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DUBOIS PERE ET FILS 'DU REDEMPTEUR' VINTAGE BRUT CHAMPAGNE 1983two 75cl bottles and six other bottles of non-vintage champagne (8)

EDMOND DUBOIS 'CUVEE DU REDEMPTEUR' VINTAGE BRUT CHAMPAGNE 1985four 75cl bottles (4)

ZADKINE OSSIP: (1888-1967) Russian-born French sculptor. Two A.Ls.S., `O Zadkine´, one page each, 8vo, Paris, 20th May and 25th May 1963, on his personal printed stationery of 100 bis, Rue d’Assas (Paris), to Jean Lesquibe, in French. Zadkine informs about a delivery he has received but is concerned because two important things are missing, stating in part `...Voilà que commencent les complications: je n'étais pas là quand on a apporté la caisse avec la sculpture, mais ni la gouache ni le dessin n'étaient là. Que c'est à dire? Je vous prie d'alerter la maison Dubois et Fils pour qu'ils me rendent ces deux oeuvres...´ (Translatioin: "...This is where the complications begin: I wasn't there when the box with the sculpture was brought in, but neither the gouache nor the drawing were there. Why is this so? I beg you to alert Dubois & Fils so they can return these two works to me...") To the second letter Zadkine is reassured and confirms safe receipt of the drawings, saying `J'ai bien reçu les deux gouaches et dessins et vous merci. Si vous venez un jour à Paris ne manquez pas de venir me voir´ (Translation: "I received the two gouaches and drawings and thank you. If you ever come to Paris, don't forget to come and see me.") VG, 2Jean Lesquibe (1910-1995) French master glassmaker and mosaicist.

LEIGH VIVIEN: (1913-1967) English actress, Academy Award winner for Best Actress in 1939 for her role as Scarlett O’Hara in Gone with the Wind (again winning the award in 1951 for her role as Blanche DuBois in A Streetcar Named Desire. A highly important group of four typescript documents and an exceptional A.L.S. by Leigh relating to her portrayal of Scarlett O´Hara in Gone with the Wind, comprising -(i) Typescript Document, unsigned, seventeen pages (separate leaves), folio, Culver City, California, 16th January 1939, being the agreement made between Selznick International Pictures Inc. (´Producer´) and Vivien Leigh (´Artist´) for Gone with the Wind (this copy belonging to Leigh´s agent, John Gliddon). The document states, in part, ´FIRST: Concurrently herewith, but as a separate and distinct transaction, Artist is entering into an agreement with Alexander Korda, whereunder Artist is granting to Alexander Korda certain options on her services.....Producer hereby employs Artist, to render her services exclusively to Producer as an actress, performer or entertainer, to portray the role of SCARLETT O´HARA in motion picture photoplay now entitled "GONE WITH THE WIND"......Artist hereby accepts such employment and agrees that throughout the entire time.....she will give her entire time and attention and conscientiously devote her best talents, efforts and abilities exclusively to and for Producer......Artist agrees that she will act, perform, pose, recite and otherwise render her services hereunder when and as directed by Producer, pursuant to Producer´s instructions, direction, and control, and in such countries, and at such studios and/or locations Producer may require....The term of Artist´s employment hereunder in connection with said role of SCARLETT O´HARA shall begin on such date as Producer may hereafter specify (which date, however, shall not be earlier than January 16, 1939, nor later than January 23rd, 1939,) (ii) Typescript Document, unsigned, seventeen pages (separate leaves), folio, Los Angeles, California, 16th January 1939, being an agreement between Alexander Korda (´Producer´) and Vivien Leigh (´Artist´) regarding a conflict of interest in the production of Gone with the Wind (this copy belonging to Leigh´s agent, John Gliddon). The document´s first clause states ´Concurrently herewith, but as a separate and distinct transaction, Artist is entering into an agreement with Selznick International Pictures, Inc., whereunder Selznick International Pictures Inc. is employing Artist to render her services.....as an actress......Said agreement may hereinafter be referred to as "the Selznick Agreement". Concurrently herewith, but as a separate and distinct transaction, Producer is entering into an agreement with Selznick International Pictures , Inc., whereunder this agreement is being coordinated with the Selznick agreement.....referred to as "the Korda-Selznick agreement".......under date of August 15, 1935, London Film Productions Ltd....entered into an agreement with Artist whereunder London Films employed Artist as an actress on the terms and conditions therein set forth.....´, the subsequent clauses largely similar to the concurrent document and covering options for future films, notice of starting dates of work periods, the rendering of services in ´a leading female role´, to work pursuant to the producer´s instructions, dubs, rights, rules of conduct, provisions for illness, disability, breach of contract etc., Leigh´s wardrobe, hairdresser, and transportation, assignments, insurance, retakes and additional shots, membership in the Screen Actors Guild, radio broadcasts, compensation for additional work etc., also stating that ´Artist shall perform the services herein contracted for in a manner that shall be conducive to the best interests of Producer, and generally of the motion picture industry, and if Artist shall conduct herself, either while rendering such services to Producer pursuant to this contract or in her private life, in such manner as to commit an offense involving......local or English laws.....or shall conduct herself in a manner that shall offend against decency, morality.......or in a manner that shall cause her to be held in public ridicule, scorn or contempt or in a manner that shall cause public scandal, then......Producer may......terminate this agreement´ and further stating ´Artist shall receive either star or co-star billing. The name of no other artist appearing in any such photoplay shall appear in type larger in size (either in the height or the thickness of the lettering) than that used to depict Artist´s name´.(iii) Typescript document, unsigned, two pages (separate leaves), folio, Culver City, California, 16th January 1939, being an agreement between London Film Productions and Vivien Leigh, releasing her from her contract with them so that the actress can star in Gone with the Wind (this copy belonging to Leigh´s agent, John Gliddon). (iv) Typescript Document, unsigned, six pages, folio, Bolton Street, Piccadilly, London, 8th November 1939. The document was issued by the solicitors Messrs. J. D. Langton & Passmore to John Gliddon Ltd. and outlines their professional charges incurred between January and November 1939 in relation to negotiations with Myron Selznick (London) Ltd., including ´Attending you, in long interview, when you stated that Miss. Leigh wished to cancel her Contract with London Film Productions Limited and you desired to know what your rights would be..... For their services the solicitors charged a total of £47.5.0. The document is bound with the original green ribbon.(v) An excellent A.L.S., Vivien, five pages, 8vo, n.p. (America), 10th December (1939), to ´My dear John´ (her agent, John Gliddon). Leigh commences her letter by stating that she hopes her correspondent is alright, expressing a desire to hear from him, and remarking ´It feels dreadful over here with all our dear friends having such a miserable time at home, but they assure us it would be very stupid to come home just yet, so we shall anyway do our two separate pictures before we do. They are supposed to start in January´, further adding ´I do hope the contract thing was arranged entirely to your satisfaction, & I am so glad, as it has turned out, that it was arranged on the lump sum basis, as any way other.....would have been terrible for you at the moment, & awfully unfair, as I suppose if I don´t come home yet I shall do the Korda picture here´ and also informing Gliddon ´I have to go to Atlanta for the opening of G.W.T.W. which I am terrified about of course. They keep writing from there to say that the largest crowds in the world will follow us all day!!!! You can imagine how comforting that is´. Leigh concludes by stating that she expects her letter will arrive at around Christmas time (´I do hope you will have as pleasant as one as possible´) and asks Gliddon to write if he can, ´as I would like so much to know what is happening to you & if the office is open etc.´.An outstanding grouping relating to Vivien Leigh´s Oscar winning performance in Gone with the Wind, regarded as one of the greatest films of all time and which (adjusted for monetary inflation) remains the highest-grossing film in history. Some light age wear and minor tears and creases to the edges of the primary three documents, G to generally VG, 5OWING TO RESTRICTIONS IMPOSED BY THE SALEROOM THE COMPLETE DESCRIPTION FOR THIS LOT CAN NOT BE DISPLAYED - PLEASE CONTACT IAA EUROPE DIRECTLY FOR FURTHER INFORMATION.

