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Lot 344

Released in 2000, this Swarovski Crystal Cinderella figurine (item number 255108) is inspired by the classic Disney princess. The piece captures Cinderella in her iconic ballgown, gracefully posed with one foot raised behind her as she leaves behind her delicate glass slipper. Crafted with faceted clear crystal and accented with subtle pink details, the figurine is accompanied by a separate miniature crystal slipper and commemorative plaque etched with the designer's signature and year. Includes original presentation box and certificate. Swarovski Swan logo acid-etched on base. Largest item measures 4"H.Artist: Martin ZendronIssued: 2001-2005Dimensions: See DescriptionCountry of Origin: AustriaCondition: Age related wear.

Lot 342

This sparkling Swarovski crystal figurine captures Disney's beloved Tinker Bell in brilliant clear crystal with vibrant Aurora Borealis wings, standing atop a faceted crystal flower base. Introduced in 2008 as part of the Swarovski Disney Collection, this enchanting figurine was designed by Edith Mair and includes a matching crystal star-shaped plaque engraved with Disney's Tinker Bell 2008. A charming collector's piece for Disney and Swarovski fans alike, it bears the Swarovski acid-etched swan backstamp. Approx. 5"H. Box measures approx. 7.5"L x 7.5"H.Dimensions: See DescriptionCountry of Origin: AustriaCondition: Age related wear.

Lot 319

This charming 3-piece set features a Swarovski crystal figurine of Winnie the Pooh 905768 holding a balloon, accompanied by a faceted crystal honey pot 905772 and a Swarovski Winne the Pooh Lithograph. The Disney print is a 2007 illustration, showcasing beloved characters Tigger, Winnie the Pooh, Eeyore, and Piglet. The Swarovski figurine bears the iconic swan backstamp and the crystal society logo. A delightful combination of fine crystal craftsmanship and nostalgic Disney art. Lithograph measures 14"L x 11"H.Artist: Mario DilitzIssued: 21st centuryDimensions: See DescriptionCountry of Origin: AustriaCondition: Age related wear.

Lot 120

This lot features a delightful Swarovski set inspired by the beloved Disney classic, Snow White and the Seven Dwarfs. Included is a crystal apple plaque intricately etched with the Snow White logo, measuring approximately 2.5"L x 2.5"W x 2.5"H, and presented in its original deep blue Swarovski presentation box, marked with the Swarovski swan logo. The crystal apple is clear and exhibits the exceptional brilliance typical of Swarovski craftsmanship. Accompanying the crystal apple is a charming lithograph depicting Snow White and Dopey, mounted in a black matte folder adorned with a Swarovski crystal crown motif above the image and the Snow White and the Seven Dwarfs title below. The lithograph features a soft pink tint, capturing the heartwarming interaction between Snow White and Dopey. Plaque measures 1.25"H. Box measures 1.5"H. Litograph measures 14.5"L x 11"H. Issued: 20th century Dimensions: See DescriptionCountry of Origin: AustriaCondition: Age related wear.

Lot 318

Mickey Mouse (Model Number: 687414) from Swarovski's Disney Showcase Collection, the first series of Disney pieces produced by Swarovski. Designed by Edith Mair, this charming figurine stands 4 inches (98mm) tall, crafted in clear crystal with black eyes and nose, and bears both the Swarovski and Disney logos. Released in 2005 and retired in 2008, this Mickey Mouse is part of a series that also included Daisy Duck, Donald Duck, Minnie Mouse, Goofy, and Pluto. This item has its original box.Artist: Edith MairIssued: 2005-2008Dimensions: 4"HCountry of Origin: AustriaCondition: Age related wear.

Lot 341

Lead crystal figurine and plaque designed after Disney's iconic Peter Pam film. Much loved character displays vibrant colors and impressive attention to detail. Peter Pan's olivine green crystal hat is embellished with an eye catching light smoked topaz crystal feather, wearing a delicate topaz crystal knife on his crystal belt. He is finished sitting on a crystal silver shade rock. this enchanting piece comes with its Disney Swarovski star shaped plaque. Swarovski backstamp. Figurine measures: 1.75"L x 1.5"W x 4"H. Plaque measures: 1"L x 1.25"W x 1.25"H. This item has its original boxes. Largest box measures: 6"L x 6"W x 4"H. Smallest box measures: 3.25"W x 2.75"H.Artist: Swarovski TeamIssued: 2011 - 2013Dimensions: See DescriptionCountry of Origin: AustriaCondition: Age related wear.

Lot 1196G

Three pieces of Swarovski jewellery, a Princess range brooch in box and two Disney related necklaces depicting Minnie & Mickey Mouse, all boxed [3]

Lot 685

1976 Mickey Mouse push button phone, complete with box, manual and booklet. Model TMIF 8000 by Deco-Tel for Disney, box dimensions 28cm x 26cm x 43cm

Lot 686

Retro Mickey Mouse animated talking cordless phone, complete with box and manual. Manufactured by Telemania for Disney, box 27cm x 21cm x 39cm

Lot 504

Qty of vintage children's hardback Ladybird fiction books to incl titles in the Puddle Lane series, and Key Words Reading Scheme series, some Disney etc

Lot 279

Pair of clear cut crystal toasting flutes manufactured by Waterford Crystal for Walt Disney. Each flute features a faceted stem and a cut design incorporating both a traditional crisscross motif and stylized Mickey Mouse silhouettes. Both pieces bear acid-etched Waterford and Disney signatures on the base. The set is accompanied by its original Waterford box.Dimensions: 3.25"W x 9.25"HCountry of Origin: IrelandCondition: Age related wear.

Lot 142

Extensive mixed lot of over 50 collectible lapel pins, brooches, and novelty items spanning multiple themes and decades. Includes pins representing: Disney characters (Mickey, Goofy, etc.); Warner Bros. (Tweety), Corporate and promotional (Panasonic, Royal Caribbean, HBO); Military, patriotic & Olympic pins; Themed travel, education, LGBTQ pride, religious, scouting, school spirit & music bands. Also includes three vintage wristwatches: Black Gruen Quartz GQ wristwatch with gold-tone accents; Leather cuff-style Sheraton promotional watch; and Armitron figural watch with yellow vinyl strap, featuring Tweety Bird. A vibrant, nostalgic assemblage perfect for collectors, crafters, or resale.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.

Lot 89

Collection of boxed jewellery; Two ladies ICE watches, Juicy Couture charm bracelet, Brooks & Bentley bracelet. Disney Beauty & the Beast watch and other items.

