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*Salvador Dali (1904-1989) signed embossed lithograph - "Le Cheval Marin", 1972, numbered 36/250, 50cm x 65cm, in glazed frame

Salvador Dali (1904-1989)-Graphic, Diane de Poitiers,Collour Etching on Paper, possibly hand signed, 57x77 cm

Salvador DALI (1904-1989) d’après. « Homme oiseau » Épreuve en bronze à patine noire. Signée « Dali » sur la base. Numérotée 213/1000 exemplaires. Montée sur un socle en bronze. Hauteur : 24 cm.

Salvador DALI (1984-1989) « Croix latine rayonnante » 1982 Pendentif en or jaune et lapis lazuli. Rehaussée de motifs géométriques sertis de diamants ronds, les rayons soutenant de petits rubis taillés en goutte. Signature et numérotation gravées « 006/999 ». Marqué "Italcambio" et daté au dos "1982" pour l'édition progressive. Dans son coffret d’origine à la forme. Cette œuvre a été réalisée d'après une étude de Salvador Dali de 1954. Dimensions : 5,8 x 3 cm. Vendu avec son certificat et boite d’origine.

Salvador DALI (1984-1989) (d’après). « Tristan et Iseult ». Circa 1980. Rare bas-relief en bronze doré à l’or, verre teinté rouge, cristaux et verre argenté. Signé « Dali » en bas à droite. Dimensions : 15 x 18 cm le sujet. Dimensions avec le cadre : 27 x 29 cm.

Salvador DALI (1984-1989) (d’après). « Profil de Gala ». Circa 1940. Plâtre vernissé représentant le profil de Gala orné de feuilles dans les cheveux. Signé « Dalí » dans le moulage. Cette œuvre fait référence au dessin de Salvador Dalí « Automatic Beginning of a Portrait of Gala » de 1933. Diamètre : 18 cm - Epaisseur : 2 cm.

Salvador DALI (1904-1989) « Oeil ». 1967. Prototype signé et modèle d'œil exécuté pour la sculpture finale du Cyclope. Prothèse d'oculariste à iris brun clair signée « Dali » puis vernis , accompagné d’un prototype à iris bleu en céramique émaillée sur bois. La prothèse est signée par Salvador Dali avec un dessin de vaisseaux sanguins. Dans sa boîte circulaire en métal peint en jaune et marquée sur le couvercle : " Lemoine-Flizet-Peigné, ocularistes. 76, boulevard de Magenta. Paris ». Dimensions de la prothèse d'oculariste : 2,2 x 2,8 x 1,1 cm. Dimensions du prototype : 2,6 x 1,7 cm. Provenance : Prothèse et prototype offerts en 1987 par un responsable de la cristallerie Daum à l'actuel propriétaire. Bibliographie : Noël Daum, La pâte de verre, Paris, Éditions Denoël, 1984, p. 167. Au même titre que le nouveau-réaliste César (1921-1998), Salvador Dali collabora avec Jacques Daum (1909-1987) à la création d'objets-décors surréalistes en pâte de cristal. Éditées par la célèbre manufacture de verrerie entre 1968 et 1985, les oeuvres ont pour particularité de remettre à l'honneur l'antique technique de la pâte de verre par adjonction d'environ un tiers de plomb. Dali conçut alors en 1967 une sculpture de près de 50 cm de hauteur stylisant Polyphème flanqué d'un unique oeil. Le modèle d'oeil non signé en céramique possède un iris bleu, comme dans la version finale de la sculpture éditée par Daum. Afin de concevoir sa création à partir d'un modèle naturaliste, Dali s'inspira de notre prothèse d'oculariste sur laquelle il apposa sa signature puis vernis. Cela laisse sous-entendre que le Cyclope était initialement doté d'un oeil brun clair.

