There are 18768 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeOKRA; a modern contemporary art glass bowl, diameter 12.5cm, boxed, a pink art glass paperweight, an Okra glass vase, height 11.5cm, two Kosta Boda art glass ashtrays, both diameter 11cm, Jalanshi style art glass abstract paperweight, with indistinct signature to the base, height 15cm, and a Sally Tuffin for Dennis Chinaworks vase decorated with elephants, height 9cm, and another Dennis Chinaworks vase (8).
A collection of assorted 20th century sundry ceramics and glass, comprising a large twin handled stoneware vase, height 36cm, a large green glazed studio ceramic type jug, height to top of handle 35cm, further treacle glazed earthenware jug, height 21cm, modern studio ceramic plate, decorated with fruit, diameter 31.5cm, Silver Crane Company lidded ceramic model of a fountain pen, length 35cm, set of twelve Royal Crown Derby type Imari decorated knife handles, with separate blades, and a contemporary swirled blue and green art glass vase, height 20cm, diameter 21cm (8).
LANGI: A FINE DIAMOND SINGLE-STONE RINGOf architectural design, centring a marquise-shaped diamond weighing 2.13cts, to a plain brushed gold mount, mounted in 18K gold, signed Langi, Italian registry mark, ring size MAccompanied by a report from the GIA laboratory in America, stating that the natural diamond is 2.13cts, F colour, VS1 clarity. Report number 6224853215, dated March 23rd 2023.Alessandro Langella's story starts in Rome, a city where art and tradition have always come together. In 2010, he began his journey in the world of vintage designer jewellery. His love for art and design soon led him to create unique notable pieces.Langi Jewels, his signature collection, combines precious metals with modern materials and striking geometric shapes. Each piece reflects a mix of Rome's rich artistic heritage and a touch of futuristic style. Langi Jewels beautifully blends tradition with new ideas, creating jewellery that is both classic and contemporary. Condition Report: Signature and Italian registry mark located inside the hoopDiamond: accompanied by a report from the GIA laboratory in America, stating that the natural diamond is 2.13cts, F colour, VS1 clarity. Report number 6224853215, dated March 23rd 2023.Superficial signs of wear, overall in good conditionTotal gross weight approx. 11.9g
CARTIER: A RARE AND COLLECTIBLE LAPIS LAZULI, TURQUOISE AND DIAMOND NOVELTY CLIP BROOCH, CIRCA 1945The stylised scarab, with carved lapis lazuli body, a turquoise cabochon head, highlighted with single-cut diamond eyes and rose-cut feet at the front, mounted in 18K gold and platinum, signed Cartier Paris, with maker's mark, French assay marks, with maker's case, length 2.7cmAn identical brooch is illustrated, page 164, in the catalogue of the Cartier exhibition, L'Art de Cartier at the Musée du Petit Palais between October 1989-January 1990, by Hans Nadelhoffer.The discovery of Tutankhamun’s tomb in 1922 sparked a cultural phenomenon that extended far beyond archaeology. Throughout the 1920s and 1930s, the Egyptian Revival style swept across the decorative arts, leaving its mark on everything from ceramics and prints to furniture and, most strikingly, jewellery. Museums in Cairo and touring exhibitions in London and Paris further solidified the global fascination, showcasing the dynamic dialogue between age-old myths and contemporary design. The era’s fascination with ancient Egypt found a perfect partner in the materials and aesthetics of Art Deco: platinum, diamonds, onyx, and vibrant enamel brought ancient motifs into the modern age. Designers reimagined scarabs, sphinxes, lotuses, and hieroglyphs through the lens of contemporary luxury, resulting in pieces that were at once reverent and boldly forward-looking. Among the jewellers of the time, Cartier distinguished itself not merely by mimicking Egyptian symbols but by engaging directly with history. Louis Cartier developed a personal passion for Egyptian antiquity, travelling and acquiring genuine archaeological objects from dealers who handled finds from ongoing excavations. Rather than replicate ancient designs, Cartier incorporated these authentic artifacts such as scarabs, faience fragments, and deity heads into his own creations, elevating them with platinum and diamonds to craft sophisticated Art Deco jewels that were both historically rooted and stylistically avant-garde. This approach set Cartier apart, offering clients pieces that were not just inspired by the past but built from it. Egyptian-inspired jewellery is defined by its rich symbolism and vibrant palette. Gold, regarded as the skin of the gods, and silver, seen as divine bone, were used alongside vivid lapis lazuli, symbolising the intense, sky-like blue hair of the deities. Turquoise and green hues evoked the protective qualities of water and the Mediterranean. Jewellers embraced these colours and symbols, often incorporating amulets like the scarab, which in ancient mythology was observed pushing its ball in the desert, as a metaphor for the sun’s journey at dawn and a symbol of rebirth, cosmic order, good luck, and fortune. With the advent of global conflict, significant material shortages and restrictions rapidly transformed the landscape of jewellery production. The scarcity of platinum and diamonds forced designers to adopt innovative solutions without sacrificing the aesthetic values of their style. In response, jewellers began experimenting with advanced alloys and a wider array of semi-precious stones, reinterpreting traditional motifs with alternative materials that mimicked the allure of their predecessors. These necessary adaptations led to creative breakthroughs, ensuring that the symbolic richness and visual impact of their creations endured even in times of adversity. Even after the height of its popularity at the beginning of the 19th century, Egyptomania continued to resonate through popular culture. The mid-to-late 20th century saw waves of renewed interest thanks to cinema, particularly Hollywood films of the 1960s through the 1980s featuring mummies, curses, and pharaohs. These narratives reignited public fascination with Egypt’s mystique, sustaining its influence in both fashion and fine jewellery. From screen to studio, the mythos of ancient Egypt remained a rich source of inspiration and proving that, even decades later, its magic still had the power to captivate and create. Condition Report: Normal wear, overall in good conditionMaker's mark located on the reverse of the scarab and one of the two pin (horizontal lozenge with what I think is 'P(symbol)M'Double pin clip system - signature located on the reverse of the broochFrench assay marks for platinum and 18K gold located on the reverse of one feet and another eagle's head located on the pinCloses securelyTotal gross weight approx. 16.7g
LANGI: A DIAMOND 'ADAM'S' SINGLE-STONE RINGThe circular-shaped mount applied with a brushed finish, collet-set with an old European-cut diamond weighing 4.58cts, within an asymmetrical zircon surround, mounted in 18K gold and zircon, signed Langi, Italian registry mark, ring size M Alessandro Langella's story starts in Rome, a city where art and tradition have always come together. In 2010, he began his journey in the world of vintage designer jewellery. His love for art and design soon led him to create unique notable pieces.Langi Jewels, his signature collection, combines precious metals with modern materials and striking geometric shapes. Each piece reflects a mix of Rome's rich artistic heritage and a touch of futuristic style. Langi Jewels beautifully blends tradition with new ideas, creating jewellery that is both classic and contemporary. Condition Report: Diamond: weight provided by the vendor to be 4.58cts - estimated colour (difficult to gauge with mount) M/N and loupe clean within settingSigned Langi, stamped with Italian registry mark ‘*1425RM’, Zr, Au 750 and struck 4.58ctsSuperficial signs of wear, overall in good conditionTotal gross weight approx. 16.0g
This limited edition hardcover art book, Deste 33 Years, celebrates the rich history of the Deste Foundation for Contemporary Art and its influential exhibitions. Featuring bold imagery and thought-provoking contemporary artworks, the book provides an in-depth look at Deste’s impact on modern art. The book measures 8.5"L x 11.5"H x 2.5"H, while the accompanying marble-patterned slipcase measures 9.25"L x 2.75"W x 14"H, offering a sleek and protective presentation. A must-have collector’s item for art enthusiasts, contemporary art historians, and fans of avant-garde visual culture.Issued: 20th century Dimensions: See DescriptionCondition: New in box.