LEIGH VIVIEN: (1913-1967) English actress, Academy Award winner for Best Actress in 1939 for her role as Scarlett O’Hara in Gone with the Wind and again in 1951 for her role as Blanche DuBois in A Streetcar Named Desire. Vintage signed 4.5 x 6.5 photograph, the appealing image depicting Leigh in a head and shoulders pose with one hand gently raised to her neck. Photograph by Angus McBean (although uncredited). Signed by Leigh in blue ink with her name alone to the lower white border. Some light staining and foxing, not significantly affecting the signature. G

Ice Hockey collection 10, signed assorted colour promo photos includes great names such as Micki Dupont, Felicien Du Bois, Daniel Dubois, Leon Draisaitl, Blaine Down, Mike Donnelly, Tie Domi, Claude Domeniconi, Kevin Dineen and Christopher Diddomenico.

Cigarette cards, Canada, D. Ritchie & Co, Actresses & Beauties, coloured, front with caption at top, back 'Our production is over three-quarters....' 6 cards, Lucie Allicot, Eve Berry, Lilli Caretti, Jeanette Dubois, Lilian Fortune & Anetta Giovanni (gd) (6)

DUBOIS IN GOLD, CIRCA 1900 - DUBOIS IN GOLD, CIRCA 1900 Case: n. 38572, four-body, 18K gold, lobbed edges, dome signed and engraved. Dial: white enamel, Roman numerals, seconds dial. Movement: key-less winding, counterpoised lever escapement. Accessories: – Diameter: 48 mm | Weight: 88.8 g Note: running at the time of cataloguing, but to be serviced.

DUBOIS AND LEROY GOLD CHRONOMETER, CIRCA 1890 - Case: n. 33806, four-body, gold, stepped profiles, signed and engraved dome. Dial: signed, white enamel, Roman numerals, small seconds. Movement: key-less winding, wolf's tooth wheels, counterpoised lever escapement, compensated and screwed bimetallic balance, Breguet hairspring. Accessories: – Diameter: 49 mm | Weight: 91 g Note: running briefly at the time of cataloguing, to be serviced.

Tournois (Les) du Roi René. D'après le manuscrit et les dessins originaux de la Bibliothèque Royale, lithographed additional pictorial title and 20 plates, all with fine hand-colouring, lithographed title, lacking lithographed half-title, additional title with repaired tear running into image and with repaired tear and some spotting and soiling to margins, scattered spotting to text, occasional light spotting or toning to plates, mostly marginal, the odd short repaired tear to margins, some scuffing and wear to spine ends and corners, rubbed, large folio, Firmin-Didot, J. Dubois and Ch. Motte, 1826[-27].*** Rare work, reproducing one of five manuscripts in the National Library of Paris celebrating the 1450 tournaments of King René. We can trace only one example at auction. 

Kipling (Rudyard) Le Livre de la Jungle [&] Le IIe Livre de la Jungle, 2 vol., translated by Louis Fabulet & Robert D'Humières, one of 200 copies on vélin pur chiffon, from an edition limited to 300, etched illustrations by Maurice de Becque printed in colours, several full-page, bookplate to foot of titles, light offsetting, foxing to first few ff. and endpapers, some light spotting or very light foxing elsewhere, handsomely bound in green crushed morocco by Dubois D'Enghien-Dooms, brown morocco doublures with gilt-rule borders, red marbled endpapers, spines sunned with one or two light marks and very lightly rubbed, morocco-edged marbled slip-cases (morocco sunned, rubbed), g.e., 4to, Paris, Éditions du Sagittaire chez Simon Kra, 1924-25. 

France, Félix Crépin, Sénateur de La Réunion, 1912, a silver gilt medal by H. Dubois, Marianne right wearing republican cap and laurel wreath, rev. view of the Medici fountain in the Luxembourg Garden, Paris, 49mm, 62.63g. Well-preserved, practically as struck £120-£150 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---

Réunion, Permanent Exhibition of the Colonies [Exposition Permanente des Colonies], 1874, a silver medal by A. Dubois, issued by the Ministère de la Marine, three cherubs planting in garden, rev. inscription within and surrounding laurel wreath, 50mm, 65.36g. Prettily toned with reflective fields, extremely fine, very rare £200-£300 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---

Madagascar, Société Cynophile de l’Ile Maurice, 1907, a bronze medal by A. Dubois, 49mm, 69.88g; Madagascan Territorial Games, 1955, a bronze Prize medal by F. Fraisse, named (Monique Caruso), 50mm, 46.79g; Three Horses Beer, 1958, a uniface bronze medal, unsigned, 44mm, 32.06g [3]. Last very fine with verdigris, others extremely fine £70-£90 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---

Mauritius, Horticultural Society of Mauritius [Société Horticole de I’île Maurice], prize medals (3), in silver, 1913, by E. Monier, 36mm, 20.90g; in bronze (2), both undated, by J. Rasumny, 35.5mm, 23.25g and by A. Dubois and Tasset, 36mm, 24.77g [3]. Generally extremely fine, all scarce £100-£120 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---

