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This ceramic figurine titled Albanian Dice Thrower features a seated man in traditional Albanian attire, poised mid-game on a red patterned cushion. Richly hand-painted and inscribed on the underside.Issued: 20th centuryDimensions: 5.5"HCondition: Age related wear.

Pierre Jeanneret (Swiss, 1896-1967), a pair of 'PJEC-010301 Library Chairs’ or ‘Chaise En Teck’, designed for Chandigarh, c.1959-60, each of teak and cane, with a brown upholstered seat cushion, with painted marks, together with Certificate of Authenticity from Jacques Dworczak, 47.5cm wide50cm deep75cm high, 43cm high to seat (2)Provenance: University Library in Chandigarh;High Court in Chandigarh (2nd series of furniture in 1960).Reference: Swiss National Museum in Zurich;City Museum in Chandigarh.Literature: Jacques Dworczak, 'Catalogue Raisonné du Mobilier: Jeanneret Chandigarh', published by Assouline, p.92.Condition ReportThese chairs have been restored in Chandigarh, to the original specifications as to when these items were originally made whilst retaining all historical marks, scuffs, character and patina.

Vintage Ercol model 891 swan back rocking chair with cushion, 90cm H

Gemstones, a loose cushion cut Natural Ametrine stone measured at 28.91 carats, with a testing report and other paperwork from International Testing Laboratories & Gems Research Center

A vintage Homis watch with silvered cushion shaped dial, luminous numerals and hands, chrome plated case, hand winding mechanical movement, later leather strap, 32mm

[4.39g, L] - an Art Deco period platinum ring set with a cluster of diamonds and emerald, the central emerald cut green emerald assessed as 0.65ct and surrounded by two stepped milgrain settings of small diamonds, square setting with cushion corners, marked Plat and XRF confirmed as around 0.900 pure

A selection of objets d'art including Cornish red serpentine. To include two silver hallmarked thimbles, a modern silver pig pin cushion, a turned treen wax seal case, a serpentine barrel form Stanhope charm depicting Kynance Cove, and five other serpentine items (10)

A Persian type machine made carpet, and 3 other rugs, and a cushion

A silver pin cushion modelled as a gentleman's shoe - hallmarks indistinct, length 12cm.

This vivid Royal Doulton figurine, Abdullah HN2104, captures the commanding presence of a seated elder in a richly colored turban and robe. Seated on a patterned cushion with tasseled arms and crossed legs, his expressive face and detailed beard radiate wisdom and quiet authority. The bold glaze, vibrant palette, and sculpted folds of his garment make this piece visually striking from every angle. Royal Doulton backstamp.Artist: Leslie HarradineIssued: 1953 - 1962Dimensions: 5"L x 4.75"W x 6"HCountry of Origin: EnglandCondition: Age related wear.

19th century amethyst, gold and enamel necklace with cross pendant and matching earrings, the cruciform pendant suspended from graduated cushion cut amethysts in gold setting interspaced with gold and enamel quatrefoil panels and gold clasp with heart motif, 41cm length, together with a pair of matching pendant earrings, 30mm.The amethyst are all in good condition with no obvious abrasions of inclusions, even distribution of colour and seem secure in their settings The links are in good condition commensurate with age, no obvious signs of damage or repairs. Some minor losses to the enamel decoration. Clasp works well and looks original. The earrings are in good condition, the hook fittings are original, one is very fiddly/difficult to fasten. No obvious alterations. No hallmarks. Gross weight 20.7 grams.

The Duke and Duchess of Windsor, a fine cushion with floral and butterfly print, inventory label and Sotheby's part lot label for The Duke and Duchess of Windsor Sale 1997, 29 x 29cm

Fine Edwardian aquamarine and diamond pendant, the large cushion-cut aquamarine measuring approximately 32mm x 21.5mm x 13.7mm, surrounded by a border of rose cut diamonds suspended from a diamond scroll with old cut and rose cut diamonds in platinum setting, the pendant measures approximately 55mm.The pendant is in good condition. It has been in the same family for at least three generations. The aquamarine is in good condition commensurate with age. No obvious signs of any damage or repairs. Appears to be platinum setting. Weighs approximately 21.4 grams.