This signed and numbered limited edition print, Tidy HF (2017), by renowned contemporary artist POSE (Jordan Nickel), exemplifies his signature fusion of pop art and street art aesthetics. Created using spray paint and screen print techniques, this piece presents a bold and layered composition featuring dynamic shapes, expressive figures, and vibrant urban iconography. Numbered 19/25, it is hand-signed by POSE, adding to its rarity and collectible appeal. Framed in a sleek white frame with glass. Hand Finished, Hand signed and numbered by the artist. 12 color screen print on Mohawk Superfine Ultrawhite, 160lb cove with deckled edges. Custom Framed Floated on white Acid Free Matting with a Flat White Frame. Tidy is a continuation of the technical exploration and advancements pursued in previous editions, pushing to reference Pose's original paintings through the hand-pulled screen printing processes. These advancements include: Transparent overlays to reference the torn paper that's collaged on paintings, Multiple hand painted films to mimic painted textures, An increase in the number of semi transparent shadows that reference the spray shadows paintings, An increase in the number of semi transparent overlay layers intentionally offset to mimic textures in paintings and Upping the optical colors in the print through transparent colors printed over other colors. Printed by POP!NK Editions in POSE's studio, in direct collaboration to ensure a one of a kind edition.Artist: Jordan Nickel (American, b. 1980)Issued: 2017Dimensions: 21.75"L x 28"HCountry of Origin: United StatesCondition: Excellent.
Reality Killed The Fairytale Star? 8 Color Screen Print on 300gsm Fine Art Paper is a striking screenprint by German street artist Kunstrasen who presents a bold juxtaposition of innocence and militancy. The artwork features a reclining Snow White, rendered in vibrant colors, alongside a monochromatic armed figure, evoking themes of societal contrasts and subverted narratives. Kunstrasen's signature stencil technique and pop culture appropriation reflect the influence of urban street art movements. The print is an artist proof (AP) and bears the embossed stamp of Graffiti Prints, a well-known publisher of contemporary urban artworks. Hand-signed and dated by the artist in pencil in the lower right corner. Framed in Black to Fit.Artist: Kunstrasen (German b. 1979)Issued: 2015Dimensions: 31"L x 23.25"HCountry of Origin: UKCondition: Very Good.
Cash Block Making Dreams Happen is a striking mixed media sculpture made of paper and epoxy by contemporary artist Paul Nagy, who captures the illusion of wealth through hyper-realistic imagery. Designed as a wall-mounted piece, this sculptural work mimics a tightly stacked formation of $100 bills wrapped in bank straps, creating a compelling commentary on value, aspiration, and illusion. The three-dimensional structure is constructed from stainless steel and printed imagery, emphasizing texture and depth. A visually arresting and conversation-starting piece, it embodies themes of ambition and materialism, making it a standout in contemporary pop-influenced sculpture. Paul Nagy is a contemporary artist recognized for his sculptural works that explore themes of materialism, wealth, and perception. His creations often blend realism with conceptual art, utilizing mixed media techniques to challenge viewers' perspectives on value and aspiration. Through innovative design and bold execution, Nagy's works serve as both social commentary and striking visual statements. Includes title, signature, and numbers 002 on verso. Sculpture comes with a sturdy wall mount for display. Certificate of Authenticity included.Artist: Paul Nagy (American 20th-21st century)Issued: 2023Dimensions: 25"L x 25"W x 6"HCountry of Origin: USACondition: Age related wear.
A striking giclee screenprint by renowned street artist and designer Tristan Eaton, known for his dynamic fusion of pop culture, comic book aesthetics, and surrealist collage. This unique version from Women of Marvel: The Portrait Collection, in partnership with the comic industry titans Marvel Entertainment. is 1 of a kind from a series of 1,500 original fine-art prints consisting of 26 original hand-painted portraits and hundreds of layered design elements, making it a unique collectible series like no other. Handcrafted by the artist over months using spray paint on canvas, pen and ink, digital design, and custom print making, Eaton then used a custom algorithmic software to create 1500 surprising and beautiful works of art. The results rendering each piece totally unique and one of a kind.This limited edition of 1500 is a reinterpretation of Marvel's X-Men imagery, featuring a fragmented female portrait seamlessly integrated with bold comic-style illustrations, vivid color blocking, and layered typography. The work captures Eaton's signature technique of juxtaposing realism with abstract design elements, paying homage to both classic comic book artistry and contemporary street art. The composition is enhanced with a torn-edge presentation, a gold embossed seal, and a PSA authentication sticker. Eaton's distinct use of textures, halftones, and high-contrast black-and-white portraiture against vibrant pop-art hues makes this a compelling collector's piece for fans of both fine art and graphic illustration. On lower left: 1/1 # 1009. Artist: Tristan Eaton (American b. 1978)Issued: 2024Dimensions: 18"L x 23"HCountry of Origin: USACondition: Age related wear.
Paul Nagy's Liquid Gold is a striking mold casting sculpture made with gold chrome paint that explores themes of wealth, excess, and transformation. The piece features a cascade of gold bars arranged in a pyramid-like formation, appearing to form a pool of liquid gold. Extending upward from the structure, a dripping golden pipe further emphasizes the concept of fluidity, challenging the viewer's perception of permanence and value. The high-gloss metallic finish and surreal melting effect evoke a sense of opulence and fluidity, reminiscent of contemporary pop-art influences and hyper-materialism. This work aligns with Nagy's artistic exploration of material culture and symbolic wealth, making it a compelling statement piece with strong collectible appeal. Signed and titled under the base of the sculpture. Signature and date of artists on included certificate of authenticity. Piece # 001.Artist: Paul Nagy (American 20th-21st century)Issued: 2023Dimensions: 19"L x 21"W x 28.50"HCountry of Origin: USACondition: Age related wear.