Lot 189

Ardleigh Elliott Disney Happily Ever After Walt Disney princess Music Boxes.

Lot 197

Selection of Disney & Harry Potter collectables; Harry potter making potions, Minnie mouse, tinker bell snow globe, minnie and mickey snow globe, Mulan snow globe, Purfection showcase figure and Alice in wonderland showcase.

Lot 173

Collection of Disney Showcase figurines; Sleeping Beauty loves first kiss, Snow White and dwarves, Franklin Mint Cinderella and Esmeralda.

Lot 196

Collection of Four Walt Disney snow Globes; Winnie the Pooh, Snow white and the seven dwarves, Cinderella and Mulan.

Lot 234

Collection of Swarovski Crystal Disney Characters.

Lot 168

Collection of Disney Showcase Figurines; Rapunzel Daring heights, Alice, Elsa, Belle and the little mermaid with boxes.

Lot 202

Selection of Disney collectables & other items; Showcase Olaf, Harry potter snow globe, Eeyore Snow Globe, Belle snow globe, various bradew musical eggs and Royal Doulton Top dogs figure.

Lot 225

Collection of Four Walt Disney Swarovski Crystal figures; Dumbo, Pluto, Tigger & Bambi with plaque.

Lot 174

Collection of Five Royal Doulton Disney Show case Princesses figurines; Jasmine, Sleeping Beauty, Belle, Snow White and Ariel.

Lot 190

Selection of Walt Disney collectables; Jungle book tea pot, Cinderella figures, Royal Doulton Ariel, Bamby and dwarves.

Lot 219

Collection of Four Tinkerbell Disney Britto figurines.

Lot 247

Two Swarovski Disney Characters; Snow white Seven dwarfs characters; Sleepy & Grumpy

Lot 230

Collection of Two Swarovski Disney characters Mickey Mouse and Minnie Mouse.

Lot 185

Collection of Walt Disney collectable Mugs.

Lot 206

Collection of Walt Disney collectable Christmas Bobbles; Beauty and the beast, Dumbo, Tiger, Pluto and Peter Pan with others.

Lot 354

FANTASIA (1940) - Mickey Mouse "Sorcerer's Apprentice" Original Production Pencil Drawing - An original production drawing of Mickey Mouse in his most iconic role, as the Sorcerer's Apprentice from Walt Disney's 1940 animated film Fantasia. Fantasia was a landmark in animation,  both artistically and technically, with the Mickey's Sorcerer's Apprentice segment perhaps its most iconic. Drawings from Fantasia, especially those featuring Mickey in full figure and a strong pose, are an important artefact from the Walt Disney Studio's Golden Age and a key piece for any collector.The drawing shows Mickey in his complete wizard's robe, arms extended, weight forward, and the classic silhouette etched into the history of animation. It captures the wide-eyed, dramatic moment as Mickey reaches forward mid-spell. The artwork is rendered in graphite on 12-field, 3-peg animation paper and numbered C64 in the lower right. Below his feet are green pencil marks for the shadowing, while the animation note "DXD 64" refers to the corresponding effects cel. There is a discoloured mark in each corner on the back of the paper, and the lot displays some minor edge wear. Dimensions: 25.5 cm x 30.5 cm (10" x 12")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

Lot 394

PINOCCHIO (1940) - The Blue Fairy Original Production Pencil Drawing - An original animation drawing of the Blue Fairy from Walt Disney's Pinocchio.The Blue Fairy appears only briefly in the film, but her role is vital: she brings Pinocchio to life and sets the story's emotional arc in motion. As a character, she needed to appear both ethereal and grounded, human enough to be believable, yet with an unmistakable sense of magic. Supervising animator Hamilton "Ham" Luske, one of Walt Disney's most trusted creative leads, was responsible for her animation. Luske's work on the Blue Fairy refined the realism he brought to Snow White just a few years earlier, and his delicate handling of performance gives this character such lasting impact.To help guide the realism needed, actress Evelyn Venable was used as the live-action reference model. Her graceful features and composure made her an ideal match for the Blue Fairy's elegant design. There has long been speculation that she also provided the voice, though no formal credit was given.Drawings like this, where the clarity of line reveals so much about performance, staging, and intent, were considered the backbone of the animation process. Walt Disney believed the drawing was the true artistry, with cels merely a byproduct of that foundational work and a 'tool of the job'. While most production cels were destroyed or reused, drawings of this calibre were often archived, studied, and retained.It is rendered in graphite with subtle coloured pencil accents on her wings. She is portrayed with classical poise and serenity, mid-motion, and her expression is full of grace. The paper is labelled "53" in the lower right corner, and a handwritten annotation reads "tongue". There are some minor rips around some of the paper edges. Dimensions: 25.5 cm x 30.5 cm (10" x 12")Sold without copyright; see copyright notice in the Buyer's Guide.This item will ship from our LA facilityVAT Status: US

Lot 352

FANTASIA (1940) - Mickey Mouse "Sorcerer's Apprentice" Model Cel - A rare model cel of Mickey Mouse as the Sorcerer's Apprentice, one of the most enduring images in Disney history, from the landmark animated feature Fantasia.The film was one of the first features to combine classical music with hand-drawn animation in an ambitious, abstract, and cinematic experiment that pushed the limits of animation as a fine art.While indistinguishable from screen-used production cels, this example is believed to have been created as a model cel, a reference piece used by animators or the ink and paint department to maintain consistency in character design and colour across multiple scenes. Model cels from Fantasia are exceptionally scarce, and this piece radiates the magic and innovation that made the film a technical marvel of its time.This hand-inked and hand-painted cel captures the moment Mickey turns to grab the iconic blue hat from the unforgettable "Sorcerer's Apprentice" sequence. Mickey's expression, gesture, and red apprentice robe are rendered in full classic detail, carefully trimmed, and applied to a richly toned hand-painted presentation background evocative of the film's moody, mystical setting. The quality of the brushwork and colour layering across both cel and background is exceptional. Dimensions: 33 cm x 33 cm (13" x 13")Sold without copyright; see copyright notice in the Buyer's Guide.This item will ship from our LA facilityVAT Status: US