Salvador DALI (1904-1989), drypoint on paper ’The Kiss’, numbered S XIX/L and signedSalvador DALI (1904-1989), droge naald op papier ‘De zoen’, genummerd S XIX/L en getekend40.5 x 25 cm uit de portfolio The Song of Songs of King Solomon, met certificaat Kunstgakerij De Vuyst 1982

The World's Greatest Art: Dali, ISBN 1844512940 - sold with The Chateaux of France by Marcus Binney

A large Salvador Dali display or factice bottle for the Dalistyle perfume, inscribed 'Salvador Dali' to the base, 41cm highCondition:Dirty and in need of cleaning. No visible cracks or chips.

DALI SALVADOR: (1904-1989) Spanish Surrealist Painter. A very good A.L.S., Salvador Dali, one page, brown paper, 4to, n.p., n.d., to Julien Green, in French. Dali sends the present letter in the 1930s announcing that he has sent some books to his correspondent, stating `Cher ami, Voici les livres que je vous avez(sic) promis de vous laisser et que je raporte de Cadaques´ ("Dear friend, Here are the books that I promised to give you and that I am bringing back from Cadaques") To a postscriptum, Dali says `Mes salutations les plus respectueusespour votre seur(sic) et vous, recevez cher ami l´afection(sic) sincere de votre Salvador Dali, a très bientôt´ (Translation: "My most respectful greetings to your sister and you, receive dear friend the sincere affection of your Salvador Dali, see you very soon") A very small tear to the upper right border, otherwise VGJulien Green (1900-1998) American Writer.Anne Green (1891-1979) American Writer and Translator.

DALI SALVADOR: (1904-1989) Spanish surrealist artist. A good, vintage illustrated signature (´Dali´) on an 8vo page removed from an autograph album, n.p., 1967. To the centre of the page the artist has signed his name, adding a crown at the head of the D and further enhancing the page with a series of ink strokes that could perhaps be interpreted as a mountain range in the background, with a shooting star in the skies, and the gentle waves of the sea in the foreground. Some light, uniform overall age toning and the left edge a little irregularly trimmed. VG

DALI SALVADOR: (1904-1989) Spanish surrealist artist. Signed 8 x 10 photograph of Dali standing in a three-quarter length pose before his painting Christ of Saint John of the Cross (1951) and holding his cane to a detail on the shoulder of the figure of Christ. Signed (´Dali´) with a hurried signature in blue ink to a lighter area of the image. The contrast of the signature is a little weak, although legible. Loosely contained in a folio presentation folder bound in pale beige cloth and with a stamped title (´Christ of St John of the Cross Autographed by Salvador Dali´) to the front cover. VGDali´s oil painting Christ of Saint John of the Cross is housed in the collection of the Kelvingrove Art Gallery and Museum in Glasgow. The Glasgow Corporation acquired the painting in 1952, the purchase causing some controversy at the time. The price of £8,200 was considered excessive at the time, however it was less than the £12,000 catalogue price, and included the copyright, which has earned Glasgow Museums back the original cost many times over.

[DALI SALVADOR]: (1904-1989) Spanish surrealist artist. An original unsigned 7 x 9.5 photograph of Dali, the gelatin silver print depicting the artist in a head and shoulders pose wearing a pinstripe suit and tie and with a walking cane, Paris, 1966. Photograph by Christian Besnard of Paris and bearing his credit stamp to the verso. VG

[DALI SALVADOR]: (1904-1989) Spanish surrealist artist. A good original unsigned 6 x 9 Keystone press agency photograph of Dali in Paris, the original printed caption affixed to the verso stating, in part, ´Salvador Dali....is a great lover of pranks. Today he was seen posing before a circus elephant and carrying a huge plastic ear before the Eiffel Tower. The ear, says Dali, is his new "source of inspiration". He did not explain what the ele`phant meant.....Riding the elephant is pretty Baby Blais wearing a dress named "Coup de Vent" (a perfume launched by Dali)´. The photograph dates from 22nd November 1958. Some light wrinkling and minor age wear, about VG

DALI SALVADOR: (1904-1989) Spanish Surrealist artist. A large and unusual signed and inscribed 9.5 x 7 photograph by Dali, the image showing the surrealist painter seated outdoors, in his home of Cadaques, Catalogne, in a full-length pose alongside his photographer and friend Jean Clemmer. Artistically signed and inscribed in bold purple ink large letters by Dali to the upper right corner, `A Jean Clemmer, Amicalement Dali´, also dated beneath his signature, 1973. G to VGJean Clemmer (1926-2001) Swiss Photographer.