William & Mary revival walnut display cabinet with inlaid seaweed marquetry decoration, with cushion cornice and enclosed by three astragal glazed doors with three drawers below, on barley twist understructure, 153cm wide x 41cm deep x 166cm highNo shelves, the right hand door has a working key, the left door is locked and there's no key. One or two mouldings missing e,g, to foot of left door, one glass panel is becoming loose, some general wear

George III garnet and seed pearl ring with a cushion cut garnet surrounded by a border of seed pearls on gold acanthus leaf shoulders to a reeded and tapered gold shank, ring size J½.

A Northern European brass and ebonised cushion mirror, 19th century, the central bevelled plate within a press moulded frame with leaf and flowerhead decoration, overall dimensions 84 x 72cm together with one other wall mirror, 20th century, the bevelled rectangular plate within a faux reverse painted border, overall dimensions 87 x 65cm (2) Condition ReportMinor surface scratches, blemishes and scuffs to both. Areas of oxidisation to brass surface

A modern rustic pine dining table, of rectangular form, 149x88cm together with a set of four dining chairs, slatted backs with upholstered cushion seats. (5)

Lloyd Loom armchair with cushion seat

A vintage quilt, several, several woolwork and other cushion and two rolls of plain fabric

Large collection of china pin cushion dolls

Rolex Oyster Perpetual DateJust gentleman's stainless steel automatic wristwatch, circa 2002, Ref. 16234, serial No. Y261534, white computer dial, with Arabic hour markers and date aperture, on Rolex Jubilee stainless steel bracelet, with fold-over clasp, boxedCondition Report:Movement functioning, dial good, some scratches to case, glass cover with small chip to edge near 9 o'clock, hands moving freely, crown screws down tight, bracelet with scratches, most noticeably to clasp, clasp closes tight, inner circumference = 19.5cm, case diameter = 36mm (excluding crown), box with no cushion, no papers or additional links

This finely modeled Lladro porcelain figurine depicts a young ballerina seated atop a tasseled cushion as she adjusts her red satin slipper. Rendered in soft, hand-painted hues with delicate applied lace skirt and expressive features, the figure exemplifies Lladro's mastery of form and finish. The underside is signed Lladro in gilt. Measures 6"H. Artist: Amparo Amador Issued: 1957Dimensions: See DescriptionCountry of Origin: SpainCondition: Age related wear.

Victorian button upholstered walnut two-seater settee, arched carved top rail and finials, with velvet cushion back above upholstered seat flanked by fluted side columns and scroll carved and padded arms on baluster reeded and fluted legs Dimensions: Height: 95cm  Length/Width: 155cm  Depth/Diameter: 63cm

Four 19th-century walnut carved cushion-back dining chairs, button velvet upholstered shield back with carved top rail above square upholstered seat, on turned, baluster reeded and fluted legs Dimensions: Height: 90cm  Length/Width: 48cm  Depth/Diameter: 34cm

Late 19th century Anglo-Indian hardwood savonarola chair, the pierced and carved back inlaid with brass and bone motifs, shaped arms with slatted supports, X-frame base united by brass bosses, with later green velvet cushionDimensions: Height: 114cm  Length/Width: 60cm  Depth/Diameter: 62cm

Matching Victorian walnut parlour armchair and open chair, carved arched top rail, with button velvet upholstered cushion back and seat with padded upholstered scroll arms, flanked by fluted side columns, supported on baluster reeded and fluted legs on castors, open chair 58Wx51Dx94H, armchair 62Wx60Dx99H

Carolean design walnut and oak wingback open armchair, the high wingback upholstered in light blue herringbone fabric, acanthus leaf carved arms with scrolled terminals and on scrolled supports, cane work seat with squab cushion and scatter cushion, the lower rail carved and pierced with putti holding crown surrounded by curled acanthus leaves, leaf carved S-scroll supports united by Scrolled X-framed stretchers Dimensions: Height: 142cm  Length/Width: 82cm  Depth/Diameter: 85cm

Timothy Oulton for Halo - Contemporary leather armchair, deep buttoned back and arms with hand-applied studwork, loose seat cushion in aged brown hide, raised on turned front supports with castors and square rear legsDimensions: Height: 89cm  Length/Width: 78cm  Depth/Diameter: 97cm