Lot 398

ROBIN HOOD (1973) - Sir Hiss and Little John Original Production Cel and Background - An original multi-layer production animation cel and background setup featuring Sir Hiss and Little John signed by animators Frank Thomas and Ollie Johnston from Walt Disney's animated film Robin Hood.A complete and cinematic setup with expressive, full-figure character cels, layered production artistry, and direct lineage to two of the studio's most influential animators. It is a true highlight for collectors of Disney's hand-painted era.This moment captures Sir Hiss confronting Little John, disguised as a fortune teller, about the missing jewels from Prince John's ring, only for Little John to flash a triumphant grin and reveal them. The lot includes three layers of hand-painted production cels used in the making of the film and appearing just frames apart in the same scene, and a hand-painted production background from a slightly later scene in the same sequence, where Little John admires the royal carriage's solid gold hubcaps. All three acetate sheets have handwritten production numbers along the bottom edge.Completing the setup is a xerographic overlay cel used to convey detail in the earth and foliage, a technical approach made possible by the xerographic ink-line process developed by Disney for One Hundred And One Dalmatians (1961) and carried into the studio's 1970s productions.The cel is signed in black ink by Frank Thomas and Ollie Johnston, two of Disney's legendary "Nine Old Men," whose expressive animation and character timing helped define Robin Hood's tone and visual charm. Their work on this film, and across the golden age of Disney animation, shaped the studio's enduring legacy. Dimensions (mounted): 40 x 54 cm (15.5" x 21")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M

Lot 341

BEAUTY AND THE BEAST (1991) - Collection of Four Production Concept Designs by Hans Bacher - A collection of four original hand-drawn and painted concept designs by celebrated artist Hans Bacher, created during the early development of Disney's Academy Award-winning animated feature Beauty and the Beast.Hans Bacher, a renowned production designer and visual development artist, contributed extensively to some of Disney's greatest animated achievements, including Mulan, Aladdin, Hercules, and Who Framed Roger Rabbit. For Beauty and the Beast, Bacher served as a production consultant and visual development artist, helping shape the film's visual atmosphere and emotional tone. Rarely do such treasures from Disney's "Renaissance" period surface on the open market, original pre-production artworks of this calibre are fiercely sought after and represent an extraordinary opportunity to acquire a piece of Beauty and the Beast's creative journey.This lot includes a hand-painted full character study of Mrs. Potts in her human form dressed in a period costume (dated "4/20/89"); a concept storyboard sheet featuring four different scenic compositions (dated "April 7, 90"); a dual-concept design (one rendered in cold blues and another in earth-toned detail) atmospheric forest settings (dated "3/22/90" and an architectural study of the castle gardens and staircase leading to the fountain (dated "3.90). Each piece is signed and dated by Hans Bacher, and the storyboard sheet features an official Walt Disney Pictures Production Design development stamp.The use of vibrant colour blocking, expressive linework, and mood-driven layouts highlight Bacher's extraordinary ability to influence the atmosphere and pacing long before animation began. These works are not just production artefacts but the foundations of the film's emotional and visual DNA. The lot exhibits some minor marks. Dimensions (largest sheet): 30.5 cm x 21.5 cm (12" x 8.5")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: Ω

Lot 329

ALICE IN WONDERLAND (1951) - Mad Hatter and March Hare Tea Party Original Production Cel and Presentation Background -Few scenes in animation history are as instantly recognisable or as gleefully anarchic as the Mad Tea Party in Alice in Wonderland (1951). This is a wonderfully iconic production cel setup featuring the Mad Hatter and March Hare on acetate, numbered #30 bottom right corner, and placed on a richly detailed, hand-painted presentation background crafted to evoke one of the most unforgettable scenes in Disney history, the Mad Tea Party celebrating their "Un-Birthdays".This setup captures the chaos, charm, and surreal whimsy of the moment when Alice meets the Hatter and Hare at the nonsensical tea table. Though the scene lasts only a few minutes, it has become one of the most quoted, referenced, and instantly recognisable in the entire Disney canon. "Mad as a Hatter" is more than a turn of phrase here; it's a cultural landmark.The interaction captured in these cels is superb. Both characters are mid-gesture, energetic, and perfectly staged for display. Their expressions, timing, and silhouette all work harmoniously. Both figures are original hand-inked, hand-painted production cels, trimmed to the image and placed on a beautiful, meticulously hand-painted presentation background that reflects the tone and palette of the original film and perfectly anchors the scene.A vibrant, display-ready piece from one of Disney's most artistically adventurous films, combining classic animation flair with bold, surrealist design. Dimensions (mounted): 50.75 cm x 54.75 cm (20" x 21.5")Sold without copyright; see copyright notice in the Buyer's Guide.This item will ship from our LA facilityVAT Status: US

Lot 409

SLEEPING BEAUTY (1959) - Maleficent Full-Figure Original Pan Production Pencil Drawing - An original pan production drawing of Maleficent from Walt Disney's 1959 animated film Sleeping Beauty.Maleficent was designed and animated by Marc Davis, one of Walt Disney's legendary Nine Old Men, whose refined draftsmanship and theatrical sense of movement helped define her as one of the most enduring characters in Disney history. Davis considered Maleficent his most challenging and rewarding assignment. This lot offers collectors a rare opportunity to own not just animation art but one of the most commanding renderings of perhaps Disney's most iconic villain ever created.This full-figure production drawing shows Maleficent's horned silhouette elegantly posed in her sweeping cloak and captures the villainess in all her iconic grandeur. It is rendered in graphite and coloured pencil on pan animation paper. Measuring an expansive 16-field width, this is a rare, large-scale image used in the making of Sleeping Beauty. The red pencil highlights on the inner cloak indicate cel painting cues, typical of the multi-stage ink and paint process. It is labelled with the sequence number "27", and the bottom edge of the paper displays its original peg hole configuration. Dimensions: 32 cm x 50.5 cm (12.5" x 20")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

Lot 422

SWORD IN THE STONE, THE (1963) - Merlin Holding Wart Original Production Pencil Drawing - An original production drawing of Merlin and Wart from Walt Disney's 1963 animated film The Sword in the Stone. Directed by Wolfgang Reitherman, The Sword in the Stone was the final animated feature released during Walt Disney's lifetime. This is a rare opportunity to own a moment of genuine connection between mentor and protege in the Disney canon and from a film that often flies under the radar.This artwork is likely a working drawing used for precise positioning and character staging. This drawing features Merlin, the eccentric wizard, gently grasping the young Wart (Arthur) by the shoulders. The interaction between them is carefully composed, and both figures are expressive and well-posed within the camera framing lines.The characters are rendered in graphite and red pencil on 16-field 3-peg animation paper, with Wart drawn in red pencil. This was a common animation technique used to distinguish overlapping characters or to define placement in multi-character interactions. Wart's placement, partially unfinished in red, indicates he may have been finalised in a separate drawing for inking, while this composite would guide the animators and layout team. The registration peg holes remain intact, and a camera alignment line is visible across the top and bottom margins. There is a minor tear on the bottom edge of the paper. Dimensions: 32 cm x 39.5 cm (12.5" x 15.5")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