Mauritius, National Institute of Colonial Agronomy [Institut National d’Agronomie Coloniale], 1925, a bronze prize medal by A. Dubois, figure seated using compass on globe, animal scenes in background, rev. inscription in six lines within laurel wreath, named (De Sornay, 1925) 41mm. Some light residue to upper right of obverse, otherwise good extremely fine £50-£70 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---

HAU "DuBois Le Chronographe 1910 Automatik - Limited Edition" Gehäuse Stahl vergoldet, rundes Gehäuse mit gebogenen Bandanstößen, verschraubter Boden bezeichnet "DuBois 1785", "COLLECTION DUBOIS" und Nummer "95/649", weißes Ziffernblatt mit drei weißen Totalisatoren, Tages- sowie Datumsanzeige, Mondphasenanzeige und goldfarbenen Indices, bezeichnet "DuBois 1785 AUTOMATIC", Automatikwerk Kaliber ETA Valjoux 7751, Stoppfunktionen auslösbar über seitliche Drücker, Gehäuse Ø 36,8 mm, L gesamt 44,3 mm, B gesamt 39,3 mm, DuBois Fils 2000er Jahre, guter Zustand mit geringen Gebrauchsspuren, Kratzer im Boden, Werk funktionstüchtig, Gangdauer und Ganggenauigkeit nicht geprüft, späteres 20 mm - Lederarmband mit Dornschließe 2841 Das Modell "Le Chronographe 1910" wurde nach einem Exemplar in der Museumscollection der Firma DuBois in einer limitierten Auflage von nur 649 Exemplaren hergestellt

BREITLING GENEVEChrono-Matic. Art der Uhr: Armbanduhr. Herkunft: Schweiz, Genf. Datierung: Um 1970. Werk: Automatik, Cal. 15. Gehäuse/Armband: Stahl, Lederarmband mit Dornschließe, Zffbl. schwarz-weiß, Zeiger orange, Indizes Leuchtmasse. Gesamtgewicht: ca. 77,5 g. Größe: Ø 38 mm, Länge 19 cm. Gehäuse-Nr.: 1326713. Referenz-Nr.: 2111-15. Beschreibung: 3-Zeiger-Chronograph mit 30-Minutenzähler bei "3" Uhr, Datumsanzeige bei "8:30" Uhr und dezentraler Sekunde bei "10" Uhr. Ende der 60er Jahre spitzte sich der Wettlauf um das erste Chronographenkaliber mit automatischem Aufzug zu. Am 10. Januar 1969 stellte Zenith sein "El Primero" vor, nur wenige Wochen später, am 3. März 1969, präsentierten Heuer-Leonidas, Dubois Dépraz, Hamilton-Buren und Breitling ihre gemeinsam entwickelte, Chronomatic getaufte Kaliberfamilie. Das Uhrwerk der 1969 Breitling Chrono-Matic 2111-15 basiert auf dem Burenkaliber 1282 mit Mikrorotor, das für das Anfügen eines Chronographenmechanismus nicht konzipiert war. Dies führte dazu, dass die Krone auf die linke Seite des Gehäuses platziert wurde.Tresoruhr, trotz ihres Alters befindet sich die Uhr in einem ausgezeichneten Zustand.Aus der Sammlung eines bedeutenden Kölner Uhren-Connaisseurs. Box: Nein. Papiere: Nein. Accessoires: Ja. Service-Box. Voraussichtliche Versandkosten für dieses Los: Deutschland: 100,00 Euro inkl. 15,97 Euro MwSt EU: 32,00 Euro inkl. 5,11 Euro MwSt Weltweit: 80,00 Euro inkl. 12,77 Euro MwSt zzgl. VersandversicherungErläuterungen zum KatalogBewertungssytem Armband und Taschenuhren Breitling Geneve Armband- & Taschenuhren Chrono-Matic

Ice Hockey signed trading card collection includes 10, great names such as Christian Dube, Chris Drury, Steve Duchesne, Gilles Dubois, Mike Dunham, J.P Dumont, Joe Dziedzic, Stan Drulia, Ivan Droppa and Karl Dykhuis. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Mudge (Thomas). A Description, with plates, of the Time-Keeper invented by the late Mr. Thomas Mudge..., 1st edition, London: Printed for the Author; and sold by Mess. Payne, Cadell and Davies, 1799, lacking portrait frontispiece, 9 engraved plates (some with light offsetting), repaired closed tear to inner margin of title not affecting text, light spotting throughout, contemporary half calf, boards detached, rubbed and worn, 4to, together with;Dubois (Pierre). Collection Archeologique du Prince Pierre Soltykoff, Horlogerie..., 1st edition, Paris: Librairie Archeologique de Victor Didron, 1858, 20 engraved plates, light spotting and later ink annotations throughout, early 20th-century half calf, gilt morocco title labels to spine, rubbed and worn, 4to, plus 2 other volumes on horology QTY: (4)

FRANCE, Gallia, 1933, an Art Déco bronze award medal by E. Fraisse and H.-A.-A. Dubois for Le Petit Journal, helmeted head of Gallia left, rev. radiant sun above tablet on leaves, un-named, edge impressed bronze and with foundry mark, 50mm, 57.24g (CGMP p.182; cf. MDC e5, 725, for obv.; cf. DNW 38, 834). Very fine £20-£30 --- Le Petit Journal, which first appeared in February 1863, was one of four major French daily newspapers, with a circulation in excess of 2 million at the turn of the 20th century, but that had fallen to 400,000 by the end of World War I. Soon after this medal was issued the paper became the official organ of the Parti social français, but its decline continue and publication ceased in August 1944

FRANCE, Athlète au Stade [Athlete at the Stadium], 1930, an Art Déco bronze award medal by É.-C. Fraisse and H.-A.-A. Dubois, naked male seated left, regarding a modern athletic stadium, rev. wreathed tablet, rayed sun above, un-named, edge impressed bronze and with foundry mark, 50mm, 55.06g (CGMP p.185). Very fine, scarce £20-£30

FRANCE, Athlète [Athlete], 1930, an Art Déco gilt-bronze award medal by É.-C. Fraisse and H.-A.-A. Dubois for Le Conseil Général des Bouches du Rhone, male standing facing, hands resting on tops of podiums, rev. wreathed tablet, rayed sun above, un-named, 50mm, 54.94g (CGMP p.184; cf. DNW 35, 683). About extremely fine £20-£30

FRANCE, Femme avec couronne [Female with Wreath], c. 1930, an Art Déco plated bronze award medal by É.-C. Fraisse and H.-A.-A. Dubois for the Exposition des Petits Inventeurs, offert par L’Écho du Nord, central panel with robed female standing right, holding wreath, leaves around, rev. wreathed tablet, rayed sun above, un-named, edge impressed bronze and with foundry mark, 50mm, 54.62g. Very fine £20-£30 --- L'Écho du Nord, a political journal published from Lille