19th-century oak gothic style arched panelled bench with rounded arms, plain apron on three straight legs with pad feet and drop-in leather cushion seat Dimensions: Height: 99cm  Length/Width: 171cm  Depth/Diameter: 67cm

AN ANTIQUE AMETHYST AND PEARL BROOCHin 15ct gold, set with a cushion cut amethyst, held in a closed-back setting, surrounded by a border of split pearls, secured with a hinged pin clasp, no assay marks, c.2.2cm, (c.7.1g)

AN ANTIQUE SAPPHIRE AND DIAMOND RINGin 18ct gold, set with three graduated cushion cut sapphires, alternating with pairs of rose cut diamonds, full British hallmarks for London, 1913, size S1/2 / 60.5, (c.4.2g)

CARTIER: A SAPPHIRE AND DIAMOND CLUSTER RING in platinum, set with a cushion cut sapphire of c.1.25 carats, surrounded by a cluster of pear cut and round brilliant cut diamonds totalling c.1.8-2.0 carats, signed 'Cartier' (obscured), serial numbered, size P / 56, (c.6.0g), displayed in a Cartier box

A RUBY AND DIAMOND CLUSTER RINGin 18ct white gold, set with a cushion cut ruby of c.0.90 carats, surrounded by a cluster of old mine cut diamonds, totalling c.0.6-0.8 carats, stamped '750', size L1/2 / 52, (c.5.1g)

A SAPPHIRE AND DIAMOND CHEQUER BOARD RINGin 18ct gold, pavé-set with cushion cut sapphires and old cut diamonds to stylised shoulders, no assay marks, size L1/2 / 52, (c.3.8g)

CARTIER: A 'LOVE' CHAIN BRACELETin 18ct gold, comprising two interlocking rings with screw motifs, to a trace link chain, secured with a lobster clasp, signed 'Cartier', serial numbered, Swiss assay marks, stamped 'Au750', c.18.0cm, (c.4.0g), accompanied by original Cartier pouch and cushion

A D COLOUR VS2 CLARITY DIAMOND ENGAGEMENT RINGin platinum, set with a cushion cut diamond of 0.58 carats, surrounded by a halo of round brilliant cut diamonds, full British hallmarks, size M1/4 / 52.75, (c.6.0g), accompanied by a diamond report stating that the diamond is D colour and VS2 clarity

A CITRINE PENDANTin 9ct gold, set with a cushion cut citrine of c.10.36 carats, no assay marks, c.3.3cm; together with a citrine ring; a garnet ring; and a green and white paste three stone ring (c.22.4g gross weight) (4)

A GEORGIAN BURMA NO HEAT RUBY AND DIAMOND CLUSTER RING in silver on 18ct gold, set with a cushion cut ruby of c.1.60 carats, surrounded by a cluster of old mine cut diamonds totalling c.0.30 carats, stamped '18CT', size M / 52, (c.3.5g) verbal confirmation from GCS stating that the ruby is of Burma (Mogok) origin with no indications of treatment

ROLEX: A SILVER CASED TRENCH WATCHwith manual wind movement, the white dial with black Arabic numerals, blue steel luminous hands and subsidiary seconds dial, with reeded bezel and cushion-shaped case, the case c.32mm dia.

A CITRINE AND PEARL BROOCHin 9ct gold, set with a cushion cut citrine of c.6.02 carats, surrounded by a border of split pearls, secured with a hinged pin clasp, c.1.9cm, (c.3.2g)

A DIAMOND DRESS RINGin 18ct gold, comprising three cushion-shaped bands, set with five round brilliant cut diamonds to the central band, flanked by bands set with further round brilliant cut diamonds, stamped '750', size L / 51, (c.8.2g)

A RUBY AND DIAMOND CLUSTER RINGin 18ct gold, set with a cushion cut ruby of c.3.52 carats, surrounded by a cluster of round brilliant cut diamonds, stamped '18CT', size J1/2 / 49, (c.4.9g)

A SAPPHIRE AND DIAMOND PENDANTin 18ct white gold, set with a cushion cut sapphire of c.2.30 carats and five round brilliant cut diamonds, stamped '750', c.1.4cm, (c.1.9g)

A large Victorian needlework sampler, dated 1850, by Elizabeth Sutcliffe, with central verse above trees and a bird, a large country house below, all within a foliate border, rosewood cushion moulded frame81 x 83cm overallThis piece is made on a linen base cloth with threads of wool.There is an area in the bottom right corner which is a bit darker, but the rest has a relatively even colour for its age.The stitches have no holes and show no obvious sign of damage.The wooden frame has a few chips on the outer layer of rosewood, and minor bumps along the back edge of the frame.The gold filet has slipped a little at the top, and the gilding is a bit damaged.We have'nt examined the piece out of the frame.Please see further images.