Hardcover book by Stacey Goergen and Amanda Benchley, featuring photography by Oberto Gili and a foreword by Robert Storr. Published by Abrams, this book provides an in-depth look into the homes and collections of contemporary artists, showcasing how they incorporate art into their living spaces. The book contains 273 pages. ISBN 9781419717826.Artist: Amanda Benchley, Stacey GoergenIssued: 2015Dimensions: 10"L x 1.25"W x 11.25"HCountry of Origin: United StatesCondition: Age related wear.
Hand blown art glass, by renowned American glass artist Dale Chihuly. These glass sculptures feature Chihuly's signature organic forms with undulating, free-flowing edges and a dynamic, fluid appearance. The pieces display a radiant golden-yellow hue with intricate ribbed patterns and contrasting black rims, characteristic of the Persian series. Chihuly's Persians are celebrated for their vibrant colors and expressive movement, making this pair a remarkable addition to any contemporary art glass collection. Enclosed in a beautiful case, radiating the exotic coloration. Signed Chihuly to body. Includes display case, measures: 12.5"L x 12.5"W x 14"H.Artist: Dale Chihuly Issued: 2003Dimensions: 9.25"L x 5"W x 7"H, 8.5"L x 6.5"W x 5.5"HCountry of Origin: United States Condition: Age related wear.
Vibrant and surreal, Erik Jones' Rebecca and Desera is a striking contemporary piece blending realism and abstraction. Erik Jones is an American artist known for his striking and vibrant work that blends realism with surrealism. His style often features a combination of portraiture, abstract forms, and geometric patterns. Jones is particularly celebrated for his use of bold colors and intricate, often futuristic compositions. His work explores themes of identity, beauty, and the human form, often blending these elements with fantastical or dreamlike settings. Jones' artistic influences range from comic book art to graphic design, with a keen focus on the blending of traditional and digital techniques. His use of sharp lines and vivid, high-contrast color schemes is a hallmark of his distinctive style. Over the years, he has garnered attention for his paintings and digital art, with his pieces being displayed in various galleries and exhibitions worldwide. In addition to his visual art, Erik Jones has also collaborated with brands and companies, including Nike, Sony, Red Bull and Marvel showcasing his versatility across different media. This signed and numbered limited-edition print captures his signature style, fusing hyperrealistic portraiture with expressive, bold colors. The composition presents two dynamic figures set against a naturalistic backdrop, showcasing Jones' mastery of movement and energy. Measures 36"L x 24"H. Print. Artist signed. Numbered 35 of 50.Artist: Erik JonesDimensions: See DescriptionCondition: Age related wear.
Large-scale abstract mixed media painting on board by American artist Michael C. Kessler, titled Astichous. This expressive work features a geometric grid-like composition in deep cobalt blue and pale cream tones, layered with textural lines and sweeping arcs. The surface is richly worked, displaying both organic and structural qualities that typify Kessler's interest in balance and movement. Michael C. Kessler is a contemporary abstract painter known for his layered, luminous compositions that bridge the gap between biomorphic forms and minimalist structure. Based in Santa Fe, New Mexico, Kessler has exhibited widely across the United States, including at the Brooklyn Museum and the Philadelphia Museum of Art. His works are held in numerous public and private collections, and his process often involves building translucent layers of color that interact with gestural marks and grid systems.This piece commands attention with its expansive format and meditative energy. Signed and titled on the reverse. Mounted on board and unframed, Artist: Michael C. Kessler (American b. 1954)Issued: c. 2000Dimensions: 80"L x 36"HCountry of Origin: USACondition: Age related wear.
Paul Nagy's recycled polished aluminum cans wall sculpture titled Can-Can is a striking and dynamic assemblage of crushed aluminum cans, compacted into a monumental form that reflects themes of consumerism, sustainability, and pop culture. The surface of the piece is a vibrant mosaic of recognizable beverage brands, energy drinks, and soda cans, transforming everyday waste into a visually captivating composition. The juxtaposition of color, texture, and familiar branding elements elevates discarded materials into a bold artistic statement. The artwork is housed in a custom crate, signed by the artist, reinforcing its conceptual framing within contemporary mixed-media and found-object sculpture. Nagy's work aligns with movements in environmental and pop art, reminiscent of the repurposing aesthetics seen in the works of Cesar Baldaccini and Arman. I Design and build Wall and Freestanding Sculptures out of a variety of materials and processes. Utilizing 3d printers and fine art skills, mixed with highly skilled welding and fabrication. Nagy has garnered numerous awards in the Point of Purchase (POP) industry. His extensive background in various manufacturing techniques has seamlessly transitioned into his fine art practice, where he employs a diverse array of materials and processes. Nagy's artistic approach is characterized by the integration of 3D printing, fine art skills, and advanced welding and fabrication methods. This fusion results in unique, multidimensional sculptures that often reflect themes of consumerism, sustainability, and pop culture. His works transform everyday materials into visually captivating compositions, elevating discarded objects into bold artistic statement. Number 001. Date and signature included in certificate of authenticity. Artist: Paul Nagy (American 20th-21st century)Issued: 2023Dimensions: Approximatively 53"L x 10"W x 70"HCountry of Origin: USACondition: Age related wear.
Birdcage by Ruben Carrasco is a limited edition 23 Color Screen Print on 330 gsm Somerset Paper with 24ct Gold Leaf Hand Painted by the Artist, numbered 7 of 20, showcasing the artist’s fusion of surrealism and street art. The piece features intricate detailing with a striking composition that conveys depth and symbolism. Ruben Carrasco is a Mexican-Canadian contemporary artist and muralist based in Montreal, renowned for his international impact and multifaceted approach to art. Born and raised in Mexico, he began his artistic journey at 19 as a self-taught artist, later enhancing his skills at institutions such as the Anáhuac University in Cancun, Mexico, and McGill and Dawson College in Montreal, Canada. Throughout his career, Carrasco has created over 200 murals across the globe, including countries like Mexico, France, Canada, the United States, South Africa, England, China, Italy, Germany, Spain, Belize, Cuba, and Israel. His work has been featured in solo and group exhibitions, mural festivals, biennials, and live painting events, earning recognition from cultural organizations, embassies, governments, the press, and the artistic community. Based in Montreal, Carrasco actively engages in urban art projects with the support of local authorities. He has collaborated with the General Consulate of Mexico as a jury member for the Art Exhibitions Evaluation Committee for "Espacio Mexico." Additionally, he co-founded the international artists' collective "5 Wolves No Pigs" and played a pivotal role in establishing the FIAP and IPAF art festivals. Stamped with the Graffiti Prints Co. mark and signed with the artist’s name, this artwork is a standout in contemporary urban art. Measures 22"L x 29.25"H.Artist: Ruben CarrascoIssued: 2019Dimensions: See DescriptionCountry of Origin: UKCondition: Excellent.