DALI SALVADOR: (1904-1989) Spanish surrealist artist. An extraordinary signed and inscribed presentation copy of Dali, edited and arranged by Max Gérard and with text in English translated by Eleanor R. Morse, First Edition published by Harry N. Abrams Inc., New York, 1968. The hardcover large 4to edition features over 250 illustrations (a few pages loose) with 80 colour plates and 23 in toned gravure. Signed by Dali with a large and highly attractive signature (´Dali´) to the verso of the front free endpaper in bold gold paint, the signature incorporating a gold crown and measuring approximatelt 23 cm in height. Dali has also added the date, 1969, in his hand beneath his signature. To the background of the page Dali has added a series of original ink drawings which include a man on horseback, a desert landscape with a mountain range in the background (which stretches across the title page) featuring a tall, slender figure, a woman and child walking together across the barren desert, the former holding an object in one oustretched arm, as well as a creature that is highly reminiscent of a manticore. Dali has further added a presentation inscription in his hand, also signing on behalf of his wife and muse, Gala, ´Pour Les Lions Den, Hommage de [Dali; being the printed signature that forms the title of the book] et Gala´, also incorporating a small element of gold paint. Bound in the publisher´s illustrated cloth and with a decorative embossed gold foil dust jacket. An exceptional signed presentation copy with excellent association. Some light age wear, largely to the dust jacket, about VGLeonard Lyons (1906-1976) American newspaper columnist for the New York Post where his column, The Lyons Den, became a New York institution covering theatre, movies, politics and art. A portion of the original wrapper for the book (inscribed ´Mister Lyons´ in black crayon) was retained by the recipient, along with a further sheet of large tissue paper inscribed in large letters in both black ink and pencil ´Mister Liyons will call for it´. Both are included in the present lot.It is highly probable that Dali signed the present book during one of his frequent stays at New York´s St. Regis hotel, where he and Gala occupied Suite 1610 on their annual visits, the room also featuring a studio where the artist could work.

RUBINSTEIN ARTHUR: (1887-1982) Polish-American Pianist. Widely regarded as one of the greatest pianists of the 20th century and the greatest Chopin interpreter of his time. An excellent vintage signed and inscribed 8.5 x 11.5 matte photograph of Rubinstein, the Halsman image depicting the pianist in a close-up head and shoulders pose. Signed and inscribed in bold blue fountain pen ink to the right border `To dear Muriel with love from her devoted friend, Arthur´, also dated in her hand `Christmas 1944´. Signed by the photographer Philipp Halsman in white ink to the bottom right corner of the image. Bearing to the verso the photographer´s ink stamp. About VGPhilipp Halsman (1906-1979) American portrait photographer, from New York. Halsman photographed many celebrities, including Marilyn Monroe, Salvador Dali, Albert Einstein, and many more.Muriel Draper (1906-1979) American Writer, Artist and social Activist.

[SURREALISM]: A printed small 8vo exhibition catalogue (unsigned) for the Exposition Surréaliste at the Pierre Colle Gallery, Rue Cambacérès, Paris, 7th - 18th June (1933). The catalogue lists around seventy works that will be exhibited, arranged alphabetically by artist, including Jean Arp (three works), André Breton (´Objet´), Salvador Dali (one of the largest contributors with eight pieces including Harpe invisible, Chaise atmosphérique, Oeufs sur le plat atmosphériques, and Buste de femme rétrospectif etc.), Marcel Duchamp (´Pharmacie´), Paul Eluard (´Objet basé sur la perversion des oreilles´), Marie-Berthe Ernst (portraits of Max Ernst and André Breton), Max Ernst (seven pieces including Vol nupital, Un libertin attaqué d´une maladie mortelle..., Une lettre, and Objet sans prétention etc.), Alberto Giacometti (six pieces including Mannequin and Sucre minéral etc.), Georges Hugnet (´Le poil de la bête´), Valentine Hugo (seven pieces including Portrait d´Achim d´Arnim and La religieuse portugaise etc.), Rene Magritte (two pieces, both tables), Joan Miro (´Objets´), Man Ray (six pieces including Saucisse-artifice, Oeil-métronome, Portrait manqué etc.), Yves Tanguy (five pieces including Un risque dans chaque main, L´obsession de la prophétie, and L´opinion des oiseaux etc.) and others. Pablo Picasso was also due to exhibit three sculptures, however his name and entries have been neatly covered with a small piece of contemporary paper, evidently having withdrawn the artworks from the exhibition. Bound in the original brown paper wrappers with black printed title to the cover. About EXPierre Colle (1909-1948) French art dealer, painter and poet, a close friend of Max Jacob. Colle opened his second gallery on Rue Cambacérès where he organised notable exhibtions and was one of the first gallery owners to show the works of Salvador Dali.