An Edwardian lacquered brass novelty pin cushion, modelled as a frog looking at a fly, 8cm wide; a Japanese carved hardwood netsuke, as a toad, bone seal, 5cm high; another, as a trio of frogs, plastic seal (3)

Watches - Skagen,433LSL1; Casio,5154 AQ230, 1572 W-86, 1330 Mo-24; Rotary, gold plated lady's; others Sekonda, Constant, Limit, Pulsar, Oasis etc mostly quartz movements, with two section 20 cushion watch box, assorted straps etc qty

A gent's 9ct gold black onyx and diamond set "G" initial ring, set with a central rectangular polished black onyx panel approx. 1.7cm's length and 1.3cm's wide, gold "G" initial applied over the black onyx and a melee cushion cut diamond set into the black onyx, stamped "9 375", size W 1/2, approx. 5.2g gross

A tested 9ct gold citrine quartz dress ring,set with an approx. 10.25ct rectangular cushion cut light yellow citrine, size J, approx. 4.9g gross

A continental gilded settee, with pale floral patterned material, deep buttoned back and cushion. Height 88 cm, width 122 cm, depth +/- 72 cm, seat height 38 cm (see illustration).

A 19th century library or reclining easy chair, with brass fittings and pullout leg support, upholstered in beige leather. Height to top of back in upright position 107 cm, width across upholstered section of arms 70 cm, seat depth 62 cm, width across front of seat cushion 56 cm (see illustration).

A Queen Anne style wing easy chair, with deep buttoned back outswept arms and loose cushion upholstered in beige foliate patterned material and raised on moulded legs united to the rear by stretchers and terminating in castors. Height 124 cm, width across front of arms at widest point 90 cm, seat depth 60 cm.The upholstery is in generally good condition.  There are age related knocks and marks to the legs and stretchers.  There is a little play in the wings and arms.  The cushion is in generally good condition with a stuffed interior.  In a seated position the chair is functional and relatively comfortable, showing very slight areas of bobbling to the hand rests.

A WILLIAM & MARY WALNUT 'CUSHION' FRAME MIRROR CIRCA 1690 57.5cm high, 52cm wide Condition Report: Frame with the marks, knocks, scratches and abrasions commensurate with age and use. Some old repairs and elements of replacement moulding in places - see images. Mirror plate and backboard later replaced. Some very minor evidence of old worm in places. The worm holes to the front of the frame have been disguised using dark wax/filler. The top of the back with grooves where a cresting originally was fixed (as usually seen on mirrors of this type and period). Generally mirror in tidy condition with just the expected restoration and expected signs of age and use. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A COLLECTION OF ELEVEN CUSHIONS AND A TAPESTRY FRAGMENT EARLY 18TH CENTURY AND LATER Incorporating sections of tapestry, gros and petit point work smallest cushion approximately 30 x 30cm; largest cushion approximately 70 x 45cm; the bordered tapestry fragment 76 x 74cm   Condition Report: As is not uncommon as fragments, these have historic wear and stitched repairs and losses and with colour fading and some loss to threading to both warp and weft. Generally cushions are in fairly good order, showing signs of regular domestic use and one smallest rectangular example with numerous losses and pulling apart at the seams and stains to reverse. slightly musty.Condition Report Disclaimer

A WILLIAM & MARY WALNUT AND FLORAL MARQUETRY CUSHION MIRROR CIRCA 1690 55cm high, 51cm wide Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips, splits and losses. Some minor evidence of old worm. The mirror plate has age and bears the expected bloom, loss and foxing, but is likely a later replacement. The surmount is lacking as is often the case for mirrors of this type and age, fillets of timber have been inset to fill in where the surmount would have once sat. Some old holes to the reverse from previous hanging fixtures.Condition Report Disclaimer