A sealed exhibition catalogue for KAWS: Final Days, published in conjunction with the artist’s show at the Centro de Arte Contemporáneo de Málaga (CAC Málaga). This hardcover book features imagery from KAWS’ large-scale sculptures and paintings, including his signature Companion figures, and highlights his influence on contemporary art and design. A valuable addition for collectors of KAWS publications and street-art-inspired works.Artist: KAWSIssued: 2014Dimensions: 11.25"HCountry of Origin: SpainCondition: New.
Gerhard Mantz - Territoriale Existenz, 2003Moderne Digitalkunst. Größe: 140 x 100 cm. Hochwertiger Digitaldruck (Inkjet) auf Leinwand. Aus direktem Nachlass des Künstlers.Gerhard Mantz (*1950, Neu-Ulm - 2021) erkannte schon früh die künstlerischen Möglichkeiten der Computertechnologie und konnte diese für seine Arbeiten mit Talent einsetzen. Mantz studierte 1970-75 an der Kunstakademie Karlsruhe und kam in den 1980er Jahren nach Berlin wo er auch viele Ausstellungen hatte. In seinen frühen Jahren schuf Mantz noch reale Objekte, Plastiken aus Acryl, MDF, Holz und anderen Stoffen. Um das begrenzte Spektrum der anfassbaren Realität zu erweitern, fokussierte er sich in den 1990er und 2000er Jahren immer mehr auf virtuelle Objekte und gestaltete überwiegend Digitale Kunst. Es kam zur Entmaterialiserung. Für seine Digitalkunst erlangte der Künstler auch internationale Bekanntschaft. Seine Werke wurden in ganz Europa und den USA ausgestellt. U.a. 1985 Künstlerhaus Bethanien, 1988 Georg Kolbe Museum Berlin, 1989 Contemporary Art Center Osaka, 1990 Karl Bornstein Gallery, Los Angeles, 1999 Brandts Klædefabrik, Odense, 2008 P.S.1 Contemporary Art Center - Museum of Modern Art (MoMA) New York, 2014 Rosier Gallery, Berkeley, 2016 Galerie Hammelehle und Ahrens Köln in St. Gertrud, sowie zuletzt vermehrt im Till Richter Museum im Schloss Buggenhagen mit seinem letzten imposanten Werkzyklus "Avatare". Genauere Biographie auf der Künstler Homepage www.gerhard-mantz.de
Gerhard Mantz - Seltene Anflug, 2011Moderne Digitalkunst. Größe: 70 x 45 cm. Hochwertiger Digitaldruck (Inkjet) auf Leinwand. Aus direktem Nachlass des Künstlers.Gerhard Mantz (*1950, Neu-Ulm - 2021) erkannte schon früh die künstlerischen Möglichkeiten der Computertechnologie und konnte diese für seine Arbeiten mit Talent einsetzen. Mantz studierte 1970-75 an der Kunstakademie Karlsruhe und kam in den 1980er Jahren nach Berlin wo er auch viele Ausstellungen hatte. In seinen frühen Jahren schuf Mantz noch reale Objekte, Plastiken aus Acryl, MDF, Holz und anderen Stoffen. Um das begrenzte Spektrum der anfassbaren Realität zu erweitern, fokussierte er sich in den 1990er und 2000er Jahren immer mehr auf virtuelle Objekte und gestaltete überwiegend Digitale Kunst. Es kam zur Entmaterialiserung. Für seine Digitalkunst erlangte der Künstler auch internationale Bekanntschaft. Seine Werke wurden in ganz Europa und den USA ausgestellt. U.a. 1985 Künstlerhaus Bethanien, 1988 Georg Kolbe Museum Berlin, 1989 Contemporary Art Center Osaka, 1990 Karl Bornstein Gallery, Los Angeles, 1999 Brandts Klædefabrik, Odense, 2008 P.S.1 Contemporary Art Center - Museum of Modern Art (MoMA) New York, 2014 Rosier Gallery, Berkeley, 2016 Galerie Hammelehle und Ahrens Köln in St. Gertrud, sowie zuletzt vermehrt im Till Richter Museum im Schloss Buggenhagen mit seinem letzten imposanten Werkzyklus "Avatare". Genauere Biographie auf der Künstler Homepage www.gerhard-mantz.de
Gerhard Mantz - Arpége, 2010Moderne Digitalkunst. Größe: 140 x 100 cm. Hochwertiger Digitaldruck (Inkjet) auf Leinwand. Aus direktem Nachlass des Künstlers.Gerhard Mantz (*1950, Neu-Ulm - 2021) erkannte schon früh die künstlerischen Möglichkeiten der Computertechnologie und konnte diese für seine Arbeiten mit Talent einsetzen. Mantz studierte 1970-75 an der Kunstakademie Karlsruhe und kam in den 1980er Jahren nach Berlin wo er auch viele Ausstellungen hatte. In seinen frühen Jahren schuf Mantz noch reale Objekte, Plastiken aus Acryl, MDF, Holz und anderen Stoffen. Um das begrenzte Spektrum der anfassbaren Realität zu erweitern, fokussierte er sich in den 1990er und 2000er Jahren immer mehr auf virtuelle Objekte und gestaltete überwiegend Digitale Kunst. Es kam zur Entmaterialiserung. Für seine Digitalkunst erlangte der Künstler auch internationale Bekanntschaft. Seine Werke wurden in ganz Europa und den USA ausgestellt. U.a. 1985 Künstlerhaus Bethanien, 1988 Georg Kolbe Museum Berlin, 1989 Contemporary Art Center Osaka, 1990 Karl Bornstein Gallery, Los Angeles, 1999 Brandts Klædefabrik, Odense, 2008 P.S.1 Contemporary Art Center - Museum of Modern Art (MoMA) New York, 2014 Rosier Gallery, Berkeley, 2016 Galerie Hammelehle und Ahrens Köln in St. Gertrud, sowie zuletzt vermehrt im Till Richter Museum im Schloss Buggenhagen mit seinem letzten imposanten Werkzyklus "Avatare". Genauere Biographie auf der Künstler Homepage www.gerhard-mantz.de
Gerhard Mantz - Die Kraft der Hingabe, 2008Moderne Digitalkunst. Größe: 100 x 55 cm. Hochwertiger Digitaldruck (Inkjet) auf Leinwand. Aus direktem Nachlass des Künstlers.Gerhard Mantz (*1950, Neu-Ulm - 2021) erkannte schon früh die künstlerischen Möglichkeiten der Computertechnologie und konnte diese für seine Arbeiten mit Talent einsetzen. Mantz studierte 1970-75 an der Kunstakademie Karlsruhe und kam in den 1980er Jahren nach Berlin wo er auch viele Ausstellungen hatte. In seinen frühen Jahren schuf Mantz noch reale Objekte, Plastiken aus Acryl, MDF, Holz und anderen Stoffen. Um das begrenzte Spektrum der anfassbaren Realität zu erweitern, fokussierte er sich in den 1990er und 2000er Jahren immer mehr auf virtuelle Objekte und gestaltete überwiegend Digitale Kunst. Es kam zur Entmaterialiserung. Für seine Digitalkunst erlangte der Künstler auch internationale Bekanntschaft. Seine Werke wurden in ganz Europa und den USA ausgestellt. U.a. 1985 Künstlerhaus Bethanien, 1988 Georg Kolbe Museum Berlin, 1989 Contemporary Art Center Osaka, 1990 Karl Bornstein Gallery, Los Angeles, 1999 Brandts Klædefabrik, Odense, 2008 P.S.1 Contemporary Art Center - Museum of Modern Art (MoMA) New York, 2014 Rosier Gallery, Berkeley, 2016 Galerie Hammelehle und Ahrens Köln in St. Gertrud, sowie zuletzt vermehrt im Till Richter Museum im Schloss Buggenhagen mit seinem letzten imposanten Werkzyklus "Avatare". Genauere Biographie auf der Künstler Homepage www.gerhard-mantz.de
LTP Manjusri (Sri Lankan 1902-1982 - Columbo '43 Group): 'At The Palace' pencil rubbing etching signed with initials in pencil 20cm x 40cmNotes: LTP Manjusri was a pioneering figure in modern Sri Lankan art, known for his unique blend of traditional Buddhist themes and contemporary techniques. Born in 1902, he initially trained as a scholar in Sinhala, Pali, and Buddhist philosophy before discovering his passion for painting in Shantiniketan, where he met Nandalal Bose. A founding member of the Colombo '43 Group, Manjusri’s work—spanning temple murals, original paintings, and etchings—reflects his deep cultural and religious roots. His contributions were internationally recognized, with exhibitions in London, Vienna, and New York, and works held in major collections including the New York Public Library and the Horniman Museum. In 1979, he was honored with the Ramon Magsaysay Award and an honorary doctorate from the University of Peradeniya.
