Sergei was shot, but the others were thrown down a mineshaft and grenades were thrown after them. Elizabeth lived for several hours and could be heard singing hymns. On January 15, 1920, the bodies of Grand Duchess Elizabeth and Sister Barbara were brought to Jerusalem and laid to rest in the Church of St. Mary Magdalene on the Mount of Olives. In 1888, Emperor Alexander III appointed Grand Duke Sergei Alexandrovich, who was accompanied by Grand Duchess Elizabeth, to represent him at the consecration of this very church. Taken by the beauty of the church and the significance of the location, the Grand Duchess is said to have expressed her wish to be buried there, a wish that turned out to be prophetic. Elizabeth was glorified by the Russian Orthodox Church Outside of Russia in 1981 and by the Russian Orthodox Church as a whole in 1992 as New-Martyr Elizabeth. She is also one of ten twentieth-century martyrs memorialized above the Great West Door of Westminster Abbey in London.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Cabinet card produced by Alexander Pasetti, St. Petersburg, the mounted print of the Grand Duchess with her inscription: "Elisabeth / Rosenau / 1896."8 3/4 x 5 1/2 inches (22.2 x 14 cm).Grand Duchess Elizabeth Feodorovna Grand Duchess Elizabeth Feodorovna of Russia, née Princess Elisabeth of Hesse and by Rhine (1864-1918), a princess of the House of Hesse-Darmstadt, was the second child of Ludwig IV, Grand Duke of Hesse and by Rhine, and Princess Alice, daughter of Queen Victoria, and the older sister of Empress Alexandra Feodorovna of Russia. She was chosen as the wife of Grand Duke Sergei Alexandrovich of Russia, the fifth son of Emperor Alexander II and Princess Marie of Hesse and by Rhine. Married in 1884 at the Winter Palace in St. Petersburg, the couple established themselves in Moscow in 1891 where the Grand Duke had been appointed Governor-General. It did not take long for the people of Moscow to appreciate the kindness and generosity of Grand Duchess Elizabeth. She paid frequent visits to hospitals, almshouses and orphanages and worked tirelessly to help the needy by distributing food and clothing, donating money and working to improve their living conditions. At the outbreak of the Russo-Japanese War, she led the initiative to aid soldiers on the front lines and opened an infirmary in Moscow for the wounded. Elizabeth also helped to coordinate the delivery of supplies, equipment, medicine and gifts for the soldiers and provided aid to war widows and orphans. Grand Duke Sergei, as a member of the Russian Imperial Family, increasingly was viewed as an obstacle by a growing revolutionary movement. As violence began to intensify in the aftermath of the Bloody Sunday massacre of January 22, 1905, Sergei was targeted for removal. On February 4, 1905, he fell victim to a terrorist bombing on the grounds of the Moscow Kremlin. Grand Duchess Elizabeth was leaving her palace at the time, and she arrived at the scene of the attack just as a soldier was spreading his cloak over the remains of her husband. Grand Duchess Elizabeth was so traumatized by her husband's assassination that she decided to devote herself to the church and to the service of the less fortunate. She gave away her collection of jewelry and sold her possessions. With the proceeds, Elizabeth founded the Convent of Saints Martha and Mary in Moscow, which opened in February 1909. She also purchased land and constructed a hospital, an orphanage for girls, and living quarters for the sisters. The abdication of Emperor Nicholas II in March of 1917 came as a tremendous shock to Grand Duchess Elizabeth. She believed Russia was on the precipice of disaster, but there was nothing she could do to prevent it. In April 1918, two days after Easter, the Bolsheviks came to arrest Elizabeth, accompanied by a novice from the convent, Sister Barbara. She was taken to Ekaterinburg to join the Imperial Family but was denied access them. At the end of May, Elizabeth was moved to nearby Alopaevsk with Grand Dukes Sergei, John, and Constantine and Count Vladimir Paley. On the night of July 5, they were all taken to a place outside Alopaevsk and executed. The Grand Duke Sergei was shot, but the others were thrown down a mineshaft and grenades were thrown after them. Elizabeth lived for several hours and could be heard singing hymns. On January 15, 1920, the bodies of Grand Duchess Elizabeth and Sister Barbara were brought to Jerusalem and laid to rest in the Church of St. Mary Magdalene on the Mount of Olives. In 1888, Emperor Alexander III appointed Grand Duke Sergei Alexandrovich, who was accompanied by Grand Duchess Elizabeth, to represent him at the consecration of this very church. Taken by the beauty of the church and the significance of the location, the Grand Duchess is said to have expressed her wish to be buried there, a wish that turned out to be prophetic. Elizabeth was glorified by the Russian Orthodox Church Outside of Russia in 1981 and by the Russian Orthodox Church as a whole in 1992 as New-Martyr Elizabeth. She is also one of ten twentieth-century martyrs memorialized above the Great West Door of Westminster Abbey in London.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