Lot 340

BEAUTY AND THE BEAST (1991) - Lumiere, Cogsworth, Mrs. Potts, Chip and Sultan Hand-Painted Cel Setup and Production Background - A hand-painted cel setup featuring the beloved enchanted objects Lumiere, Cogsworth, Mrs. Potts, Chip, and Sultan, the footstool from Walt Disney's animated film Beauty and the Beast, placed over the actual screen-used production background.Although Beauty and the Beast was the first Disney feature to use CAPS (Computer Animation Production System) for final colouring, thereby eliminating the traditional cel painting from the production process, Disney recognised collectors' interest in physical artwork as they have done since the 1930's with supplying the Courvoisier galleries.For the 1992 Sotheby's The Art of Beauty and the Beast auction, 249 unique setups were created, using hand-inked and painted cels based on original animation drawings, carefully matched to actual production backgrounds used in the film. The result: a hybrid of artistry and authenticity, offering collectors the closest experience to owning a piece of the finished film. This lot was part of the Sotheby's auction. This piece is a true collector's piece. Rare, character-rich, and directly tied to the making of an Oscar-winning classic.This scene captures a moment of comic tension and curiosity as Lumiere, Cogsworth, Mrs. Potts, Chip, and the faithful footstool Sultan peer in horror and amazement. The background here is a masterclass in layout and lighting, with rich burgundy tones, gilded mouldings, and elegant architectural perspective rendered in gouache. The cel characters pop with warmth and vitality, and their lighting effects are carefully considered to match the background's highlights and shadow. A Walt Disney Productions stamp is present on the back of the piece and the lot is accompanied by a The Art of Beauty and the Beast certificate of authenticity. Dimensions: 32 cm x 43.25 cm (12.5" x 17")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

Lot 371

THE LION KING (1994) - Simba Cel and Production Background - A dramatic setup comprising the hand-painted production background used in the making of The Lion King, paired with a unique, hand-painted cel of young Simba created by Disney artists expressly for the Sotheby's auction "The Art of The Lion King" held in New York in 1995.These hybrid setups are original production backgrounds from the film, matched with newly hand-painted cels crafted using traditional methods. Each cel was carefully chosen from the scene to complement and capture the emotional essence and impact of the moment.This particular setup depicts the tense moment just before the wildebeest stampede, a pivotal scene that showcases the film's dramatic storytelling and technical prowess. The composition emphasises the scale and vulnerability of young Simba. After The Little Mermaid, Disney transitioned to digital ink and paint processes, meaning traditional hand-painted cels were no longer part of the production pipeline. After decades of developing an animation art collector's market, Disney wanted to provide collectors with stunning, screen-used setups despite no production cels for the film actually existing.The setup bears the Walt Disney Company gold seal, authenticating it as an officially created and released artwork for this special auction. Dimensions (mounted): 66.75 cm x 82.5 cm (26.25" x 32.5")Additional Provenance: Lot 134, Sotheby's The Art of The Lion King Auction, 11th February 1995Sold without copyright; see copyright notice in the Buyer's Guide.This item will ship from our LA facilityVAT Status: US

Lot 343

CINDERELLA (1950) - Cinderella In Bed Original Production-Era Animation Pencil Drawing - An original production-era animation drawing of Cinderella from Walt Disney Studios c.1949-1950. While this drawing does not match an exact final frame in the completed 1950 animated film, several production markers affirm its authenticity: the paper, peg configuration, and character styling place it squarely within the film's production window. The line quality and looseness of the facial features and hairstyle suggest it may have been part of a rough animation pass, an assistant animator's timing test, or a development drawing created while refining key scenes.Drawings like this often originate from early or alternate versions of sequences that were later revised or reanimated. The softer linework and absence of ink-and-paint registration marks reinforce that this was not traced for cel use but was a working part of the animation process. It is ideal for collectors who value the craftsmanship and behind-the-scenes artistry that shaped the golden age of Disney animation.The drawing shows Cinderella seated in bed and holding a blanket. It is rendered in graphite with a small amount of pink coloured pencil added to her lips on 12-field, 5-peg hole animation paper. It is numbered "47" on the lower right. The paper displays some minor creasing. Dimensions: 25.5 cm x 30.5 cm (10" x 12")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M

Lot 399

ROBIN HOOD (1973) - Prince John Original Production Cel - An original production cel of the scheming, insecure lion Prince John, memorably voiced by Peter Ustinov, mid-conversation with his slithery advisor, Sir Hiss. Robin Hood holds a special place in Disney's history. It was the first animated feature completed after the deaths of both Walt and Roy O. Disney, marking a turning point for the studio. Led by some of the legendary "Nine Old Men" (notably Ollie Johnston here as the Directing Animator for Prince John), the film overcame budget limitations to deliver a beloved classic known for its clever wit, expressive animation, and enduring heart.Prince John's wonderfully exaggerated expression, with his sly grin and sparkling eyes, perfectly conveys the humour and charm that have made him one of Disney's most memorable animated villains.This hand-painted cel features beautiful, vibrant colours and visible camera lines, adding an authentic behind-the-scenes touch (note how there is no cel paint below the camera line). The artwork draws the viewer right into the scene and is a fantastic showcase of Disney character animation at its best. Dimensions (mounted): 40.75 cm x 50.75 cm (16" x 20")Sold without copyright; see copyright notice in the Buyer's Guide.This item will ship from our LA facilityVAT Status: US

Lot 393

PINOCCHIO (1940) - Framed Limited Edition "Anytime You Need Me" Animation Cel - This hand-painted limited edition cel, released by Walt Disney Art Classics in 1996, captures the heartfelt moment where Jiminy Cricket offers guidance to Pinocchio, encapsulating the enduring theme: “Always let your conscience be your guide.â€Created using traditional techniques, Disney artists hand-inked lines onto acetate cels over original animation drawings (for example, note the different-coloured ink lines for Pinocchio’s nose, hair, and the rendering on his feather) and then hand-painted the artwork using 30 Disney-approved acrylic colours. The background was lovingly reproduced by a Disney artist, drawing from original paintings, sketches, and frames to ensure authenticity.Hand-painted limited editions like this hold a significant place in the animation art market. They provide collectors and fans with beautifully rendered pieces from beloved films, exactly how they were originally enjoyed. Original production cels and backgrounds were lost, archived, or command exceptionally high values when they surface. Released through Disney’s Collector’s Art Programme and sold via theme parks, Disney Stores, and authorised galleries, these editions were crafted with meticulous attention to detail, often utilising archived notes and artwork to ensure authenticity.Limited to just 350 pieces, this artwork is numbered “140/350†and bears a Walt Disney Company seal in the lower right corner. Many editions, including this one, sold out upon release due to high anticipation and remain highly sought after by collectors today. It is mounted within an original Disney frame with plexiglass and features a hanging wire on the reverse. The lot is accompanied by a The Walt Disney Company certificate of authenticity. Dimensions (framed): 25.25" x 23.25" x 1.25" (64 x 59 x 3 cm)Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