FRANCE, Aeromaritime, 1938, an Art Déco bronze medal by E.-C. Fraisse and H.-A.-A. Dubois, liner steaming into a harbour, seaplane overhead, rev. mars 1937 mars 1938 in two lines on wreathed tablet, rayed sun above, edge impressed bronze and with foundry mark, 50mm, 56.74g (cf. Höhn 102, 857; cf. iNumis MBS 49, 1088; cf. DNW 37, 1300). Very fine £30-£40

Roy Rogers Comics - a group of 52 Golden-age Western issues (Dell Comics, 1946 onwards).From the Ian Rakoff Comic collection.This lot features:Roy Rogers (Four Colour/ Dell, 1946) Nos. 109, 124.Roy Rogers Comics (1948) Nos. 9, 12, 13, 17, 18, 19, 21, 22, 23, 27, 29, 31, 32, 33, 35, 36, 38, 39, 40, 44, 45, 50, 51, 53, 55, 58, 60, 61, 62, 64, 65, 66, 69, 70, 74, 80, 84, 87, 88, 90, 91, 92, 94, 101, 106, 107, 110, 126, 129, 137.Creators: Script by Gaylord DuBois, art by Albert Micale. Other creators also contribute.All issues 1st print, US Cents editions.Issues unchecked for completeness with conditiongenerally appearingto be Poor condition (0.5) through to VG (Very good) condition (4.0).Most issues come bagged, some with boards, with some boards featuring Ian's original cataloguing notes to rear referencing his lectures covering these issues at the V & A museum.~(52)Condition Report: Issues unchecked for completeness with conditiongenerally appearingto be Poor condition (0.5) through to VG (Very good) condition (4.0).

Edgar Rice Burroughs Tarzan - a group of 50 Golden and Silver-age adventure issues (Dell Comics, 1952-1956)Many covers featuring Lex Barker photos as Tarzan. From the Ian Rakoff Comic collection.This lot features:Tarzan (1st series) Nos. 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 63, 64, 65, 66, 67, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81.Creators: Script by Gaylord DuBois, art and cover by Jesse Marsh and others.All issues 1st print, US Cents editions.Issues unchecked for completeness with conditiongenerally appearingto be Poor condition (0.5) through to G/VG (Good/Very Good) condition (3.0).Most issues come bagged, some with boards, with some boards featuring Ian's original cataloguing notes to rear referencing his lectures covering these issues at the V & A museum.~(50)Condition Report: Issues unchecked for completeness with conditiongenerally appearingto be Poor condition (0.5) through to G/VG (Good/Very Good) condition (3.0).

Edgar Rice Burroughs Tarzan - a group of 51 Silver-age adventure issues (Dell Comics/Gold Key, 1956-63)From the Ian Rakoff Comic collection.This lot features:Tarzan (1st series) Nos. 82, 83, 84, 85, 86, 87.88, 89, 90, 91, 92, 95, 96, 97, 98, , 99, 100, 101, 102, 103, 104, 105, 106, 107, 108, 109, 110, 111, 112, 113, 114, 115, 117, 118, 119, 120, 121, 123, 124, 125, 127, 128, 129, 130, 131, 132, 133, 135, 136, 137.Creators: Script by Gaylord DuBois, art and cover by Jesse Marsh and others.All issues 1st print, US Cents editions.Issues unchecked for completeness with conditiongenerally appearingto be Poor condition (0.5) through to VG+ (Very Good plus) condition (4.5).Most issues come bagged, some with boards, with some boards featuring Ian's original cataloguing notes to rear referencing his lectures covering these issues at the V & A museum.~(51)Condition Report: Issues unchecked for completeness with conditiongenerally appearingto be Poor condition (0.5) through to VG+ (Very Good plus) condition (4.5).

Edgar Rice Burroughs Tarzan - a group of 20 Golden-age adventure issues (Dell Comics, 1947 onwards)From the Ian Rakoff Comic collection.This lot features:Tarzan and the Devil Ogre No. 134Tarzan (Dell Comics, 1948) Nos. 5, 6, 8, 10, 11, 13, 12, 14, 16, 19, 20, 21, 22, 23, 24, 25, 26, 27, 29.Creators: Script by Gaylord DuBois, art and cover by Jesse Marsh and others.All issues 1st print, US Cents editions.Issues unchecked for completeness with conditiongenerally appearingto be Poor condition (0.5) through to G/VG (Good/Very Good) condition (3.0).Most issues come bagged.~(20)Condition Report: Issues unchecked for completeness with conditiongenerally appearingto be Poor condition (0.5) through to G/VG (Good/Very Good) condition (3.0).

Pfalz.: Die K. Bayer. Pfalz in 12 illuminirten Karten, die 12 Land- Commissariats-Bezirke darstellend. Zweibrücken, Dubois o.J. (um 1860). Qu.4°. Lithogr. Titelbl. u. 12 grenzkolor. lithogr. Karten. Mod. Hldr. mit eingeb. Umschl. Vgl. Engelmann 830 (Ausg. Speyer 1845). - Seltenes Kartenwerk, darstellend die Bezirke Zweibrücken, Homburg/Saar, Pirmasens, Landau, Bergzabern, Germersheim, Kaiserslautern, Kusel, Kirchheimbolanden, Frankenthal, Speyer, Neustadt/Haardt. - Falzspuren, Ränder etw. fleckig u. angestaubt. - Exlibris. - ╔Dabei:╗ Dass., Faksim. 1974.

Champagne - three bottles of vintage champagne to inc Brossault, Dubois Martin & Mercier, all 75cl [3]

Joseph Meganck (1807-1891) 'Les Artistes'Oil on canvas. Signed lower left. Signed: 'Hommage Des...  ... M. Dubois'. (96 x 116 cm)Canvas Dimensions:(W:100 x H:80 cm)

two Art Deco-sculptures in ceramic, one signed Jules Dubois and one signed FontinelleLot van twee Art Deco-sculpturen in faïence met craquelé-glazuur telkens in de vorm van een zeilboot, één getekend Jules Dubois en één getekend Fontinelle - hoogtes : 12,5 en 30,5 cm - ca 1930

Château Belair Dubois-Challon 1999, Saint-Emilion (four bottles)

1 Large 20th century engraved pictorial by Nancy Dubois. I have stated this many times but will always make the statement that Nancy Dubois is an incredible artist. This large engraved and gilded Pin shell button depicts a black widow spider on a web and is finely and incredibly detailed. Signed and dated on the back. From the collection of Jose Roman. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: Note: Antique buttons may show wear. Significant issues are noted, but shanks and backs on multi-button cards are not guaranteed. Contact us for details.