The oyster dish Kuznetsov, Moscow, late 19th century; the plate Paris, circa 1890Each with the gilt joint cypher of Grand Duchess Elizabeth Feodorovna and Grand Duke Sergei Alexandrovich beneath a Russian Imperial crown.Diameter of plate 9 1/4 inches (23.5 cm), length of oyster dish 5 5/8 inches (14.3 cm).Grand Duchess Elizabeth Feodorovna Grand Duchess Elizabeth Feodorovna of Russia, née Princess Elisabeth of Hesse and by Rhine (1864-1918), a princess of the House of Hesse-Darmstadt, was the second child of Ludwig IV, Grand Duke of Hesse and by Rhine, and Princess Alice, daughter of Queen Victoria, and the older sister of Empress Alexandra Feodorovna of Russia. She was chosen as the wife of Grand Duke Sergei Alexandrovich of Russia, the fifth son of Emperor Alexander II and Princess Marie of Hesse and by Rhine. Married in 1884 at the Winter Palace in St. Petersburg, the couple established themselves in Moscow in 1891 where the Grand Duke had been appointed Governor-General. It did not take long for the people of Moscow to appreciate the kindness and generosity of Grand Duchess Elizabeth. She paid frequent visits to hospitals, almshouses and orphanages and worked tirelessly to help the needy by distributing food and clothing, donating money and working to improve their living conditions. At the outbreak of the Russo-Japanese War, she led the initiative to aid soldiers on the front lines and opened an infirmary in Moscow for the wounded. Elizabeth also helped to coordinate the delivery of supplies, equipment, medicine and gifts for the soldiers and provided aid to war widows and orphans. Grand Duke Sergei, as a member of the Russian Imperial Family, increasingly was viewed as an obstacle by a growing revolutionary movement. As violence began to intensify in the aftermath of the Bloody Sunday massacre of January 22, 1905, Sergei was targeted for removal. On February 4, 1905, he fell victim to a terrorist bombing on the grounds of the Moscow Kremlin. Grand Duchess Elizabeth was leaving her palace at the time, and she arrived at the scene of the attack just as a soldier was spreading his cloak over the remains of her husband. Grand Duchess Elizabeth was so traumatized by her husband's assassination that she decided to devote herself to the church and to the service of the less fortunate. She gave away her collection of jewelry and sold her possessions. With the proceeds, Elizabeth founded the Convent of Saints Martha and Mary in Moscow, which opened in February 1909. She also purchased land and constructed a hospital, an orphanage for girls, and living quarters for the sisters. The abdication of Emperor Nicholas II in March of 1917 came as a tremendous shock to Grand Duchess Elizabeth. She believed Russia was on the precipice of disaster, but there was nothing she could do to prevent it. In April 1918, two days after Easter, the Bolsheviks came to arrest Elizabeth, accompanied by a novice from the convent, Sister Barbara. She was taken to Ekaterinburg to join the Imperial Family but was denied access them. At the end of May, Elizabeth was moved to nearby Alopaevsk with Grand Dukes Sergei, John, and Constantine and Count Vladimir Paley. On the night of July 5, they were all taken to a place outside Alopaevsk and executed. The Grand Duke Sergei was shot, but the others were thrown down a mineshaft and grenades were thrown after them. Elizabeth lived for several hours and could be heard singing hymns. On January 15, 1920, the bodies of Grand Duchess Elizabeth and Sister Barbara were brought to Jerusalem and laid to rest in the Church of St. Mary Magdalene on the Mount of Olives. In 1888, Emperor Alexander III appointed Grand Duke Sergei Alexandrovich, who was accompanied by Grand Duchess Elizabeth, to represent him at the consecration of this very church. Taken by the beauty of the church and the significance of the location, the Grand Duchess is said to have expressed her wish to be buried there, a wish that turned out to be prophetic. Elizabeth was glorified by the Russian Orthodox Church Outside of Russia in 1981 and by the Russian Orthodox Church as a whole in 1992 as New-Martyr Elizabeth. She is also one of ten twentieth-century martyrs memorialized above the Great West Door of Westminster Abbey in London.