A pair of Dali 104 speakers, height 86 cm.

Salvador Dali 'Metaphosis of Narcissus' poster. 127cm x 88cm, framed and glazed, 144cm x 106cm

AFTER SALVADOR DALI (1904-1989) 'MINOS - INFERNO 5', a woodblock print from the 'Devine Comedy' series, published 2004 by Park West Gallery with certificate of authenticity, approximate size 30cm x 23cm, Condition Report: nibbles to corner edges of the frame

Vintage Salvador Dali 'Softwatch' by Exaequo, Melting Mens Watch, untested

Salvador Dali (Spanish, 1904-1989) Christ of St John of the Cross 1982 Coloured lithograph on Japon paper, published by Magui Edition 245/450 Signed and numbered in pencil Stamped '© Magui 1982' verso Dimensions: (Unframed) 30 in. (H) x 22 in. (W)

Salvador Dali (Spanish, 1904-1989) Madonna with a rose 1982 Coloured lithograph Edition 2/450, published by Magui Signed and numbered in pencil Stamped '© Magui 1982' verso Dimensions: (Unframed, without mount) 30 in. (H) x 22.5 in. (W)

Art Interest Picasso - The Mediterranean Years 1945-1962, Gargosian Gallery; Grey Gowrie, 'Derek Hill - An Appreciation', Quartet Books 1987; together with other publications related to artists including John Singer Sargent, Salvador Dali, JMW Turner and more.

Salvador Dalí (1904-1989)Philosopher Crushed by the Cosmos (Field 74-12A; M&L 642)Engraving, with etching and lithograph in colours, 1974, signed in pencil, numbered from the edition of 195, published by Jean Lavigne, Paris, on Arches paper, with full margins, sheet 749 x 559mm (29 1/2 x 22in) This work is accompanied by a copy of a letter from Albert Field of the Salvador Dali Archives, confirming the authenticity of this lot.

Salvador Dalí (1904-1989)God, Time, Space and the Pope, from After 50 Years of Surrealism (Field 74-8I; M&L 667)Drypoint with etching and pochoir printed in colours, 1974, signed in pencil, numbered from the edition of 195, printed by Ateliers Rigal, Paris, published by Trans World Art, New York, on Arches paper, with full margins, sheet 654 x 500mm (25 3/4 x 19 5/8in) With the Dali Trade authentication inscription and signature in pencil verso

Salvador Dalí (1904-1989) Esto es, Esto no es, from Les Caprices de Goya de Dalí (Field 77-3; M&L 911)Drypoint on heliogravure with pochoir, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 447 x 312mm (17 5/8 x 12 1/4in)With the Dali Trade authentication inscription and signature in pencil verso 

Salvador Dalí (1904-1989) Couples Nus, from Nudes (Field 70-8E; M&L 1376) Lithograph, 1970/1972, signed in pencil, numbered in roman numerals from the edition of 120, printed by Atelier Desjobert, published by E.G.I., Paris, on BFK Rives paper, the full sheet printed to near the edges, sheet 563 x 756mm (22 1/8 x 29 3/4in)With the Dali Trade authentication and signature in pencil verso (dated 9/24/21)

Salvador Dalí (1904-1989)Liquid and Gaseous Television, from Imaginations and Objects of the Future (Field 75-11 C; M&L 824a)Etching with lithograph, screenprint and collage in colours, 1975-76, signed in pencil, numbered from the edition of 250, published by Merrill Chase Publishing Association, on Arches wove paper, with full margins, sheet 773 x 560mm (30 1/2 x 22in)With the Dali Trade authentication inscription and signature in pencil verso.