Dubois Pierre (20th century)Abstract Compositionsigned, dated 1968, inscribed to verso, oil on board, 63cm x 47.5cm; other abstract oils (5)

PAUL DUBOIS (1829-1905); a Barbedienne large gilded bronze figure group, mother and two children, signed with foundry details to the base, height 48.5cm.

A quantity of late 20th Century ornaments and china to include 3 Royal Doulton Toby jugs, a Dubois pottery 'Waterloo' jug, decorative plates and bowls to include Wedgwood. Location:7.2If there is no condition report, please request

Gerard Dubois (French, b.1968), limited edition print, ‘The Seven Deadly Sins, Gluttony’, limited edition 56/120, details verso, 37 x 27cm. Condition - good

A LOUIS XVI ORMOLU AND WHITE MARBLE MANTEL CLOCK THE CASE BY BAUCOUR, CIRCA 1785 The enamelled dial with both Roman and Arabic numerals signed 'D. F. Dubois, A PARIS', ormolu scroll element to one signed 'BAUCOUR' 44cm high, 35cm wide, 10cm deep overall For a related clock, see Christie's, London, 3rd March 1994, Furniture Collection, Lot 7 (£6,900). The Christie's description notes that 'Jean-Louis Bancour, ciseleur, is recorded in the 'cour de lEgout Saint-Antoine, Paris circa 1783-8'.  

Y A GEORGE III KINGWOOD, AMARANTH, TULIPWOOD PARQUETRY AND LACQUERED GILT BRONZE MOUNTED BUREAU PLAT PROBABLY BY AN EMIGRE CRAFTSMAN IN THE MANNER OF PHILIPPE-CLAUDE MONTIGNY AND RENE DUBOIS, LAST QUARTER 18TH CENTURY The gilt-brass banded rectangular top inset with a gilt-tooled blue leather writing surface, above a panelled frieze inlaid with Greek-key motif with two frieze drawers centred by masks headed by acanthus flanked by rosettes and opposing false drawers, with lateral writing slides, the lower border with a ribbon-twist mount, the brass reeded incut square tapering legs headed by laurel swags with square sabots terminating in castors, with a paper label to the pine panelling to underside inscribed in ink 'Brynkinalt RM' 72.5cm high, 122cm wide, 63cm deep Provenance: Possibly supplied to Arthur Hill-Trevor, 2nd Viscount Dungannon (1763-1837) or acquired by Arthur Hill-Trevor, 3rd Viscount Dungannon (1798 - 1862) for 3 Grafton Street, London, thence by descent at Brynkinalt Hall, Denbighshire until sold, Of Royal And Noble Descent; Sotheby's, London, 19 January 2017, lot 382, where acquired by present owner. Although this sophisticated desk, with its 'Etruscan' decoration and interlaced key frieze, has the outward appearance of a French bureau à la grec, a number of constructional idiosyncrasies help to identify it as an unusual example of English craftsmanship. Until recently the bureau plat formed part of the resplendent Hill-Trevor collections at Brynkinalt Hall in Denbighshire and is most likely the output of an émigré ébéniste working in London in the last quarter of the 18th century. London had long tradition of attracting émigré craftsman with the perpetual cycle of European political and religious turbulence of the 17th and 18th centuries spurring their arrival. The lure of the capital reached new heights following the favourable conclusion of The Seven Years' War (1756-1763), a pan-European conflict which did little to dampen the appetite for French fashions in Britain. The maker of the present bureau plat would certainly have had excellent knowledge of French workshop practices and prototypes, namely the output of the celebrated Parisian cabinet-makers Phillippe-Claude Montigny (1734-1800) and René Dubois (1737-1799). The goût grec style swept to popularity in France from the mid-1750s with the celebrated suite of furniture supplied for the collector and financier Ange-Laurent Lalive de Jully. Veneered in kingwood, amaranth and tulipwood and decorated with rosette and laurel swag mounts, the Brynkinalt bureau plat closely follows a well-documented group of bureau à la grec by Montigny and Dubois. However, the Brynkinalt bureau plat diverges in several distinct ways which preclude the possibility of a French origin. Whereas French-made bureau plat use oak, the present desk employs pine in the construction. Further, the oak-lined drawers have front-to-back oak drawer bottoms, where French antecedents would have the grain running side-to-side. The dovetails, with the pronounced fan-shaped tails, are distinctly un-French and quite idiosyncratic being covered by a very thin veneer. The original locks are English, and the lacquered-gilt-brass banding to top, mounts, capping and castors (French models typically employ sabots without castors) all present as English derivatives or casts taken the originals. The presence of a distinctly English 'rococo' influenced ring-pulls to the writing slides further anglicises the French character of the present lot. Interestingly, an almost identical version of this model, sharing the same constructional traits but lacking brass reeding to the legs, is preserved in the collections of the Marquesses of Bute at Mount Stuart, Scotland. The Bute bureau plat is almost certainly from the same émigré workshop and points to a definitive group made for the most prominent families of the day. The present desk formed part of the collections of the Hill-Trevors at Brynkinalt Hall, Denbighshire, on the English-Welsh borders. The family fortune was built at first by Sir John Trevor (1637-1717), an unscrupulous lawyer-turned-politician, who twice held the position of Speaker of House of Commons before being unseated because of a bribery scandal involving the East India Company. He also served as Master of the Rolls 1685 to 1689 and from 1693 until his death in 1717. The financial gains Sir Trevor accrued in these prominent positions allowed him to acquire two London houses on St Clements Lane and Trevor Square, Knightsbridge. All four of his sons predeceased him and his estates, including Brynkinalt, passed to his daughter Anne who married Michael Hill of Hillsborough in Ireland.Arthur Hill, 1st Viscount Trevor (1694-1771), later Arthur Hill-Trevor, 1st Viscount Dungannon, was the second son and also pursued a political career, this time in Ireland as Chancellor of the Irish Exchequer and Commissioner of Irish Revenues. Arthur built Belvoir house in Ireland to designs of Christopher Myers in circa 1750. His son, the Hon. Arthur Hill Trevor (1738-1770), predeceased him also, making him an unlikely candidate for the acquisition of the present bureau plat. Instead, the Dungannon estates, including Belvoir and Brynkinalt, passed to Arthur Hill-Trevor, 2nd Viscount Dungannon (1763-1837) who inherited the title at the age of eight. In 1795, at the age of thirty-two, he married the Hon Charlotte Fitzroy, daughter of General Charles FitzRoy, 1st Baron Southampton (1737 -1797) and grand-daughter of Charles FitzRoy, 2nd Duke of Grafton (1683-1757), and consequently sold Belvoir Park choosing to live between No. 3 Grafton Street, London (built by the Augustus Henry FitzRoy, 3rd Duke of Grafton (1735-1811) to designs of Robert Taylor in 1767) and Brynkinalt Hall. It is conceivable to bureau-plat was acquired before or during this phase of ownership as the Viscountess was a woman of highly cultivated taste and oversaw the significant re-modelling of Brynkinalt which had not been altered since the early 18th century. Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.Observations include: the leather to the top has a different gilt tool edging and is either different to the leather on the sliding ends or is faded; the leather to the top also has cracks along the underlying constructions joints; some ormolu mounts are slightly loose eg the edging to to the top of the desk, one of the swags (with a later screw), some of the ribbon edging has vacant holes from missing pins, one brass inlay to one leg is sprung; it is not possible to remove the right frieze drawer as there is a fixed peg/screw preventing it from sliding out; there are two keys that operate the two different locks that suggest one is a later replacement; there is some evidence of old worm; some fading to the back.The Greek key parquetry and ormolu mounts to all sides.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer

Dubois-Utters, Mechthild (um 2000) Ohne Titel. Acryl/Lwd., verso sign. und dat. 2000. 100x 100 cm. Leiste.

Seltene StanduhrJ. L. Dubois/Frankreich, um 1840. Mahagoni. Obstholz. 216 x 61 x 35 cm. Römisch und arabische Ziffern. Monats- und Datumsanzeige. Barometer. Sonnenanzeige. Auf dem Ziffernblatt sign. Gewichte liegen hinter der Uhr. Werk und Funktion ohne Gewähr.

Ernest Henri Dubois (1863-1931), Fauconnier arabe, bronze à patine dorée, signé, cachet de fondeur, 69 x 49 x 22 cm

Vertunni, 54-58mm metal solids Series: Premier Empire, Sculpted, Cast & Painted by the Italian Husband & Wife Team of Gustave & Mdm Vertunni in France, Production Ended Circa 1955. Comprising: Lesueur [plume missing] & Dubois. Some minor paint chipping otherwise generally Excellent overall. From the John Dennis Vertunni Collection. [2]

Dubois, Paul (1829-1905), "Johannesknabe", Bronze, H 63, Gießerstempel Barbedienne, Paris

F. Barbedienne nach Paul Dubois Bronze La MeditationBronze, dunkel patiniert, an der Plinthe seitlich bezeichnet F. Barbedienne Fondeur, innen unerkenntlich nummeriert, H 26,5 cm x B 12 cm x T 15 cm, Gewicht 4,5 kg

LEIGH VIVIEN: (1913-1967) English actress, Academy Award winner for Best Actress in 1939 for her role as Scarlett O’Hara in Gone with the Wind and again in 1951 for her role as Blanche DuBois in A Streetcar Named Desire. A good vintage signed 8 x 10 photograph of Leigh in an appealing close-up head and shoulders pose. Signed by the actress in fountain pen ink with her name alone to a light area at the base of the image. VG

DUBOIS THÉODORE: (1837-1924) French composer and organist associated with the Romantic era. The personal printed oblong 12mo black bordered Visiting Card of Dubois, unsigned, featuring his printed name to the centre, as a Membre de l´Institut, and address at Boulevard Pereire (Paris) to the lower right corner. with eight lines of text in his hand, to the recto and verso, in French, in full, ´Merci pour le bel article du Menestrel T.S.V.P Serait heureux qu´il vous fut possible de venir entendre la 1ère audition de son quatuor. Je viendrai mercredi, mais tâchez de commencer un peu avant 4h ½, car il faut que je sois Avenue d´Antin à 5h 20´ (Translation: ´Thank you for the lovely article in Le Menestrel. P.T.O. I would be delighted if you could come and hear the first performance of his quartet. I will be there on Wednesday, but please try to start a little before 4.30 pm, because I need to be on Avenue d'Antin at 5.20 pm´). VG

DUNAWAY FAYE & VOIGHT JON: Faye Dunaway (1941- ) American actress, Academy Award winner for Best Actress in 1976 for her role as Diana Christensen in Network, & Jon Voight (1938- ) American actor, Academy Award winner for Best Actor in 1978 for his role as Luke Martin in Coming Home. A good and unusual signed 10 x 8 photograph by Dunaway and Voight, the image showing both young actors standing in a half-length pose, performing on scene in the 25th Anniversary production of Tennessee Williams´ A Streetcar Named Desire. Dunaway and Voight in their roles as Blanche Dubois and Stanley Kowalski respectively, played at the Ahmanson Theatre of the Music Center, New York, A Streetcar Named Desire in April 1973. Individually signed by Dunaway and Voight in bold black ink across the image. Very small age wear, otherwise G to VG

PAUL DUBOIS1829 Nogent-sur-Seine - 1905 ParisWASSERBÜFFEL UND KALB Bronze, dunkel patiniert, auf naturalistischer Plinthe. H. 22, B. 45, T. 17 cm, Gew. ca. 7,93kg. Vorderseitig bez. 'P. Dubois'. Part Verlust der Patina, best. und ber.