Lot 377

LITTLE MERMAID, THE (TV SERIES, 1992-1994) - Sebastian Grinning Original Production Cel, Background and Matching Drawings - An original multi-layer production cel, a hand-painted production background, and matching production drawings of Sebastian from Walt Disney's 1992-1994 television series The Little Mermaid.While much of the animation production for the series was completed overseas, key creative elements, including character design, storyboarding, and crucial animation sequences, were developed at the Walt Disney Studio in Burbank. This ensured consistency with the tone and visual style of the original 1989 feature. The result is a vivid, character-rich piece that captures Sebastian's charm and expressiveness and reflects Disney's commitment to quality during the final era of traditional, hand-painted animation for television. The lot includes a large character hand-painted production cel of Sebastian, bursting with energy and personality, displaying his classic characteristic grin, paired with an original hand-painted production background, and three matching production drawings used to animate this moment for The Little Mermaid television series. Two production drawings are marked with red stamped studio notations from the overseas animation studio, working in partnership with Walt Disney Television Animation.The cel bears the original Television Animation seal, confirming its authenticity. It is matched to a hand-painted background from the same sequence, with the production number "M2-2-49" visible across the elements. There is some minor paint wear to the background's lower left corner and the lot is accompanied by a The Walt Disney Company certificate of authenticity. Dimensions (cel on background): 27.5 cm x 34.5 cm (10.75" x 13.5")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M

Lot 421

SWORD IN THE STONE, THE (1963) - Merlin Original Production Pencil Drawing Signed by Ollie Johnston - An original production drawing of Merlin signed by Ollie Johnston from Walt Disney's 1963 animated film The Sword in the Stone.Original production drawings signed by Johnston are scarce, and this piece offers a rare opportunity to own a drawing from the very character he helped define, enriched further by his signature and its direct provenance from The Sword in the Stone production.An expressive rough animation drawing of Merlin, the eccentric wizard, mid-gesture with a teapot in hand. It is rendered in graphite with coloured pencil on 12-field animation paper. Red and purple pencil lines are visible on the robe and arm, providing colour references for the ink and paint department, which was typical of studio workflow at the time. The sheet features three-peg registration holes, a standard for Disney's production during this era, and is marked "89" in the lower right corner. The upper left includes frame range notations "83-89", suggesting this drawing was created for a short burst of character animation.This drawing is signed by legendary Disney animator Ollie Johnston, one of Walt Disney's revered "Nine Old Men" and also the supervising animator for Merlin throughout the film. Johnston was a master of emotional expression and subtle character acting, and his work on Merlin gave the character warmth and unpredictability. His artistic approach and supervision shaped every moment of Merlin's performance on screen. While this drawing cannot be definitively attributed to Johnston's own hand, its construction and style are consistent with rough animation completed under his direction. The left side of the paper displays creasing and there are some small tears along the bottom edge. Dimensions: 31.75 cm x 39.5 cm (12.5" x 15.5")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

Lot 401

ROBIN HOOD (1973) - Sheriff of Nottingham and Skippy Original Production Cel and Presentation Background - An original production cel setup featuring Skippy and the Sheriff of Nottingham from Walt Disney's Robin Hood, presented on a beautifully hand-painted presentation background.Robin Hood holds a special place in Disney history. It was produced after Walt Disney's death, with Roy O. Disney stepping in to oversee the studio through a challenging period. Despite budget constraints, the film became a beloved classic, remembered for its charm, humour, and heart. It introduced audiences to a colourful cast of animal characters, and became especially admired for its witty script, lively animation, and timeless themes of justice and resilience.The scene perfectly captures the dynamic between these two characters: the Sheriff, looming and sly, extends a paw toward the wary Skippy, whose expressive face and body language speak volumes, a moment rich in storytelling and emotion. The interaction between the characters is outstanding, with both figures centrally placed and well-sized, drawing the viewer into the heart of the narrative.Cels of this calibre, with such clear emotion and charm, are highly sought, especially in this exceptional condition. This piece comes with the official Disney Art Program seal, ensuring authenticity and provenance and is presented in a card mount. Dimensions (mounted): 44.5 cm x 52.75 cm (17.5" x 20.75")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

Lot 390

PETER PAN (1953) - Tinkerbell Stretching Original Production Pencil Drawing - A magnificent and rare original production drawing of Tinker Bell from Walt Disney's Peter Pan, beautifully rendered in graphite and coloured pencil on animation paper. This exceptional pose captures Tink in a graceful, full-body stretch, arms lifted, wings delicately framed, her characteristic sass radiating through expression and posture. Remarkably, given her tiny scale on screen, this large, detailed drawing reveals the craftsmanship behind her iconic personality.Tinker Bell was brought to life by Marc Davis, one of Walt Disney's revered Nine Old Men, whose masterful animation turned her into one of the most beloved and enduring Disney characters. Without a single line of spoken dialogue, Tink's entire character was conveyed through Davis's expert understanding of movement, expression, and body language. Davis worked closely from live-action reference footage and infused Tinker Bell with a captivating blend of mischief, charm, and heart.Importantly, Walt Disney regarded the studio's drawings as the backbone of the animation process,  the foundation upon which the magic was built. As a result, original drawings like this were typically archived and vaulted for their artistic and historical value. In contrast, most cels were routinely discarded or destroyed after production as they were seen as a tool of the job, making the acquisition of drawings like this even more meaningful to collectors and animation historians. Dimensions: 31.75 cm x 39.5 cm (12.5" x 15.5")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