Salvador Dalí (1904-1989)L'ativisme desoxyribonucléique, from Les Dîners de Gala (Field 77-5H; M&L 1335)Photolithograph printed in colours with etching, 1971, signed and inscribed 'AP' in pencil, one of 50 artist's proofs aside from the edition of 395, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 555 x 745mm (21 7/8 x 29 3/8in)With the Dali Trade authentication inscription and signature in pencil verso (dated 9/18/24).

Salvador Dalí (1904-1989)Velasquez 'Les Ménines', from Changes in Great Masterpieces (Field 74-2D; M&L 1476)Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, with the Phyllis Lucas copyright ink stamp verso, on wove paper, with full margins, sheet 900 x 650mm (35 3/8 x 25 1/2in)With the Dali Trade authentication inscription and signature in pencil verso (dated 8/5/24).

Salvador Dalí (1904-1989)Raphael 'Le Mariage de la Vierge', from Changes in Great Masterpieces (Field 74-2C; M&L 1477)Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, with the Phyllis Lucas copyright ink stamp verso, on wove paper, with full margins, sheet 900 x 556mm (35 3/8 x 22in)With the Dali Trade authentication inscription and signature in pencil verso (dated 8/5/24).

Salvador Dalí (1904-1989)The Old Man and the Sea (Field 74-4-2; M&L 739a) Etching with drypoint, 1974, signed in pencil, numbered from the edition of 350, printed by Leblanc, Paris, published by Manus Press, Stuttgart, with the publisher's blindstamp, on Arches paper, with margins, sheet 554 x 380mm (21 7/8 x 15in) With the Dali Trade authentication inscription and signature in pencil verso.

Salvador Dalí (1904-1989)Monarchial Flesh Tones, from Les Dîners de Gala (Field 77-5G; M&L 1336) Photolithograph printed in colours and etching, 1971, signed in pencil, numbered from the edition of 395, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 557 x 745mm (22 x 29 3/8in) With the Dali Trade authentication inscription and signature in pencil verso.

Salvador Dalí (1904-1989)Pêcher Pénitant, from Flordali (Field 69-11E; M&L 348c)Photolithograph printed in colours with engraving and embossing, 1969/1970, signed and dated in pencil, from the edition of 200, printed by Ateliers Rigal, Paris, published by Werbungs- und Commerz Union, Anstalt, on BFK Rives paper, with margins, sheet 634 x 405mm (25 x 16in)With the Dali Trade authentication and signature in pencil verso (dated 10/11/25)

Salvador Dalí (1904-1989)Nu Endormi, from Nudes (Field 70-8F; M&L 1380a)Lithograph, 1970/2, signed in pencil, numbered from the edition of 120, printed by Atelier Desjobert, published by E.G.I., Paris, on BFK Rives paper, the full sheet printed to the edges, sheet 582 x 757mm (22 7/8 x 29 3/4in)With the Dali Trade authentication and signature in pencil verso (dated 9/24/21)

Salvador Dalí (1904-1989)Two of Swords, from Lyle Stuart Tarot Prints (Field 78-1C; Not in M&L)Lithograph printed in colours, 1978, signed in pencil, numbered from the edition of 250, published by Lyle Stuart, New York, on BFK Rives wove paper, with full margins, sheet 760 x 485mm (29 7/8 x 19 1/8in)With the Dali Trade authentication inscription and signature in pencil verso.