The news of the death of Sir Clements Markham has been received with unanimous and unfeigned regret. His eminent services to Geographical Science, more especially to Polar Exploration, will live for all time. From the President of the French Geographical Society. The spectacular and historic group of sixteen Decorations and Medals awarded to Sir Clements R. Markham, K.C.B., F.R.S., who served as Geographer to the Abyssinian Expedition of 1867-68, and became known as the ‘Father of Polar Exploration’ The Most Honourable Order of the Bath, K.C.B. (Military) Knight Commander’s set of insignia, comprising neck badge, silver-gilt, hallmarked London 1895, and breast star, silver and silver-gilt; Abyssinia 1867 (C. R. Markham Esqre. Geographer to the Force) fitted with silver ribbon buckle; Arctic Medal 1818-55, unnamed as issued, fitted with silver ribbon buckle; Jubilee 1897, silver; Brazil, Kingdom, Order of the Rose, breast badge, gold and enamels, fitted with silver ribbon buckle, crown suspension neatly re-affixed; Portugal, Kingdom, Order of Christ, 2nd class set of insignia, comprising neck badge, silver-gilt and enamels, and breast star, silver, silver-gilt and enamels, one point of star neatly repaired; Norway, Order of St Olaf, 2nd class set of insignia, comprising neck badge, 2nd type, gold and enamels, and breast star, 1st type, by I. Tostrup, Kristiania, silver, silver-gilt and enamels; Sweden, Order of the North Star, 2nd class set of insignia, comprising neck badge, gold and enamels, and breast star, silver. Together with the following Society awards: 1. Royal Geographical Society, Founder’s Gold Medal, W.IV.R. obverse, 55mm, 128.68g (Clements R. Markham. 1888) lacking obverse glass lunette 2. Society of Arts Manufacturers and Commerce, silver medal, 56mm (To Clements R. Markham, for his paper “on the Tinnevelly Pearl Fisheries” 1867) 3. Society of Arts Manufacturers and Commerce, silver medal, 56mm (To Clements R. Markham, Esq., C.B., for his paper on “the Agricultural Statistics of India” 1875) 4. Society of Arts Manufacturers and Commerce, silver medal, 56mm (Clements R. Markham, C.B., F.R.S, for his paper on “the cultivation of Caoutchoue-yielding trees in British India” read 5th April 1876) 5. London Annual International Exhibition of all Arts Industries and Inventions, bronze medal 51mm (C. R. Markham C.B., F.R.S. for Services) 6. Grant Medical College, bronze medal, 51mm unnamed 7. France, Societé Imperial d’Acclimatation, Fondée le 10 Fev 1854, silver medal by Alphée Dubois, 50mm (M. Markham, Quinquina dans l’Inde 1864) 8. Congress of Peru, Lima 1892, Gold Medal, 45mm, 97.79g, specially struck reverse inscription (Á Clemente R Markham Por Sus Trabajos Historicos) [For His Historic Works], a few enamel chips but generally very fine or better (20) £40,000-£50,000 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Sir Clements Robert Markham geographer and historical writer, was born at Stillingfleet, Yorkshire, on 20 July 1830. After two years at Westminster School, he entered the navy in 1844 and spent four years in H.M.S. Collingwood on the Pacific Station, mainly in South American ports, where he picked up a working knowledge of Spanish. Many things in the service were distasteful to him, but he remained in it for a further three years in order to join H.M.S. Assistance as a Midshipman under Captain Austin on his Franklin Search Expedition of 1850-51 (Arctic Medal). After a year of wandering (1852-53) among the Inca ruins of Peru, which made him a life-long friend of the Peruvian people, Markham joined the civil service, and in 1854 was transferred to the board of control of the East India Company. In 1860 he was charged with the collection of young cinchona trees and seeds in the forests of the Eastern Andes, and with the acclimatisation of the plants in India. The difficulties were great, but the result was a complete success, leading in time to the supply of quinine at a very low price. From 1867 to 1877 he had charge of the geographical work of the India Office. In 1868 he accompanied Sir Robert (afterwards Baron) Napier as Geographer on the Abyssinian Campaign. He was present at the capture of Magdala, and it was he who discovered the body of the Emperor Theodore (Abyssinian Medal). In 1871 he received the C.B., and in 1873 was elected F.R.S. Markham took an active role in promoting the revival of Arctic Exploration, and sailed in 1875 as far as Greenland with the expedition of Sir George Nares, on which occasion his cousin Sir Albert Hastings Markham was second-in-command. In 1877, he left the India Office and retired from official life, only to redouble his geographical and historical studies, travelling widely and writing incessantly. He had joined the Royal Geographical Society in 1854, and maintained a role as one of its honorary secretaries for 25 years (1863-1888). He became president of the society in 1893, and during his 12 years’ tenure he vigourously directed its policy of encouraging exploration and geographical education. He was frequently consulted by the government, on issues such as the difficult question of the boundary between British Guiana and Venezuela. He received the K.C.B. in 1896. For the next few years, Markham threw heart and soul into the promotion of Antarctic exploration, securing funds by urgent appeals to public and private sources. On the joint committee of the Royal Society and the Royal Geographical Society, which was responsible for the National Antarctic Expedition of 1901, it was Markham who selected Commander Robert Falcon Scott as leader, pressing his strong preference that the expedition should consist of naval men under the sole command of a naval officer, with a small civilian scientific staff. The expedition was highly successful, but Markham took little interest in later South Polar achievements (he was not a supporter of Shackleton) until Captain Scott planned the expedition in the Terra Nova in 1910, when his former ardour was rekindled. Captain Scott drew much of his inspiration and encouragement from Markham, and in one of his final farewell letters wrote, ‘Tell Sir Clements I thought much of him and never regretted him putting me in command of the Discovery.’ For many years, Sir Clements Markham’s reputation was established throughout the world as the leading British geographer and his achievements were recognised by his many awards, not least the gold Founder’s Medal of the Royal Geographical Society. Sir Clements Markham died in London on 30 January 1916. Amongst the many memorials is a bronze bust, presented by the government of Peru, which today stands guard at the portals of the Royal Geographical Society’s main entrance to Lowther Lodge in Kensington. Sold with a first edition of The Life of Sir Clements R. Markham K.C.B. F.R.S., by Admiral Sir Albert Markham K.C.B., London 1917.

Hamilton (Elizabeth), Letters on the Elementary Principles of Education, two volume set, third edition, Bath: Printed by R. Cruttwell: for C. and J. Robinson, 1803, half-titles, contemporary mottled calf gilt, rubbed, worn and with slight chipped, upper-cover of volume I detached, volume I ffep and both volumes' blanks with contemporary female dedication and ownership inscriptions, 8vo; Dickens (Charles) & Stone (Oliver, illustrator), Our Mutual Friend, two volume set, first edition thus, London: Chapman and Hall, 1865, half-titles, frontispiece of volume I with discreetly re-enforced gutter, one plate of volume II with tatty margin, another repaired, some sporadic foxing as per, contemporaneous green quarter-roan gilt over foliate cloth, speckled edges, 8vo; [Clüver (Johann)], Iohannis Cluveri Historiarum Totius Epitome [...], Amstelædami [Amsterdam]: Joannem Ravesteynium [Joannes Ravesteynium], 1668, double-column, engraved title-page by Jacobus van Meurs, letterpress title with woodcut printer's device, decorative devices, contemporary vellum over boards, spine lettered in manuscript, loosely-inserted TLS on the bibliography of the book from an assistant librarian at the Bodleian, Oxford, dated 1960, 4to; [Prayerbook] The Liturgy of the Church of England Adorn'd with Fifty six New Historical Cuts, London: Sold by Richard Ware [...], n.d., engraved title-page for three titles issued and bound as one, The Book of Common Prayer [...], Together with the Psalter [...], London: John Baskett, 1727, A Companion to The Lord's Table, London: Richard Ware, 1726, & The Whole Book of Psalms, London: William Pearson, 1727, black-ruled letterpress titles, double-column, later 18th c black morocco binding gilt, worn, all edges gilt, marbled endpapers, contemporaneous erased ownership inscription on general title: Richard Parkes Jun:r, gilt green morocco book label of Mary Webster, 1795, the commissioner of the binding, and her manuscript inscription to blank, 8vo; Boccaccio & [Dubois (Edward, translator)], The Decameron, London: Printed by J.F. Dove, 1820, half-title, frontispiece, contemporary quarter-calf over cloth, 8vo; nine Victorian and leather prize bindings, mostly Uppingham, mixed subjects and sizes; etc., mixed bindings and sizes, (31)