Lot 365

THE HUNCHBACK OF NOTRE DAME (1996) - Quasimodo Carrying Esmeralda Original Production Pencil Drawing - A full-figure production drawing of Quasimodo carrying Esmeralda used in the making of Walt Disney's 1996 animated feature The Hunchback of Notre Dame.Drawn in graphite with red animation pencil on standard 16-field animation paper, this dynamic image captures a pivotal and emotionally charged moment from the film: Quasimodo rescuing Esmeralda from danger. His posture and expression are urgent and determined. The figure of Esmeralda is lightly sketched in red, slung over his shoulder, while Quasimodo's stance and gaze add powerful weight to the scene.Marked "A9" in the lower corner, this piece includes production notations and reflects the intense character animation work that defined Disney's 1990s output. It was acquired directly from a studio animator and remains unframed. It is a compelling, high-energy drawing that illustrates the complexity and emotion at the heart of this darker, more mature Disney classic. Dimensions: 32 cm x 43.25 cm (12.5" x 17")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: Ω

Lot 382

MULAN (1998) - Mushu Original Production Pencil Drawing - An original production drawing of Mushu from Disney's Mulan, used in the making of the film. Mulan holds a particular place in Disney history as one of the final features to use the full traditional hand-drawn process of animators sketching on paper, while integrating the CAPS (Computer Animation Production System) pipeline, developed in collaboration with Pixar. Rather than transferring drawings onto acetate cels and painting them by hand, the final animation was scanned, digitally inked and painted, and composited with effects and backgrounds inside a digital system. This hybrid technique preserved the look of classic animation while allowing for more complex visual sequences. Original character drawings of Mushu are highly sought-after by collectors due to his popularity, personality, and the key role he plays in both narrative and comic relief. Voiced by Eddie Murphy, Mushu became an instant fan-favourite and remains one of the most recognisable Disney sidekicks of the 1990s.Drawings like this were an essential part of the traditional animation pipeline, forming the foundation for each cel or digitally inked frame. Mushu was supervised by Disney animator Tom Bancroft, whose energetic and comic approach brought the character to life in every scene. Executed in graphite and red pencil on Disney animation paper, this expressive sketch captures the fiery guardian dragon mid-gesture, eyes narrowed, brow furrowed, and clawed hand poised in classic Mushu attitude. The use of red pencil here denotes the animator's rough underdrawing, used to establish the form and energy of the pose, while the black graphite layer refines the lines that would be passed to clean-up and (digital) ink and paint departments. Dimensions: 32 cm x 43.25 cm (12.5" x 17")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: Ω

Lot 396

PINOCCHIO (1940) - Pinocchio Lifting Hat Original Production Pencil Drawing - An original production drawing of Pinocchio from Walt Disney's 1940 animated film Pinocchio.A beautifully animated drawing of the wooden puppet caught in a moment of wide-eyed curiosity as he lifts his hat. The pose is charming, with the character centrally placed and generously sized on the page, making it a standout display piece. Full of personality, with a strong silhouette and expressive lines, this is classic Disney animation at its best.Rendered in graphite with red and green colour pencil detail on original 5-peg hole animation paper, the drawing features clear indications for the ink and paint team, including shadow and cel layering references. The shaded area behind Pinocchio's arm is marked "DX65," a practical note that hints at the colour reference and instruction. It is numbered "C65" and stamped "Prod. 2003, Seq. 1.6, Scene 15". Dimensions: 25.5 cm x 30.5 cm (10" x 12")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

Lot 327

ALADDIN (TV SERIES, 1994-1995) - Aladdin and Princess Jasmine Original Production Cel, Background and Matching Drawings - An original multi-layer production cel on a hand-painted production background and matching production drawings featuring Aladdin and Princess Jasmine from Walt Disney's television series Aladdin.Disney's television animation output was sometimes considered a step down from the prestige of its theatrical features by critics. Yet these series are now recognised as the studio's final era of hand-painted production art. Unlike the Aladdin feature film, which was digitally coloured, this cel setup is a rare example of traditional painted cels actually used in the filming process.With hindsight, pieces like this mark the final chapter of an era, making them ever more relevant to collectors who value Disney's legacy of hand-crafted animation.This standout key setup consists of Aladdin (labelled "A20") and Princess Jasmine (labelled "J30") in matching hand-painted cel layers, paired with their original production drawings and a hand-painted production background which is marked "083" and "B6306" in red ink. It captures both leads in a moment of emotional clarity, rendered with warmth, expression, and clean character linework. The two accompanying graphite drawings include frame range notations. The original Walt Disney Television Animation seal on the cel and drawings adds prestige and confirms its route to market. The lot is accompanied by a The Walt Disney Company certificate of authenticity. Dimensions: 27 cm x 32 cm (10.5" x 12.5")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M

Lot 438

WINNIE THE POOH AND A DAY FOR EEYORE (1983) - Winnie The Pooh Holding "Hunny" Pot Original Production Cel - An original production cel of Winnie the Pooh from Walt Disney's animated short film Winnie the Pooh and a Day for Eeyore.This cel was used in the final of the four original featurettes that began with Winnie the Pooh and the Honey Tree (1966), Blustery Day (1968), and Tigger Too (1974). These shorts became foundational to Disney's interpretation of A.A. Milne's beloved characters. Cels of this quality and scale featuring Pooh himself are rarely found. Most production cels from the era were trimmed for layout or taken directly from studio use without certification.This hand-painted large-character production cel shows Winnie the Pooh centrally positioned with his iconic red shirt and a classic "hunny pot" in hand. The pose and expression are quintessential Pooh: curious, gentle, and quietly delightful. The hand-painting work stops just below the horizontal camera line. This example is numbered "25" and bears the official Walt Disney seal, indicating release through the Disney Art Program, likely sold at a Disney theme park or authorised gallery at the time. The original production cel is in overall excellent condition, considering its age. Dimensions: 27 cm x 31.5 cm (10.5" x 12.5")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M

Lot 413

SNOW WHITE AND THE SEVEN DWARFS (1937) - Grumpy Original Production Pencil Drawing - An original production animation drawing of Grumpy from Walt Disney's Snow White and the Seven Dwarfs, the studio's groundbreaking first full-length animated feature from 1937, a film that forever changed the landscape of animation and cinema.While Disney rarely credited individual animators on specific drawings, it's worth noting that some of Disney's greatest talents shaped Grumpy's personality: Fred Moore, Frank Thomas, and particularly Bill Tytla, whose expressive draftsmanship brought complex emotions to life. Tytla, one of Disney's legendary "Nine Old Men," was especially admired for his work on Grumpy, giving the character surprising depth.The drawing shows Grumpy in a moment of startled irritation, clutching the edge of a curtain or blanket as he turns his head sharply, a classic Grumpy pose filled with attitude and tension.Rendered in graphite with red pencil underdrawing, this piece provides a fascinating insight into the Disney animation process. The red pencil, often used by assistants or cleanup animators, was essential for blocking movement, refining shapes, or clarifying volumes before the final graphite line went down. The circular, rough construction lines around the face and body helped the animators maintain proportion and fluidity across frames. The curtain or drapery seen drawn behind Grumpy was likely part of the background staging, and the animator included it here to ensure correct interaction with the environment.The paper is original Disney five-hole punched animation paper, and the number "248" in the lower right corner refers to its frame number within the scene. As a piece of Disney history, this is not only a collectable but a beautiful piece of animation art that embodies the technical brilliance, charm, and pioneering artistry of Snow White. Dimensions: 25.5 cm x 30.5 cm (10" x 12")Sold without copyright; see copyright notice in the Buyer's Guide.This item will ship from our LA facilityVAT Status: US