Salvador Dalí (1904-1989) Blanchefleur, from Le Décameron (Field 72-8; M&L 559) Drypoint etching printed in colours, 1972, signed in pencil, numbered from the edition of 124,  printed by Ateliers Rigal, co-published by Broutta/Fabbri/TransWorld/Börjeson, on Arches paper, with full margins, sheet 445 x 315mm (17 1/2 x 12 3/8in) With the Dali Trade authentication inscription and signature in pencil verso (11/24/23)    

Salvador DalíThe Frozen Watches of Space-Time (Field 74-12E; M&L 648)Engraving, with etching and lithograph in colours, 1974, signed in pencil, numbered from the edition of 195, published by Jean Lavigne, Paris, on Arches paper, with full margins, sheet 749 x 559mm (29 1/2 x 22in) This work is accompanied by a copy of a letter from Albert Field of the Salvador Dali Archives, confirming the authenticity of this lot.

Salvador DalíMartian Dalí Equipped with a Double Holo-Electronic Microscope (Field 74-12C; M&L 644)Engraving, with etching and lithograph in colours, 1974, signed in pencil, numbered from the edition of 195, published by Jean Lavigne, Paris, on Arches paper, with full margins, sheet 749 x 559mm (29 1/2 x 22in) This work is accompanied by a copy of a letter from Albert Field of the Salvador Dali Archives, confirming the authenticity of this lot.

Salvador Dalí (1904-1989) Los buzos del Futuro, plate 70 from Les Caprices de Goya de Dalí (Field 77-3; M&L 917)Drypoint on heliogravure with pochoir, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 444 x 314mm (17 1/2 x 12 3/8in)With the Dali Trade authentication inscription and signature in pencil verso (5/19/22)

Salvador Dalí (1904-1989)Rembrandt 'Portrait du peintre par lui-même', from Changes in Great Masterpieces (Field 74-2E; M&L 1474)Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, with the Phyllis Lucas copyright ink stamp verso, on wove paper, with full margins, sheet 840 x 630mm (33 x 24 3/4in)With the Dali Trade authentication inscription and signature in pencil verso (dated 8/5/24).

Salvador Dalí (1904-1989)Der Skulptur, from Faust (Field 69-1D; M&L 304)Engraving hand-finished with watercolour, 1969, signed in pencil, numbered from the edition of 145, printed by Robbe, published by Editions Argillet, Paris, on Japan paper, with wide margins, sheet 378 x 285mm (15 1/8 x 11 1/4in)With the Dali Trade authentication inscription and signature in pencil verso. 

Salvador Dalí (1904-1989)Velasquez 'Le reddition de Breda', from Changes in Great Masterpieces (Field 74-2B; M&L 1473)Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso, on wove paper, with full margins, sheet 743 x 782mm (29 1/4 x 30 3/4in)With the Dali Trade authentication inscription and signature in pencil verso.

Salvador Dalí (1904-1989)The Sacred Love of Gala, from After 50 Years of Surrealism (Field 74-8J; M&L 674)Etching with drypoint and pochoir in colours, 1974, signed in pencil, numbered from the deluxe edition F of 35 in roman numerals, printed by Atelier Rigal, Paris, published by Transworld Art, New York, with their blindstamp, on Japan paper, with full margins, sheet 670 x 515mm (26 3/8 x 20 1/4in)With the Dali Trade authentication inscription and signature in pencil verso (8/29/24)

Salvador Dalí (1904-1989)Butterflies of Anti-Matter (Field 74-12B; M&L 643)Engraving, with etching and lithograph in colours, 1974, signed in pencil, numbered from the edition of 195, published by Jean Lavigne, Paris, on Arches paper, with full margins, sheet 749 x 559mm (29 1/2 x 22in) This work is accompanied by a copy of a letter from Albert Field of the Salvador Dali Archives, confirming the authenticity of this lot.

Salvador Dalí (1904-1989) Pilgrim's Journey (Field 78-12; Not in M&L) Lithograph printed in colours, 1978, signed in pencil, numbered from the edition of 400, co-published by the Collectors Guild/Center Art, New York, on Arches paper, with full margins, sheet 746 x 545mm (29 3/8 x 21 1/2in) With the Dali Trade authentication inscription and signature in pencil verso (dated 4/21/25)    

Salvador Dalí (1904-1989)Les spoutniks astiques élasticots statisques, from Les Dîners de Gala (Field 77-5E; M&L 1338)Photolithograph printed in colours with etching, 1971, signed and inscribed 'AP' in pencil, one of 50 artist's proofs aside from the edition of 395, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 555 x 745mm (21 7/8 x 29 3/8in)With the Dali Trade authentication inscription and signature in pencil verso (dated 4/24/24).