Hussein Shariffe, Sudanese 1934-2005-Untitled;Oil on canvas, with Gallery One label to reverse Index A284,48.5 x 59.5 cm (64 x 77 cm framed) Note:Hussein Shariffe was a prominent Sudanese filmmaker, painter, poet, and university lecturer at the University of Khartoum. After completing his education in Khartoum and Alexandria, Egypt, he went on to study modern history and fine arts in England, where he held his first exhibition at London’s Gallery One in 1957. Upon returning to Sudan in the 1970s, he contributed his expertise to both the Ministry of Culture and the Faculty of Arts at the University of Khartoum. In 1973, Shariffe began a new artistic venture in filmmaking, creating a series of documentary films and cinematographic essays that explored themes such as Sudanese traditions and history.For a recent sale of Shariffe's work, see Bonhams, 20 March 2025, Modern and Contemporary African Art, Lot 31. Condition Report: Paint flaking in areas; evidence of damp staining to top middle where paint has flaked, unexamined out of frame; dirt residue all over
A large sketch of a hunt scene, Kotah, Rajasthan, 18th centuryInk heighted with gouache on paper, hills and monuments identified in black Devanagari script, mounted, glazed and framed, 46 x 63cm.Provenance: From the Collection of Francis Golding (1944-2013).Francis Golding's collection of Chinese works of art was sold at Christie's in 2015 and was assembled over forty years from reputable London dealers such as Bluett & Sons, John Sparks, and Spink & Son, and international auction houses including Sotheby's, Bonham's, and Christie’s. His collection of Indian paintings and drawings were acquired with a similar approach and a number were purchased from his friend the painter and Indian art collector Sir Howard Hodgkin (1932-2017). They were placed artfully in his London Georgian townhouse, where he lived with his partner, art historian Dr Satish Padiyar. He was widely considered to be one of the country’s leading architectural, planning and conservation consultants. As such, he greatly influenced the contemporary architectural landscape of London. His clients included world renowned architect Richard Rogers, with whom he advised on The Leadenhall Building in the City of London known as “The Cheese Grater”; and Rafael Viñoly, whose distinctive building nicknamed “The Walkie-Talkie” towers above London’s surrounding historic financial district at 20 Fenchurch Street. The soaring public sky terrace there, “The Francis Golding Terrace”, was named after him as a mark of respect for a man whose passion for London’s architecture and urban landscape improved the quality of the many developments on which he advised. Francis Golding also advised the celebrated architect Norman Foster, with whom he worked on London’s iconic building the “Gherkin.” More than one hundred and fifty items of Francis Golding’s wardrobe were acquired by Museum of London in 2017.
A mesmerizing Caithness Glass paperweight titled "Daydreams," handcrafted in Scotland. This beautifully designed piece features an ethereal swirl of pastel pink, turquoise, and golden-yellow ribbons, suspended within crystal-clear glass with delicate bubble inclusions. Caithness, known for its exceptional art glass craftsmanship, has been producing collectible paperweights since the 1960s, blending traditional techniques with contemporary aesthetics.Issued: c. 1992Dimensions: 3.25" dia. Country of Origin: ScotlandCondition: Age related wear.
A set of three books showcasing the artistry and history of glassmaking and glass sculpture, perfect for collectors and enthusiasts. The first book, 'Artists Confronting the Inconceivable: Award Winning Glass Sculpture', edited by Irwin J. Borowsky. Published by the American Interfaith Institute in 1992, this book features award-winning glass sculptures and the artists behind them. The second book, 'G. Argy-Rousseau: Glassware as Art' by Janine Bloch-Dermant, with a catalogue raisonne of pate de verre. Published by Thames and Hudson in 1991, this comprehensive book highlights the works of G. Argy-Rousseau, an iconic glass artist of the 20th century. Lastly the third book, 'Contemporary Art Glass' by Ray and Lee Grover. Published by Crown Publishers in 1975, this book features 128 color plates and 48 black-and-white illustrations documenting the evolution and artistry of modern glassmaking. Book 1: 12"H; ISBN: 1-881060-00-4. Book 2: 11.25"H; ISBN: 9780500236260. Book 3: 11.25"H; ISBN: 0-517-516284.Artist: Irwin J. Borowsky, Janine Bloch-Dermant, and Ray and Lee GroverIssued: Late 20th centuryDimensions: See DescriptionCondition: Age related wear. As is. Torn cover.