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Cabinet card produced by Charles Bergamasco, St. Petersburg, circa 1890, with photographer's blind stamp (lower right).8 1/4 X 4 inches (21 X 10 cm).Grand Duchess Elizabeth Feodorovna Grand Duchess Elizabeth Feodorovna of Russia, née Princess Elisabeth of Hesse and by Rhine (1864-1918), a princess of the House of Hesse-Darmstadt, was the second child of Ludwig IV, Grand Duke of Hesse and by Rhine, and Princess Alice, daughter of Queen Victoria, and the older sister of Empress Alexandra Feodorovna of Russia. She was chosen as the wife of Grand Duke Sergei Alexandrovich of Russia, the fifth son of Emperor Alexander II and Princess Marie of Hesse and by Rhine. Married in 1884 at the Winter Palace in St. Petersburg, the couple established themselves in Moscow in 1891 where the Grand Duke had been appointed Governor-General. It did not take long for the people of Moscow to appreciate the kindness and generosity of Grand Duchess Elizabeth. She paid frequent visits to hospitals, almshouses and orphanages and worked tirelessly to help the needy by distributing food and clothing, donating money and working to improve their living conditions. At the outbreak of the Russo-Japanese War, she led the initiative to aid soldiers on the front lines and opened an infirmary in Moscow for the wounded. Elizabeth also helped to coordinate the delivery of supplies, equipment, medicine and gifts for the soldiers and provided aid to war widows and orphans. Grand Duke Sergei, as a member of the Russian Imperial Family, increasingly was viewed as an obstacle by a growing revolutionary movement. As violence began to intensify in the aftermath of the Bloody Sunday massacre of January 22, 1905, Sergei was targeted for removal. On February 4, 1905, he fell victim to a terrorist bombing on the grounds of the Moscow Kremlin. Grand Duchess Elizabeth was leaving her palace at the time, and she arrived at the scene of the attack just as a soldier was spreading his cloak over the remains of her husband. Grand Duchess Elizabeth was so traumatized by her husband's assassination that she decided to devote herself to the church and to the service of the less fortunate. She gave away her collection of jewelry and sold her possessions. With the proceeds, Elizabeth founded the Convent of Saints Martha and Mary in Moscow, which opened in February 1909. She also purchased land and constructed a hospital, an orphanage for girls, and living quarters for the sisters. The abdication of Emperor Nicholas II in March of 1917 came as a tremendous shock to Grand Duchess Elizabeth. She believed Russia was on the precipice of disaster, but there was nothing she could do to prevent it. In April 1918, two days after Easter, the Bolsheviks came to arrest Elizabeth, accompanied by a novice from the convent, Sister Barbara. She was taken to Ekaterinburg to join the Imperial Family but was denied access them. At the end of May, Elizabeth was moved to nearby Alopaevsk with Grand Dukes Sergei, John, and Constantine and Count Vladimir Paley. On the night of July 5, they were all taken to a place outside Alopaevsk and executed. The Grand Duke Sergei was shot, but the others were thrown down a mineshaft and grenades were thrown after them. Elizabeth lived for several hours and could be heard singing hymns. On January 15, 1920, the bodies of Grand Duchess Elizabeth and Sister Barbara were brought to Jerusalem and laid to rest in the Church of St. Mary Magdalene on the Mount of Olives. In 1888, Emperor Alexander III appointed Grand Duke Sergei Alexandrovich, who was accompanied by Grand Duchess Elizabeth, to represent him at the consecration of this very church. Taken by the beauty of the church and the significance of the location, the Grand Duchess is said to have expressed her wish to be buried there, a wish that turned out to be prophetic. Elizabeth was glorified by the Russian Orthodox Church Outside of Russia in 1981 and by the Russian Orthodox Church as a whole in 1992 as New-Martyr Elizabeth. She is also one of ten twentieth-century martyrs memorialized above the Great West Door of Westminster Abbey in London.