A WILLIAM & MARY FIGURED WALNUT CUSHION FRAMED MIRROR CIRCA 1690 65cm high, 59.5cm wide Condition Report: Frame with the marks, knocks, scratches and abrasions commensurate with age and use. Some old repairs and elements of replacement moulding in places - see images. Mirror plate replaced but has some age with some fogging and bloom Some very minor evidence of old worm in places. The worm holes to the front of the frame have been disguised using dark wax/filler. The top of the back with grooves where a cresting originally was fixed (as usually seen on mirrors of this type and period). The backboard appears to be original, with some later nails to resecure. Generally mirror in tidy condition with just the expected restoration and expected signs of age and use. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A PAIR OF GREEN PAINTED, PARCEL GILT AND LEATHER UPHOLSTERED ARMCHAIRS IN THE MANNER OF HENRY HOLLAND, LATE 19TH OR EARLY 20TH CENTURY 92cm high, 67.5cm wide, 85cm deep Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.The green paintwork and parcel gilt is later and distressed; the leather upholstery is intact and distressed, with one seat cushion opening; the side and back panels sit within the seat frame, some rather loosely; there is corrosion to the close nailing.There are some constructional cracks in various places including the feet, arms, etc (see photos) and loose joints requiring repair; there is some evidence of old worm; one chair with webbing to the underside of the seat, the other with black cloth; one caster detached, one roundel missing.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer

A FINE AND RARE QUEEN ANNE NEEDLEWORK WALNUT AND BEECHWOOD WING ARMCHAIR CIRCA 1710-1715 The serpentine crest rail flanked by wings continuing to out-scrolling arms, the seat cushion resting on an ogival shaped seat rail on squared cabriole supports, covered overall in 18th century needlework worked in gros and petit point polychrome wool with silk highlights depicting the Baptism of the Eunuch of Ethiopia by Philip (Acts VIII.26-39); details including the chariot, attendants and open Scriptures on the seat derive from an illustration by Matthew Merian of Basel in the 1627 New Testament published in Frankfurt (M. Swain, pp. 77-78) 138.5cm high, 82.5cm wide, 80cm deep Provenance: With Frank Partridge Ltd, London, circa 1928 Mr. Robert Tritton, Godmersham Park, Canterbury, Kent Collection of Irwin Untermyer, 1964 Sold Christie's New York, Living With Art: Property of the Metropolitan Museum of Art (3797); 14th & 15th December 2015, Lot 113 ($47,500 incl. BP) Private Collection Literature: Exhibition of Art Treasures under the Auspices of The British Antique Dealers' Association, Grafton Galleries, London, 1928, no. 31, p. 9 C. Hussey, 'Godmersham Park, Kent, III', Country Life, 2 March 1945, p. 377 (shown in the Library at Godmersham). Y. Hackenbroch, English Furniture with some furniture from other countries in the Irwin Untermyer Collection, Cambridge, Massachusetts, 1958, pl. 47-48, figs. 70-71 Y. Hackenbroch, English and Other Needlework, Tapestries and Textiles in the Irwin Untermyer Collection, Cambridge, Massachusetts, 1960, pl. 100-101, figs. 138-139. M. Swain, 'Pictorial Chair Covers: Some Engraved Sources', Furniture History, 1975, pp. 77-78, figs. 164-166, 168. Highlights of the Untermyer Collection of English and Continental Decorative Arts, New York, 1977, p. 71, no. 121.Exhibited: London, Grafton Galleries, Exhibition of Art Treasures under the Auspices of The British Antique Dealers Association, 1928, no. 31 (with Frank Partridge) Condition Report: Condition Report Disclaimer

AN UPHOLSTERED ARMCHAIR BY GEORGE SMITH, IN THE MANNER OF HOWARD & SONS, MODERN With maker's and fire safety labels beneath seat cushion 85cm high, 80cm wide, 100cm deep overall

A rectangular upholstered footstool with attached cushion seat, on square tapering legs Images of base and legs

A set of six Regency style black painted faux bamboo chairs each with a caned seat and later tie on cushion, 81cm high, seat height 44cm without cushions (6)All over good condition with. Later recaned with two chairs having the caned seat painted. Only four chairs with tie on cushions. Minor abrasions to painting and gilding. Structurally sound. Stretcher all intact. Top rail on one chair with stable crack. Light scuffs and scratches consistent with age and use.