JOHN PIPER C.H. (BRITISH 1903-1992) TABLE, c. 1957-9 signed (lower right), ceramic mosaic and painted metal 41cm high, 107cm wide, 46.5cm deep (16 1/8in high, 42 1/8in wide, 18 ¼in deep) The previous owner's family acquired it for Roundwood House in Harefield, Middlesex. Designed by Keith Roberts in 1956, the house featured a kitchen by the then-emerging designer Terence Conran. An architect's drawing of the house was included in Leslie Jackson's book The New Look: Design in the Fifties, published by Thames & Hudson to accompany exhibitions at Manchester City Art Gallery in 1991 and Glasgow Art Gallery in 1992. Bonham's, London, British Cool, 3 March 2022, lot 78, where acquired by the current owner. In 1957, Piper encountered artist Martin Froy working on a mosaic mural at the Kingston workshop of Dennis M. Williams & Co. Inspired by the project, Williams—whose family had a history as 'Freeman Tilers'—suggested that he and Piper collaborate on designing tables. Their goal was to reintroduce mosaic as a contemporary decorative art form, a trend that gained momentum in the late 1950s and 1960s as many civic and commercial buildings incorporated mosaics into their public spaces.With the expertise of Williams' principal assistant, Mrs. Grace Grove, materials such as vitreous glass, ceramic, and porcelain were sourced from Italy, Sweden, Spain, and India. Some tiles were custom-made to Piper's specifications, including a deep monastral blue and a soft pale yellow. Thanks to the workshop’s technical capabilities, Piper was able to translate his artistic vision directly into mosaic compositions. He remained deeply involved in the process, meticulously arranging the individual tesserae in each project.
ROBERT MACBRYDE (BRITISH 1913-1966) STILL LIFE - FRUIT IN A DISH (DESIGN FOR ASCHER SQUARE), c. 1947 signed and titled ‘Still Life / MacBryde’ in blue ink (to reverse), monotype on paper 34cm x 33cm (13 3/8in x 13in) Redfern Gallery, London, 1983, from whom acquired by Gillian Raffles;The Collection of Gillian Raffles. The painter and theatre designer Robert MacBryde collaborated with Ascher Ltd. in the 1940s to create artist-designed scarves. This current original design ‘Still Life’ went into production in 1947 in silk twill in an edition of 225, and MacBryde gave particular thought to the practical nature of the commission and material in designing this work: “I imagine more could be learned from the past about the application of decoration in textiles – not mere imitation of old patterns, but the correct proportion inside the function of the material.Presuming a square to be worn as headgear, it would have a variety of draping dictated by the form of a head and this should not conceal entirely the main pattern.This design is from a still life painted some time ago and adapted to my idea of a square as something to be worn.” Zika Ascher, the founder of Ascher Ltd., was known for commissioning contemporary artists to design textiles, resulting in unique and collectible pieces. MacBryde's collaboration with Ascher is a testament to the fusion of fine art and fashion during that era. The National Gallery of Victoria in Melbourne holds an example of this scarf in its collection.
GILLIAN LOWNDES (BRITISH 1936-2010) SCROLLSCAPE WITH WIRE AND SCROLLSCAPE COLLAGE kitchen utensils, found objects, porcelain and wire 46cm long (18in long) and 16cm long (6 ¼in long) (2) Contemporary Applied Arts, London, 1998;Collection of Professor John Chambers. Gillian Lowndes called herself a "gatherer of impedimenta" - a phrase that perfectly describes her raw, junk-infused sculptures. Her chaotic yet compelling assemblages, where everyday detritus - tea strainers, bulldog clips, loofahs, hammerheads, and kiln cones - merge through fire, glue, and brute force were truly radical, as with the current two works.From the late 1970s, Lowndes fired disparate materials at extreme temperatures, sometimes fusing them, sometimes smashing and reassembling them. Her Brick Bag series, inspired by London’s 1978–79 refuse strike, saw bricks wrapped in fiberglass tissue, while her Hook Figures - loofahs dipped in porcelain and fired - leave behind eerie skeletal husks. Straddling craft and fine art, her work has more in common with Eva Hesse’s experimental sculpture than with traditional studio pottery.Though largely overlooked in her lifetime, interest in Lowndes has surged posthumously, with major exhibitions and a 2012 monograph. Yet as was noted at the Holburne Museum exhibition Radical Clay in 2024 her work remains one of the art world’s ‘best kept secrets’ - perhaps because it resists easy categorization. Strange, awkward, and poetic, her assemblages seem less like art objects than relics of a lost future, unearthed from the ruins of our own making.
DAMIEN HIRST (BRITISH 1965- ) SPIN PAINTING, 2009 printed signature verso, acrylic on paper with Artist's blindstamp 52.5cm (20 ¾in) diameter, unframed Fundraiser to celebrate the opening of Damien Hirst: Requiem at the Pinchuck Art Centre, 25 -26 April 2009, where acquired by the present owner.Pinchuk Art Centre is a private contemporary art centre located in Kyiv with a collection of works by Ukrainian and international artists.
GILLIAN LOWNDES (BRITISH 1936-2010) FLAT CERAMIC WITH TEA STRAINER found objects, porcelain and wire 29cm long (11 3/8in long) Contemporary Applied Arts, London, 1994;Collection of Professor John Chambers. Gillian Lowndes called herself a "gatherer of impedimenta" - a phrase that perfectly describes her raw, junk-infused sculptures. Her chaotic yet compelling assemblages, where everyday detritus - tea strainers, bulldog clips, loofahs, hammerheads, and kiln cones - merge through fire, glue, and brute force were truly radical, as with the current two works.From the late 1970s, Lowndes fired disparate materials at extreme temperatures, sometimes fusing them, sometimes smashing and reassembling them. Her Brick Bag series, inspired by London’s 1978–79 refuse strike, saw bricks wrapped in fiberglass tissue, while her Hook Figures - loofahs dipped in porcelain and fired - leave behind eerie skeletal husks. Straddling craft and fine art, her work has more in common with Eva Hesse’s experimental sculpture than with traditional studio pottery.Though largely overlooked in her lifetime, interest in Lowndes has surged posthumously, with major exhibitions and a 2012 monograph. Yet as was noted at the Holburne Museum exhibition Radical Clay in 2024 her work remains one of the art world’s ‘best kept secrets’ - perhaps because it resists easy categorization. Strange, awkward, and poetic, her assemblages seem less like art objects than relics of a lost future, unearthed from the ruins of our own making.