Dentistry.- Chémant (Nicolas Dubois de) A Dissertation on Artificial Teeth. Evincing the Advantages of Teeth made of Mineral Paste..., fourth edition, engraved portrait frontispiece and one double-page plate, presentation inscription "From the Author" to front free endpaper, same endpaper with contemporary ownership name of John Turton M.D. to head, frontispiece offset, plate and few text ff. nearly loose, some browning, some spotting or light foxing, upper hinge strengthened affecting flourish to inscription, original marbled boards with printed paper label to upper cover, rebacked in calf, circular sticker of Ash's Circulating Library to lower cover, extremities worn, T. Bensley, 1804; and others 19th century, various subjects, including A Stevenson Medley, one of 300 copies (1899), 8vo & 12mo (6) *** Fourth edition in English of a work originally published in French in 1797 and first translated the same year. Dubois was a pioneer in the manufacture of artificial teeth. 

PENNELL (ELIZABETH), MY COOKERY BOOKS, limited edition, 45/320, mounted plates, ¼ cloth with marbled boards, Boston and New York, Houghton Mifflin, 1903; NAPIER (MRS ALEXANDER), A NOBLE BOOK OF COOKERY, patterned binding, London, Stock, 1882; URBAIN DUBOIS, COSMOPOLITAN COOKERY, POPULAR STUDIES, later ¾ leather, ‘Presented by the Publishers’ blind stamp to title page, London, Longmans, 1870 (3)

Lougarré (presumed French), and Diels (presumed French), and Dubois, Henri-Alfred-Auguste (French, 1859-1930); b. Rome, moved to France by 1863 FRANCE, Fondation du Confédération générale de l'artisanat français [Foundation of the General Confederation of French Crafts], 1922, a bronze award medal by Lougarré and H.-A.-A. Dubois for Diels, young female to left, holding a leaved branch and a vessel from which flames rise, hands holding artisanal tools around, rev. wreath, un-named, edge impressed bronze and cornucopia, 50mm, 58.28g (CGMP p.163 for rev.; cf. iNumis MBS 32, 1422). Very fine, an interesting medal with elements of both Art Nouveau and early Art Déco in the design; in maroon gilt-blocked case of issue by Le Medaillier, Paris [M. Bousquet, Seul Representant, avenue de Minimes 30, Toulouse] £30-£40 --- Provenance: Bt Simmons April 2003. The Confédération générale de l'artisanat français was created in 1922 on the initiative of two Parisian shoemakers. Close to the radical-socialist political movement, and in particular to Étienne Clémentel (1864-1936), the senator who encouraged the artisans to create this union, it represented the principal artisans' voice during the inter-War years. Marius Bousquet was a well-known figure in Toulouse society

Dubois, Émile-Fernand (Belgian, 1861-1939); b. Renaix BELGIUM, Exposition de Dinanderies, Dinant, 1903, a bronze plaque by É.-F. Dubois, two metalworkers, factory window behind, rev. tablet in foreground, rocks behind, one with a flag-pole, 60 x 45mm, 71.93g (cf. Fischer 143, 2166; cf. Elsen 106, 1666). About extremely fine, patinated £50-£70 --- Provenance: DNW Auction 45, 1 March 2000, lot 759. The Exposition de Dinanderies, curated by Joseph Destrée (1853-1932), was staged from 1 August to 30 September 1903

Dubois, Henri-Alfred-Auguste (French, 1859-1930); b. Rome, moved to France by 1863 FRANCE, Cérès, c. 1900, a plated bronze award medal by H.-A.-A. Dubois [signed dubois inc.], Ceres seated right, holding a sickle, greeting children who offer her farm produce, rev. farmer with plough being pulled by two bullocks, tablet below, named (Offert par M. Simonet, Sénateur), edge impressed bronze and cornucopia, 50mm, 65.36g (PBE 412; cf. Stack’s/Bowers May 2023, 72110). Very fine, toned £30-£40 --- Provenance: Baldwin Auction, 11 February 2006, lot 441 (part). Hippolyte Simonet (1858-1922), radical socialist, lover of arts and crafts, qualified as a lawyer in 1887, served as a magistrate from 1889 to 1903, then député for dép. Creuse 1903-12, elected sénateur 7 January 1912 and served until his death at Saint-Chabrais in August 1922

DUBOIS limitierter Tachymètre-Chronograph von 1990, Box und Papiere. Edelstahl, vergoldet. Mechanisches Handaufzugs-Werk Lemania Kaliber 1873 mit guten Gangwerten (+11 Sek., 259° Amplitude). Guillochiertes, silbernes Zifferblatt mit römischen Ziffern und 3 Totalisatoren. Lederband mit vergoldeter Dornschließe. Guter Zustand mit Tragespuren am Band und Gehäuse. Original Box, Anleitung, Erstkaufrechnung vom 24.04.1990 bei Schweizer Uhren-Editionen, Garantie-Zertifikat und Mikrofasertuch anbei. Durchmesser ca. 38 mm, gemessen ohne Krone.| DUBOIS limited Tachymètre-Chronograph from 1990, box and papers. Stainless steel, gold-plated. Mechanical hand-wound movement Lemania calibre 1873 with good rates (+11 sec., 259° amplitude). Guilloché silver dial with Roman numerals and 3 totalizers. Leather strap with gold-plated pin buckle. Good condition with signs of wear on the strap and case. Original box, instructions, first purchase invoice dated 24.04.1990 for Swiss watch editions, guarantee certificate and microfiber cloth attached. Diameter approx. 38 mm, measured without crown.

Ten American Sterling Silver spoons, some with ornate Art Nouveau finials and souvenir examples for San Francisco, Court House, Toledo (x2), etc. Makers include Gorham, Whiting "Pompadour" pattern, Baker, Manchester, Philo Dubois, etc. Combined weight approx 193g