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Imperial Porcelain Manufactory, St. Petersburg, circa 1914-1916Ovoid, the front centering the black and gilt name of Elizabeth [Елизавета] beneath the Russian Imperial crown.Height 3 inches (7.6 cm).The name on the present egg is that of Grand Duchess Elizabeth Feodorovna of Russia, nee Princess Elisabeth of Hesse and by Rhine (1864-1918).Grand Duchess Elizabeth Feodorovna Grand Duchess Elizabeth Feodorovna of Russia, née Princess Elisabeth of Hesse and by Rhine (1864-1918), a princess of the House of Hesse-Darmstadt, was the second child of Ludwig IV, Grand Duke of Hesse and by Rhine, and Princess Alice, daughter of Queen Victoria, and the older sister of Empress Alexandra Feodorovna of Russia. She was chosen as the wife of Grand Duke Sergei Alexandrovich of Russia, the fifth son of Emperor Alexander II and Princess Marie of Hesse and by Rhine. Married in 1884 at the Winter Palace in St. Petersburg, the couple established themselves in Moscow in 1891 where the Grand Duke had been appointed Governor-General. It did not take long for the people of Moscow to appreciate the kindness and generosity of Grand Duchess Elizabeth. She paid frequent visits to hospitals, almshouses and orphanages and worked tirelessly to help the needy by distributing food and clothing, donating money and working to improve their living conditions. At the outbreak of the Russo-Japanese War, she led the initiative to aid soldiers on the front lines and opened an infirmary in Moscow for the wounded. Elizabeth also helped to coordinate the delivery of supplies, equipment, medicine and gifts for the soldiers and provided aid to war widows and orphans. Grand Duke Sergei, as a member of the Russian Imperial Family, increasingly was viewed as an obstacle by a growing revolutionary movement. As violence began to intensify in the aftermath of the Bloody Sunday massacre of January 22, 1905, Sergei was targeted for removal. On February 4, 1905, he fell victim to a terrorist bombing on the grounds of the Moscow Kremlin. Grand Duchess Elizabeth was leaving her palace at the time, and she arrived at the scene of the attack just as a soldier was spreading his cloak over the remains of her husband. Grand Duchess Elizabeth was so traumatized by her husband's assassination that she decided to devote herself to the church and to the service of the less fortunate. She gave away her collection of jewelry and sold her possessions. With the proceeds, Elizabeth founded the Convent of Saints Martha and Mary in Moscow, which opened in February 1909. She also purchased land and constructed a hospital, an orphanage for girls, and living quarters for the sisters. The abdication of Emperor Nicholas II in March of 1917 came as a tremendous shock to Grand Duchess Elizabeth. She believed Russia was on the precipice of disaster, but there was nothing she could do to prevent it. In April 1918, two days after Easter, the Bolsheviks came to arrest Elizabeth, accompanied by a novice from the convent, Sister Barbara. She was taken to Ekaterinburg to join the Imperial Family but was denied access them. At the end of May, Elizabeth was moved to nearby Alopaevsk with Grand Dukes Sergei, John, and Constantine and Count Vladimir Paley. On the night of July 5, they were all taken to a place outside Alopaevsk and executed. The Grand Duke Sergei was shot, but the others were thrown down a mineshaft and grenades were thrown after them. Elizabeth lived for several hours and could be heard singing hymns. On January 15, 1920, the bodies of Grand Duchess Elizabeth and Sister Barbara were brought to Jerusalem and laid to rest in the Church of St. Mary Magdalene on the Mount of Olives. In 1888, Emperor Alexander III appointed Grand Duke Sergei Alexandrovich, who was accompanied by Grand Duchess Elizabeth, to represent him at the consecration of this very church. Taken by the beauty of the church and the significance of the location, the Grand Duchess is said to have expressed her wish to be buried there, a wish that turned out to be prophetic. Elizabeth was glorified by the Russian Orthodox Church Outside of Russia in 1981 and by the Russian Orthodox Church as a whole in 1992 as New-Martyr Elizabeth. She is also one of ten twentieth-century martyrs memorialized above the Great West Door of Westminster Abbey in London.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
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![A group of porcelain and ceramic items To include: [a] A Wedgwood caneware tureen with hunting motif, made to simulate game p](https://cdn.globalauctionplatform.com/dc9e1312-1ba9-4de6-b7b5-b2e20101ade7/ada1ff8f-8cb4-4d70-b3a7-b2e2010c1e1a/468x382.jpg)