MIRIAM HANID (BRITISH 1986-) CORIOLIS CENTREPIECE, 2009 stamped maker's mark, 999 and hallmarked for London 2009, fine silver 6cm high, 43cm wide, 25.5cm deep (2 3/8in high, 17in wide, 10in deep) Acquired at Goldsmiths Fair, directly from the maker, October 2009. Miriam Hanid created two versions of Coriolis—the first in 2009 – this example - which was later shown to the National Museum of Wales. Impressed by the work, the museum then commissioned and acquired a second version in 2010. The opposing directions in this model reference the Coriolis Force, the effect of the spinning earth on underwater currents. “In Coriolis we see hard metal transformed into a fluid form apparently tugged in opposite directions by competing forces. This, as its name indicates, is inspired by the Coriolis effect, the influence that the spinning of the Earth has on ocean currents and weather patterns.These tensions – between hard and fluid, between clockwise and counter-clockwise, between traditional technique (chasing and repoussé, flat chasing and engraving) and contemporary sculptural expression – combine to give the piece a remarkable sense of compact energy and dynamic potential.” (Andrew Renton, Head of Applied Art, Amgueddfa Cymru – National Museum Wales)
THE LITTLE MAST (KENNEDY 185; GLASGOW 196)Etching and drypoint printed in dark brown, 1879-80, on laid paper, a fine impression, signed with the butterfly and inscribed imp in pencil on the tab, Glasgow's eighth state of eight, from First Venice Set, published by The Fine Art Society, London, framed.Sheet 10 3/8 x 7 3/8 inches; 264 x 187 mm.Frame 16 5/8 x 13 3/8 inches; 422 x 340 mm.Provenance:P. von Baldinger-Seidenberg (Lugt 212)Sale, Sotheby's, New York, Old Master, 19th and 20th Century and Contemporary Prints, May 13, 1987, lot 184
CAMPBELL'S SOUP CAN (TOMATO) (FELDMAN/SCHELLMAN 4A)Color screenprint on shopping bag, 1966, signed and dedicated To John in black marker, from the edition of unknown size, published by the Institute of Contemporary Art, Boston, framed.Image 16 5/8 x 9 1/2 inches; 422 x 241 mm.Overall 23 1/2 x 16 1/2 inches; 597 x 419 mm.Frame 30 1/2 x 23 3/8 inches; 775 x 594 mm.
S. & H. GREEN STAMPS (FELDMAN/SCHELLMAN II.9)Color offset lithograph, 1965, on wove paper, signed and dated in ink, from the edition of approximately 300, published by the Institute of Contemporary Art, Philadelphia, with full margins, framed.Image 22 1/2 x 22 1/4 inches; 572 x 565 mm.Sheet 23 x 22 3/4 inches; 584 x 578 mm.Frame 23 1/4 x 23 1/4 inches; 591 x 591 mm.Partially affixed to card, some unobtrusive creasing, some almost imperceptible/mostly pale offsetting from frame along the top margin and bottom margins, unobtrusive minor printer's ink or soiling and small losses and short tears at sheet edges (longest tear 1/4 inch, one tear extending 1/8 inch into the image), framed with glass.
Steven Smith (21st century) hyper realistic painting of a young woman, entitled 'Serenity III', originally purchased from The Lemongrove Gallery, approx 60 x 60 cms, framed and glazed. Note: Steven Smith is a notable and exciting figurative artist. Steve studied Fine Art at Middleborough University and soon set up his own studio, where he has enjoyed tremendous success. Each piece is an exceptional example of contemporary photo-realism, the above being a lovely example. Condition Report Small area of paint loss to the middle of the painting, craquelure evident.
After Tim Gustard (Lake District, contemporary)"An Apple For Teacher", a Granny Smith apple with glass of water and Vasari's "Lives" (Giorgio Vasari, "The Lives of the Most Excellent Painters, Sculptors, and Architects", 1550), limited edition print, 46/195, signed and titled in graphite, in card mount and moulded gilt frame, 58 cm x 47 cm overall[Tim Gustard was born in 1954 in Lincolnshire and graduated from Stoke City Art School in the 1970s with a Bachelor's degree in Fine Art. In 1984 he was a finalist in the Young Artist of The Year Award at the London Mall Art Gallery and later exhibited in numerous prestigious institutions including The Royal Academy, The Royal Institute of Oil Painters, and the Royal Scottish Academy, as well as multiple international galleries. He is widely recognised for his highly detailed still-life paintings and has exhibited at Beckstones Art Gallery in Cumbria since the 1990s] [Artist's Resale Rights apply]
A group of largely contemporary jewellery, including a vintage Damascene demi-parure, a quartz, jade and other polished hardstones necklace, a Past Times "Tudor Heart" historical replica faux-pearl necklace, a similar Art Deco Faux-amber necklace and Masonic and other men's cufflinks, together with a group of vintage Timex, Rotary and other wristwatches
Y Tim Gustard (Lake District, contemporary)"... with cream", a chiaroscuro still-life of glistening strawberries in an 18th Century blue-and-white porcelain bowl, beside a berry spoon and silver baluster cream jug, the artist at work characteristically reflected in the latter, acrylic on paper, signed, in double box card mount and antiqued gilt frame under glass, 49 cm x 52 cm overall[Tim Gustard was born in 1954 in Lincolnshire and graduated from Stoke City Art School in the 1970s with a Bachelor's degree in Fine Art. In 1984 he was a finalist in the Young Artist of The Year Award at the London Mall Art Gallery and later exhibited in numerous prestigious institutions including The Royal Academy, The Royal Institute of Oil Painters, and the Royal Scottish Academy, as well as multiple international galleries. He is widely recognised for his highly detailed still-life paintings and has exhibited at Beckstones Art Gallery in Cumbria since the 1990s.] [Artist's Resale Rights apply]
This striking lithograph on paper by David Hockney entitled Celia In A Black Dress With White Flowers is part of a poster pulled for his 1980 exhibition at the Tate Gallery. The drawing portrays a contemplative figure adorned in a dark, high-collared garment, with a gracefully rendered white lily in the foreground. Hockney's signature minimalist style is evident in the delicate balance between fully realized detail and expressive negative space, allowing the viewer's imagination to engage with the scene. The work exudes an intimate, serene atmosphere, emblematic of Hockney's ability to capture both human presence and mood. David Hockney is one of the most celebrated contemporary artists of the 20th and 21st centuries. Born in Bradford, England, he emerged as a key figure in the British pop art movement during the 1960s. Hockney is renowned for his diverse artistic techniques, ranging from painting and printmaking to photography and digital art. His works are characterized by their vibrant colors, unique perspectives, and explorations of human relationships and landscapes. Artwork dimensions with frame: 17.75"L x 20.75"H x 1"W. Artwork can be unframed and rolled for shipment.Artist: David Hockney (American b. 1937) Issued: 1980Dimensions: See DescriptionCountry of Origin: USACondition: Age related wear.
Exquisite Daum France crystal sculpture titled Athena, designed by renowned Mexican architect and designer Pedro Ramirez Vazquez (1919-2013). This striking modernist interpretation of the Greek goddess Athena features an abstracted, faceted form that captures light beautifully, enhancing its sculptural depth. Signed by the artist and etched with Daum France, this piece exemplifies Daum's mastery in fine crystal artistry. A remarkable addition to any collection of contemporary glass art.Artist: Pedro Ramirez Vazquez (Mexico, 1919-2013)Issued: 20th centuryDimensions: 5"HCountry of Origin: FranceCondition: Age related wear.
John Nash RA (1893-1977) 'Harvesting'a lithographic poster, 1945, printed by Baynard Press for School Prints Ltd.49.5 x 76cmThis is an original lithographic print by the British artist John Nash RA (1893-1977) and published by School Prints Ltd., 1947. The design depicts a traditional harvesting scene in progress, with horse-drawn harvester and newly cut wheat sheafs scattered about an open field.School Prints Ltd. was set up in 1945 by Brenda Rawnsley to supply original, high quality, contemporary art to schools. The project commissioned both well-known and emerging artists, with the lithograph printing undertaken by the Baynard Press. Each lithograph had a drawn frame so that the print could be pinned to the wall. In the words of the Victoria and Albert Museum, 'the scheme was a unique attempt at giving children access to original works of art in a period of austerity'.