Salvador Dalí (1904-1989) Melancolia sordida, plate 69 from Les Caprices de Goya de Dalí (Field 77-3; M&L 916)Drypoint on heliogravure with pochoir, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 447 x 312mm (17 5/8 x 12 1/4in)With the Dali Trade authentication inscription and signature in pencil verso (5/19/22)

Salvador Dalí (1904-1989) Plate 11, from Les Songes drolatiques de Pantagruel (Field 73-7K; M&L 1422)Lithograph printed in colours, 1973, signed in pencil, numbered from the edition of 250, printed by Grapholith, published by Carpentier, Paris, on Japan paper, with full margins, sheet 760 x 540mm (29 7/8 x 21 1/4in) With the Dali Trade authentication and signature in pencil verso

Salvador Dalí (1904-1989) Les Délices Petits Martyrs, from Les Dîners de Gala (Field 77-5K; M&L 1341) Lithograph printed in colours, 1977, signed and inscribed 'AP' in pencil, one of 50 artist's proofs aside from the edition of 195, printed by Draeger/Bellini, published by Jean Lavigne, Paris, on BFK Rives paper, with full margins, sheet 554 x 744mm (21 3/4 x 29 1/4in)With the Dali Trade authentication inscription and signature in pencil verso. Dated (01/25/2024).

Salvador Dalí (1904-1989)Pisum sensuale, from Neuf Paysages (Field 80-2I; M&L 245)Etching with aquatint, 1980, signed in pencil, numbered from the edition of 80, published by Jean Schneider, Basel, on wove paper, with full margins, sheet 500 x 496mm (19 3/4 x 19 1/2in) With the Dali Trade authentication inscription and signature in pencil verso (5/19/22)

Salvador Dali, 1904-1989, after, Sérénade, signed in pencil to margin, lithograph, 49cm x 60cm, framed

Pair of Dali Zensor 1 speakers (2)

A pair of Dali 4B beech floor standing speakers, height 84 cm.

§ Salvador Dali (Spanish, 1904-1989)'Le Cavalier Triomphant' 1973, from the 'Apocalypse' series,signed and numbered 20/197 in pencil to the margin, also signed by the publisher Joseph Foret of Paris,colour lithograph and drypoint on Arches cream wove paper, printed by Mourlot and Leblanc-Lallier, Paris, the image 77cm x 56cm

§ Salvador Dali (Spanish, 1904-1989)'Métamorphose topologique de la Venus de Milo traversée par des tiroirs' bronze, inscribed "Salvador Dali", numbered 156/350 and impressed with the Airaindor foundry mark, 20cm high x 11cm wide Literature R. & N. Descharnes, DALI, Scultpures and Objects: The Hard and the Soft, Eccart 2004, p. 266, no. 683, illustration of another cast Note: Conceived in plaster in 1973 and cast in bronze in 1982 in an edition of 330.

Outstanding etching in color with gold embellishments titled Jerusalem Girl by Salvador Dali. Published by La Maison de la Peinture, Paris in 1976, this limited edition work is executed on Arches paper and includes the original certificate of authenticity dated December 28, 1983. The surrealist composition features a contemplative female figure and ethereal elements, rendered in Dali's signature visionary style. Salvador Dali was a leading figure in the Surrealist movement, internationally renowned for his dreamlike imagery, meticulous draftsmanship, and eccentric personality. His work spans painting, sculpture, film, and printmaking. Hand-signed on lower right and numbered 74/250 in pencil by the artist. Certificate of Authenticity included.Artist: Salvador Dali (Spain 1904-1989)Issued: 1976Dimensions: 19.75"L x 26"HCountry of Origin: FranceCondition: Age related wear.