Lot 412

SNOW WHITE AND THE SEVEN DWARFS (1937) - Framed Snow White and Forest Creatures Original Production Cels on Courvoisier Background - An original production multi-cel setup used in the making of Snow White and the Seven Dwarfs, Walt Disney's groundbreaking first full-length animated feature and the film that laid the foundation for the studio's legacy. Drawing on the Brothers Grimm fairy tale, Snow White redefined what animation could achieve emotionally, artistically, and technically.This beautifully staged setup captures Snow White surrounded by her forest friends in a moment of calm and song following her escape into the woods. The scene's warmth and charm have helped cement it as one of the film's most enduring images. Snow White's graceful posture and naturalistic gestures were achieved using the then-revolutionary technique of rotoscoping - tracing over live-action reference footage to ensure fluid, believable movement. Marge Belcher (later Marge Champion), a trained dancer, was filmed in the role, allowing animators to blend realism with stylised charm.The original production cels, hand-inked and painted, have been trimmed and placed over an airbrushed Courvoisier background created specifically for presentation purposes, with contextual detail that reflects the scene's tone and setting. Delicate ink lines and surface detailing on the hair add richness to the composition, while the interaction between Snow White and the animals offers the classic characterisation Disney does best.It is presented in a deep-set frame under laminated glass, with a vintage Walt Disney label affixed to the reverse. There is some slight wear to the lower corner of the frame, but the artwork remains a captivating and iconic piece from a film that changed cinema forever. Dimensions (framed): 38.25 cm x 36 cm x 4 cm (15" x 14.25" x 1.5")Sold without copyright; see notice in the Buyer's Guide.Additional Provenance:Lot 1348, Bonhams TCM Presents ... Out of This World! Auction, 21st November 2017VAT Status: M

Lot 431

THE WHOOPEE PARTY (1932) - Mickey Mouse Original Production Drawing - An exceptionally rare original production drawing of Mickey Mouse, created for Walt Disney's 1932 black-and-white short The Whoopee Party, one of the liveliest and most musically inventive cartoons of Mickey's early era.Produced just four years after Mickey's debut in Steamboat Willie, The Whoopee Party exemplifies the joyful rhythm and musical experimentation that defined early Disney animation. The film features Mickey, Minnie, Clarabelle Cow, Horace Horsecollar, and a room full of dancers, instruments, and craziness, all animated with remarkable fluidity and charm. It is a masterclass in timing, movement, and musical synchronisation, and this production drawing is part of that very DNA.Drawings like this were an essential step in Disney's animation pipeline. Before being inked onto acetate cels, every frame was drawn by hand, often by unsung masters of the medium, capturing gesture, personality, and precise motion. Few of these drawings were preserved. Most were discarded after use or archived, making surviving examples, especially screen-used ones, incredibly scarce.The drawing captures Mickey in full swing as he performs on a suspended line of milk bottles, striking them like a xylophone in a burst of percussive playfulness. Rendered in graphite with animator's notes, arcs, and confident linework, this exact pose appears on screen at approximately 5:52, during one of the short's most memorable sequences. The paper bears Disney's standard three-hole peg registration and is numbered "6". The fluidity of Mickey's motion, the wide grin, the line's expressiveness, and the pose's iconic nature make it instantly recognisable and highly desirable. This drawing directly connects collectors to Mickey's golden age and is a standout piece of early Disney artistry. Dimensions: 25.5 x 30.5cm (10" x 12")Sold without copyright; see copyright notice in the Buyer's Guide.This item will ship from our LA facilityVAT Status: US

Lot 325

ALADDIN (TV SERIES, 1994-1995) - Abu and Iago Original Production Cel, Background and Matching Drawings - An original multi-layer production cel on a key hand-painted production background and matching production drawings featuring Abu and Iago from Walt Disney's television series Aladdin.While the 1992 Aladdin feature film utilised CAPS, Disney's Computer Animation Production System, to digitally colour its animation, the TV series retained the traditional method: hand-drawn pencil animation, followed by inking and painting on acetate cels. This setup showcases that process fully, with visible colour line inking on the cel surface and carefully painted detail on the reverse.Multi-cel arrangements like this allowed for depth and motion to be created economically and efficiently; in this case, the overlapping character elements and coins could be animated independently without redrawing the full composition.Comprised of five hand-painted cel layers placed over an original key hand-painted production background, this setup is a rare survival from the era. It presents a lively, screen-used moment featuring two of Disney's most expressive supporting characters, Abu and Iago.Completing the lot are five drawings that match the production, scene, and frame numbers. Some of the drawings feature studio annotations, including colour callouts. The five cels and drawings bear the original Walt Disney Television Animation seals, verifying their route to market through the studio's official art programme. The lot is accompanied by a The Walt Disney Company certificate of authenticity. There are small patches of paint wear on the background and some minor marks on the cels. Dimensions (multi-layer cel): 27 cm x 32 cm (10.5" x 12.5")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M

Lot 408

SLEEPING BEAUTY (1959) - Two Princess Aurora Original Production Pencil Drawings, One Signed by Marc Davis - A pair of original production drawings of Princess Aurora from Walt Disney's 1959 animated film Sleeping Beauty, each showcasing a different moment in the studio's most stylised animated feature.The clean linework and clarity of expression offer collectors a rare insight into Disney's meticulous animation process and two evocative images of Aurora that reflect technical artistry and timeless charm.The first drawing captures Aurora in her forest cloak, revealing her striking beauty. The drawing is signed by legendary animator Marc Davis, the supervising animator responsible for Aurora's design and performance. One of Walt Disney's "Nine Old Men", he brought an illustrative finesse and sculptural control to his work that defined Disney heroines and villains for generations. The second drawing depicts Aurora in front of the mirror in an astonishing and sophisticated feat of animation with both her back view and mirrored reflection.Both drawings are rendered in graphite and coloured pencil on 16-field 3-peg animation paper, numbered "20" and "57". The paper displays some creasing. Dimensions (each): 32 cm x 39.5 cm (12.5" x 15.5")Sold without copyright; see copyright notice in the Buyer's Guide.The autographs in this lot have been professionally authenticated by expert Garry King; see notice in the Buyer's Guide.VAT Status: M