Vibrant color serigraph by Italian artist Giancarlo Impiglia titled The Grand Party, dated 1986. This artwork captures a lavish Art Deco-inspired social scene, featuring elegantly attired figures in geometric stylization, characteristic of Impiglia's distinctive approach. Set against a dramatic nighttime cityscape, the composition is framed by ornate arches adorned with classical motifs, reinforcing the opulent aesthetic. The figures, depicted in angular and fragmented forms, reflect Impiglia's signature fusion of Cubism and Futurism with a contemporary sensibility. Hand-signed and dated by the artist in pencil, lower right, with the edition marking H.C. 1/15, denoting it as a hors commerce proof outside the standard edition.Artist: Giancarlo Impiglia (Italian, b. 1940)Issued: 1986Dimensions: 42"L x 34"HCountry of Origin: ItalianCondition: Age related wear.
Ram Kumar, "Untitled", Oil on Board (1924-2018).An early work by Ram Kumar, this oil on board painting showcases his signature abstract style with an interplay of earthy tones, deep greens, and layered textures. The composition presents a fragmented landscape with bold brushstrokes, evoking a sense of movement and depth. Signed in the lower left, the piece reflects Kumar's transition from figurative art to abstraction, a hallmark of his artistic evolution. Ram Kumar (1924–2018) was one of India's most celebrated modernist painters, known for his evocative abstract landscapes and melancholic urban depictions. Initially trained as an economist, he shifted to painting after studying at the École Nationale Supérieure des Beaux-Arts in Paris, where he was influenced by the likes of Fernand Léger and André Lhote. His early works featured figurative compositions reflecting themes of social alienation and existential despair, but he later transitioned into abstraction, particularly inspired by the ghats of Varanasi and the vastness of nature. His textured canvases, often composed of muted tones and geometric forms, conveyed a deep emotional intensity, reflecting themes of solitude and introspection. A contemporary of artists like M.F. Husain and S.H. Raza, Ram Kumar played a crucial role in shaping India’s modern art movement. His legacy remains influential, with his works housed in major national and international collections.Approximately 46.8 x 35cmProvenance: From a distinguished collector based in the United States.
"Untitled" - VASUDEO S. GAITONDE (1924-2001), Water Colour on Paper.Two dark, cross-formed figures float weightlessly within a celestial expanse, flanked by delicate inked landscapes and a single glowing red orb—possibly the sun or a cosmic symbol. Gaitonde, known for his meditative and non-objective art, infuses this work with a sense of inner stillness and timelessness.Vasudeo S. Gaitonde (1924–2001) was one of India’s most revered modernist painters, best known for his meditative, abstract canvases that transcended language, narrative, and form. Born in Nagpur and trained at the Sir J.J. School of Art in Mumbai, Gaitonde began his career in the figurative tradition but soon moved toward a non-objective visual language. Deeply influenced by Zen Buddhism, calligraphy, and Indian philosophy, his paintings are not traditional abstractions but spiritual landscapes—quiet, luminous spaces created through meticulous layering, palette knife work, and intuitive mark-making.Gaitonde’s accomplishments reflect his unique position in Indian art. Though reclusive and introspective, he received significant recognition, including the Padma Shri in 1971, the Kalidas Samman in 1989, and several international fellowships such as the Rockefeller Fellowship in New York in 1964. He represented India at the Venice Biennale (1954) and participated in numerous prestigious exhibitions across the world. His canvases, often dominated by serene fields of color with subtle textural interventions, command some of the highest auction prices in Indian art, affirming his place among the great masters.Despite his quiet personality and relatively limited output, Gaitonde’s influence on Indian abstraction is profound. He believed painting was a path to inner silence and described his process as “a dialogue with the unknown.” Today, his works are held in major collections including the Guggenheim and the Museum of Modern Art (MoMA), and his legacy continues to shape contemporary art discourse in India and beyond.Approximately 75 x 56.3cmProvenance: Private collection from a distinguished USA collector.
"Untitled" - MAQBOOL FIDA HUSAIN (1913-2011), Water Colour. Against a luminous, abstract backdrop of turquoise, ochre, and green, the horses charge forward with electrifying energy. Their fragmented forms and exaggerated motion evoke both power and emotion, hallmarks of Husain’s modernist idiom. The dark orb above suggests a celestial element, perhaps a sun or moon, anchoring the composition in symbolic depth. Maqbool Fida Husain achieved numerous accomplishments over his prolific career, establishing himself as a towering figure in modern Indian art. He was a founding member of the Progressive Artists’ Group in 1947, a collective that redefined Indian art in the post-independence era by introducing a bold, modernist approach. Husain's work was internationally acclaimed—his paintings were exhibited in prestigious galleries across the globe, from the Tate Gallery in London to the São Paulo Biennale and the Venice Biennale. In recognition of his artistic contributions, he received some of India’s highest civilian honors, including the Padma Bhushan in 1973 and the Padma Vibhushan in 1991. Beyond painting, Husain also made significant strides in cinema, directing films like Through the Eyes of a Painter, which won a Golden Bear at the Berlin International Film Festival in 1967. His ability to blend Indian themes with contemporary style not only elevated his own stature but also brought Indian modern art to the global stage. With frame: Approximately 84.3 x 64cm Provenance: Private collection from a distinguished USA collector.
"Untitled" - MAQBOOL FIDA HUSAIN (1913-2011).A palette of stark whites, vivid blues, and deep earthen tones animates the canvas, while the aggressive geometry and expressive linework channel the power and frenzy of motion. The red backdrop and looming dark sphere introduce a sense of intensity and impending momentum, amplifying the symbolism of strength, freedom, and cultural continuity. Maqbool Fida Husain achieved numerous accomplishments over his prolific career, establishing himself as a towering figure in modern Indian art. He was a founding member of the Progressive Artists’ Group in 1947, a collective that redefined Indian art in the post-independence era by introducing a bold, modernist approach. Husain's work was internationally acclaimed—his paintings were exhibited in prestigious galleries across the globe, from the Tate Gallery in London to the São Paulo Biennale and the Venice Biennale. In recognition of his artistic contributions, he received some of India’s highest civilian honors, including the Padma Bhushan in 1973 and the Padma Vibhushan in 1991. Beyond painting, Husain also made significant strides in cinema, directing films like Through the Eyes of a Painter, which won a Golden Bear at the Berlin International Film Festival in 1967. His ability to blend Indian themes with contemporary style not only elevated his own stature but also brought Indian modern art to the global stage.Approximately 162 x 102cmProvenance: Private collection from a distinguished USA collector.
Loading...