Lot 410

SLEEPING BEAUTY (1959) - Maleficent Original Production Pencil Drawing Signed by Marc Davis - An original production drawing of Maleficent signed by legendary animator Marc Davis from Walt Disney's 1959 animated film Sleeping Beauty.Davis was one of Walt Disney's celebrated Nine Old Men and the designer and principal animator behind Maleficent, one of Disney's most iconic villains. His sophisticated draftsmanship and mastery of gesture defined her regal menace. This approach helped elevate Sleeping Beauty's animation style into something almost architectural in its stylisation, complementing the overall stylings of Eyvind Earle. Good original drawings of Maleficent are scarce, and examples signed by Davis are highly sought after. This is an exceptional piece of animation history and a direct connection to one of the most revered talents in Disney's golden age.This elegant yet intimidating profile pose captures the dark majesty of the character and displays hallmarks of Davis's confident, refined linework. The drawing is rendered in graphite on 12-field, 3-peg hole animation paper and signed prominently by her creator, the legendary Disney animator Marc Davis. The drawing is numbered "11" and presents beautifully on original production paper with vintage peg hole configuration and tape marks to the lower edge from archival studio use. Dimensions: 32 cm x 39.5 cm (12.5" x 15.5")Sold without copyright; see copyright notice in the Buyer's Guide.The autographs in this lot have been professionally authenticated by expert Garry King; see notice in the Buyer's Guide.VAT Status: M

Lot 437

MANY ADVENTURES OF WINNIE THE POOH, THE (1977) - Winnie the Pooh and Eeyore Original Production Animation Cel Pairing - A combination of two original production cels used in the making of The Many Adventures of Winnie the Pooh (1977). This full-length feature combined three much-loved featurettes: Winnie the Pooh and the Honey Tree (1966), Winnie the Pooh and the Blustery Day (1968), and Winnie the Pooh and Tigger Too (1974), into a single theatrical release. Together, they brought A.A. Milne's timeless stories and E.H. Shepard's gentle illustrations to life for generations of audiences.The Eeyore cel can be found in the first featurette just after having his tail pinned back on. The Winnie the Pooh cel appears later in the movie.Disney's interpretation of Pooh and friends became a global cultural phenomenon, celebrated for its warmth, humour, and the simple but profound charm of its characters. While Shepard's original artwork remains iconic in literary circles, Disney's animated designs introduced Pooh, Eeyore, Piglet, and Tigger to millions worldwide, embedding them deeply in pop culture.The cels feature a delicate sketch-style xerographic ink line, preserving both the animators' pencil work and the clean finish. They are presented on a printed background typical of Disneyland Art Corner releases. This nostalgic touch reflects the classic style of how Disney first made these works available to the public.The series' universal themes of friendship, curiosity, and kindness have resonated across decades, making it one of the most beloved properties in Disney's portfolio and one of the few adaptations to stand shoulder-to-shoulder with the original literary source. The lot comes presented in a blue-coloured mount. Dimensions (mounted): 34.25 cm x 39.75 cm (13.5" x 15.75")Sold without copyright; see copyright notice in the Buyer's Guide.This item will ship from our LA facility.VAT Status: US

Lot 139

THE NIGHTMARE BEFORE CHRISTMAS (1993) - Limited Edition "The Twelve Faces of Jack" Set Autographed by Tim Burton - A limited edition set of twelve cast faces of Jack Skellington from Henry Selick's The Nightmare Before Christmas. This general limited edition display was released by Disney Art Editions in 1993 and features twelve urethane heads of Jack Skellington cast from the original heads created for the production. Each head shows a different expression and is hand-painted by artists from The Walt Disney Studios Ink and Paint Department.The set comes displayed in an ebonised mahogany box lined with black satin, a carved black frame and a glass window. The back of the display is marked as number "126/275" and signed in silver-coloured ink by Tim Burton. The frame displays some minor wear to the black paint finish, and the lot is accompanied by a Disney Art Editions certificate of authenticity. Dimensions: 42 cm x 33.75 cm x 9 cm (16.5" x 13.25" x 3.5")VAT Status: M

Lot 362

DISNEY'S HERCULES (1997) - Pain and Panic Original Concept Drawing - A detailed black pencil concept cleanup drawing featuring Pain and Panic, the mischievous minions of Hades from Walt Disney's Hercules.Due to Hercules being produced during the digital animation era, original pencil drawings like this remain the only tangible, hand-drawn elements used in the creation of the film, offering a rare look at the character development process.Drawn by studio artist Cody Reynolds, this full-figure composition captures the impish energy and contrast between the two characters: Pain's hunched, nervous posture and Panic's wide-eyed, frantic expression, mid-exchange over the Fates' eyeball.The lines are clean and expressive, typical of the refined "cleanup" phase where rough animation is translated into final line art for production reference or potential cel translation. The drawing also features the official Disney copyright red-coloured stamp in the lower right corner. Dimensions: 32 cm x 43.25 cm (12.5" x 17")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: Ω

Lot 402

ROBIN HOOD (1973) - Friar Tuck and Church Mice Original Production Cel - An original large-format multi-layer production cel featuring Friar Tuck and the two Church Mice from Walt Disney's animated film Robin Hood.This is an expressive, well-composed multi-character cel, a strong example from one of Disney's most affectionately remembered animated features. The charming image captures a moment of warmth and solidarity, with the mice perched affectionately atop Friar Tuck's head, conveying trust, closeness, and quiet humour.The characters are hand-inked and painted, and Friar Tuck, in particular, dominates the composition with excellent scale and presence. A visible camera line is running below the character, a reminder that this piece was created for screen use. The cel comprises two layers stapled together in the upper right corner, the top featuring the mice labelled "19" and the underneath sheet features Friar Tuck marked "A15".The cel also retains the official Disney seal, indicating release through the Disney Art Program. It is laminated, as was Disney's standard studio practice during the period, and remains in remarkably good condition. The lot displays some minor marks and light scratches, which do not affect the artwork. Dimensions: 32.5 cm x 41 cm (12.75" x 16")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M

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